Broadway Babes At The Historic Cheyenne Saloon

On December 12th of 2012, there was a one night Broadway Babes extravaganza at the Cheyenne Saloon and Opera House, 128 West Church Street, Orlando FL. Joshua Eads-Brown, AKA, Ginger Ming, was the hostess along with The Minx.  They began the evening in lusty red can-can girl outfits. For this one night only the old otherwise abandoned saloon sprang to life.

Rainbow banners were hung with pride. The saloon is an absolute gem. It is a shame it hasn’t found a new owner yet. There was a small army of talented performers that night. I was seated on the second level near the stairs down to the main floor. Many numbers began at the top of the stairs, so at times I was blinded by the spotlight. Jimmy Rossi helped throw together the incredible talent in the show. Heather Barbor gave a particularly campy performance. Many performers came from Hamburger Mary’s (110 West Church Street Orlando, FL) next door, where Broadway Brunch happens every Sunday at Noon.

The show tunes were followed by a dance party with Cap’n Kirk Hartlage spinning the tunes. I slipped out as the dancing heated up.

Sweeney Todd at The Venue

The second you enter The Venue, 511 Virginia Drive, Orlando, Fl, you are right on top of the action in Sweeney Todd, the Demon Barber of Fleet Street. Insane asylum patients moan, twitch and shout out all around you. In this intimate setting the action explodes out towards the audience. Derek Critzer who directed and produced the show also did an amazing job at designing the multi-level set which made maximum use of the cramped stage area. Simple asylum fabrics hid the structure while a staircase gave access to the upper levels at house right. As I approached the theater, the large garage style side door was open and I saw a tall stack of mattresses which is where the slit throated victims from the barber’s chair could collapse. The lighting for the show by Tabor Wiwstead, was simple direct and elegant. Red symbolized the sinister and horrific moments, while cool blue lighting surrounded the lovely Johanna Barker , played by Monica Titus, and the fleeting glimpses of Todd’s once happy past.

Stephan Jones played Sweeney Todd with a dark ruddy maliciousness. The depth of his anger and hatred could be felt in every scene. He performed the role so expertly that he made Johnny Depp seem like an inexperienced fop in the film adaptation. Ginger Minj, Joshua Eads-Brown, as Nellie Lovett added the needed brevity and humor to the show. When she had to peal off her misbehaving eyelashes, a moment likely not rehearsed, it was a golden moment the audience loved. As she swung her rolling pin violently, I could see the sweat on her brow, then trickling down her chest settling in her cleavage. These actors were working hard yet having fun belting out these tunes. Granted there was no room for an orchestra, so recordings had to work instead. Sweeney Todd is a sweeping epic story and yet the small venue actually intensified the confrontational quality of the show. At times, over 20 actors navigated their way on the tight stage. I could see Derek the director watching intently as he leaned over from the upstairs tech booth.

The entire first act was spent waiting for Todd to slit Judge Turpin’s throat. The judge played by Brett Carson could barely fit in the barber’s chair. Though his actions were malicious and self serving, he had a kind demeanor and left the dirty work to others. This is such an ambitious production by Clandestine ARTS yet the cast did an amazing job keeping up with Stephen Sondheim‘s fast and furious lyrics. I was bowled over by what was accomplished in the small Venue. The shows are selling out. I sketched by standing in the back of the theater. The show had all the savory flavor and taste of a perfectly prepared meat pie.

The remaining performances are…

Tonight, Thursday 1/16-7:00 PM
Friday 1/17-8:00 PM
Saturday 1/18- 8:00 PM
Sunday 1/19- 3:00 PM

Tickets are $20.00 and are General Admission. Tickets may be purchased at www.clandestine-arts.com Limited seating is available so be sure to get them early. Tickets may be available at the door based on availability.

Sweeney Todd Dressing Room

Sweeney Todd, the Demon Barber of Fleet Street, is being presented by Clandestine-ARTs at The Venue, 511 Virginia Drive, Orlando, Fl, through January 19th. This compact production is directed and produced by Derek Critzer. I have read reviews that Ginger Minj who plays Mrs. Nellie Lovett is spectacular in the role. With that in mind, I hoped to get a sketch in the dressing room on industry night to watch his transformation at the dressing room mirror.

The dressing room at the Venue is at most ten by ten foot square and the entire cast of over 20 actors had to use the space. I did my best to try and stay out of every one’s way.  Only one actress was in the dressing room when I arrived. She had on a bright pink skirt. She was happy to be early and she had plenty of time to get ready. It was only later, when I saw the show that I realized this was Monica Titus who plays Johanna Barker. She was perfectly cast for the roll. I was quite swept away. Monica’s rich soprano voice has a warmth and range missing from the film adaptation. Her natural auburn hair was later covered in a wig of golden curls.

Derek came in and started steaming some pants. Stephan Jones, who plays Sweeney Todd, shouted out that it was a furnace in the tight dressing room. Even off set, there was a menace to his voice. Derek got some flack for shooting steam into the already sweaty space. Ginger Minj arrived and quickly transformed. He powdered his face first and let me know he would have to let the powder set for five minutes so he went off for a smoke.

It seemed like the rest of the cast arrived on mass and suddenly the room was buzzing with activity. Lips were painted a sickly blue on insane asylum patients whose eyes were also dark and hollow. Actors quickly stripped and put on costumes. Actors joked that I shouldn’t sketch any nudity and I honored that. Even so, it would have been hard to catch the quick flashes of flesh. The pure energy and excitement in the tight space was quite palpable. Ginger was the last actor in the room, adjusting the large hair buns on her head. I followed her down to the theater. The evening’s performance was sold out. The reviews I had read were spot on. Ginger Minj brought a quick wit to the part and stole every scene she was in. She eyed Mr. Todd with a lurid look as if she might devour him. I was surprised at how often she made me laugh out loud despite the dark sinister humor.

The remaining performances are…

Thursday 1/16-7:00 PM
Friday 1/17-8:00 PM
Saturday 1/18- 8:00 PM
Sunday 1/19- 3:00 PM

Tickets are $20.00 and are General Admission. Tickets may be purchased at www.clandestine-arts.com Limited seating is available so be sure to get them early. Tickets may be available at the door based on availability.

Broadway Brunch

On Sunday July 21st I finally had the chance to experience “Broadway Brunch” at Hamburger Mary’s (110 West Church Street Orlando, FL). Mark your calendar, every Sunday there were show tunes, drink specials, and an
amazing show with Broadway performances by The Minx, Ginger Minj, and
special guests. Seating at 11:00am with show starting at Noon. If you want to jump start your Sunday, this is the place to do it.

Joshua Eads-Brown, who performed as Hedwig in Hedwig and the Angry Inch, first told me about “Broadway Brunch”.  When I arrived, the place was already packed. I asked for a table with a decent view of the stage. My table in Siberia wasn’t ideal, but it didn’t matter since performers circulated around the room. At first an artist named Timothy Thomas, Aka Snaps, was doing a painting of the Brooklyn Bridge live on stage. He was fast. He finished one bridge painting and started another while I waited for my burger.

The show began with Ginger Minj and the Minx warming up the crowd. They asked, “How many gay men are in the house?!” Should I be gay for the day? No, I kept my hands busy on the sketchpad. There was some serious clapping in the audience. They asked, “How many lesbians are in the house?!” One woman clapped.  “Lets try that again! How many lesbians are in the house!?” The same woman clapped, but this time a two year old girl started clapping as well. There was plenty of laughter. “I guess it’s true that we know or ‘orientation’ since birth!” “Alright, how many straight people are in the house?!” I was surprised that more than half the audience clapped. 

April Fresh danced and lip synced to “Everyone is Beautiful at the Ballet“. The over the top performance was hilarious and endearing. There was a cast of about a dozen performers all singing for the love of music and tips. If you have ever secretly wanted to slip some bills down a mans cleavage, this is your chance. Ginger Minj referred to one actress as “the Face” since she is so expressive. It is true that when she was on stage you had to watch every emotion as it flickered across her face. The whole cast came out in nuns habits and sang “Raise Your Voice!” There were people celebrating birthdays and they were asked to go on stage to share shots of NyQuil and turpentine. Ginger raised her glass and said, “We tried this at a McDonald’s once, but we got arrested in the ball pit”. In closing the show, Ginger said, “Do something special for someone and, if men can look this good, there is no excuse for ugly women!”