F*ckboys: The Musical

F*ckboys: The Musical written by Savannah Pedersen is so far my favorite show that I have seen at Fringe this year. Presented by Infinite Productions, founded by Kayla Lopez and Savannah Pedersen, of Orlando, FL, this musical took me by surprise. The title had me thinking that I might be walking into a flashy cross dressing cabaret. Instead I got to meet some very real women with very real issues and concerns. These women meet at a local bar for karaoke night. One loves to sing and the others drink and commiserate. Their goal as stated in the opening number is to educate the audience about F*ckboys who are clearly a roadblock to any single girls peace of mind.

You know them. You love them. You love to hate them. Whatever the case
may be, you’ve probably run into a F*ckboy at some point in your life.
This is a haphazard guide to navigating the dating scene as told through
the eyes of a bunch of twenty-somethings. A musical extravaganza you
won’t want to miss. In a musical number about the history of F*ckboys, Shakespeare is roasted. “Billy Shakes referred to women as strumpets. If I hear another high
school freshman rave about how her relationship is JUST like Romeo and
Juliet because she thinks that that is an accurate depiction of romance,
I’m gonna go back in time and murder him myself. Also, he just looks
like an asshole. Classic f*ckboy.”

This show has just the right balance of real world difficulties mixed with humor. You learn to love and care about each character in turn as you learn about their strengths and weaknesses. Boys throw weak pick up lines at them like wet noodles. When one new man enters the bar everything freezes as the women size him up and come to the conclusion that he might not be a F*ckboy. Sure enough he talks one woman through her difficult break up without hitting on her when  she is down.

Woman 3, (Meghan Mitchell) was a corporate competitor whose career was skyrocketing.
She can rock a Power Pantsuit like nobody’s business. If she doesn’t
become the next Oprah by the time she’s 30, she would consider herself a
failure.
She seemed to have it all in check but even she go sideswiped by romance.

The songs are well  written and the show moves at a lively pace. The fourth wall is broken to hilarious effect. Very serious life choices have to be made and in the end they band together singing that they are strong as long as they have each other. If you know a single 20 something, they need to see this show. Hell, I’m a 50 something and I loved every minute.

F*ckboys is in the Green Venue inside the Orlando Repertory Theater 1001 E Princeton St, Orlando, FL 32803. Tickets are $12 plus a Fringe button which is needed for every venue.

May 17 8:45PM
May 19 11:00PM
May 22 11:30PM
May 24 9:15PM
May 27 10:45PM

Little Shop of Horrors in Eustis

Clandestine
Arts
in conjunction with the Bay Street Players presents the hilariously
kooky musical favorite, “Little Shop of Horrors” as part of the State
Theatre Studio Series.
Derek Critzer produced and directed the show while also taking the lead role. This was a herculean task and he pulled it off. Pam Schwartz and I rushed up to The Historic State Theater (109 N Bay St, Eustis, Florida 32726) after I had taught my weekend Urban Sketching class. We negotiated our way into seats in the very back row feeling our way in the dark. We had missed some of the first act, but I was intent on getting a sketch. The soundtrack to the musical Little Shop of Horrors with music by Howard Ashman and lyrics by Alan Mencken got me through some rough times as I struggled to survive as an artist in NYC. I always felt I was trying to escape from skid row. As an artist you are always trying to make magic happen on a shoe-string budget.

When we arrived Audrey (Savannah Pedersen) was on a date with Orin Scrivello the dentist (Robb Ross). His maniacal laughing was unnerving and abrasive. As he suffocated in his laughing gas helmet I felt claustrophobic for him. Could he get enough air in that fish bowl of a helmet? Seymour Krelborn (Derek Critzer) who raised the mysterious plant gets the girl but needs to feed the plants insatiable appetite for blood in his hope to keep her. The meek, plant shop apprentice is thrown into the public eye.

The voice of the plant (Eduardo Rivera) was silky and enticing. One trumpet player in the live orchestra kept blatting out his notes and some voices in the cast seemed worn. In some ways this was fitting for the urban grunge aesthetic, but the 3 woman chorus (Camila Camilo, Nyeshia Smith, and  Felichia Chivaughn Wright) was on point doing a stellar job.


Overall this was a fun day of theater, well worth the drive. 

Remaining show dates are today and tomorrow, 

Tickets are $21 

Saturday April 14, 2018

8:00 PM – 10:00 PM

Sunday April 15, 2018

2:00 PM – 4:00 PM

Phone: (352) 357-7777
Email: boxoffice@baystreetplayers.org
Website: http://www.baystreetplayers.org