I helped Stella Arbeláez Tascón, a fellow artist and friend, when she got a commission from the Orlando Museum of Art (OMA) to create tablecloths for a fundraiser event. Her idea was to eco-print leaves on the tablecloths along with woodblock prints. The fundraiser concept was built around the 1979 art installation by Judy Chicago called The Dinner Party. With that installation there were 39 elaborate place settings on a triangular table arrangement for 39 mythical and historical famous women. Including Kali, Sacajawea, Virginia Wolf, Susan B. Anthony and Georgia O’Keefe to name a few. The messaging goal of the Dinner Party was to end the ongoing cycle of omission in which women were written out of the historical record.
Stella had never eco-printed before, but she researched the process voraciously. After the fabric bolts were cut and hemmed, they were soaked in fresh water, dried, folded and stacked on a table set up outside. The next step was to boil water and soak the fabrics in chemicals that would allow the natural leaves to make impressions on the fabric. Since there were so many table clothes there were many boiling sessions.
I went with Stella when she purchased the old rusty butane stove for a song on Facebook Marketplace. When we picked it up there was a whole corrugated warehouse full of old abandoned equipment. A cow from the nearby field managed to get over the fence and had to be chased down to be put back in her field. That was all a sketch opportunity, but we were in and out rather fast to pick up the stove.
The water and fabrics frothed up in the huge metal pot and bubbled over the edge. When Stella finished stirring the pot, she went off to complete another task, and I sat and watched the pot while I sketched. I lowered the fuel nozzle a few times to keep the mix from boiling over. Once the boil was complete all the fabric was taken out and hung on outdoor clothes lines to dry in the breeze. Having this outdoor space to work on the project was critical since this was a messy process. The whole point of the eco-printing process was to celebrate the natural beauty of the outdoors.
In the background of this sketch is a hydroponics tower that was absolutely thriving. The edible lettuce was growing so fast that the tower was getting top heavy. The lettuce at the top was getting the most sunlight and it grew to the point that it broke the plastic tower in which the plant pots had been positioned. I patched the broken tower with plastic wrap because the water was leaking out of the tower and onto the ground. My fast, sloppy engineering fix seemed to work at least for the short term. I harvested the plants which were then drooping down unsupported and put them in bags in the refrigerator. The root system inside the tower was so huge that it would have to be cut out when all the plants were harvested. The greens lasted a long time in the refrigerator. I do believe some of them were eco-printed.