Serafina’s belly dance at Fringe.

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Although Phantasmagoria didn’t have a stage show, they were listed in the Fringe program as Bring Your Own Venue. On the first day of my Sketch Tour they seemed to be everywhere at once. While we were waiting in line for Grim and Fisher at the Rep Theater, Phantasmagoria swept into the lobby to entertain everyone waiting in line. For those who don’t know, (where have you been) Phantasmagoria is a Gothic Steampunk storytelling group that blends dance, aerial work, fire performance and combat into the mix as they weave their horrific tales.

Serafina Schiano began an exotic belly dance. I agonized about how much time I might need to catch the dance. The line started to inch forward and I kept adding watercolor washes to the sketch as we moved towards the entrance. When Serafina was done, I followed her with my eyes to try and catch details of her costume. This is why some sketches can seem rushed and unfinished, because life and performance rushes by. It is a challenge to catch the flash of a moment. That is what makes sketching on location fun, exciting and challenging. Even if unfinished in my mind, I have to accept what I can accomplish in the time that I have and move on. That is a fair analogy to life in general.

The lobby of the Rep is always full of art by school children during Fringe. Most of the work is tight and struggling towards realism. None of the art seems rushed or hurried. This is the problem I have when painting digitally. Since it is all new to me I’m far to cautious and what results has too much polish. I’ve started carrying my tablet out on location with me but it is seldom used. In a dark theater, its glow would distract others and outside in the Florida sun the screen isn’t bright enough.  I wish the screen were larger but the market trend it towards smaller tablets. It is like carrying a hot brick.

Of course the Kids Fringe had a Unicorn Bounce House.

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On each morning of the Fringe Sketch Tour, we would start at Kids Fringe, warming up by sketching the kids stretching under the supervision of a Voci Dancer. After that, we would start the hunt for another subject. This Unicorn Bounce House was in the shade of a huge Live Oak Tree. There was always a line of parents escorting their children to the entrance. Oddly the Unicorn had a sand bag on her head. At first I thought it might be an icepack since the Unicorn might have partied too hard the night before. If that was the case, then having those children bouncing inside couldn’t have helped her unsettled stomach.

I did this sketch to demonstrate the idea of covering the sketch with as few large washes as possible. The Unicorn and all of the foreground was covered with a blue wash for shadows and the local color of the bounce house.  I encouraged Gay to leave the lightest areas at the window where you see a child bouncing and around the Unicorn’s head. The eye is attracted to the areas where there is the most contrast. I put a yellow band across the middle of the sketch to symbolize bright sunlight. Distant trees were treated with the lightest blue-green wash to imply aerial perspective. I also taught Gay to remove objects that over complicated the scene. For instance there were branches and moss directly behind the unicorn’s head, but I removed those in the sketch to give the Unicorn head a clean silhouette.

Mr. Harley entertained at Kids Fringe.

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On May 23rd, Mr. Harley was the first act at the Kid’s Fringe tent at the Mennello Museum. My mural, “Whose line is it anyway?” was at my back as I sketched. It offered a colorful backdrop and it was nice to see it with so much vibrant activity around it.

Mr. Harley played light hearted music for the kids. This sketch was a quick demo for my student on how to use a few quick blocks of color to cover the whole sketch. The Kids Fringe tent was the perfect spot to start each day’s Sketch Tour since the kids would do early morning stretches to start their morning. While they were stretching it made sense to get sketching. The green lawn of fabulousness in Lock Haven park is very quiet in the morning. This is probably because it rocked so hard the night before.

 Since I was hosting the Sketch Tour, I was able to do far more Fringe Sketches than I usually would. I’ve trained myself to just get one sketch a day at any event I go to so that I can have some kind of home life as well. There are so many free acts at the outdoor stages so you could spend a whole day at the Fringe without paying to go to a theatrical production. The Shakes, Rep,Orlando Museum of Art and the Venue all have air conditioning however, so the temptation to sit inside a cool theater eventually takes hold.

As part of the Sketch Tour package, I offered Fringe buttons so it made sense to eventually introduce the idea of sketching the shows themselves. Sketching in a theater has it’s challenges and I pointed out my tips and tricks to get a sketch even when the house lights go black.

The 11 O’Clock Number presented an Improvised Musical at this year’s Fringe.

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Grindstone Theater from Edmonton Canada presented The 11 O’clock Number at this year’s Orlando International Fringe Festival. They managed to stage a fully improvised musical built around a prompt from the audience. From our audience they decided to use an entertainment lawyer who liked working from the beach. What made it even more funny is that the actress playing the part of the entertainment lawyer really had no idea what an entertainment lawyer actually did. It became an ongoing joke as she guessed about her role.

The plot centered around a spoiled child star and her sister who felt she could be a star as well if she were only given a chance. The villain was a scheming producer who wanted to have the kid sign her life away.  Every song was heart felt and yet hilarious. There is some major talent involved in making up lyrics on the fly. The music must have been established in rehearsals with the piano accompaniment, but the new lyrics were amazing. The result was a solid hour of laughter. This was entertaining improv at it’s best.

Dinner with Friends shakes up the Mad Cow Theater.

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Mad Cow Theater (54 W Church St, Orlando, Fl) presents Donald Margulies‘ Pulitzer Prize-winning play, Dinner
with Friends which travels through space and time to paint two pictures of
contemporary marriage. Gabe (Brian Brightman) and Karen (Ame Livingston) are happily married while their
friends Tom (Cameron Francis) and Beth (Becky Eck) are on the verge of divorce. As Tom and Beth fight
for the support of their seemingly happy counterparts, Gabe and Karen
begin to question the stability of their own relationship. A portrait of
interconnected love and loss, Dinner with Friends
beautifully depicts the burdens we build out of our most intimate
relationships.

In the opening scene, Beth is having dinner with Gabe and Karen who are the consummate hosts. They are undeniably foodies who prepared a delicious Italian dinner. One chair remained mysteriously empty. When they moved to the living room, Beth broke into tears confiding that Tom was going to leave her. Unfortunately I couldn’t see the revelation because it was staged in a corner of the set that I couldn’t see.

Tom was leaving Beth because he met a travel agent and
fell in love. 12 years of marriage and children were a thought of the
past. When a flight is canceled he returned home to Beth and they have a
huge fight. He was furious that Beth told their friends about the looming divorce he wanted to tell them the news as a couple. He never actually believed in Beth’s artistic talents and
he let her know this in his rage. This fight almost escalated to blows
but then, in the midst of their fury, they kissed and fell into bed
while ripping off each others clothes.

The next act flashed back to Martha’s Vinyard where Gabe and Karen introduced Tom to Beth. I identified with Beth since she was an artist. I was rather surprised that she refused to show Tom her sketchbook. Why create art if you aren’t willing to share it? When I was first dating Terry, I showed her my sketches, but when she asked for one to keep, I refused. That surprised her, but I am a professional. You don’t give it away when you know what it is worth.

Beth quickly met another man and is ready for another committed relationship. Karen thinks this is a bad idea, feeling that Beth might be better of taking time to be alone. This results in a fight between friends. Beth feels that Karen always wants her to be an emotional mess. The men have a similar fall out since Gabe can’t understand how Tom could throw away 12 years of marriage. Tom confided that he did a test to see how often Beth touched him. Hy realized he never experienced her touch unless he initiated the embrace. Gabe and Karen start experiencing trouble and examine their own marriage. Karen shares a dream and Gabe doesn’t share enough of himself when they talk about it. “I need you to talk to me!” she shouts at him.

Directed by Denise Gillman, the play is an emotional roller coaster. One couple seemed so much happier when they separate but hope remained that the other couple can remain committed.  They cling to each other as if abandoned in a life raft in a raging sea. As I left the theater I had to wait as a woman hugged all her friend in my row. I was the only person in the row that wasn’t one of her friends. “You want a hug as well?” She asked me. “Sure” I replied, laughing as I opened my arms. I probably flushed as we embraced, but darn it, I needed that hug.

Mad Cow Theater 54 W Church St, Orlando, Fl

Zehngebot-Stonerock Theatre  (Mad Cow Black Box)

Dinner With Friends runs June 19 – July 19
Thursdays – Saturdays at 8:00pm
Sundays at 3:00pm

Special Discount Performances on Saturday, July 4 (6:30pm) and Wednesday, July 15 (8:00pm)

Weekend Top 6 Picks for June 20th and 21st.

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Saturday June 20, 2015

6pm to 8pm Free. Brewery Tour. Orlando Brewing, 1301 Atlanta Ave, Orlando, FL.

8pm to 2am $18. Talib Kweli. Venue 578, 578 North Orange Avenue, Orlando, FL. This will be an indoor event. Presented By: Conscious Mind Records , Venue 578 and Soul of the City. Artist vendors and music.

8pm to Midnight Free but get a drink.  Winter is Coming to The Falcon. The Falcon Bar & Gallery, 819 East Washington Street, Orlando, FL. An Art Show inspired by Game of Thrones: Which noble houses will rule the Iron Throne of the Seven Kingdoms while surviving the rising threat of the impending winter?

So far artists include:

Brandon Geurts. (White Walkers)

Brian Demeter/Josh Geoghagan (House of Greyjoy)

Carlos Aurelio (House of Stark)

Crafty Dork (House of Stark)

David McWhertor (House of Targaryen)

Gina Edmunds (Children of the Forest)

Gina Marie (House of Targaryen)

Jaime Margary (House of Lannister)

Josh Otterbacher Art (White Walkers)

Laura Ashley of Obscuriosity (House of Targaryen)

Nicholas Lane (Sale Sword)

The Art of Plinio Pinto (House of Lannister)

Rick Kamla (House of Clegane)

The Black Abbey (House of Stark)

Troix Manning (House Stark)

Sunday June 21, 2015 Father’s Day

4pm to 6pm  Free. Jazz Performance Graduate Recital. Pilars Martini 146 W Plant St Suite 120, Winter Garden, Florida. Please join me for my graduate performance recital! This recital fulfills the requirement for the USF MM Jazz Performance concentration.

We will play 75-90 minutes of my original music featuring me and the following musicians:

Dan Jordan-Sax and Flute

Greg Little-Trumpet

Ben Kramer-Acoustic Bass

Greg Parnell-Drums

Special thanks to Becky Roper for offering such a great venue for this performance. Pilar’s will be open for business, so enjoy some craft cocktails with the concert!

5:30pm to ? $8, Bring dad and he gets in Free. Southern Fried Sunday Dad’s Day Edition w/ Sean Holcomb and Friends, Big Shoals, Gaslight Street and Jackson Rodgers. Will’s Pub, 1042 North Mills Avenue, Orlando, FL. June’s Southern Fried Sunday falls on Father’s Day, so we’ve put together a bill most Dad’s, and most everyone, would love featuring: One half of Orlando’s favorite folk/country brothers Sean Holcomb & Friends, the Americana/Rock of Gainseville’s BIG SHOALS, Southern Soul/Roots Rock from Charleston, SC’s Gaslight Street and the Alt-Country Soaked Sounds of Jackson Rodgers kicking it all off!

As always a Free BBQ Dinner will be served to all in attendance courtesy of Sierra Nevada Brewing Company’s Nooner Pilsner, Jack Daniel’s & Poca’s Hottest and chef’d up by the Meat Candy BBQ Pork Master Mykal Williams! Come enjoy good music, good food and good times on a Sunday at Will’s!

9pm to 11pm Free. Comedy Open Mic. Austin’s Coffee, 929 W Fairbanks Ave, Winter Park, FL. Free comedy show! Come out & laugh, or give it a try yourself.

The Flick presents hopes and aspirations in a tiny movie theater.

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Gen Y Productions presents The Flickwritten by Annie
Baker and was the winner of the 2014 Pulitzer Prize for Drama and 2013 Obie Award for Play writing. The Flick Premiered
Off-Broadway at Playwrights Horizons in 2013 and will run at the Dr. Phillips Center for the Performing Arts (445 S Magnolia Ave, Orlando, FL) starting today through July 12.

Bonnie Sprung designed the set for The Flick. She confided that the theater seats were rented from the recently closed Theater Downtown. The sconces on set are actually the bases to lava lamps. She was busy cutting and building the set right up until the rehearsal started. This was the first run through in the new space. Producer Aaron Safer arranged to get me in for the sketch.

The play is set in a single screen movie theater in Central Massachusetts that has the last remaining 35mm film projector. Sam (Daniel Cooksley) shows Avery (Marcellis Cutler) the ropes of the job on Avery’s first day at the job. The job simply involves cleaning up the wrappers and refuge people left behind after leaving the movie theater. Rose (Jessie Grossman) with her bright green hair is the projectionist and Sam feels he should have been promoted to that coveted position. He shouts up to her and she either can’t hear him or ignored him. “She hates me” Sam confides to Avery. When Rose came down from the booth, she asks Sam if he told Avery about the employee “dinner money” tradition. The “dinner money” was skimmed from ticket sales without the owners knowledge. Avery agonized in the front row with his head in his hands but ultimately gave in, not wanting to upset his co-workers.

Scene after scene plays out in the empty theater. Sam told a story about how a huge chunk of the ceiling once fell down landing just inches from an old lady. Sam and Avery play a game of six degrees of separation as they clean and it turns out that Avery in an encyclopedia of film knowledge. A love triangle develops as Rose comes on strong to Avery. The flirting escalates to an embarrassing moment when they watch a film together after hours. Each of the characters is a misfit. Avery once tried to kill himself, Rose is unable to have a relationship for more than four months, and Sam rides along as if the theater job was his only aspiration in life. Rose was appealing with her brash accent and bold entrances. She later turned on Avery and it became clear that every character was strictly looking after their own interests. Friendships aren’t as strong as the need for a minimum wage paycheck. One of my favorite scenes is when Avery recites Ezekiel 25:17 from Pulp Fiction. The drama among the employees turned out to be bigger than the dramas that played out on the big screen. I cared deeply for each character hoping they might find happiness but in this fast changing world, that hope seems mercurial. The digital age made the 35mm projector obsolete. Avery in particular yearned to keep the analog tradition of projected film alive. It turned out that if you don’t need a projector. You don’t need a projectionist. Everyone wants more for less and quality isn’t necessarily the ideal.

Kenny Howard directed the Orlando cast and I liked that there were long moments where characters had time to think and reflect. Action on a movie screen happens at a break neck pace with maybe 2 seconds before cutting to a new shot. But the action after the film ended felt more real, imperfect and more heart felt.  These characters weren’t playing their parts, they were simply living in the moment. At three hours, this is a long show. Turn off those cellphones and unwrap those wrappers and don’t leave a mess because someone has to clean up after you.

Show dates: June 17-July12, 2015

Show times vary

Tickets start at $35.00

Alexis and Jim Pugh Theater

Lobby Doors open 60 minutes prior to show time.

Theater Doors open 30 minutes prior to show time.

Phantasmagoria was at Kids Fringe.

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Phantasmagoria is a steampunk themed acting troupe that shares classic Victorian horror stories every Halloween. At Kids Fringe, Phantasmagoria was set up in the shade of the huge Live Oak tree at the Mennello Museum. They were on hand to teach dance to anyone who cared to learn. Pandora performed on Cello and her mom taught several children how to waltz. John DiDonna founded this macabre acting company and I have been sketching their performances for years.

This was another demonstration sketch to show my Sketch Tour student how to catch actors in the midst of constant motion. There was a new actress among the company this day and she fit in perfectly. I never can get enough sketches of these exotic costumes. There is a whole culture of people that love steampunk and Phantasmagoria now makes appearances at Steampunk gatherings and conventions. Several women were dressed in more colorful Victorian garb, and they were fans of Phantasmagoria.

It was an extremely hot day, so dancing must have been kept to a minimum. I wouldn’t want to be dressed all in black in the intense Florida sun although I’ve been known to do just that. As an artist thought my first thought when sketching outside is, “am I in the shade, and will this shade last for the duration of the sketch”. Anytime I misjudge the suns movement, I end up with a red neck.

Robyn Da Hood was hilarious at Fringe.

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SAK Theater Company of Orlando presented Robyn Da Hood – A Rap Musical at this years Orlando International Fringe Festival. I made the mistake of sitting in one of the balcony boxes. It turned out that the box would be used by several of the actors during the show. My student and I had to scramble to find new seats. The show is a mash up of the classic story told through hip hop beats. Set pieces were elegantly created out of corrugated cardboard.

The show swaps gender roles with Robyn Hood being played by Chelsea Hilend. Her merry band are also all women. Sheriff of Nottingham (Mike Carr) is a villainous sexist pig who thinks he can defeat Robyn by seducing her and keeping her bare foot in his kitchen. Lil’ John (DeMarlon Vega) is the only person in the show who is dressed as a Rap singer. His only line in the show is “YAY-ah!” “Oh-KAY!” This caused a loud laugh from the audience every time but I’m just not hip enough to get the reference. Every song had witty, hilarious lyrics and the show galloped forward at a break neck pace.

One member of the audience got to play the part of the King. He was given a paper crown and a corrugated cardboard frame that came complete with a mustache and beard. One of the Merry Maids took a seat right in front of me for the archery tournament. Prince John, (Chris Dinger) was hilarious as an inept childish prince.

The show managed to entertain on every level. The cheap set pieces actually helped sell the campy and fun flavor of the show. For instance as Robyn escapes from the castle, a photo of her is clothes pinned to a line between cardboard buttresses and she cranked across to safety, all while the sheriff gloats in his success. I have always associated Sak with improv comedy but now I see it as a place where great theater is incubated and born. Robyn Da Hood won the Critics Choice Award for Best Book Musical at the Fringe and it is well deserved.

Sugar Crush Kids performed at Fringe.

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During the Fringe Sketch Tour, I did a quick sketch of Sugar Crush Kids as they performed in the outdoor stage at the Orlando International Fringe Festival. This was essentially a demonstration to show how to cover a sketch quickly with large bold washes. Sugar Crush performed a high energy set that was over before the sketch was complete. Musical sets seem to fly by when you are trying to capture the moment with a sketch.

After this, we decided to break for lunch and then head inside to sketch a show, and get out of the heat. Food vendors are all around the green lawn and I decided to get some BBQ. The vendor wasn’t very efficient so it took a long time to get my food. Another fun aspect of Fringe is that you get to meet the performers on the lawn. A performer might be seated right beside you as you eat lunch, so you get to rub shoulders with some amazing talent.