The sound of the bus accelerating grows louder as we cut to this close up of the wheel spinning. I am showing the various layers that were used in the animation that I assembled in Adobe Premiere Pro. The background is dark grey with just a shadow painted on it. The wheel well was animated separate from the wheel itself to give some added motion of the bus suspension. The wheel was surprisingly difficult to animate simply because the first two times I didn’t draw perfect circles. The slightest imperfections were instantly noticeable with the oblong wheel wobbling out of control. The final pass still wobbles a bit around the central axis, but I wasn’t about to start over so I lived with it. I discovered that it is possible to draw a perfect circle in Procreate and that is what helped me finally assemble a decent wheel.
Animating in Premiere Pro was easy each time. I just rotated the tire around it’s central axis and set key frames in the timeline. That was easy, but with the wheel wobbles, I had to go back and redraw. I considered animating the wheel in Callipeg, but it seemed like it would be harder with a whole lot more steps involving a lot of copying and pasting. I considered adding paint to the black wheel areas to show motion as well, but the painting of the tire was partly transparent which achieved the same effect quite by mistake. I am always glad for happy accidents.
When working a scene in Disney’s Animated Feature Film Mulan I got to show the world class animator, Mark Henn the cleaned up drawings I had done for his scene. The scene was of the bath lady pushing Mulan into the tub. I had thought through what her legs might be doing under the long skirt. Mark simply remarked, “You don’t have to reinvent the wheel every time.” It is a quite that has lingered with me. Sometimes you just have to trust in the grace and flow of a scene without getting caught up in the mechanics. It turns out that this scene with the bus tire was all about mechanics, so I had to reinvent the wheel several times.
This film is now on display at the Orange County Regional History Center (65 East Central Blvd Orlando FL) for the new exhibition, Yesterday This Was Home, about the 1920 Ocoee Voting Day Massacre.
The exhibition is open until February 14, 2021. The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history.
Events unfolded on Election Day 1920, when Mose Norman, a black U.S. citizen, attempted to exercise his legal right to vote in Ocoee and was turned away from the polls. That evening, a mob of armed white men came to the home of his friend, July Perry, in an effort to locate Norman. Shooting ensued. Perry was captured and eventually lynched. An unknown number of African American citizens were murdered, and their homes and community were burned to the ground. Most of the black population of Ocoee fled, never to return.
This landmark exhibition will mark the 100-year remembrance of the Ocoee Massacre. The exhibition will explore not only this horrific time in our community’s history but also historical and recent incidents of racism, hatred, and terror, some right here at home.
The content will encourage reflection on a century of social transformation, the power of perspective, and the importance of exercising the right to vote, and will ask what lessons history can inspire moving forward.
To promote safe distancing, the museum has implemented new ticketing procedures for this special exhibition. For the run of the exhibition, the museum will have extended operating hours to create a safe viewing experience for a greater number of people. On Sundays the museum will open two hours earlier at 10 am. and stay open two hours earlier until 7 p.m. And on Thursdays, we will be open from 10 a.m. to 9 p.m.
