Disney Feature Animation Internship: Big Cats

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The interns were invited to sketch a lion on that sound stage in the animation studio.If anything can go wrong it always does when I am sketching. My elegant thin pen ran out of ink half way through the sketch and I had to dig around for my much thicker pen to finish up.

Clearly I started on the left and half way through the pen gave out. The thick sketch on the right hints at some  some frustration and annoyance.

The Lion King was still in production so that is why the big cat came in to model. The design of the characters had already been established so this was more of an exercise in keeping our sketching chops in  shape. By the time I got to sketching the lion, most of the interns had started to leave. Life moves too fast when you are trying to catch it in a sketch.

The next day was to be a mid-term review. I would get to find out how the Board felt I was progressing as an animator. No pressure, just don’t suck.

Disney Feature Animation Internship: Chip in China

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A Russian animator visited the studio and screened his film for us. The interns also had an opportunity to sketch lions and bears on a sound stage. There were once in a lifetime opportunities.

I managed to get my centaur to walk but getting him to transition into  run was proving a major challenge.

I developed a cold which had my nose completely stuffed and I had to leave the studio to go back to the apartment and nurse myself back to health. That weekend all the interns were invited to go the the home of the training manager, Frank Gladstone. Frank was pivotal in keeping my head screwed on straight since I was feeling home sick for NYC. My wife was going to visit the studio the week of Halloween so that was something to look forward to.

COVID Dystopia: At Iowa Independent Film Festival

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COVID Dystopia will be screening at the Iowa Independent Film Festival on September 6, 2024. The festival has been in existence for 17 years.

The primary reason I submitted to this festival was that one of the board members is names Chris P. Chicken.

Today I have to firm up travel plans. I already spent a night looking a lodging and found a great place. I just need to book the flight and lodging. I always travel to Film Festivals that showcase COVID Dystopia. It is a great excuse to travel places I never would have gone and meet other film makers.

The other films in the time slot my film is being shown in are: Masterpiece (3 minutes) and  Masterpiece is actually shorter than my film which runs 4 minutes and 17 seconds) Knee High (1 hour 53 minutes) fills out the remainder of the film block.

Should you find yourself in Clear Lake Iowa on September 6, stop on by and say hello. There is a director’s question and answer session after the screening so it is a rare chance to hear why I felt this film needed to be made.

Disney Feature Animation Internship: Halloween Plans

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This is a sketch of the waiting area outside Honey I Blew up the Kids. the attraction at Disney’s MGM Studios was a kids play area with the playground being made up of giant objects, like huge blades of grass, giant ants and a very large dogs nose.

Plans were under way for the Halloween festivities. Disney animators took Halloween very seriously. There was to be a costume parade and then a children’s costume parade. Well lets face it, animators are children. Then there were games and BBQ on the animation patio which was built on to the parking lot trailer.

I worked much of the day since it was raining outside. I was working on a “Singing in the Rain” walk sequence. It was broken but I spent the day re-timing some sections of the animation to get it to flow better. Working such long hours was starting to wear on me. I needed time away from the studio, but that would have to wait for another day.

Disney Feature Animation Internship: Popcorn Line

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I went to see the movie The Nightmare Before Christmas directed by Tim Burton. Part of the reason I went is because there was one of the fanciful sets and some of the character puppets on display at Disney’s MGM Studios where I worked. The set was larger than I would have imagined and quite impressive.

I thoroughly enjoyed the movie, but what truly blew me out of my seat was the trailer for The Lion King which was in production in the studio I was working in. The trailer was simply the opening sequence of the movie and it was absolutely thrilling. Who knew that hand drawn images could pack such an emotional punch. I was hooked. I knew that I needed to be part of what this small army of artists was producing.

I am moved to tears any time I see the Lion King opening. The sequence is such an amazing celebration of life. Part of that emotional response must be because I always wonder if I ever will truly find my place in this miracle of life.

 

Disney Feature Animation Internship: Mickey’s Starland

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For the next animation assignment I was researching bubbles, brooms and bathwater from The Sword and the Stone. Effects animation seemed incredibly challenging but I slogged my way through the animation.

Years later I would be applying some of the principles learned in my own animation.

There was some love life drama among the interns but I was above the fray since I was a newlywed. I was married in the month of October before being called down to Orlando Florida. Instead of building a new life in New York City I was of on my own finding out what life might be like in Orlando. After the internship I was the only  intern to leave since I had to wrap up things inn NYC. I had a book that was being published and had to figure out what to do with the apartment. It is a shame the apartment could not be sublet since it would have been nice to return to NYC after a decade of helping make animated films for Disney. Now it would be an impossible dream to live in the NYC neighborhood we once lived in.

Disney Feature animation Internship: Thunder Mountain

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At the animation studio I had finished working on Mr. Zed. Mr. Zed was the affectionate name we used to refer to a simple animated character that just had a ball for a head, a bean for a body and spindly long legs simply defined with two lines.

The next assignment was to work on effects animation. Effects are much more fluid, abstract and unpredictable.

I spent time in the animation library and studied Fantasia to figure out how a cloak might move on a figure. I was fascinated by effect but it was not easy. All the other interns were busy doing and redoing their walks. I decided that when I was done with an assignment I would put it aside and move on. It was the best way to stay sane. If I chased absolute perfection I could drive myself crazy. I do believe that the internship experience was set up to see who cracked and who stayed o course. My mind was set on the long game.

The sketch was from a weekend exploring the parks. This was in Magic Kingdom.

Disney Feature Animation Internship: Near Dumbo

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It was a hard day’s work in the animation studio. The interns sketched a baby and a doberman pincer in the life drawing class. Both made terrible models since they squirm and move about so much. Sketches were done quickly with non being longer than 5 minutes. Actually we didn’t time anything since they never stayed still. As an animator we needed to understand the motion and we got plenty of that.

I was animating a character walking in a high wind. The character was wearing a rain coat which flapped in the wind. The rain coat was the challenge. Like I said, I never take the easy route when trying something new.

The sketch was from another park day. I tended to look upward so as not to be distracted by the ever flowing mass of humanity.

Disney Animation Internship: Ice Cream Gertie

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Meg Ryan and Demi Moore visited the Disney Feature Animation studio on October 11, 1993. I was not sure if they were looking for voice acting parts or were just on vacation. Who knows what goes on behind closed doors.

In 1996 Demi Moore provided the speaking voice of Esmeralda in Disney’s animated feature film The Hunchback of Notre Dame. Maybe Meg and Demi were auditioning for the same part.

I finished the 3 walks and runs I was working on. That put me three days ahead of schedule. I decided to go back into the scenes and add facial expressions and other details. So much of what I was doing was about mechanisms and I wanted to get some emotion into the scenes. After work I went to Epcot to watch the fireworks. The shuttle that I took to the studio each day also stopped at Epcot, making it a convenient stop.

Gertie was in Disney’s MGM Studios. On the opposite side there was a standard Ice Cream shop cut into her belly. I doubt I ever tried the ice cream, it was cheaper at the employee commissary. I was more interested in seeing Gertie from the lagoon side.

Disney Animation Internship: NYC Street at MGM

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I often went to sit on the NYC set at Disney’s MGM Studios when I had a break from animation. I missed the hustle and bustle of the big city which is where I lived before heading down to Orlando. The hustle and bustle of the tourists in the them park was not quite the same.

The view of the Empire State building was fine, but it was painted on a flat and propped up at the end of the pretend street. Having the Ma Bell truck in the street was a nice touch though I would have preferred an ambulance which is much more flashy and loud.

I spent half of this weekend day sketching in the park and the other half animating walks and runs. I liked working in the studio on the weekend because it was much more quiet.