Fringe: The Dress

Ana Cuellar Productions from Davenport Florida presented The Dress at the Orlando International Fringe Festival. In the halls of the Shakespeare Theater someone explained to me that Anna saw this particular dress in a window, and she felt she had to have it. She was bound to that dress by destiny. The dress was her muse for years.

The dress was worn by Ana at performances around the world. The choreography in this show expressed love, lose, longing and gratitude. I was familiar with the dancer Dion Leonhard DiDonna, so it was exciting to see her dance through the range of expressive emotions. Dancer Elaine Hoxie was the one who got to wear the dress itself. She spoke about the emotional bond between the ballerina and her dress.

Video was projected on the backstage screen which showed the dress being designed. When worn while dancing the dress came alive like an undersea creature surrounding and enveloping the dancer. Sorrow turned to pure joy. The dress maker, Ricardo Zuccolini was in the audience only a few seats away from me for this performance. Someone had pointed him out to me in the lobby.

As I was leaving the theater I noticed another choreographer who was in the audience was wiping tears from her eyes, because she was so moved by the performance.  That was a true testament to how solidly the dance choreography landed. Dion in particular put everything she had into the performance which was at times super human. I loved that the dress was a major performer in the show.

There is magic in a dance performance being able to touch an audience so deeply. As an artist I hope someday to find a muse, animate or inanimate, that is as moving as the dress. The performance lay bare every artists daily struggle. The play was about the pure joy found in creation. Art isn’t easy, but well worth the effort when everything aligns, even if imperfectly.

The Dress won a Critic’s Choice Award as an Outstanding Dance Show.

Hombre at Fringe

Hombre was a contemporary dance show choreographed by Ana Cuellar. The show poster featured an anatomical drawing of a man’s musculature as he clutches his heart with beam of red light emanating outwards. The theater went dark and the first dance number had the entire cast on stage as they used their cell phones to light their way. Titled Monotony, the dance seemed to showcase the ways people are isolating themselves thanks to the distractions of the digital world. At times, the dancers literally could not  be seen. It was thrilling, but impossible to catch in a sketch.

Ana doesn’t usually dance in the shows she choreographs, but she did appear in the middle of this Fringe show. She danced with Brett DeBeaulieu in a daring routine that featured plenty of strength and acrobatics. I have a renewed respect for Ana’s abilities as a dancer after seeing her leap through the air and tumble over Brett’s shoulders.

Original music in the show was by Alejandro Padilla and sung by Bruno Sanger. There was a dance that acted as a tribute to Pulse. The common theme running through this show was love and finding one’s self. The final routine was set to music based on a poem by Lori Aach called Essence. The back scrim turned a bright red. Twice, a dancer in a bright red dress danced with vestiges of flamenco passion. The goal was poetry in motion, and the combination of the arts’ forms suspended the audience for a rare moment between a sense of wonder and hope.

LUNA

Ana Cuellar, a Cirque du Soleil artist, brings  8
internationally acclaimed dances to Fringe this year through her
creation of LUNA. The show’s emotional forces draw you in to
experience her creative spirit channeled through the movement of dance.
Featuring Cirque and top professional performers.

A young woman sat at a desk writing in her journal with a large feather pen. As he wrote, different performers came on stage performing dances that expressed the various sides of her personality. IF she took a step back so would the dancer. Performers expressed passion, yearning and some amazing acts of balance and dexterity. What the write imagined, came to life. One performer did amazing things with close to a dozen hula hoops.

On particularly strong piece featured spoken word that was about overcoming a lifetime of bullying. The performers realized their inner beauty despite the history of abuse. Megan Crawford, a local dancer sailed light as a feather in her muscular partners arms. The powerful spoken word and the graceful dancing was truly moving. Another couple danced a flamenco inspired dance with romantic flair. I give the show 8 out of 10 hula hoops.

LUNA is in the Pink Venue. Tickets are $10 plus a Fringe button which is needed to get into any show.

Show times are:

Friday, May 18, 2018 5:30 PM

3:00 PM 

1:45 PM 

8:45 PM 

5:30 PM 

1:30 PM 

7:00 PM