Tea Time

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Is there such a thing as an animated horror movie? Tea Time was done as a demo with one of my online art students. She had a definite story she wanted to tell about one sister poisoning her sibling. I did a series of thumbnail sketches to explore how the scene might be staged.

If this was to be pushed towards a finished illustration I would need to research the furniture the dresses, and the type of room that would best set the mood.

I didn’t push this further since my goal was to get my student’s work to shine. I offered multiple suggestions and helped push the student work along.

Students who have definite ideas they would like to pursue are the most fun to work with. Today is Saturday and I will be working six hours with 4 students. Tow of them are working on story ideas they are developing. I will be doing thumbnails like this to help inspire them to consider all the possibilities in staging a shot. The goal isn’t for them to copy what I do, but for them to come up with an idea that works best for them.

Tonight after the classes, I might go to Winter Park’s Knowles Memorial Chapel where Dvořák’s Stabat Mater is being performed. I would sketch the chapel and see if the music is audible as I sketch. I also need to re-paint the background in a Shakespeare Theater poster. I suspect I will be painting the poster until I collapse and go to bed.

Knowles Chapel 2

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I let my advanced Urban Sketching student decide what angle to sketch Knowles Chapel from. We sat under a line of trees which guaranteed shade. My first lesson, is always, “Never sketch while sitting in the sun in Florida.” It is kind of the most important rule of sketching in Florida, but you would be amazed at how many artists don’t predict the movement of shadows and get stuck sweating in the sun.

From this angle the rose garden in front of the church became a center of interest. The chapel tower is now a reduced feature in the background. In the courtyard behind all those arches is a statue of Mr. Rogers surrounded by children. If he wasn’t such a beloved entertainer, it might seem a bit creepy.

The vanishing point in this sketch is at the far left between several arches. The roof and the walls of the garden point to that spot. My fountain pen ran out of ink, so all the line work in this sketch was dome with a brown colored pencil. I kind of like the look it is a bit more subtle than my usual sketch. My advanced student had to recover from the hurricane this weekend, so we aren’t going on location. I have tons of large branches down as well. I managed to clear the driveway of debris before I had to come in to teach a virtual class. My hurricane recovery plan is in small incremental stages.

We did quite a bit of clean up before the storm but the city refused to pick up the pile of debris on the day before the storm. They want everything tucked neatly into small plastic lawn bags. They must have an agreement with a plastics company. Anyway all of today’s debris went into lawn bags which is insanely time consuming. I am thinking a bon fore would be far more fun to do over night.

Knowles Chapel

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Knowles Chapel on the Rollins College Campus is a beautiful structure. My advanced Urban Sketching student agreed to meet her to sketch. This largely became a lesson in one point perspective and I pointed out to the student that the red sculpture that was a block down the sidewalk was the vanishing point. For this reason I included the red sculpture in my sketch. The other lesson was that the Chapel did not need to be in the middle of the sketch. A large tree dominated the center of my sketch and I went with it, relegating the chapel to the background.

The campus had expanded since I sketched here last. I used to park down by the Rollins Museum but that parking lot was demolished to make way for another building. I had to drive several more blocks to park in a parking garage. By the time I hikes my way back to the chapel I was a sweaty mess but at least I am getting some exercise.

Construction on the chapel began on March 1931 and it was dedicated on March 19, 1932. At that time it was located in the center of the campus. The architect of the chapel was the famous ecclesiastical architect, Ralph Adams Cram of the firm of Cram and Ferguson of Boston. Cram also designed the Church of St. John the Divine in New York City. St. John the Divine opened in 1941 and thus didn’t make my list of the 50 oldest churches of NYC. Knowles is actually a rather modern building compared to the historic churches I sketched in NYC.

Dr. Martin Luther King Candle Light Vigil

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On Martin Luther King day I went to Knowles Memorial Chapel on the Rollins Collage Campus in the evening for a candle light vigil. I found a spot on an upper level baloney with it’s wrought iron railing. I sketched the space feverishly as people filed in. “Bridge over Troubled Water” was echoing through the church organ pipes. The Keynote speaker was Fairolyn Livingston who is active in collection and preservation of the community’s history and is a founding member of the Hannibal Square Heritage Center Picture Collection Team. She was born in Hannible Square a segregated community for blacks. She is active in collection and preservation of the community’s history and is a founding member of the Hannibal Square Heritage Center Picture Collection Team. Thanks to the groundbreaking efforts of Dr. Martin Luther King, she was able to attend Rollins College to earn her B.A. degree.

A moment of silence was asked for in Dr. Kings memory. The church bell tolled fifteen times. There was something eerie in the sound as it filled the night then faded. The Chapel was packed. Everyone stood to sing “The Black National Anthem.” Students got up and spoke about how Dr. Kings words changed their lives.”Hate can not conquer hate, only love can conquer hate.” Four female singers rose and sang “I Give Myself Away.” Finally everyone in the church lit their electronic candles. Perhaps the image wasn’t as moving as a raw flame, but the room was alive with light as everyone sang out, “Let there be LIGHT!” Everyone filed out of the church, cradling their candles, as I rushed to finish my light filled sketch.

Knowles Memorial Chapel

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The second stop on the 34th Worldwide Sketch Crawl was Knowles Memorial Chapel on Rollins College in Winter Park. I did not see any artists at the 5.2k run but I knew it might be hard to spot artists in that crowd. I had resigned myself to a solo crawl. When I got to the chapel, I walked all around the building searching for the best sketch angle and keeping my eyes open for anyone holding a sketchbook. I decided to sit on a nice iron bench and I got to work. I don’t sketch buildings very often, mostly because it is so hot in Orlando. It was a beautiful clear cool crisp day and I relaxed into the sketch.

Young students jogged by and a truck full of Lacrosse players rumbled down the hill towards the lake and playing fields. A player shouted out, “Do a drawing for me!” His buddy’s laughed. A woman approached from the street talking on her cell phone. I heard her say something about sketching the chapel. She put the phone away and I asked, “Are you here for the Crawl?” She didn’t understand, so I gave her a flier and explained what a Worldwide Sketch Crawl was. It turned out Claire Wiley was indeed meeting people to sketch, but they were a separate group of sketchers unrelated to the Crawl. Isaac Warshow walked up and Claire shouted out, “Come meet my new friend!” Isaac absolutely loved my work so, I shared a sketchbook with him and we chatted, then sketched together. Claire wandered across the street, set up her portable artist’s stool and began sketching the front facade. Brad and Wendy Ringhausen, a married couple introduced themselves then set up outside a chapel courtyard. Brad told me he planned to finish a sketch he had started a year and a half ago. Brad showed Claire his sketch and they talked for a while before he walked off to finish it.

A large van parked right in front of me blocking the lower half of my view of the chapel. The van was for the Gospel for Teens Choir. They piled out and went inside the chapel to rehearse. An hour later, the van drove off and I focused on the areas that had been blocked. Isaac had to leave to get his hair done. He had done a bold study of the Chapel tower in ink using Rapidograph pens. He used watercolor pencils to add some color. He asked for my advice, so I suggested he darken the shadow side of the building.

Terry was coming to meet me for lunch. When I started packing up my supplies, I noticed Claire across the street had finished as well. I walked over to compare sketches and chat. Her sketchbook was full of small intimate studies of architecture, trees and delicate watercolor studies of clouds. The clouds floated and filled the pages with no horizon to ground them. Because of that, they were painted more boldly and had a degree of abstraction. They made me want to look up. Wispy clouds had blown in and enveloped the sky.

She works as an interior designer at Disney and her husband does the same for Universal. She is a sketch addict. When Terry walked up and I introduced her, Claire asked, “Is it a problem for you that Thor is always out sketching?” That was a loaded question that caused me to laugh out loud. Terry responded, “It is important for couples to make time to be together.” It turns out Claire sketches even when she and her husband are out to dinner. She has to negotiate for the time to finish. For some reason it makes me happy that there are other couples who share the same negotiations.

Brad and Wendy sat in the courtyard together. He used a brown brush pen to delineate all the roof tiles and the rest of the sketch was done in muted neutral tones. Wendy was working on an interior study of a room using a photo for reference. She liked the multiple textures and experimented with ways to reproduce them in her sketch. I invited everyone to join me for the rest of the crawl, but one sketch was enough for them. Terry and I said goodbye and we walked up Park Avenue to find lunch.

Mozart

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I went to Rollins College Knowles Chapel to watch a rehearsal of Mozart’s Grand Mass in C minor. The music starts softly at first and then builds in intensity. I imagined a small ship lost at sea caught in a tempest, the waves swelling and the ship tossed about like a cork. A refrain of hope, a ray of light, wove it’s way through the music

I sat in the nose bleed section since I didn’t want the tablet’s glowing screen to distract anyone in the audience. Even the balcony became packed. This Bach Festival rehearsal was open to the public and free to attend. A couple in front of me cuddled the entire performance.

When the chorus joined in, the music became heavenly. At one point a trains whistle sounded repeatedly in the distance. Amazingly the sound fit in perfectly with the performance. The conductor, John V. Sinclair, commented on the accompaniment and the orchestra, chorus and audience laughed. This was different than most performances in that the audience was asked to remain silent. As a working rehearsal, the conductor offered notes and suggestions to the performers. By remaining silent the audience had a chance to learn more about how the conductor viewed the music. When there was a break in the rehearsal, most of the audience left. I remained and continued to play and experiment with color.