Key of E Load In

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 On August 20th, I went to The Venue to see the Key of E load in for their one week run. I got there about the same time as Helen, the tech for the show. As I sketched the empty stage, Andy Matchett pulled up to the theater with a truck full of set pieces, wood, monster parts and fabric. The garage door was opened on house right and several guys in the truck helped unload. One of them was wearing a boy scout uniform and I wondered if he would earn an apocalyptic merit badge. Soon the stage was cluttered.

Since there needed to be room for the band, a platform was constructed house right that essentially extended the stage. The first order of business was to hang huge black curtains on both sides of the stage to create very small wings where actors could not be seen when off stage. The tiny wall at the back of the stage was at a quirky angle because it sloped along with a wheel chair ramp that had to be installed to comply with city codes.

A large back lit screen had to be put on top off the wall, so a plank and two by fours were needed to level off the TV platform. Chaz Krivan and Evan Miga tackled the task. Chaz actually had an iPhone app that acted as a level. All the actors gradually trickled in and Brittany Wine, the stage manager, got them busy running lines and going over dance moves. Her task was to keep everyone on task so they could do a run through of the show at 8:30pm. Corey Volence was worried that some scenes would need to be re-blocked since there was no actual backstage where actors could go when not on the stage. There are close to a dozen actors if you count the band and special effects crew. Andy decided to run one exit scene where all the actors needed to get off stage. There was a major bottle neck as actors tried to get down the wheel chair ramp. They realized that at times some actors would literally need to exit the theater. It will all work out in the end. Christie Miga asked Andy how he would rate his anxiety level. He said it had leveled off at a solid 7.

Brittany Wine was pleased that she finally appeared in one of my sketches. She asked why I put her in a garbage can. The garbage can must be a stage prop and it was just chance that she stood behind it. As I finished my sketch, the cast was ready to do a run through of the show. As I left, I heard Andy begin to sing “I Just Can’t Wait for the Game to End!” The Key of E Kickstarter fundraising drive was a success so the full cast soundtrack is available!

Get your tickets for the return of the show at The Venue (511 Virginia Drive, Orlando, FL). Mark Your Calendar! You don’t want to miss the end of the world. Show times are…

Friday: 8/23 8 PM

Saturday: 8/24 8 PM

Monday: 8/26 8 PM

Thursday: 8/29 8 PM

Friday: 8/30 8 PM

Tickets are $10 pre-sale, and $15 at the door.

La Femme Fondue

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Christie and Evan Miga needed time off after the mad rush to bring Dog Powered Robot to Fringe last year. They had four months of extensive rehearsals and a whole cast of cardboard robots that were built. They were constantly managing people. After the show they decided to live in Paris for two months. Fisher Miga, the dog behind Dog Powered Robot went with them. Christie said that within four days they had settled into the Parisian lifestyle. Three days a week Evan freelanced for the design firm he was working for in Orlando. Though he was living in Paris, he worked Orlando hours, sharing his work via the Internet. That left the rest of the week open for the couple to explore Paris. They discovered quirky arts outlets that few tourists visit. Christie loved a tiny Museum of Magic that had rooms filled with mechanized tin toys. Right next to the Eiffel tower was a sumptuous garden that only Parisians frequent.

 When Christie Miga returned to Orlando she started a series of paintings inspired by the trip to Paris. Though abstract, the work is autobiographical as she explains with pure color how Paris inspired her. This series explodes with rich vibrant color. The blue is the exact color of the Mediterranean and the bright magenta reminds her of tight bright magenta pants that many women were wearing in Paris. Provence inspired her use of bright yellow and orange. She mixes her own water based paints and she has some idea how the paints will interact when they are poured on the canvas side by side. The word fondue is the feminine of the French verb fondre (‘to melt’). The colors seem to melt an flow together on the canvas. The paintings are abstract yet they feel like violent storm clouds on a distant planet or the delicate vibrant colors of a butterfly wing. The black dripping motif is used often and it reminded me of a piano keyboard as I tried to sketch it. Ironically, earlier that day, I had been writing about color for a Book on Urban Sketching. Christie’s bold use of fluid primary colors offered amazing insights about how colors interact. She worked to modern pop French music.

Many of the pieces have bold urban graphic elements that look like graffiti stencils. For instance one canvas has a bold image of the Eiffel Tower that then melts into vibrant dripping colors. Subtle blue lettering in French says, “This is not the Eiffel tower.” A bright splotch of moon then drips as well. Once Christie starts one of these liquid abstracts, she has to finish it while the paint remains wet. Amazingly she finished her canvas in the same amount of time it took me to do the sketch.

La Femme Fondue is being shown at the Timucua White House, (2000 South Summerlin Avenue, Orlando FL), on March 22nd starting at 7:30PM. This reception is one night only. The artwork and prints will be for sale.The White House is a fantastic venue to see Christie’s work since the spotlight literally make her canvases glow.

Cardboard Art Festival

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Saturday January 26th was the second day of the Cardboard Art Festival at the Orange Studio (1121 N Mills Ave, Orlando). This was a day for the kids to experience the exhibit and make their own cardboard creations. The carpeted area that had been the dance floor the night before  now had folding tables cluttered with the detritus of creativity. Parents were helping their kids cut the cardboard and robots began to take form.

I decided to sit back under some cardboard carnivores and sketch  Nathan Selikoff‘s tall cardboard man marionette. Kids, young and old alike, couldn’t resist pulling the strings. Having control of a giant’s movements can be addictive. Event sponsor, Mark Baratelli walked up to me and announced,  with a Marlene Dietrich flourish, “I do it all for the kids.” He then leaned against the wall and checked his cell phone for messages about the next Food Truck Bazaar happening that night. Later, he was ready to leave holding a thick stack of Food Truck Bazaar signs. He was off to his next event.

Evan and Chritie Miga helps kids into the new Dog Powered Robot dune buggy for photo ops. An old record player nestled inside a cardboard TV was playing Polkas and The Tiki Room music. The music added a surreal, playful atmosphere to the proceedings. Like in a Disney theme park, individual robots from Dog Powered Robot came out from back stage to pose for photos with the kids. Someone shouted out for a group photo and all the kids stood in front of me with their creations.

As Terry and I left, I saw Mark get back out of his car. I thought he had left some time ago. I shouted out, “You didn’t get very far!” He shouted back, “That’s the story of my life! You didn’t need to point it out.”

Tenth Annual Grandma Party Bazaar

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On December 16th, I went to Stardust Video and Coffee (1842 E. Winter Park Road, Orlando) to sketch the tenth annual Grandma Party Bazaar. The Grandma Party is a fusion of arts, crafts, rummage sale and performance. Tents were set up everywhere in the Stardust parking lot. The Death by Pop-Up Shop was open, so I stopped in to look at the art. Several artist were at work inside the store. Christie Miga was talking to Skip who was pealing up a mask from his painting.

Doug Rhodehamel had built a bright green and blue “Free Hug” booth out of a large corrugated box.  I got my hug and then we talked art for a while before I scouted out a spot to sketch. Dough has had an amazing number of gallery showings in the last few years. He wants to try something bigger with his art. He is one of the contributing artists in the upcoming “Cardboard Festival” happening January 25-27 at Say It Loud (1121 North Mills Avenue). Work by Jessica Earley, Brendan O’Connor, Christie Miga, Adriaan Mol, and Nathan Selikoff will also be featured.

I never caught the name of the band I was sketching. As I worked, I heard the strange surreal sound of a Sci-Fi zither. A couple was lying in the grass and they were both covered with a wedding veil. The were both holding dolls and a woman waved a wand above them. A cardboard sign announced that this was a non-surgical vasectomy station. I wondered if I was seated too close. I might catch some stray radiation from the home brew procedure. Everyone was smiling, laughing and taking pictures, so the vasectomy seemed painless enough. If the procedure didn’t work, it might be hard to find these snake charmers nine months down the road.

Cardboard Art Festival

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Mark Baratelli of TheDailyCity.com came up with the idea of having a Cardboard Art Festival. The opening night was Friday January 25th at the Orange Studio (1121 N Mills Ave, Orlando). I had to work till 9PM that evening, so I wasn’t even planning to go. Terry sent me a text photo of the new Dog Powered Robot techno beach buggy. She let me know that the event was open past midnight so there would be time to get there and do a sketch.  There was a line of people out the door to get in. I could see strips of Doug Rhodehamel corrugated cardboard bacon hanging from the ceiling. All of the Dog Powered Robots stood, deactivated in a corner.

The opening reception featured music and dancing with DJ Nigel and tons of cardboard sculptures filling up the space created by artists: Jessica Earley, Brendan O’Connor, Evan and Christie Miga, Adriaan Mol, Doug Rhodehamel, Nathan Selikoff. Cardboard dinosaur helmets lined the back wall created by Banjo Bob. They were just the right height where you could stand up and have your photo taken with the helmet on yet still mounted on the wall. Blue Moon beer was being served under the bacon strips and the carpeted dance floor was always full of dancers. After making the rounds with Terry, I settled in to sketch. Blue submarines and ferocious deep sea fish hovered over the dance floor. A rocket garden thrust vertically upward above a collection of mini robots. A tubular instrument resembling a pipe organ could be played by swatting the tube openings with cardboard fly swatters. A ten foot tall tube marionette stood with a tetrahedron head. People could pull chords to make him dance. I got plenty of abuse and by the end of the evening he was lying on the floor, a spent mess.

The opening night was an undeniable blow out success. The place was surreal, the music loud and the dancing furious and care free. It’s not too late to experience the madness in person.


Sunday January 27

  • 10am-11:30am for kids 7 and under
  • 12pm-1:00pm for kids 8 and above
  • Kids Matinee Sponsored and hosted by Kids Fringe and Mennello Museum of American Art $1
    admission. Kids only! Attendees will get to (1) use cardboard to build
    and decorate their very own mask, hat, or wings, (2) meet the famed Dog
    Powered Robot and (3) get a chance to tour the entire exhibit.
  • 7:30pm – 12am
  • Dog Powered Robot + Andy Matchett and the Minks, $5 admission (pay at the door, cash only), wine and beer by donation. Dog Powered Robot is a fantastic group of cardboard robots defending the world against evil via a robot powered by a Pomeranian. Andy Matchett and the Minks is a very popular and fun musical group.

Eladio Sharron and Carrie Wiesinger

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On November 11th, as part of the Accidental Music Festival, Eladio Sharron and Carrie Wiesinger performed Latin American works for flute and guitar, including Cronicas Del Descrumbiento by Robert Sierra, Fantasia by Inocente Carreno and Histoire du Tango by Astor Piazolla at the Timucua White House (200 Summerlin Ave). There was no visual artist on stage that day.

I tend to like to sketch from the second or third floor balcony, so I climbed the spiral staircase and found a spot to sit. Wendy Wallenberg was busy setting  up the snack and wine table in the next room. She signaled me from the entry gesturing to let me know I didn’t greet her properly.  Paintings by Christie Miga were on display and a large painting with 3D objects sticking out of it was right next to me. I stood and leaned against the wall overlooking the railing as I sketched. I was afraid that I might nudge Christies painting as I struggled with my sketch, sending the painting toppling down hitting audience members below. I don’t know why I always imagine the worst. Nothing horrible happened. Instead I experienced beautiful music in an intimate setting.

Art Reach Orlando

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At Urban ReThink, Brendan O’Connor started telling me about several mural projects he is helping spearhead.  He spoke excitedly about a mosaic mural that was in the planning stages in Apopka. Migrant workers were being asked to contribute items that came with them when they moved to Florida. QR codes and micro chips might also be embedded in the mosaic so that anyone with a smart phone could scan the mural and listen to interviews and history behind the items. He then invited me to Corner Lake Middle School in Bithlo the next day to sketch the beginning stages of a mural being started there. Christie Miga is the artist in residence who created the mural image.

When I arrived, the hallway was crowded with kids. Two young girls were tracing lines on an image projected on the wall.  The rest of the kids were sitting in the hall doing their homework or playing tag. Brendan O’Connor quickly introduced me to everyone. Brendan and Sarah Zimmer work for Art Reach Orlando as project managers. Marsha Selby is a teacher from the school. She’s a science teacher that does art on the side in her own free time since the school doesn’t offer it. Unfortunately the traffic on Colonial Drive got me to the school about half an hour late. All the kids were packing up to get back home.

I decided to try and get a sketch anyway. Do to a minor glitch, Christie needed to readjust the image.  Those adjustments gave me time to finish my sketch. Sarah and Brendan helped her make all the adjustments.  The work went quickly now that the hall was quiet. I remember similar adjustments had to be made the first day I had students help me with the Mennello Museum Mural. I asked them to cover the wall with pencil grid lines every foot. I went inside the museum to sketch several people for the mural. When I came back out, I  found the grid started out good but then the grid lines arched upward by the time they got to the other end of the wall.

Christie Miga’s mural image was developed in Illustrator on the computer. She explained that they were just projecting the background elements today. Later other elements will be layered on top. The image to start had large arching shapes that looked like hillsides. Time will tell what the final image looks like. Christie wanted to keep the image simple to start.

Art Class

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Christie Miga was an instructor at an art school for kids over the summer. I visited the class to show the kids some sketchbooks and hopefully get them fired up about sketching. At their young age, they are all uninhibited and creative work horses. The lean in and sketch with absolute conviction since no one has curbed their enthusiasm. One of the instructors sat in a chair and modeled for the room of artists. I liked how one little girl flexed her flip flops as she drew. Children’s drawings are often bold with bright colors. There is plenty I learned from them.

Right now I’m in the South of France where Vincent Van Gogh did his vibrant inspired paintings. Some buildings have a reproduction of one of Vincent’s paintings as a claim to fame. One such place in Arles was the Van Gogh Cafe. It looks just like a painting Vincent did of a café at night. The outer walls of the cafe were painted a bright yellow. I think in Vincent’s day those walls were a boring cream or stone color. He painted the bright yellow to contrast against the Ultramarine night sky. Today people try to copy from his fevered imagination. He didn’t paint only the colors he saw; he used colors to convey feelings, emotions and warmth. He always hoped people would sit in a comfortable chair and warm themselves besides the warmth of his hearth. As the sun set over the southern landscape, the warm light made it seem like every tree was on fire, reaching towards the crystal blue sky. The landscape flew by at 70 kilometers per hour. The engines roared as people raced each other to their destinations. But now was he time to slow down and look.

Dog Powered Robot and the Subsequent Adventure.

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I arranged to meet the cast of Dog Powered Robot at the loading door of the Orange Venue at the Orlando International Fringe Festival. As I approached the green lawn of fabulousness, I realized I didn’t know where the Orange venue was. I decided to go inside the Shakes and that was a correct guess. Brittany Wine, the DPR stage manager was at the stage door in a stunning red dress. I asked about the loading door and she lead Gina Makarova and myself through a maze of hallways and back doors. Gina was using crutches and had on a temporary cast. It seems her cello had decided to wrestle her to the ground.

The DPR army gathered behind the theater along with a small mountain of cardboard robot parts and set pieces. Grace “Scully” Nolan had seen the DPR billboard on the drive over and the server saw her Blue DPR shirt and commented on how she loved Dog Powered Robot.  The servers name was Destiny which forebode a super awesome performance. Fisher was a furry bundle of energy and he barked his welcome an more people arrived. Evan Miga explained that a life sized VW van would drive across the stage Flintstones style, giving this Fringe show effects bigger than the helicopter in Miss Saigon or the Phantom’s chandelier. . The metallic garage door opened, Christie Miga picked up Fisher and the DPR Army started moving the corrugated cardboard city inside.

I thought I wanted to sketch backstage, but most of the robot parts were out on the floor of the theater. I sat in a front row theater seat, but the arms were too restrictive so I ended up sitting on my artist seat partly on stage. Brittany announced, “5 minutes to house open!” and someone shouted back “Thank you 5!” I couldn’t believe it, my sketch was barely blocked in. I would have to finish as the show progressed. Cast members in black outfits with black helmets with red miner’s lights roamed the room scanning with a long pole with a spinning light rainbow device. They muttered to each other in an alien dialect reminiscent of a Muppet’s song. The rear projection screen announced that they were Ninja Noids and were invisible. That didn’t stop the Ninja Noids from interacting with the audience as they arrived. There was playful theater magic from the start. I sketched Vic-16, (Corey Violence) and Commodore, (Zach Scot) but they only had bit parts to introduce the play.

Lolly Bot (Serafina Schiano) was delightful and she was given time to shine. Audience members were offered a $1 discount if they showed up as a robot. Her counter part, a punk purple bot, Scraperella Overdrive, played by Jennifer Guhl, added sass and attitude to the show. The villain was a grumpy old neighbor who had robotic arms played by John Moughan, and by the end of the show he had used the embigi-fication matrix to extend his reach with many giant arms. I will not give away any of the plot points other than to say that the friendly blue Dog Powered Robot saved the day. The show had the audience laughing out loud and they cheered for Fisher, the little Pomeranian at the heart of the bright blue bot. The show returned to the dreams of the big city ideals that were
endearing in the short production two years ago. It is hard to recreate the energy and surprise of that initial production. Call it destiny or call it fate, the show was a super
awesome mega win!

Show times are:

Wednesday 5/23 at 5:15PM

Thursday 5/24 at 7:45PM

Saturday 5/26 at 1:15PM

Sunday 5/27 at 3:15PM

Tickets are $11.

Dog Powered Robot Rehearsal

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Dog Powered Robot is gearing up for action at the Orlando Fringe Festival in May. Rehearsals are happening twice a week at the Jewish Community Center. When I arrived, the cast was standing in the center of the room in a circle. There were lots of new faces indicating that the show would be bigger than ever. An actor got in the center of the circle and started acting like an orangutang. Once people started to laugh, he walked back out and stood in the circle. The person who laughed first had to stand in the middle. He acted like a giraffe, regal and slow. He looked over at an actress and started to curl his long tongue the way giraffes do. She couldn’t help but laugh. So she was next. I laughed non-stop since I was safely outside the circle.

 This evening was to be devoted to choreographing several dance and fight scenes. Darci Ricciardi was in charge of the choreography. Katie Green, the DPR director asked all the froggers to rehearse their part right after the dance scene. The scene was run multiple times without the costumes. I drew all the actors in pencil and was about to ink them in, when everyone was told to “suit up”.  Lollibot, played by Serafina, wandered bewildered. She came upon this gang of deviant froggers lead by a  frog with a large fedora and a cigar. Grace “Scully” Nolan was high above everyone else on her stilts. The head frogger entered the scene between her stilts. Part of his his costume got caught on her stilt. They had to stop the scene and untangle him. “Good to know!” Katie shouted, “That’s why we rehearse.” “I was so excited when I saw his head made it between my legs!” Scully shouted back. Everyone started laughing till they were red faced.

Christie Miga sat beside the director working non stop on a moving set piece. Evan Miga entered the scene as Dog Powered Robot when needed but he didn’t suit up. New ideas playfully sparked up throughout the rehearsal. Fisher, the dog behind Dog Powered Robot, kept track of everyone. Some robots are still being constructed and refined at the Dog Powered Robot Labs.