Drip “Super Heros”

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While Mega-Con was at the Orange County Convertion Center, Drip staged a special “Super Heros” themed show. On March 16th one dancer was sick so Jessica Mariko, the dance company’s founder, stepped in to perform as Red. I hadn’t seen Jessica dance since she did a solo routine at Slingapour’s downtown.  Other dancers were a bit nervous to have the creative director performing with them. Jessica performed a hot sensual dance routine with Blue that was stellar. Some dancers have the ability to grab your attention and hold it with their every move. It is obvious Jessica has that spark. It is a shame she has to spend so much time marketing and doing the paperwork to keep this amazing show afloat.

The first act,in which the romantic leads meet, happened in the bar area. I liked how the dancing happened on the bar and patrons became part of the performance. A police siren and flashing red and blue lights announced the start of the main performance. The wagon wheel was no longer above the heads of the rock band. I never understood how that wheel tied into the show anyway. A plastic cage is used in the beginning of the show protecting the audience from the sand and paint that the performers throw. This gives a false sense of security because later the walls were removed.

My sketch got drenched several times and my white Drip T-shirt was covered in paint. Unfortunately the crowd was rather thin. It must be difficult to get Sci-Fi nerds out to see cutting edge performances.

DRIP Valentines

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After returning from Mount Dora, Terry brought her out of town friends to International Drive to experience DRIP Dance. DRIP had a special Valentines show that featured a full color themed diner along with the full floor show. Tickets cost more for this Valentines show but Jessica Mariko, the company founder, pulled out all the stops to make it a memorable show. Her boyfriend David Traver was back from being on tour. He composed all the hard hitting rock and roll for the show. We all had to sign wavers when we went in acknowledging that we knew we might get paint drenched. Yellow, Jessie Sander offered each of us a white DRIP T-shirt. I opted for the DRIP logo up on my shoulder. A brightly colored oxygen bar complimented the beer and wine bar.

As the room got crowded, and the music pulsed, Miranda Snow got on the bar holding a mango.  She did a sensuous dance with the fruit. She ripped it open and devoured it as the juices ran down her cheeks and on to her tank top. I never realized there was so much juice in a mango. When she twirled, the juice splashed onto the patrons. Dinner was served in finger food portions. My favorite item was the coconut crusted skewered shrimp. Instead of a colored beer, I went with white wine. There was a table with dozens of Valentines cards along with necklaces that featured a heart shaped bottle cap. Miranda began painting herself with red paint. My shirt had gone unscathed most of the night until she danced behind me and ran her blood red hands down my back.

Blue, the male dancer, Marcus Alexander Cartier, was performing for the last time on this evening. In the show, Blue and Yellow fall in love. Together, the two dancers create green. However, another woman, Red, Brigette Frias, catches Blues attention and they have a sordid purple affair. In future shows, Blue is being performed by a female dancer named Meagan Nagy. Meagan explained that audiences welcome the idea that two women dancers fall in love. If anything, it makes the scenes hotter.

After the show, John Frank performed on guitar. I quickly worked him into my sketch and then rejoined our crew. Everyone was paint covered and hot wired. what a night! I ended up leaving my polo shirt behind. Lovers will often forget an article of clothing when the want to return for more. It was the wettest, hottest, sexiest Valentines ever.

DRIP Sold Out Performances

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There was a performance of Drip on founder Jessica Mariko‘s birthday. Appropriately this was the first sold out performance. There was a waiting list of people who hoped to get in. The Drip venue is located in a dark warehouse and you enter via the loading dock (8747 International Dr. Suite 102, Orlando, Fl 32819, behind Denny’s and Senor Frogs). The place used to be an indoor miniature golf course but now it is one of the hippest spots in Orlando. January 5, 12, 18, and 19th’s shows were all sold out. A second show is being added on January 26th to accommodate the crowds.

This performance was so crowded, that I had to stand on my artist stool to see well enough to keep on sketching. This isn’t a passive show to sit and watch. The audience stands on either side of the huge warehouse interior and at times is involved by lobbing water balloons at dancers and at each other. The hip energetic dance has a story line that anyone can relate to. A hot romance ignites with a male dancer, Marcus Alexander Cartier, throwing blue sand and the female dancer, Jessie Sander, throwing yellow sand. Together their colors unite becoming green. The romance sours when the male dancer cheats on his partner. Jessie wakes up in her loft bed alone. She finds evidence that Marcus is cheating when blue jeans shower down red sand. With strobe lights freezing her frenzied anger, she rips apart her closet sending clothes down into the audience. At the same time Marcus and another sexy dancer perform a flaming, evocative and passionate dance. In a daze Jessie wanders through the crowd with a video camera and spot light following her. She stopped below me and suddenly a milky water balloon exploded next to my head soaking the sketch.

DRIP is an in-your-face explosion of color and movement backed by a live
rock band, all in an industrial dive bar. You may get wet … you may get
messy … you WILL have an awesome time. Grab a colored beer (orange,
yellow, red or blue!) or glass of wine from our bar and let us assault
your senses. There are special Valentines performances February 13-16. If you are looking for a way to impress your date on Valentine’s day, get to Drip for an interactive evening that includes a four-course dinner-by-color, where
each course is served in a special hue (orange, blue, yellow and red),
make-your-own Valentine station, full DRIP performance with live band and dancers who perform in paint, water, and colored sand, a white DRIP T-shirt for you to wear and take home as a splattered souvenir and a dessert party
with live acoustic music by Lance Herring and other musicians. Tickets
are $65-$90 per person and are limited to 100 people per night.

DRIP Splashes onto International Drive!

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Drip is now officially making a splash on International Drive (8747 International Dr. Suite 102, Orlando, Fl 32819, behind Denny’s and Senor Frogs).  The venue is a cavernous dark warehouse that guests enter via a loading dock. My wife and I have been to several performances and the show keeps getting more dynamic. The last show we went to was sold out and I have never seen the venue so crowded. Near the entrance there was a sign saying the limit was 264 people. There was a waiting list for people who couldn’t get into the show.

At the entrance you have to sign a release stating that you know there is a chance you will get wet and covered with paint. White tee shirts are for sale that inevitably got covered in paint. Some women had hand prints on their chests, indicating some creative use of paint. As I see it you are guaranteed to be in the “splash zone.” Once you sign the release then your hand is stamped with the Drip logo. Inside the bar and waiting area, Melissa Kasper was at a table with jars of paint. She asked what color I wanted and I got a bold slash of blue paint on my left cheek. I knew that I might get wet, so, to protect my sketch, I wore a waterproof wind breaker. I might have looked like a geek, but I was prepared. The bar offered various colored beers. I ordered an orange beer and Terry ordered a blue beer. By the end of the night her tongue was as blue as a panda’s. Jessica Mariko, Drip’s founder and choreographer was at the door to greet us. This show was a long time in the making and it was exciting to finally see it all come crashing together.

The show opens with a loud, raw and vibrant rock band performing live on the stage under a wagon wheel suspended from the red metal ceiling rafters. The modern dance focused on a love story of a young couple, who meet and breakup. The female dancer, Jessie Sander, strode onto the center of the dance floor with a bold beam of light behind her. She approached the male dancer, Marcus Alexander Cartier, with slow deliberate steps like in a wedding march. She was showered with yellow sand and water while the male dancer’s color was blue. Together their colors mixed and combined to create green. Sand was thrown in a wild dance contained within four clear plastic walls that were later removed and stored next to the stage.

With this sketch, I focused my attention on the band as they were back lit by strong stage lighting. Below the stage, lights raked their beams across the sand covered dance floor. The show had a bold energy that had the entire audience involved. There is no passive seating, instead the audience stood around the edge of the warehouse to watch. Water balloons burst against the walls sending their milky white spray everywhere. Several times my sketch got drenched and I had to wipe off the sand and paint. This show has an energy that is addictive. Tourists and locals will be blown away. This is the most hip show to hit Orlando and International Drive in a long time. After the show you can linger and meet the sexy cast while sipping colored beer. Marcus has really grown into his roll and the Jessie is expressive and energetic adding her spark to the show. If you want an amazing date night, this is the ticket for you. Performances are every Thursday, Friday and Saturday at 8PM.

Drip Rehearsal

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The cavernous space DRIP is renting on International Drive is slowly transforming. I went to a dance rehearsal during the week long intensive. The space was full of the debris of a work in progress. Two ropes hung from metal rafters with knots and a foot loop at the base. They were used by dancers during the high energy show. The walls are being painted black and the floor is getting a multi pigmented marbleize effect using spray bottles. Scully Nolan and Melissa Kasper were working on the space as the dancers warmed up. Melissa was constructing paint can chandeliers which will eventually hang throughout the performance space. She also took photos of the loading dock entrance which will be getting signage and a black paint job. Getting into this dark venue will be like finding a back alley speakeasy.

The dancers were making sure new arrivals were up to speed on the choreography. Videos on iPhones were consulted to clarify moves. There was athletic crab like movement followed by sweeping movement through imaginary pigments. The performance space brings a new meaning to “the splash zone” since the whole room is in the zone. I splashed watercolor on my sketch, knowing I was safe for now.

Jessica Mariko ll the dancers wore neutral colors, blacks and whites along with browns and denim. Jessica was explaining that all colored pigments in the show have meaning. Each dancer is associated with a particular color. A female dancer throwing red pigment instantly attracted the attention of a male dancer of orange. He is with another dancer but can’t help but look when red catches his eye. The dance was about relationships and his need to do his own thing to make his life work.

A recording of the rock music blazed and the four female dancers did a run through of the routine. A dancer tried to figure out how high she could swing on the rope during the dance. Raw, sexy, colorful and unexpected, things are falling into place fast at what might become the hippest show in town.

DRIP Dance on International Drive

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Drip dance is renting a new performance space on International Drive (8747 International Drive, Orlando). I had some trouble finding the entrance. You actually enter the space via a loading dock behind a Denny’s restaurant. Jessica Mariko, the dance company’s founder, wants to keep the feeling that you are entering an independent, alternative venue off the main drag. Signage will help guide people back. The space is raw and unfinished, a blank canvas waiting to fulfill it’s creative potential. Large plastic sheets were taped to the walls and floor in a far corner where dancers would later be photographed along with flying pigments. The space used to be an indoor miniature golf course. Large rolls of artificial grass were arranged around a square in the center of the cavernous space. About twenty volunteers sat down for an informal meeting. There was beer and snacks for the people helping make this dream a reality.

Jessica outlined Drips mission statement for the new people coming on board. “DRIP combines performing arts and visual arts to create compelling sensory-stimulated experiences that excite and move audiences. We believe everyone has the potential to succeed at whatever they desire. DRIP provides a supportive environment that encourages participants to continually develop themselves while doing things they are passionate about. We aim to become a worldwide household name that is know for innovative, captivating and stimulating entertainment.” Jessica said that she is building the business plan based on shows like Circque Du Soleil and Blue Man Group. David Traver who composed the music for the new DRIP show actually works for Blue Man Group.

DRIP‘s opening show in the new venue will offer a “wet, raw, sexy rock ‘n roll experience, that stimulates many senses. The show includes dance, acting, live music, visual art installations and a powerful story. A variety of alcoholic beverages and merchandise will also be sold at the venue.” The bar is one element that is taking form fast. Jessica wants to have an urban dive bar that serves colored beers. Brian Sikorsky is in charge of trying to make that happen. Big beer companies are reluctant to have organic coloring added to the beer since taste is the top priority. Every option is being considered to make the colored beer bar a working reality.

Dancers are still needed to fill out the core group. A ramp has to be built up to the loading dock entrance, permits need to be filed, and the bar completed, all within a month’s time. An explosion of volunteer creative effort is going into making DRIP an alternative hit on International Drive.

One and Only Dream Scene

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The final scene that needed to be shot for Britt Daley’s “One and Only” music video was the dream sequence. Everyone was dressed in 1980’s fashion. This scene lap dissolved from the scene of Britt spinning on the audition stage with Andy Matchett. Britt and Andy are spinning in the dimly lit theater surrounded by characters frozen still. When they walk up to the bar, Kyle Raker and Jessica Mariko snapped to life. Kyle served martinis and Jessica began a sensual dance.

Center stage, Will “MainSwitch” Campbell and Darci Riccardi begin a break dance when approached. Britt and Andy laughed and danced as the dream snapped to life. Finally they approached Nicholas Corcoran, and skating Katie Peters who performed a blend between a “Saturday Night Fever” dance and a roller girl dance routine. They were a smooth and well oiled dancing machine. I was amazed at how this scene was rehearsed, then performed in a matter of hours.

The scene was shot multiple times. One master shot followed Britt and Andy the whole time, then cut away shots and close ups were done. Scott Wilkins, the director, explained that the scene would be cut together with multiple shots sliding into place much like the complex montage scenes from the 1966 film “Grand Prix.”

Big Hair and Eyeliner

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The “One and Only” music video was being shot in the Orlando Repertory Theater. I did a sketch in the dressing room as the actresses and dancers got ready for the 80’s styled sequence. Megan Hinkle seemed to be a hair and makeup specialist. She helped Jessika Meriko with her eyeliner. Jessica had large curlers in her hair and she quickly changed into a firehouse red dress for the shoot. Britt Daley was busy teasing Darci Ricciardi’s hair. When Megan offered to help, Britt quickly acknowledged that she could probably do a better job. The room was a constant flurry of activity. I had to sketch extra fast. The male actors had dressed quickly in the same dressing room. They waited outside when they were done. Everyone looked primped and proper for the final scene.

The Repertory Theater’s Backstage Dance Studio

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Shooting continued for Britt Daley’s music video, “One and Only.” A door at the back of the actors dressing rooms opened into a backstage dance studio. I never would have guessed that this room existed. Andy Matchett lounged in front of me along with Megan Hinkle and Kyle Raker. For much of the day, Britt had been worried that her break dancer hadn’t shown up. Scott Wilkins the writer for the music video shoot said that the one thing he needed more than anything else was a break dancer. The dream sequence was saved for last since everyone in the cast had to change into their flashiest 80’s outfits.

Will “MainSwitch” Campbell and Darci Ricciardi began working on their dance moves. “MainSwitch” brought Darci up to speed until they were a well oiled break dancing machine. Jessica Mariko had her own dance moves worked out. She wore a sleek red dress and her sensual moves could make any James Bond actress blush. Nicholas Corcoran was a bit nervous since he isn’t a dancer and he was being asked to light up the dance floor like John Travolta in “Saturday Night Fever.” The biggest surprise came when Katie Peters rolled onto the dance floor in a classic roller skating disco queen outfit. She had performed as a singer during the audition scenes of the video shoot. The actress who was going to skate didn’t show so Katie stepped in. Nicholas didn’t have to work on many dance moves, he just had to help guide skating Katie as she glided around him. Tape on the rehearsal floor was a bit of a stumbling block at first but soon Skating Katie and Nick had a smooth routine worked out. Everything was worked out for a stellar dream scene.

Fashion Funds the Cure

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Terry asked if I would like to sketch a fashion show at Saks Fifth Avenue in the Florida Mall. I approached Saks from inside the mall and found the gate had been pulled down and a sign put up announcing a private party. I had to backtrack a bit then walk outside to enter Saks from the parking lot. The women at the reception table searched for my name on the list and they couldn’t find it. I had been invited so I stubbornly told them to check again. They finally just let me in. There was food and drink but I wanted to get right to work. Most of the seats in the front rows had reserved signs on them. I fount a seat right next to where the models entered the runway. From my seat I could see the models backstage as they prepared.

The event was a fundraiser for the Pediatric Cancer Foundation. This organization launched a new clinical trial to treat 18 children with relapsed Acute Limphoblastic Leukemia or ALL as it is commonly called. Each child’s treatment would cost $13,000. My father had died from Leukemia shortly before I moved to Orlando so I know first hand how this disease can ravage and deplete a family member.

Eight year old Gina Marie Incandela started things off by singing “Baby you’re a Firework” by Katy Perry. She had sung the National Anthem at a Magic playoff game I recently attended. Her song began tentatively then when she marched down the runway with her hands raised the audience was hooked. I wasn’t ready for what followed. Angelys, an adorable young eight year old girl, made her way down the runway with her mom escorting her. Angelys along with all the other young models is battling Leukemia. The girls were smiling as they sported beautiful oufits down the runway. Several girls had lost strength in their legs and they still made it down the runway with adults escorts supporting them by the elbows. They exhibited strength and beauty.

The host, Brandi Williams would announce some enlightening snippet for each girl. One girls simple bio read, “I am so much more than my cancer.” I saw women across the runway dabbing their eyes and I struggled to keep my eyes clear so I could sketch. Terry had to leave since the scene made her sad. For one shining moment every one of these survivors were superstars. A young girl got to the end of the runway in front of the video cameras and she did an extra sassy hip move that bought a loud cheer from the audience.

Then came an auction. A woman won an amazing week long trip to Colorado for just $2,000. A trip to Paris France had me tempted to bid. When the auction was over, the area quickly cleared out. Melissa Kasper was nice enough to bring me a plate of food as I finished the sketch. The pork and mashed potatoes were amazing. I got up to get a second plate. I found Terry talking to Rachel Kapitan who was helping Ella Kapul at Chocolate Provocateur.When Terry went to hug Jessica Mariko of Drip Dance, a martini glass crashed to the floor. Never a dull moment. We laughed so we wouldn’t cry.