Stella Arbeláez Tascón has wanted to build a large puppet for some time. When she found out that a No Kings Protest was being staged nation wide, and in Orlando Florida, she decided it was time to build a 14 foot tall puppet of Donald Trump as a Jailbird in Chief. Such large puppets are often build in Europe but it is a tradition that has not yet taken root in America. I became Stella’s studio assistant to help bring this behemoth to life.
Stella found many videos online that showed how these large puppets could be built. She borrowed from various puppet workshops to come up with her n. A walker was cut apart and when turned upside down to became the spine of the puppet. She borrowed the shoulder straps and belt from an existing backpack and miraculously they fit neatly onto the walker.
The Trump head was constructed from 1/4 inch plastic tubing which formed the three dimensional framework. Paper mache was then added to create the skin of the face. The result was a highly stylized and expressive head. In the final night of construction, I was tasked with building the hands and painting Trump’s’ Orange face. When Stella gave advice on using thin washed of red over the nose, and ears, the face started to gain a ruddy life. Bruises and blotchy skin were replicated. By 3 or 4 in the morning I had to drop off to sleep, but Stella kept working. She had to sew the huge orange prison jumpsuit by the time we would have to leave for the protest in the morning.
The rib cage of the puppet had to be cut back to allow the puppet to fit in the hatchback of her Prius. The giant head could just fit in the passenger front seat. It is an absolute miracle that the entire fourteen foot puppet managed to fit in her Prius.
Stella hired a second puppeteer to handle the extremely large left hand. She dressed like a secret service agent with a white dress shirt, black tie and sun glasses. Since I am living out of a backpack, I didn’t manage to pull together an equally stellar garb. I made due with what I had.
Assembling the puppet and getting Stella set inside was challenging. We practiced the assembly at her studio and then recreated the steps outside the parking garage near Orlando City Hall. The trickiest part of the assembly has snapping the bulk of the puppet onto the walker that Stella had strapped to her back. With the huge Trump head mounted on top, the puppet wanted to topple. I was grateful when everything snapped into place. Stella’s solid hips and low center of gravity were an absolute advantage.
The puppet was so tall that it could not walk under the covered awnings on the side of the skyscraper leading to City Hall Plaza. When we stepped out of the shadows into the open plaza people shouted out, “The hands are too big!” That is my fault, I built those monsters. The puppet would be so much more manageable with tiny little raptor hands. You know what they say about tiny hands, right? Anyway, that was the ongoing joke all day long.
We marched the puppet around every corner of the City Hall complex. In several places the tree branches were too low to allow passage. We found other ways to navigate around. Hundreds of people were gathered. I kept shouting out, “Jailbird in chef coming through!’ to help clear a path. Stella was the brains of the operation. She would let us know which direction to turn and make sure we were all lined up. If one of us walked too fast we could throw off the balance and cause the puppet to topple. When Stella wanted the hands to wave she would let us know. She then wanted us to walk the diamond shaped crosswalk in front of city hall. When we did that the honks and shouting from the cars waiting at the light became overwhelming. Crossing quickly with a fourteen foot puppet isn’t an easy task. The Trump puppet can’t break into a run when the time runs out on the crossing signal.
Since I was busy holding the rod that controls the puppets right hand, I didn’t get any sketching done at the protest. In one of the videos I saw of the protest, I overheard someone saying “Wow pretty awesome.” I was sure he was taking about my stellar puppetry performance in waving that right hand. I was a sweaty mess by the end of the day and muscles I didn’t even know I had were sore, but it was sooooo worth it.
I returned the next day to sketch city hall and then added protestors and the puppet when I got back to my Thornton Park studio. The Jailbird in Chef go plenty of coverage on the news and social media.