Little Shop of Horrors in Eustis

Posted on by Thor

Clandestine
Arts in conjunction with the Bay Street Players presents the hilariously
kooky musical favorite, “Little Shop of Horrors” as part of the State
Theatre Studio Series. Derek Critzer produced and directed the show while also taking the lead role. This was a herculean task and he pulled it off. Pam Schwartz and I rushed up to The Historic State Theater (109 N Bay St, Eustis, Florida 32726) after I had taught my weekend Urban Sketching class. We negotiated our way into seats in the very back row feeling our way in the dark. We had missed some of the first act, but I was intent on getting a sketch. The soundtrack to the musical Little Shop of Horrors with music by Howard Ashman and lyrics by Alan Mencken got me through some rough times as I struggled to survive as an artist in NYC. I always felt I was trying to escape from skid row. As an artist you are always trying to make magic happen on a shoe-string budget.

When we arrived Audrey (Savannah Pedersen) was on a date with Orin Scrivello the dentist (Robb Ross). His maniacal laughing was unnerving and abrasive. As he suffocated in his laughing gas helmet I felt claustrophobic for him. Could he get enough air in that fish bowl of a helmet? Seymour Krelborn (Derek Critzer) who raised the mysterious plant gets the girl but needs to feed the plants insatiable appetite for blood in his hope to keep her. The meek, plant shop apprentice is thrown into the public eye.

The voice of the plant (Eduardo Rivera) was silky and enticing. One trumpet player in the live orchestra kept blatting out his notes and some voices in the cast seemed worn. In some ways this was fitting for the urban grunge aesthetic, but the 3 woman chorus (Camila Camilo, Nyeshia Smith, and  Felichia Chivaughn Wright) was on point doing a stellar job.


Overall this was a fun day of theater, well worth the drive. 

Remaining show dates are today and tomorrow, 

Tickets are $21 

Saturday April 14, 2018

8:00 PM – 10:00 PM

Sunday April 15, 2018

2:00 PM – 4:00 PM

Phone: (352) 357-7777
Email: boxoffice@baystreetplayers.org
Website: http://www.baystreetplayers.org

AIDA

Posted on by Thor

Years ago I saw the opera “AIDA” at the Bob Carr Performing Arts Center. It was an excruciating experience with a Nubian princess singing endlessly about her impending death. She would pause for a long moment and I would think, “Finally.” But then she would start singing again and I would be thinking “Die already!” I dug my fingernails into my palms to stay awake. This new Clandestine ARTS production with music by Elton John and Tim Rice, is a refreshing new take on the story.

 On the banks of the
Nile, unfolds the triumphant tale of love that transcends warring
nations and brings a country together. A contemporary musical take on
the classic tale of timeless love. An enslaved Nubian princess, Aida (LaDawn Taylor), finds her heart
entangled with Radames (Tony Flaherty), an Egyptian soldier who is betrothed to the
Pharaoh’s daughter, Amneris (Emily Grainger). As their forbidden love blossoms, Aida is
forced to weigh her heart against the responsibility she faces as leader
of her people. Aida and Radames’s love for one another proves
transcendent of cultural differences and ushers in a time of
unprecedented peace between the warring nations.

Before the run through of the show, Emily had to rehearse several frantic costume changes. She was the first actor to arrive at The Venue and she was singing and dancing as she entered. Two seamstresses were at there sewing machines completing costumes during the rehearsal. In the scene, Emily sang a song about her strongest suit which happened to be her looks and fashion sense. In the final moments of the scene, she ripped off her red dress with the help of two slaves and then she was showered with golden pedals. The dress was held on with Velcro and it was a challenge to fling the garment behind her fast enough. The scene had to be rehearsed again and again which gave me extra time to sketch. The song is hip and seems to perfectly apply to today’s selfie generation. 

The music kept reminding me of the Disney Animated Features I worked on in the 1990s. The princess singing about he lack of freedom reminded me of Jasmin from Aladdin. LaDawn’s strong African American chiseled features made her a perfect fit as AIDA and she sang beautifully. Tony as Radames had some strong chemistry in his love scenes with AIDA. As in the Opera, the two lovers were destined to die yet their love softened the heart of Pharaoh’s daughter. Produced and directed by Derek Critzer, this is a huge extravagant production with projections offering exotic settings. Derek keeps the production hip and playful, like a scene in which a male dancer comes out in a costume covered in plastic bubbles. A runway was built up the center isle allowing the cast to walk out into the audience. At times, the chorus sang from the back of the theater giving a full surround sound experience. This is a huge, fresh, yet intimate production with strong singing and dancing, who could ask for more!


Mark your calendar! Show times…
June 14,16,19,20,21,22,26,28 @ 8:00 PM
June 27 @ 7:00 PM
June 29 @ 3:00 PM

Performances are held at “The Venue” located at 511 Virginia Drive, Orlando FL.
Tickets are $20.00 and may be purchased at www.clandestineorlando.com
Industry Night Special Offer Monday June 16th @ 8:00 PM
Tickets will be $15.00 Each!

Judy Garland: Is it Just Me or is it Just Me?

Posted on by Thor

At the last minute, Clandestine ARTS had to pull out of the Fringe. Their show, Tuesday Morning, was replaced by the incomparable, Judy Garland performed by Mark Baratelli of thedailycity.com. Many of the seats in the Blue Venue had small questionnaires, asking which Judy Garland songs people might want to hear. The MC warmed up the crowd and Judy stumbled around back stage. Then she began to slur the lyrics to a song and she came out, greeted by thunderous applause. Props on the stage were covered with dark fabrics and she stripped them bare as she sang. Yellow medicine bottles hung from her necklace.

Her legs were often crossed or akimbo as she wavered in the spotlight. Her high heels caused her to stumble and fall more than once. Misplaced mascara gave her raccoon eyes and the lipstick was smeared all around her lips. The dark wig often hid her face and the baggy man’s dress shirt hid her supple figure. Judy is 93 but she still belts out those tunes with a vengeance.

The MC announced that local artist Thomas Thorspecken was in the audience drawing. He wasn’t talking about me however. Chase Padgett was in the audience posing as me. Chase did a sketch of Judy but he was supposed to imagine her nude. I couldn’t bring myself to go there. Judy’s medicated antics were laugh out loud funny. At times she was on the floor slayed out as she sang and other times she tried to escape into the shadows to avoid the spotlight. Some songs were just improvised on the spot to hilarious effect.

Don’t miss Judy! She is hilarious and the shows are selling out. The remaining show times are…

Tuesday May 20, 11:30pm to 12:15pm

Friday May 23, 10pm to 10:45pm

Saturday May 24, 1:30pm to 2:15pm

Sunday May 25,  8:15pm to 9pm

Tickets are $8 and Judy can be found in the Blue venue in the Orlando Shakespeare Center (812 E Rollins St., Orlando, FL.) If you are trying to find information about Judy in your printed Fringe program, she isn’t listed. She was a last minute replacement for Tuesday Morning.

Sweeney Todd at The Venue

Posted on by Thor

The second you enter The Venue, 511 Virginia Drive, Orlando, Fl, you are right on top of the action in Sweeney Todd, the Demon Barber of Fleet Street. Insane asylum patients moan, twitch and shout out all around you. In this intimate setting the action explodes out towards the audience. Derek Critzer who directed and produced the show also did an amazing job at designing the multi-level set which made maximum use of the cramped stage area. Simple asylum fabrics hid the structure while a staircase gave access to the upper levels at house right. As I approached the theater, the large garage style side door was open and I saw a tall stack of mattresses which is where the slit throated victims from the barber’s chair could collapse. The lighting for the show by Tabor Wiwstead, was simple direct and elegant. Red symbolized the sinister and horrific moments, while cool blue lighting surrounded the lovely Johanna Barker , played by Monica Titus, and the fleeting glimpses of Todd’s once happy past.

Stephan Jones played Sweeney Todd with a dark ruddy maliciousness. The depth of his anger and hatred could be felt in every scene. He performed the role so expertly that he made Johnny Depp seem like an inexperienced fop in the film adaptation. Ginger Minj, Joshua Eads-Brown, as Nellie Lovett added the needed brevity and humor to the show. When she had to peal off her misbehaving eyelashes, a moment likely not rehearsed, it was a golden moment the audience loved. As she swung her rolling pin violently, I could see the sweat on her brow, then trickling down her chest settling in her cleavage. These actors were working hard yet having fun belting out these tunes. Granted there was no room for an orchestra, so recordings had to work instead. Sweeney Todd is a sweeping epic story and yet the small venue actually intensified the confrontational quality of the show. At times, over 20 actors navigated their way on the tight stage. I could see Derek the director watching intently as he leaned over from the upstairs tech booth.

The entire first act was spent waiting for Todd to slit Judge Turpin’s throat. The judge played by Brett Carson could barely fit in the barber’s chair. Though his actions were malicious and self serving, he had a kind demeanor and left the dirty work to others. This is such an ambitious production by Clandestine ARTS yet the cast did an amazing job keeping up with Stephen Sondheim‘s fast and furious lyrics. I was bowled over by what was accomplished in the small Venue. The shows are selling out. I sketched by standing in the back of the theater. The show had all the savory flavor and taste of a perfectly prepared meat pie.

The remaining performances are…

Tonight, Thursday 1/16-7:00 PM
Friday 1/17-8:00 PM
Saturday 1/18- 8:00 PM
Sunday 1/19- 3:00 PM

Tickets are $20.00 and are General Admission. Tickets may be purchased at www.clandestine-arts.com Limited seating is available so be sure to get them early. Tickets may be available at the door based on availability.

Sweeney Todd Dressing Room

Posted on by Thor

Sweeney Todd, the Demon Barber of Fleet Street, is being presented by Clandestine-ARTs at The Venue, 511 Virginia Drive, Orlando, Fl, through January 19th. This compact production is directed and produced by Derek Critzer. I have read reviews that Ginger Minj who plays Mrs. Nellie Lovett is spectacular in the role. With that in mind, I hoped to get a sketch in the dressing room on industry night to watch his transformation at the dressing room mirror.

The dressing room at the Venue is at most ten by ten foot square and the entire cast of over 20 actors had to use the space. I did my best to try and stay out of every one’s way.  Only one actress was in the dressing room when I arrived. She had on a bright pink skirt. She was happy to be early and she had plenty of time to get ready. It was only later, when I saw the show that I realized this was Monica Titus who plays Johanna Barker. She was perfectly cast for the roll. I was quite swept away. Monica’s rich soprano voice has a warmth and range missing from the film adaptation. Her natural auburn hair was later covered in a wig of golden curls.

Derek came in and started steaming some pants. Stephan Jones, who plays Sweeney Todd, shouted out that it was a furnace in the tight dressing room. Even off set, there was a menace to his voice. Derek got some flack for shooting steam into the already sweaty space. Ginger Minj arrived and quickly transformed. He powdered his face first and let me know he would have to let the powder set for five minutes so he went off for a smoke.

It seemed like the rest of the cast arrived on mass and suddenly the room was buzzing with activity. Lips were painted a sickly blue on insane asylum patients whose eyes were also dark and hollow. Actors quickly stripped and put on costumes. Actors joked that I shouldn’t sketch any nudity and I honored that. Even so, it would have been hard to catch the quick flashes of flesh. The pure energy and excitement in the tight space was quite palpable. Ginger was the last actor in the room, adjusting the large hair buns on her head. I followed her down to the theater. The evening’s performance was sold out. The reviews I had read were spot on. Ginger Minj brought a quick wit to the part and stole every scene she was in. She eyed Mr. Todd with a lurid look as if she might devour him. I was surprised at how often she made me laugh out loud despite the dark sinister humor.

The remaining performances are…

Thursday 1/16-7:00 PM
Friday 1/17-8:00 PM
Saturday 1/18- 8:00 PM
Sunday 1/19- 3:00 PM

Tickets are $20.00 and are General Admission. Tickets may be purchased at www.clandestine-arts.com Limited seating is available so be sure to get them early. Tickets may be available at the door based on availability.

Clandestine-ARTS “Sweeney Todd” Auditions

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On September 30th, I went to Lake Howell High School Oviedo, FL to sketch Clandestine-ARTS auditions for the upcoming production of Stephen Sondheim‘s “Sweeney Todd: The Demon Barber of Fleet Street“auditions. Derek Critzer the director, had given me the green light to come out. Music Direction in the show will be by Colton Brooks.  Auditions were by appointment only.As I walked towards the High School Theater, I passed a Drum Corp rehearsing.

Sweeney Todd is a 1979 musical thriller with music and lyrics by Stephen Sondheim and libretto by Hugh Wheeler. The musical is based on the 1973 play Sweeney Todd, the Demon Barber of Fleet Street by Christopher Bond. Set in 19th century England, the musical tells the story of Benjamin Barker, aka Sweeney Todd, who returns to London after 15 years’ transportation on trumped-up charges. When he finds out that his wife poisoned herself after being raped by the judge who imprisoned him, he vows revenge on the judge and, later, the whole world. He teams up with a pie maker, Mrs. Lovett, and opens a barbershop in which he slits the throats of customers and has them baked into pies.

Chris Leavy was at the piano. Most of the actors auditioning were young women who would be auditioning for the part of  Joanna Barker, (a Soprano, 18-early 20’s) who is Sweeney Todd’s daughter, a ward of Judge Turpin. Beautiful and pure-hearted. The actress I sketched that was wearing the red dress had a very sweet voice. Monica Titus ultimately got the part. Wyatt Glover will play Sweeney Todd and Jessica Hoehn will play Mrs. Lovett. The other actress I sketched in the yellow dress was wearing high heel shoes and the director asked her to take them off when she performed her second song. Another actress was so nervous that Derek felt bad for her. He tried to get her to relax. It is hard to be on your top game when there are butterflies in your stomach. Auditions must be nerve wracking for any performer. Any slip up could result in their not getting the part. Everything is on the line.

Performances will be being held at The Venue, (511 Virginia Dr  Orlando, FL). January 9,10,11,12,16,17,18, and 19th. Sweeney Todd will be presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI.