UCF Studio Art MFA program Mid-term Reviews.

I got to experience a rare glimpse into what it might be like in a Master of Fine Arts program at UCF. Stella Abelaez invited me to stop in for the Studio Art Mid-Term critique.

When I first arrived, I saw all the students gathered around this common room table. I paused, not being sure if I was in the right place but then masked up and went inside.

Meeting each artist in turn was such a thrill. First Stella explained how she planned to engineer a huge outdoor sculpture he plans to assemble. She sketched her ideas on a large newsprint pad which I can identify with since I communicate best while putting lines on paper. I will not describe the sculpture since I am hoping I might sketch the piece as it is assembled.

In my sketch there is a knot of red and pink tubes hanging on the wall. This was done by Abigail (@artby.AMF). Her studio was straight down the hall from the large knotted sculpture. The knotting represents the bitter discomfort when the reproductive cycle is off. Her work was largely about women’s reproductive issues. The multi media work glowed with bright pinks and reds. For some women the egg does not make the journey down the fallopian tubes each month. This would result in the woman not having a period for that month. The eggs just congregate in the ovary like pearls. I say that since some of her soft form sculptures have pearls sewn onto the ovaries. The conversation was fascinating and her work helps bring to light issues that even many doctors are unfamiliar with.

Another artist, Alicia (@ally.artistic), had multimedia work that reflected her Japanese and Catholic roots. A sculpture of an angel reminded me of what the Greek goddess Artemis sculpture must have looked like when they were in full color. Another sculpt of a woman felt like Venus Rising from the Sea thanks to a found object of an opulent shell that she saves from the trash. Another sculpture of cakes was reminiscent of Wayne Thiebaud with the vibrant colors. She had magnificent golden sculpture by Bernini on her studio walls and perhaps someday she will produce work on that scale and grandeur.

I got to meet (@staciebecker) who is also a tattoo artist who works with women who have had breast reconstruction surgery after breast cancer. Stacie tattoos the reconstructed breast making it glow with new life.She explained that women who felt they did not need the tattoos were often the ones who came back into their own bodies thanks to the process. Another piece of hers showed crows flying. Each crow held a string and I was shocked when I saw severed fingers at the end of each string. Each finger has a letter tattooed onto it. I was searching for some meaning in the letters when Stacie held up her two fists which had the same letters tattooed onto them.

After I finished my sketch, I spoke to (@Anna.Vic.Webb). Her bright vibrant paintings were in the print lab area. Most of the pieces seemed to focus on the apparent comfort of the bedroom, while the neon colors alluded to something more. A modern day Cheshire creature grinned from under each bed. Her glowing enthusiasm for art was contagious and I spent much time discussing the artistic process with her because of that enthusiasm. Stella told me she was working on her Masters degree because it will allow her to teach college age students who are excited to learn about the lifelong pursuit of art. I have had many students who were going through the motions, and I must say it was so exciting to talk to artists who are pushing themselves in new directions.

There were about 22 artists in all, so it was a whirlwind getting to hear a bit about each of their artistic journeys. Since I have been locked away in my studio for so long, it was a thrill.

Cocoa Beach

Sunday is the one day that I do not teach virtual art classes. On this Sunday I decided to drive straight East to Cocoa Beach.

It was a challenge finding parking, but I finally found a lot by driving north on the side streets close to the beach. I figured any parking spots that had numbers in them must be assigned parking for condos. When I located un-numbered spots I took one.

I had a sandwich packed and some water. I have a small pup tent style umbrella. Unfortunately several of the supports have warped which make it open a bit wonky and lopsided. I am a vampire so it is important to keep my delicate dead flesh out of direct sun light. After a quick swim, I dozed off in the shade of the umbrella. I succeeded in keeping in the shade on this day except for my feet which became two red lobsters at the ends of my legs.

I spent the day listening to the waves and thinking about where my life should be heading. Those dreams took me to northern climbs which were closer to mountains than beaches. Perhaps a large lake near un-touched forest trails could make a good studio. I need to get as far away as I can from the sound of huge aircraft coming in to land a the Orlando International Airport.

Macbeth Final

The final version of the poster had MACBETH surrounded by a cast wearing black stocking masks as they lay their hands on the king. The hands on each side of his head imply that the crown had just been placed. it is a bit akimbo feeling not quite set in place yet.

Since the Shakes is under renovation, very few people drive to the theater and therefor they do not see the large posters hanging in front of the theater. I am not sure when plays will once again be stages in the theater.

This production of Macbeth is being staged at Fringe Art Space in downtown Orlando. The cast are UCF masters degree students.  Tickets.

NOVEMBER 1 & 2, 2024

Where: Fringe ArtSpace

54 W Church St Suite 201, Orlando, FL 32801

When:

November 1:

  • Evening: 7:30 – 8:50 PM

November 2:

  • Matinee: 2:00 – 3:20 PM
  • Evening: 7:30 – 8:50 PM

Macbeth First pass

On my first pass at creating the Macbeth poster, I decided to go with a golden skull with a large drop of blood creating a crown like splash.

This idea avoided me having to depict Macbeth who had not been cast yet. I have a tenancy to express my darkest impulses before finding the concept which has enough appeal draw an audience in.

At the time I also was not aware that UCF students would be presenting the play. Actually younger actors might take more chances and present Macbeth’s darker side.

I like some aspects of this sketch but others I would defiantly want to change. This skull motif would be good for a very tall poster. As it is, the skull seems to float in a vast expanse of black. That isn’t necessarily a bad thing, but I usually populate every inch of space with something to chew on.

These performances are staged at various venues around Orlando since the Shakespeare Theater is undergoing renovations. Tickets.

NOVEMBER 1 & 2, 2024

Where: Fringe ArtSpace

54 W Church St Suite 201, Orlando, FL 32801

When:

November 1:

  • Evening: 7:30 – 8:50 PM

November 2:

  • Matinee: 2:00 – 3:20 PM
  • Evening: 7:30 – 8:50 PM

Hard Rock Cafe

In pre-pandemic times, Several instructors from Savannah College of Art and Design were in Orlando and invited me to lunch at the Hard Rock Cafe.

I looked up online that parking was free for Florida residents. The parking attendant however thought my somewhat old drivers license looked suspicious, or maybe he just thought I looked suspicious and he insisted I pay for parking. Instead, I backed out and drive around the block. I approached a second parking attendant and he let me in with no hassle.

The instructors were doing the Universal theme parks and even had sketched from inside one of the Harry Potter rides. It would have been fun to join them on those sketch outings but this was the last day of their trip. In the Hard Rock there was a car hanging from the ceiling. That would have been a fun sketch but the food arrived before I had time to sketch. The sketch above was done before everyone arrived. I sent them a photo of the sketch so they would know where to meet me.

 

Pulse: Pablo Quinones

The director of the Orange County Regional History Center was about to leave her position. She asked me to come to the History Center to do one last sketch for a Pulse related oral history. As she said, this would be the “swan song” that ended the series.

The directors office had a HEPA air filter so this was a rare instance where I sat indoors and did a sketch without a mask. If more venues had HEPA filters I might indeed return to sketching indoors mask less.

Pablo Quinones was a first responder that the Pulse Nightclub shooting. After the shooting he went on to become the personal driver and security officer for Mayor Buddy Dyer. Being the mayor’s security office has to be an adventure since the mayor attends all the best events in Orlando. After the Pulse shooting I remember seeing the mayor arrive at many of the fundraisers and artistic memorials with a large entourage.

Pablo has been a law enforcement officer and civil servant since 2000. He attended Western Illinois University and the College of  Lake County.

Since the City of Orlando purchased the the Pulse Nightclub site for 2 million dollars from the One Pulse Foundation there was no security at the site. A sign in front of the Pulse nightclub was vandalized in February of 2024 with bold graffiti. Sayings on the sign, like “Love is Love”, “Love never Dies, it Transforms” and “Love will always Win” are now obscured under giant spray painted bubble letters. Efforts are being made to scrub away the graffiti, but of course the messages of hope and love will also be scrubbed away in the process.

One Pulse had a gorgeous plan for the site that had a brightly colored fountain and an enclosed seating area. I liked this design and feel it is a shame that it will not be created. The cost for the memorial and a museum skyrocketed beyond the fundraising abilities of the One Pulse Foundation. The city is planning a far scaled back memorial which they hope to complete by 2028, which is 12 years since the tragedy occurred. The club is on an incredibly noisy intersection so the thought that a peaceful site of remembrance might be created with a few coats of paint seems insane. What it attracts so far is urban spray paint.

 

 

COVID Dystopia: Screening Times at Orlando Film Festival

COVID Dystopia was placed in Animated Film Block 1 at the Orlando Film Festival which starts October 31, 2024 and runs through November 7, 2024.

The Orlando Film Festival takes place at the CMX PLAZA CINEMA CAFE (155 S. Orange Avenue downtown Orlando FL).

COVID Dystopia will be shown twice. The first showing is on Friday November 1, 2024 at 4:15 PM in theater 9. The second showing is on November 6 at 2 PM also in theater 9.

This film shouts into the void that wishful thinking does not stop an airborne virus, the effects of which are hard to ignore if you are paying attention. I honestly thought this film would never be shown in Florida since so many scenes mock Florida governor DeathSantis’ handling of the pandemic. We might be done with COVID, but COVID is not done with us.

Passes are now available for the Orlando Film Festival. One day passes are $20, seven day passes are $100, VIP passes are $150 and VIP Elite passes are $350. You can experience independent films for a day of a solid week.

The Orlando Film Festival is now in its 16th year of showcasing incredible cinema from around the world. The CMX Plaza Cinema Café is the Festivals home. The Cinema has twelve beautiful theaters with high-end digital projection located right in the heart of Orlando. All of the Film Festival events take place in or around the theater. Audiences do not just watch quality cinema but also get an immersive experience full of spirited Q & A’s, panel discussions, script reads and fantastic parties. This is the perfect opportunity for filmmakers and screenwriters to directly interact with their audience, as well as others in the industry.

Cordillera International Film Festival: Reno Airport

The Cordillera International Film Festival was a whirlwind of independent film screenings and meeting filmmakers.

It was a bit strange having COVID Dystopia reclassified as a music video. I never know if it is a documentary, horror, or animation. It is certainly not for kids. None of my young animation students has seen the film.

It seems the main point of the festival for filmmakers  is the face time, but my face was always masked when I was indoors. It seems funny to me now how people insist on packing into tight rooms to shout at one another, usually over loud music. After my screening and question and answer session, I had several pleasant conversations outside and no one had to shout. My only goal was to get more eyeballs to see the film and that goal was accomplished. The applause was gratifying and I could relax.

In the airport digital devices and slot machines shouted for people’s attention. On slot machine kept shouting “Wheel of Fortune!” with the roar of an audience. It was quite annoying. I never touched a slot machine, but I am glad I got to sketch one before I left.

 

Cordillera Industry Insiders Panel Discussion

At 9 AM there was an Industry Insider’s Panel Discussion at the Cordillera International Film Festival. I thought I gave myself plenty of time to get there but my first Lyft driver got lost and never picked me up. I then needed to wolf down some complimentary breakfast to last the through the day.

I got into the theater a bit late and slipped into the font row. I knew I didn’t have much time to sketch. Bill Farmer is seated 4th from the left. He is the voice talent behind Goofy and several other Disney Characters. Exiting a theater I was mistaken for Bill since I had on my John Henry Disney jacket and maybe since I have grey hair. As I was explaining that I was not Bill, he walked out and I introduced him to the adoring fan. Later I shook his hand thanking him for getting me out of the sticky situation.

The question from the audience that really got the panel fired up was a question about AI and the industry. The tech on the panel said it would be foolish to ignore AI. It would be like ignoring sound after the silent film era. How AI will creep its way into films has yet to be seem. The fact is that anything that is online is already available to the AI bots. Protecting intellectual property will be the ongoing battle going forward. Across the board the panelist flt that the human touch is needed to create meaningful heart felt stories.

Sandrene Faucher Cassidy seated on the left spoke about how she helps aspiring filmmakers who feel like they have run up against a brick wall with their films and might consider any other profession. I laughed since I am very much in that boat having produced a short film that few are willing to show, since it does not embrace the notion that life has returned to “normal”. Sandrine sat next to me in a screening after this panel and I introduced myself and thanked her for her feedback on the panel. There wasn’t much time to talk since the theater went black and the films started up. As a jury member she dutifully marked her ballot after each short film was shown. She left before the question and answer session with the filmmakers. She seems to be in charge of Festivals and Distribution Licensing, which is something I know nothing about.

Cordillera International Film Festival: COVID Dystopia screening

COVID Dystopia screened at the Cordillera International Film Festival in Reno Nevada, on September 27, 2024 in the 10:30 PM, Music Video Party Film Block at the Greater Nevada Baseball Field (250 Evans Avenue). For me this was a solid day of watching independent films. By the time the music video party started my butt hurt. There were a few booth seating tables around the edge of the room and I snagged one of those to rest by butt to watch COVID Dystopia.

There were a lot of short films in this film block. When it came time for the question and answer session there were about 10 film makers standing in  front of the screen. There was still an image projected on the screen when we got up there so we were blinded by the light. I remember the woman standing next to me had a blue bar projected across her face which looked a bit menacing. I had my baseball hat on to block the light.

When asked about how my film came to be, I gave my usual answer of how I started doing a painting a day starting the day the WHO declared COVID-19 a global pandemic. I pointed out that we are coming down off the 9th wave of the pandemic which peaked in August 2024 and was twice a severe as the early waves in 2020.The very idea that the pandemic is not over drew blank stares. It isn’t my job to preach but to entertain.

Paul Sloop the shorts programmer asked us all what our favorite music video of all time was. Most of the other filmmakers were kids and I had no idea what they were talking about when they answered. When my turn rolled around, I blurted out that I was from the MTV generation and loved Thriller with Michael Jackson. The room erupted with laughter. Then the woman next to me followed up with the fact that she saw Thriller as a child and it inspired her to start creating. I wish I had caught her name, the introductions slipped by so fast.

Cordillera really is a spectacular film festival. I learned so much from each question and answer session after each film block. So much time, energy, and money, is invested to bring these films to life. I wasn’t great at networking since I had no desire to stand in a tight enclosed room shouting into peoples faces. That is pre-pandemic behavior that makes no sense to me today. After the screening I went outside and sat in the cool open air and took my mask off for a bit. One woman approached and we had a lovely conversation. I also spoke with another animator outside and learned about a new animation software called MOJO that I have to look into. Since I am so starved for conversation, every encounter was a delight. I spent an entire year in isolation working on the film. It felt good to be among other who may have been similarly laser beam focused for so long.

There was a stage set up outside and flashing lights, but it was last call at the bar when the films stopped screening. I did have a white wine outside to wind down after the screenings. Any notion of a dance party was a myth. There was some canned music, and I swayed my hips and stretched my legs since I had been sitting all day long in dark movie theaters. My stretching calisthenics may have been the only dancing that happened that night at the dance party.