Disney Feature Animation Reunion

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The Disney Feature Animation Alum held a reunion In Orlando Florida on March 8, 2026. I drove Stella Arbelaéz and James Paris to the hotel in my Prius. It has been 22 years since the Florida Studio closed its doors, ending a long tradition of hand drawn animation. When we entered the hotel, the open lobby area was packed full of familiar faces. Large tables were set up with bites and there was a table for drinks. We had some free drink tickets and I decided to have a Coke so that I was flitting about like a Humming Bird.

Every time I turned around, I saw someone I had not seen in decades. There was a large screen set up which showed photos of life in the animation studio from years ago. I know now that what I really wanted to see was all the art that had been created by these amazing artists since the Disney Feature Animation Studio closed. I didn’t need to look back. I wanted to look forward.

I knew what James Paris had worked on since we had talked extensively at Stella’s studio, but for most folks I met at the reunion, I could only get an abbreviated elevator pitch of what they were working on. Being a visual artist, I wanted to see it all. I had been in talks with the Museum director at the Orange County History Center about having tables set up at the museum so that former Disney artists could showcase and sell their recent art work the day before or after the reunion. That idea fell through when the director got another job in NYC. I had just returned from 3 months in Europe where I had sketched the 70 or so cities that my father’s 75th Infantry Division had helped liberate in WWII so I found myself repeating that story often.

Kevin Deters had flown in from California. He had stayed with Disney and went on to direct Prep and Landing which was an animated short about elves helping Santa land his sleigh. Aaron Blaise has gone on to produce direct and animate his own short film called Snow Bear and he founded Creature Teacher which has taken off as an online an in-person way to encourage the next generation of animation artists. Xiangyuan (Jay) Jie had helped set the style of the gorgeous painterly backgrounds for Brother Bear. I admired his work on that film so much, and I got to paint beside him in the after-hours painting sessions with models. Jie speaks best through paint since he still isn’t fluent in speaking English. He spoke with me and his wife helped translate. He had images on his iPhone he wanted to show me. He had an amazing sketch of me from one of those after-hours paint sessions. I looked so focused in his sketch. He said there were images I should see on the big screen as well but there were so many pictures that I could not wait for the reel to make its way around again. I was quickly drawn into another conversation.

Laurie Ashborne had a cameraman set up in the corner of the venue. She was asking each artist a few questions about their memories of the studio. This is what I decided to sketch quickly. While working on this sketch I was approached and I was amazed that someone was very familiar with my work. There was some honest reverence in the way my work was acknowledged. I don’t experience that very often. It was heartwarming. With the sketch finished I went and stood in line to offer Laurie my quick answers to her questions. It was a fun interview. I hope a sound bite makes it into her documentary about the Florida Feature Animation Studio.

The whole evening was such a whirlwind. It was like trying to digest hundreds of stories of artistic growth in just a few hours. Bill Silvers has made a career of doing large Disney character themed paintings that are sold at Disney Village. Ginger Wolf gave me her card. She has also become a painter. Former animator, Trey Finney lost his wife Christine Lawrence Finney who was my supervisor at Disney. They had both become painters after leaving Disney. She had a warm heart and was delightful to work for. Christine gave me the opportunity to supervise the final clean up on the director’s cut of Pocahontas. Scenes were added which had been left out of the original film. The largest scene was a love song (If I Never Knew You) sung by John Smith when he was being held captive and Pocahontas gently placed her head on his chest while he sang. The camera rotated  around the couple as he sang, making it a mechanically challenging scene to work on. I worked out long timing charts to keep the even timing of the rotation consistent. I was proud of the result. It was so rare to have complete control of both lead characters in a scene.

I was amazed by so many of the artists I got to meet again. The Disney Feature Animation Studio had truly been like catching lightning in a bottle. All that talent spread out across the country after the studio was shuddered in 2004, but I decided to stay and make my mark right here in Orlando.

Stella, James and I met near the hotel reception and made out way out to the parking lot. Good-byes lasted for at least an hour. It was a shame to leave, but we had an exciting ride back sharing stories of who we had caught up with.  The following morning, the main shooting would begin on James Paris’s short film. We all needed our rest. The caffeine had worn off, and I collapsed in my Air B&B and instantly fell asleep. As always I was an outsider looking in, even in my dreams.

Disney Animation Desk in a Museum

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The Orange County Regional History Center had an exhibit celebrating the art of Animation called, Animation-Land. The exhibit ran from January 17, 2026, to May 3, 2026.

Hosting the exhibit were Tracey the pencil dog and her quirky crew – Rooth, Drop, Inky, Uno, and Kari. They lead visitors on an immersive journey into the art and science of storytelling. Families and fans of all ages could dive into hands-on activities such as story boarding, sketching, and stop-motion filmmaking while discovering how animated features are brought to life. The exhibit featured colorful characters and interactive stations, Animation-land empowered everyone to experiment, play, and create their own stories through the magic of animation.

The exhibit also celebrated a remarkable local chapter in animation history. Drawing Magic: Walt Disney Feature Animation Florida explored the groundbreaking studio that operated at Disney-MGM Studios from 1989 to 2004. Visitors discovered how Florida artists contributed to such beloved films as Beauty and the Beast, The Lion King, Pocahontas, Mulan, Lilo & Stitch, and Brother Bear to name a few, and how the studio helped define Disney’s animation renaissance. Through artifacts, stories, and artwork, this section revealed the creative community that once flourished right here in Central Florida.

This exhibit at the end of the exhibit caught my eye. It shows a Disney Feature Animation desk in what the animators once called The Fishbowl. I worked at a desk exactly like this in the Fishbowl. My desk was right below a bank of windows that allowed tourists to look down and see how the art of Disney Animation happened. It was my first week on the job and I definitely felt some imposter syndrome since the lead animators were sequestered away in their private offices truly creating animation magic.

When I started work on Pocahontas,  desk did not face the wall of tourists, but rather my desk faced away from the phalanx of distraction. However, on my first day on the job, tourists kept knocking on the thick glass to get my attention. When I turned towards them and looked up they would smile and give me a thumbs up. It was a nightmare. I felt like a gorilla in a zoo.

Eventually the Disney Guard who worked in the tourist corridor also wanted my attention. He knocked on the glass. He was saying something, but the glass was too thick to hear him. He was pointing down into my workspace and I finally realized he was pointing at the lower ledge of the tourist windows. I reached up and felt around with my finger tips and finally found an edge to some white artist tape. I pulled the tape up and there was writing on it. It  said, “Hi, My Name is Tom, if you like my sketch, please knock on the glass and give me a thumbs up!” An animator seated deeper in the fishbowl was laughing out loud when he saw me groan and roll my eyes. This was an initiation for new hires.

Now the Disney desk I once sat at between 1994 and 2004 is a long-lost analog example of a time when artists drew on paper with pencils to create movie magic. In our digital age, computers have long replaced the magic of drawing lines on a page to breathe life into a character. AI further threatens to eliminate the need for any human talent.

Poster Session

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I had joined several members of the Orange County Regional History Center at a conference abut oral histories. I have sat inn on perhaps hundreds of oral histories that History Center staff have conducted. I would sketch as the oral history would unfold. Every person has a story to tell and oral histories open a gateway to some amazing stories.

I always feel like I learn something about how I should be living my life, when listening to peoples stories. The struggles they faced and how they over came them are always inspiring. At time I feel like they are telling my story. It makes me want to take more chances.

The posters were maybe about 3 feet wide by 2 feet high. Each poster showcases imagery which highlighted each researchers area if interest. The History Center poster was bout the large series of interviews with Pulse Nightclub survivors and family after the tragic shooting that killed 49 people who were out having a wonderful time dancing.

I sketched from the upper balcony of the hotel. I always like this gods eye view of events. The space always feel so dimension when I get the sketch to work right. When I do a sketch like this of a crowded room of people, I inevitably end up sketching the same person several times. They move from one group to another and since I had fun sketching them the first time I often just sketch them again in the new position. The goal is to just keep adding figures to the page. At time I can catch several people in conversion at other times I just put two people together fro separate areas of the room.

 

History Center 150th Anniversary Exhibit

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The Orange County Regional History Center is in the process of mounting an exhibition to celebrate the 150th anniversary of the founding or Orlando. The exhibition will have 150 items from the museum’s collections on display.

Katie Kelly the curator of exhibitions gave the power point presentation. She emphasized often that the collection is built from many donations from people who realized that their collections have historical significance.

Katie explained that museum exhibits are usually designed to tell a story, and items are collected to help tell that story. This exhibit was turned on it’s head since the 150 items that will go on display were chosen before a story was established. The exhibition will not be a chronological history of Orlando. It is instead a collection of 150 objects that were curated by high ranking members of the community. Mayor Buddy Dyer and Mayor Jerry Demings both selected items for exhibit. Over all about 150 members of the community got invitations to curate items for the exhibit. The logistics of that process alone must have been daunting.

The exhibition will open on April 12, 2025 and run through  January 11, 2026. Orlando Collected will  offer a glimpse into some of the most fascinating and rarely seen items from the city’s history. Since its incorporation in 1875 with just 85 residents, Orlando grew into a vibrant and diverse community of over 300,000. Through the contributions of local historians, community organizations, and individuals, the complex stories of the community have been thoughtfully collected and preserved by the History Center. These curated memories, photographs, documents, and artifacts weave the intricate tapestry of Orlando’s past.

Pulse: Pablo Quinones

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The director of the Orange County Regional History Center was about to leave her position. She asked me to come to the History Center to do one last sketch for a Pulse related oral history. As she said, this would be the “swan song” that ended the series.

The directors office had a HEPA air filter so this was a rare instance where I sat indoors and did a sketch without a mask. If more venues had HEPA filters I might indeed return to sketching indoors mask less.

Pablo Quinones was a first responder that the Pulse Nightclub shooting. After the shooting he went on to become the personal driver and security officer for Mayor Buddy Dyer. Being the mayor’s security office has to be an adventure since the mayor attends all the best events in Orlando. After the Pulse shooting I remember seeing the mayor arrive at many of the fundraisers and artistic memorials with a large entourage.

Pablo has been a law enforcement officer and civil servant since 2000. He attended Western Illinois University and the College of  Lake County.

Since the City of Orlando purchased the the Pulse Nightclub site for 2 million dollars from the One Pulse Foundation there was no security at the site. A sign in front of the Pulse nightclub was vandalized in February of 2024 with bold graffiti. Sayings on the sign, like “Love is Love”, “Love never Dies, it Transforms” and “Love will always Win” are now obscured under giant spray painted bubble letters. Efforts are being made to scrub away the graffiti, but of course the messages of hope and love will also be scrubbed away in the process.

One Pulse had a gorgeous plan for the site that had a brightly colored fountain and an enclosed seating area. I liked this design and feel it is a shame that it will not be created. The cost for the memorial and a museum skyrocketed beyond the fundraising abilities of the One Pulse Foundation. The city is planning a far scaled back memorial which they hope to complete by 2028, which is 12 years since the tragedy occurred. The club is on an incredibly noisy intersection so the thought that a peaceful site of remembrance might be created with a few coats of paint seems insane. What it attracts so far is urban spray paint.

 

 

Pulse: First Responder

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Yesterday I saw an article in Watermark that Barbara Poma and her husband Rosario were cleared of any wrong doing in relation to the Pulse Nightclub shooting that resulted in 49 deaths.

The shooting happened June 12, 2016 and the wounds are still raw.

This sketch was done in the office of Pam Schwartz, then the director of the Orange County History Museum. She conducted an interview with Mathew Hairs who was a first responder at Pulse after the shooting. I loved that Mathew’s pup was so attentive. Maybe an hour into the oral history the pup curled up on the floor.

Orange County Regional History Center

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My advanced Urban Sketching student and I went for a sketch excursion at the Orange County Regional History Center (65 E Central Blvd, Orlando, FL). I leave it up to my student to decide what to sketch.  She was intrigued by this Orlando Air Base display. With this display about 1/4 of an airplane fills the gallery while manikins inspect the wheel well.

The challenge was to make the plane and wing appear huge in the small gallery space. I opted to make it clear that the plane was enclosed in the room. The sketch isn’t absolutely accurate. There was a platform that the airman stood on but I didn’t think it helped to tell the story, so I left it out. I felt that what helped make the plane parts feel massive was the dark shadow they cast on the wall.

The display tells the story of the Orlando Naval Training Center which was established in 1966. For about 30 years the training center was in operation. The training center was fully operational between 1968 and 1994. More than 652,000 recruits passed through the facility. After being closed and demolished, the site became the Baldwin Park neighborhood. Blue Jacked Park in Baldwin Park has two memorials  dedicated to the Naval Training Center, the Lone Sailor, and the Blue Jacket Recruit.

 

The History Center’s One Orlando Collection

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Pam Schwartz the Director or the Orange County Regional History Center and Jeremy  Hileman who is in charge of the One Orlando Collection gave a Lunch and Learn talk about the collection that was build after the Pulse Nightclub shooting.

The shooting happened at about 2AM on June 12, 2016 killing 49 people at the Pulse Nightclub, and injuring about 68 others. The survivors have to live with the horrific memories.

The History Center has to decide what their roll would be in the community following the massacre. Pam immediately drafted a 5 page collection plan. Within a week, the museum became the collection entity following the tragedy.

Six years later, the collection is still growing. It has some 12,000 plus objects, oral histories, and terabits of video and photography. Some of the items predate the tragedy some are of the tragic event itself and some are of the love and support that followed and spread worldwide.

Many of the items in the collection are from the spontaneous memorials that cropped up following the shooting. People place items to try and replace the loss by giving. They don’t think what may eventually become of what was left behind. The History Center didn’t want to have that love and support just go away. There was no manual on how collect following a tragedy. The History Center collected for 32 days straight.

White crosses were donated by Greg Zanis, a midwestern carpenter, (now deceased) who brought crosses to a number of sites of mass tragedy. Memorial items were left on and around the crosses. The crosses were saved and put in special storage boxes and the items left behind were stored in a box for that individual whose name was on the cross. The Orange County Regional History Center will host the Pulse memorial crosses from Friday, June 10, 2022 through Sunday, June 12, 2022 in honor of the 49 and all others impacted. Hours will be 10 a.m. to 5 p.m. on Friday and Saturday and noon to 5 p.m. on Sunday.

 

 

Brechner Series at the Orange County Regional History Center

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The Orange County Regional History Center hosed N.Y. Nathiri who spoke about The Legacy of Zora Neale Hurston as a Cultural Preservationist. In addition to exploring Hurston’s literary accomplishments, Nathiri delved into Hurston’s important work as an anthropologist and activist; Nathiri also highlighted the community-driven effort to promote Hurston’s legacy in Central Florida.

Nathiri read one short story by Hurston about the empowerment of woman. In it, men and women had been created equal by God but man wanted the upper hand. So the man went to God and asked him for more strength than the woman which God granted. The man used his new strength to dominate the woman.

So the woman went to God and asked for more strength but God had already granted that to the man. He could not grant her more strength then the man. That made her spitting mad. So she went to the devil. He told her to get 3 keys from God.

One key was for the bedroom, one key was to the cradle and one key was to the kitchen. She locked them all up and waited for the man to come home. The man had no peace in bed and nothing to eat, and he couldn’t have children unless he used his power to suit the woman. Of course you are far better off to read this story in Hurston’s own words. She uses a delicious dialect that comes from her background as a cultural preservationist and astute story teller.

Nathiri spoke quite a bit bout the history of Eatonville Florida which is the oldest town incorporated by African Americans just north of Orlando. It hosts the Zora Neale Hurston festival each year and has become an internationally recognized community. It was shocking to learn that in the 1980s, Orange County had considered the school in Eatonville as a possible site for a bus depot. They put this line item on the docket for a vote late in the evening since most working folks might not show up ant the item could pass. Residents in Eatonville showed up on mass for that meeting and they saved the school.

After Pulse: Roberta Blick

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Roberta Blick moved to Orlando in 1986. She became a member at Windermere Union Church teaching oil painting. Nancy Rosado another member of the church came in on Sunday morning, to enlist volunteers to help first responders at Pulse. Roberta wanted to participate. She said, “What can I do?” Her son heard her and he said, “Do what you  do best mom, and make a quilt.”

So she sat down in her hospice chair, and she watched the TV seeing all those beautiful people from Pulse. Their gorgeous eyes looked at her. It broke her heart. She had to do something with all those wonderful people. She got to know them. She gathered pictures of each of the 49 young people and she transferred the photos onto plain white cotton. She began making the quilt out of her white squares of fabric.

When she got all the squares finished she had to lay them all out on the floor of her sewing room. She called some people from church and they helped her make a nice big square out of it. It became a big quilt with all 49 pictures on it. She worked on it all week and that next Sunday she brought it to church. Nancy Rosado was there and she sat down next to her. Nancy took the quilt to share with others. Nancy got so many amazing people to sign it. The first names o the quilt were fellow church members.

It pleased Roberta so much that something we were doing helped others. Nancy said that some of the people who came into her office didn’t even have a picture of their child. That must be such an awful feeling to not have a picture of the child they love so much. Anyone who is a mother would know that. Her first thought was to create something that would have a beautiful picture. Friends from church wrote the name of each one of the children, and the names went above their picture.

The quilt traveled everywhere.  Nancy would sit down beside Roberta to tell her who had signed the quilt. She said President Obama had signed it. He had put a special thanks to Roberta because he heard she was an old woman. That meant so much. The only thing that hurts is that she did not think to start doing it earlier of the Sandy Hook babies and others who died needlessly. Think of the impact walking into a room an having all those beautiful eyes looking back at you. Think of the impact for all of those mothers and fathers. Think of all the beautiful people who have been killed. Look what they have done.

At a one year remembrance exhibit the the Orange County Regional History Center, 453 family members of victims saw Roberta’s quilt in one and a half hours. Thousands of photos must have been taken of that quilt on exhibit. Roberta Blick died December 20, 2017 from cancer.