Yesterday This Was Home: They were Trailing Him

This is the storyboard for the climactic moment of the story. The bus driver got back on the bus with several people trailing him. He walked past the children and sat the white passengers in the seat behind them.

This is the first scene I imagined when I heard the oral history. It is the climactic moment when the children’s rights were acknowledged and upheld. It was the first step towards not allowing the systemic racism to continue.

Animating this scene pushed the memory allowed on my computer to the limits. The computer crashed multiple times as I worked. I had to animate three people walking up the aisle. Part of me wanted to animate each character separately with their own cadence and unique steps, but instead I kept them in a military lock step to simplify the scene and keep the animation quick and simple. I was running out of time. I also had to cut the back ground into separate layers so that the driver and passengers could remain behind the foreground seats and characters. I animated the walks backwards and forwards from this particular stage  of the walk. It is a particularly long scene so I just kept adding steps to the characters walks until the time was allotted. Seating the two passengers was the most challenging aspect and it turned out to be rather fun as they plopped themselves down. I acted out the motions on my own using the living room couch. I have to have sat down on bus seat hundreds of times in m life. I used to ride the bus to NYC every day when I first want to college. That familiarity with riding buses is part of the reason I love this story.

This film is now on display at the Orange County Regional History Center (65 East Central Blvd Orlando FL) for the new exhibition, Yesterday This Was Home, about the 1920 Ocoee Voting Day Massacre. The exhibition is open until February 14, 2021. The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history.

Events unfolded on Election Day 1920, when Mose Norman, a black U.S. citizen, attempted to exercise his legal right to vote in Ocoee and was turned away from the polls. That evening, a mob of armed white men came to the home of his friend, July Perry, in an effort to locate Norman. Shooting ensued. Perry was captured and eventually lynched. An unknown number of African American citizens were murdered, and their homes and community were burned to the ground. Most of the black population of Ocoee fled, never to return.

This landmark exhibition will mark the 100-year remembrance of the Ocoee Massacre. The exhibition will explore not only this horrific time in our community’s history but also historical and recent incidents of racism, hatred, and terror, some right here at home.

The content will encourage reflection on a century of social transformation, the power of perspective, and the importance of exercising the right to vote, and will ask what lessons history can inspire moving forward.

To promote safe distancing, the museum has implemented new ticketing procedures for this special exhibition. For the run of the exhibition, the museum will have extended operating hours to create a safe viewing experience for a greater number of people. On Sundays the museum will open two hours earlier at 10 am. and stay open two hours later until 7 p.m. And on Thursdays, we will be open from 10 a.m. to 9 p.m.

Yesterday This Was Home: Resolution

The camera slowly pulls back as the narrator talks about his relief and a feeling of vindication. The white couple can be seen behind out protagonist but all the flesh tones are subtle shades of grey through the tinted bus windows. There is no black and white.

This film is now on display at the Orange County Regional History Center (65 East Central Blvd Orlando FL) for the new exhibition, Yesterday This Was Home, about the 1920 Ocoee Voting Day Massacre.

The exhibition is open until February 14, 2021. The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history.

Events unfolded on Election Day 1920, when Mose Norman, a black U.S. citizen, attempted to exercise his legal right to vote in Ocoee and was turned away from the polls. That evening, a mob of armed white men came to the home of his friend, July Perry, in an effort to locate Norman. Shooting ensued. Perry was captured and eventually lynched. An unknown number of African American citizens were murdered, and their homes and community were burned to the ground. Most of the black population of Ocoee fled, never to return.

This landmark exhibition will mark the 100-year remembrance of the Ocoee Massacre. The exhibition will explore not only this horrific time in our community’s history but also historical and recent incidents of racism, hatred, and terror, some right here at home.

The content will encourage reflection on a century of social transformation, the power of perspective, and the importance of exercising the right to vote, and will ask what lessons history can inspire moving forward.

To promote safe distancing, the museum has implemented new ticketing procedures for this special exhibition. For the run of the exhibition, the museum will have extended operating hours to create a safe viewing experience for a greater number of people. On Sundays the museum will open two hours earlier at 10 am. and stay open two hours earlier until 7 p.m. And on Thursdays, we will be open from 10 a.m. to 9 p.m.

Yesterday, This Was Home: the Ocoee Massacre of 1920

Today marks exactly 100 years since the Ocoee Voting Day Massacre.  The Orange County Regional History Center (65 East Central Blvd Orlando FL) has spent three years researching and designing an exhibit about this horrific event.

The exhibition is open until February 14, 2021. The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history.

The following information is taken from the Orange County Regional History Center’s most recent exhibition, Yesterday, This Was Home: the Ocoee Massacre of 1920. For 100 years, the story of the Ocoee Massacre has gone largely untold. It has been subject to intentional obfuscation, lies, misunderstandings, and sensationalism. Memories and perspectives vary, and there are very few reliable source documents to confirm what is factual. If all hearsay, conjecture, conflicting, or contested information is removed, and you only include what most accounts mutually agree upon or what is included in primary source documents, the story is only a few paragraphs long. Though it is missing much nuance and details, this is what can be factually said.

On November 2, 1920, Moses Norman, a Black labor broker, attempted to exercise his legal right to vote in Ocoee, Florida. He was turned away and not allowed to cast his ballot. Later, a group of armed white men came to the home of Norman’s friend, July Perry, another Black labor broker in Ocoee, and violence ensued. Shots rang out and fires were started. Black residents were forced to flee from their homes.

Badly injured by bullet wounds, July Perry was captured by some of the armed men and taken into custody. After receiving medical attention, he was left in a cell at the Orange County Jail in downtown Orlando. According to a State of Florida Coroner’s Inquest that took place on November 3 and 4, 1920, an unidentified white mob overpowered the jailer, taking Perry from his cell.

The lynch mob brutalized Perry, and by November 3, had hanged his body in public view. His body was later moved to Greenwood Cemetery and buried. Moses Norman fled; he was eventually recorded living in New York City. Two men from the white mob were shot and killed, Leo Borgard and Elmer McDaniels, for which Carey Hand Undertaker’s Memorandum exist. Able-bodied ex-servicemen were called from across the region to come to Ocoee and create a perimeter to make sure the event did not continue, also blocking Black residents from returning to their homes. An unknown number of Black people were killed that night and others injured. Three unidentified Black individuals were recorded as being buried in one grave in a Carey Hand Undertaker’s Memorandum.

That night, many Black residents fled Ocoee, never to return. Some stayed but were eventually driven out by the terror of that night as well as subsequent violence over the following years, including dynamite being thrown into their homes and individuals being beaten and threatened. After 1926, there would not be another recorded Black person to reside or own land for any length of time in Ocoee until at least the mid- to late-1970s.

To promote safe distancing, the museum has implemented new ticketing procedures for this special exhibition. For the run of the exhibition, the museum will have extended operating hours to create a safe viewing experience for a greater number of people. On Sundays the museum will open two hours earlier at 10 am. and stay open two hours earlier until 7 p.m. And on Thursdays, we will be open from 10 a.m. to 9 p.m.

On the day I went in to sketch, only one couple was in the exhibit space at the same time as me. There as some hand sanitizer at the beginning of the exhibit and I went back to use it each time I used any of the interactive displays.

At the end of the exhibit you can see the animated oral histories I worked on. The screen needs to be touched to play each animated short so be sure to sanitize your hands after you watch. I am glad I went this in an exhibit which is so timely. Today people marching to vote in North Carolina were pepper sprayed and arrested. This isn’t quite as bad as the Ocoee massacre but voter suppression is not a thing of the past.

Yesterday This Was Home: Pleeeese!

“Well I got these white people getting on would you Pleeeeese move?” There is a level of comic desperation in the request.

Animating this scene was fun, being based on the narration, but remodeled into the driver. This is the storyboard and thus not the final design of the driver. In the end he was designed with a chiseled look that was based on a stop sign. His nose, ears and even eyes were designed to look like the octagons of a stop sign. The hand gesture was picked up from a later section of the Zoom interview, but it worked to use the hand gesture to accentuate the word, “Pleeese.” The fact that Sam can laugh about the drivers plight at the time shows his strength of character.

This film is now on display at the Orange County Regional History Center (65 East Central Blvd Orlando FL) for the new exhibition, Yesterday This Was Home, about the 1920 Ocoee Voting Day Massacre. The exhibition is open until February 14, 2021. The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history.

Events unfolded on Election Day 1920, when Mose Norman, a black U.S. citizen, attempted to exercise his legal right to vote in Ocoee and was turned away from the polls. That evening, a mob of armed white men came to the home of his friend, July Perry, in an effort to locate Norman. Shooting ensued. Perry was captured and eventually lynched. An unknown number of African American citizens were murdered, and their homes and community were burned to the ground. Most of the black population of Ocoee fled, never to return.

This landmark exhibition will mark the 100-year remembrance of the Ocoee Massacre. The exhibition will explore not only this horrific time in our community’s history but also historical and recent incidents of racism, hatred, and terror, some right here at home.

The content will encourage reflection on a century of social transformation, the power of perspective, and the importance of exercising the right to vote, and will ask what lessons history can inspire moving forward.

To promote safe distancing, the museum has implemented new ticketing procedures for this special exhibition. For the run of the exhibition, the museum will have extended operating hours to create a safe viewing experience for a greater number of people. On Sundays the museum will open two hours earlier at 10 am. and stay open two hours earlier until 7 p.m. And on Thursdays, we will be open from 10 a.m. to 9 p.m.

 

Yesterday This Was Home: I Was Scared

After pointing out his rights to the driver, Sam felt scared. I cut to an extreme close up that quickly cross dissolved into a negative inverted image of his eyes. As he lamented that Jacksonville was like Mississippi in 1957, I flashed painting being created as negatives. All flash backs of racism of the times was done as these negative images where black is white and white is black.

This film is now on display at the Orange County Regional History Center (65 East Central Blvd Orlando FL) for the new exhibition, Yesterday This Was Home, about the 1920 Ocoee Voting Day Massacre.

The exhibition is open until February 14, 2021. The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history. Events unfolded on Election Day 1920, when Mose Norman, a black U.S. citizen, attempted to exercise his legal right to vote in Ocoee and was turned away from the polls. That evening, a mob of armed white men came to the home of his friend, July Perry, in an effort to locate Norman. Shooting ensued. Perry was captured and eventually lynched. An unknown number of African American citizens were murdered, and their homes and community were burned to the ground. Most of the black population of Ocoee fled, never to return.

This landmark exhibition will mark the 100-year remembrance of the Ocoee Massacre. The exhibition will explore not only this horrific time in our community’s history but also historical and recent incidents of racism, hatred, and terror, some right here at home.

The content will encourage reflection on a century of social transformation, the power of perspective, and the importance of exercising the right to vote, and will ask what lessons history can inspire moving forward.

To promote safe distancing, the museum has implemented new ticketing procedures for this special exhibition. For the run of the exhibition, the museum will have extended operating hours to create a safe viewing experience for a greater number of people. On Sundays the museum will open two hours earlier at 10 am. and stay open two hours earlier until 7 p.m. And on Thursdays, we will be open from 10 a.m. to 9 p.m.

Yesterday This Was Home: Close Up

We cut to Sam’s hand gently pressing down on the girl’s arm as a reminder that they should not move. This shot lasts just two seconds with the narrator saying, “So she wouldn’t move.” I decided I could get away with not animating the scene. In the previous scene I had animated Sam gently pressing down on her arm, so this shot was about the stillness that followed. This was the moment he had predicted and this was his moment to take a stance.

When animating, some scenes would expand a bit from what I had set up in the storyboards while others were cut back a bit for the sake of the pace and timing of the short. It is a fun process with every individual element playing a part. I found I missed animating and it felt good to be in control of every single piece of the puzzle. Music was only used with the introductory tiles cards. The music was titled Traveling Horse by Lobo Loco and it has a blues vibe that I liked. It did not hurt that it was royalty free. The single opening riff opened up the short.

This film is now on display at the Orange County Regional History Center (65 East Central Blvd Orlando FL) for the new exhibition, Yesterday This Was Home, about the 1920 Ocoee Voting Day Massacre. The exhibition is open until February 14, 2021. The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history.

Events unfolded on Election Day 1920, when Mose Norman, a black U.S. citizen, attempted to exercise his legal right to vote in Ocoee and was turned away from the polls. That evening, a mob of armed white men came to the home of his friend, July Perry, in an effort to locate Norman. Shooting ensued. Perry was captured and eventually lynched. An unknown number of African American citizens were murdered, and their homes and community were burned to the ground. Most of the black population of Ocoee fled, never to return.

This landmark exhibition will mark the 100-year remembrance of the Ocoee Massacre. The exhibition will explore not only this horrific time in our community’s history but also historical and recent incidents of racism, hatred, and terror, some right here at home.

The content will encourage reflection on a century of social transformation, the power of perspective, and the importance of exercising the right to vote, and will ask what lessons history can inspire moving forward.

To promote safe distancing, the museum has implemented new ticketing procedures for this special exhibition. For the run of the exhibition, the museum will have extended operating hours to create a safe viewing experience for a greater number of people. On Sundays the museum will open two hours earlier at 10 am. and stay open two hours earlier until 7 p.m. And on Thursdays, we will be open from 10 a.m. to 9 p.m.

Yesterday This Was Home: Sam Looks Up

Sam Looks up at the driver. The animation involved an anticipation where Sam lowers his chin a bit and blinks and then raised his head up. This is his chance t make a stand. The background and characters were reused from two shots prior. I isolated Sam’s head so I could animate it in Callipeg. The shot only last for several seconds as the Narrator says, “I looked up at him and I said,”. By this time I was animating up to three scenes a day. I was on a roll and realized that the steps I had taken to organize the short were paying off. The storyboards were developed enough so they doubled as backgrounds and I had worked n layers meaning I could turn off character layers if they needed to be redrawn for animation. In this case I just had to isolate Sam’s head to animate it.

In the Adobe Premiere Pro timeline you can see that the original Oral History video is under all of my storyboard and animation clips. It was edited a bit to cut out conversation and laughter that is interspersed in the oral history. I needed to keep the animation and story tight and concise.

This film is now on display at the Orange County Regional History Center (65 East Central Blvd Orlando FL) for the new exhibition, Yesterday This Was Home, about the 1920 Ocoee Voting Day Massacre. The exhibition is open until February 14, 2021. The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history.

Events unfolded on Election Day 1920, when Mose Norman, a black U.S. citizen, attempted to exercise his legal right to vote in Ocoee and was turned away from the polls. That evening, a mob of armed white men came to the home of his friend, July Perry, in an effort to locate Norman. Shooting ensued. Perry was captured and eventually lynched. An unknown number of African American citizens were murdered, and their homes and community were burned to the ground. Most of the black population of Ocoee fled, never to return.

This landmark exhibition will mark the 100-year remembrance of the Ocoee Massacre. The exhibition will explore not only this horrific time in our community’s history but also historical and recent incidents of racism, hatred, and terror, some right here at home.

The content will encourage reflection on a century of social transformation, the power of perspective, and the importance of exercising the right to vote, and will ask what lessons history can inspire moving forward.

To promote safe distancing, the museum has implemented new ticketing procedures for this special exhibition. For the run of the exhibition, the museum will have extended operating hours to create a safe viewing experience for a greater number of people. On Sundays the museum will open two hours earlier at 10 am. and stay open two hours earlier until 7 p.m. And on Thursdays, we will be open from 10 a.m. to 9 p.m.

Celebrating Black Culture: Music, Storytelling, and Poetry
Evolution of Music
Thursday, October 15, 2020

The Legacy of Ocoee: A Panel Discussion
Thursday, October 29, 2020

Lunch & Learn: Crafting the Ocoee Exhibition
Friday, November 6, 2020

The Destruction of Rosewood
Sunday, November 15, 2020

Family Days: Growing a Better Tomorrow
Saturday, November 21, 2020
Saturday, February 6, 2021

Celebrating Black Culture: Music, Storytelling, and Poetry
Storytelling & Poetry

Thursday, February 11, 2021

Yesterday This Was Home: We Have a Right to Sit Here

Sam looks up and says, “Sir we have a right to sit here, we are traveling by interstate commerce.” “The law says we can sit anywhere we want to.” There is a slow zoom in as he speaks. It is a pivotal moment where he is standing up for his rights.

It was a tricky scene to animate in Callipeg, with many head shakes and head tilts as he spoke. I learned quite a hit doing this scene and it helped me solidify the characters look in my mind. I had done another close up prior to this as he spoke and this scene was more on model. You learn a bit more every time you animate a character. You just hope it is good enough as you keep moving forward.

This film is now on display at the Orange County Regional History Center (65 East Central Blvd Orlando FL) for the new exhibition, Yesterday This Was Home, about the 1920 Ocoee Voting Day Massacre.

The exhibition is open until February 14, 2021. The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history.

Events unfolded on Election Day 1920, when Mose Norman, a black U.S. citizen, attempted to exercise his legal right to vote in Ocoee and was turned away from the polls. That evening, a mob of armed white men came to the home of his friend, July Perry, in an effort to locate Norman. Shooting ensued. Perry was captured and eventually lynched. An unknown number of African American citizens were murdered, and their homes and community were burned to the ground. Most of the black population of Ocoee fled, never to return.

This landmark exhibition will mark the 100-year remembrance of the Ocoee Massacre. The exhibition will explore not only this horrific time in our community’s history but also historical and recent incidents of racism, hatred, and terror, some right here at home.

The content will encourage reflection on a century of social transformation, the power of perspective, and the importance of exercising the right to vote, and will ask what lessons history can inspire moving forward.

To promote safe distancing, the museum has implemented new ticketing procedures for this special exhibition. For the run of the exhibition, the museum will have extended operating hours to create a safe viewing experience for a greater number of people. On Sundays the museum will open two hours earlier at 10 am. and stay open two hours earlier until 7 p.m. And on Thursdays, we will be open from 10 a.m. to 9 p.m.

Yesterday This Was Home: Jacksonville

The bus pulled into the Jacksonville Florida Greyhound station. I did my research to find out exactly what the Jacksonville station looked like back in 1957. The only animation was of the bus pulling up to the station and stopping. I already had a painting of the bus from earlier when I animated the battle line. I duplicated that painting and erased the background and then imported that image with the transparent background into this scene. The animation consisted of setting a starting position just off screen for the bus and then a stopping position and creating key frames for those two positions in Adobe Premiere Pro. Another nice feature of the program is that it had an ease in setting which nicely decelerated the bus to a stop.

The wheels don’t spin but once the sound of the bus stopping was added the scene seemed realistic enough. Sound effects made a big difference in adding believably. Jacksonville has a reputation for its racism, notably an incident known as Axe Handle Saturday when white beat black with axe handles in 1960 which was three years after this story takes place.

This short film is now on display at the Orange County Regional History Center (65 East Central Blvd, Orlando FL) in the exhibition titled, Yesterday This Was Home, about the 1920 Ocoee Voting Day Massacre.

The exhibition is open until February 14, 2021. The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history.

Events unfolded on Election Day 1920, when Mose Norman, a black U.S. citizen, attempted to exercise his legal right to vote in Ocoee and was turned away from the polls. That evening, a mob of armed white men came to the home of his friend, July Perry, in an effort to locate Norman. Shooting ensued. Perry was captured and eventually lynched. An unknown number of African American citizens were murdered, and their homes and community were burned to the ground. Most of the black population of Ocoee fled, never to return.

This landmark exhibition will mark the 100-year remembrance of the Ocoee Massacre. The exhibition will explore not only this horrific time in our community’s history but also historical and recent incidents of racism, hatred, and terror, some right here at home.

The content will encourage reflection on a century of social transformation, the power of perspective, and the importance of exercising the right to vote, and will ask what lessons history can inspire moving forward.

To promote safe distancing, the museum has implemented new ticketing procedures for this special exhibition. For the run of the exhibition, the museum will have extended operating hours to create a safe viewing experience for a greater number of people. On Sundays the museum will open two hours earlier at 10 am. and stay open two hours earlier until 7 p.m. And on Thursdays, we will be open from 10 a.m. to 9 p.m.

Yesterday This Was Home: Reinventing the Wheel

The sound of the bus accelerating grows louder as we cut to this close up of the wheel spinning. I am showing the various layers that were used in the animation that I assembled in Adobe Premiere Pro. The background is dark grey with just a shadow painted on it. The wheel well was animated separate from the wheel itself to give some added motion of the bus suspension. The wheel was surprisingly difficult to animate simply because the first two times I didn’t draw perfect circles. The slightest imperfections were instantly noticeable with the oblong wheel wobbling out of control. The final pass still wobbles a bit around the central axis, but I wasn’t about to start over so I lived with it. I discovered that it is possible to draw a perfect circle in Procreate and that is what helped me finally assemble a decent wheel.

Animating in Premiere Pro was easy each time. I just rotated the tire around it’s central axis and set key frames in the timeline. That was easy, but with the wheel wobbles, I had to go back and redraw. I considered animating the wheel in Callipeg, but it seemed like it would be harder with a whole lot more steps involving a lot of copying and pasting. I considered adding paint to the black wheel areas to show motion as well, but the painting of the tire was partly transparent which achieved the same effect quite by mistake. I am always glad for happy accidents.

When working a scene in Disney’s Animated Feature Film Mulan I got to show the world class animator, Mark Henn the cleaned up drawings I had done for his scene. The scene was of the bath lady pushing Mulan into the tub. I had thought through what her legs might be doing under the long skirt. Mark simply remarked, “You don’t have to reinvent the wheel every time.” It is a quite that has lingered with me. Sometimes you just have to trust in the grace and flow of a scene without getting caught up in the mechanics. It turns out that this scene with the bus tire was all about mechanics, so I had to reinvent the wheel several times.

This film is now on display at the Orange County Regional History Center (65 East Central Blvd Orlando FL) for the new exhibition, Yesterday This Was Home, about the 1920 Ocoee Voting Day Massacre.

The exhibition is open until February 14, 2021. The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history.

Events unfolded on Election Day 1920, when Mose Norman, a black U.S. citizen, attempted to exercise his legal right to vote in Ocoee and was turned away from the polls. That evening, a mob of armed white men came to the home of his friend, July Perry, in an effort to locate Norman. Shooting ensued. Perry was captured and eventually lynched. An unknown number of African American citizens were murdered, and their homes and community were burned to the ground. Most of the black population of Ocoee fled, never to return.

This landmark exhibition will mark the 100-year remembrance of the Ocoee Massacre. The exhibition will explore not only this horrific time in our community’s history but also historical and recent incidents of racism, hatred, and terror, some right here at home.

The content will encourage reflection on a century of social transformation, the power of perspective, and the importance of exercising the right to vote, and will ask what lessons history can inspire moving forward.

To promote safe distancing, the museum has implemented new ticketing procedures for this special exhibition. For the run of the exhibition, the museum will have extended operating hours to create a safe viewing experience for a greater number of people. On Sundays the museum will open two hours earlier at 10 am. and stay open two hours earlier until 7 p.m. And on Thursdays, we will be open from 10 a.m. to 9 p.m.