COVID Film: Rudy Meltdown

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Yesterday I animated the candle flame in this shot of Rudy melting down using Callipeg.I animated the flame with an animation student. I found a youTube video that showed a candle flame flickering for an hour for mediation. I let that video play the whole time I animated. My first pass at the animation was a bit to extreme, so it dialed it back with a second pass at the animation.

Two of the lawyers in this scene, Jenna Ellis and Sydney Powell,  recently pleaded guilty in the election subversion case in Georgia. They pleaded guilty to avoid jail time. Amazingly their “boss” is the Republican front runner in the presidential election next year.

I had previously animated the candle flame in After Effects using the pin tool. However by animating the flame by hand I had more control over the flame tip movement and the squash and stretch. The difference is subtle but to me very noticeable.

I kind of like the scene with just the candle flame being animated, but it is too peaceful. Today I will be igniting the constitution as well. My fear is that the new inferno might upstage the candle flame but it is needed. I will likely use the pin tool to animate Rudy’s face melting as well.

I got a thank you e-mail from the Chicago International Reel Shorts Film Festival today. They had a very successful year with largely sold out screenings for each show block. They were helped by Chicago Magazine and The Daily Herald who promoted the festival in their “things to do this weekend in Chicago”. I must say, my screening was packed full.

Sprout Halloween Nap

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The last drawing I did during a virtual online course with a student pulled everything together. Donkey got off of this seat and Sprout took her place. Thankfully he was facing me as he dozed off. He is rather small on the page which allows the setting to tell more of the story.

In the corner is an umbrella for a rainy day. Next to the umbrella is a six foot long stick which I used to bring to Crealde Classes to be sure students were spaced apart. COVID is airborne and can linger in the air for much further than six feet but at least I tried to keep my students safe.

What makes this sketch work is the contrast between the bright outdoors and the dark interior. It allows for more impressionistic colors and moody greys. Hopefully the student walked away with an understanding that a good sketch is more about the story than just getting the thing on the page.

Donkey

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As I sketched my dogs as a demo for my online student, Donkey was curled up across from me with her back to me. Most of the time she was a shapeless lump. When I got up for a moment to change positions, she took notice and glanced at me.

That was the moment I started to raw her. I knew the moment wouldn’t last long, so I threw lines down as fast as possible. Donkey had a crazy grey haired mow-hawk which I wanted to catch. She lost interest after a few minutes of starting at me and so I focused on the rest of the sketch.

There are things I would like to improve, but instead of obsessing over this one sketch I will just do another. This is more scribble than sketch.

Sprout 2

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For a second sketch with my virtual student, I sketched Sprout when he lay right next to me.Again, I stressed working fast and furious. Sprout has a strange way of lying like a human when he sleeps. His back legs are not foled up under him like most dogs. Instead. he lays with his back legs extended. I think this must ne rather uncomfortable, but he can lay like this for hours.

Light was low in the late afternoon, so I made the whole sketch rather dark. There is no pure white, instead everything is in muted greys. I timed each sketch based on how ling Sprout remained in that particular position. There is a sense of panic that the moment might be lost that is never achieved by working from a photo. My student was unfortunately sketching from a photo and got a decent result, but there is a stiffness that always surfaces from the photo real.

Today my film COVID Dystopia is being screened for the first time at an international film festival.

Sprout Afternoon Nap

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In a virtual portfolio class I am encouraging my student to draw from life more.Many of my younger students are stuck in a world of video game art. They constantly draw characters from their favorite game. My goal is to get them to look away from the computer screen and sketch from life.

While my student drew her dog, I went to the living room and sketched our dogs. I wanted to encourage the student to work quickly and rather loose. I did three of four of these quick studies, while my student worked on a single sketch.

Working quick and loose is a message that never sinks in right away. I hammer away at the message over and over while showing them how I approach a sketch.

COVID Film: Burn It Down

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I finished animating the torch in this scene. I worked that into the final comp but when I went to open it today I got a warning that stated. “After Effects Error: The file you are attempting to open was created in After Effects version 24.0.2 (Windows 64) and cannot be opened with this version. See www.adobe.com/aftereffects for information on upgrading your software. Hell I created the file yesterday. It isn’t like this is an ancient file created in the distant past. Hopefully Pan can figure out tonight why the software is once again crashing and burning.

I thought I could get away with only animating the torch flame but once I saw the scene with that animation in place. I decided I would have to animate the boat flames as well. What I am showing here is early on in that process. I imported all the drawings into Procreate and I will be painting the flames this afternoon. The action is chaotic enough and now I just need to make the painted flames more believable.

I was looking at fire animation from the movie Bambie and surprisingly the fire isn’t an element that is smoothly animated. I also looked at fire animation in Hunchback and that has some stellar fire scenes. My fire is based on live action footage and isn’t very stylized. As I continue animating fire it will hopefully become more intuitive and fluid.

Most online tutorials show flames as cartoon teardrop shapes that wiggle back and forth. What I want is more sharp and violent.

Tomorrow Pam and I are flying to Chicago to screen the film at the Chicago International REEL Shorts Film Festival. I plan to share some sketches of our dogs that I did with a student while we are gone. I am sure I will sketch at the film festival, but I will not do any write ups until I get back.

COVID Film: Takes One

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I am continuing to experiment with animating fire. This one is based on a slow motion shot of a fire starting. Fire happens so fast that it changes faster than the shutter speed. This means the action is happening faster than it can be observed, creating jarring quick spikes. This was slowed done a bit to allow for smoother action.

Most tutorials I have been looking at promote a smooth waving motion and I have resisted that cliche for more chaos. The painting of the fire has been done on two layers, one being the base which is orange and then a much brighter yellow. I bring those two layers into procreate and add more brush strokes to add more texture and chaos.

I may skip the yellow layer today and simply paint with more texture from the start. I am trying to get as natural a feel as I can in the way it is painted without spending too much time on every cell. I honestly don’t know if the animation I am doing is accurate. I am just playing with the shapes and experimenting. I favor chaos over a simple repetitions pattern of motion.

I am animating a torch today and the goal is to simplify the motion in some ways. I have adopted a perspective blur effect to radiate a blur away from the base of the fire. This saves me from having to smudge the edges of the fire shapes to keep the share from looking like a hard cut out. I am trying a different work flow on every animation I do and when I find one that works really well, I will adopt it across the board.

COVID Film: Crying Baby Fire Animation

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Today is my day off, so I am committing to animating the flaming baby close up scene. I tried animating ti with a rising bubble technique, but wasn’t satisfied. Instead I referenced a burning curtain. Animating fire involves absolute chaos with principles of waving motion and rising currents.

I started by animating the chaos on twos. With that pass finished, I returned to add inbetweens to put the scene on ones. These inbetweens should smooth out some of the motion and make it more fluid. I also change the animation to try and get the rising motion to work better.

Will all this work? I honestly have no idea. I am proceeding as if it will all fall in place but ti could very well fall apart since I am not a seasoned effects animation. I should be able to wrestle any scene into submission if I simply keep correcting things that feel wrong.

I now have a work flow that can paint the flames pretty convincingly, but it is the motion that will really sell the shot.

TOSCA

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Orlando Opera is “All for Art” in the 2023-2024 season. No opera better exemplifies the tragic artistic spirit than Tosca. The new Steinmetz Hall is in many ways unsettling. I asked to see the play from the highest possible vantage point. Each of the upper levels has a knee high railing, and from this height vertigo set in. Pam and I sat on the end and had to stand to let late comers squeeze by. Gathering my art supplies became a challenge as people pushed by. I am amazed no one was pushed over the edge.

Coughing echoed throughout the hall.

The singing in Tosca is in Italian. I sketched through the first act, so I didn’t have the advantage of reading the subtitles above the stage. I had seen Tosca many years before however so I had a general idea of what was happening. An artist worked on a sensual portrait of a Madonna. His lovers, a famous singer, was jealous because the eyes in the portrait did not match her own dark eyes. When the artist was not in the studio she climbed the scaffold and painted a dark slash over the eyes.

Sketching in absolute darkness, I think my sketch doesn’t come close to capturing the gorgeous set. I suspect I would have capture the gorgeous candle light better with a digital sketch, but I didn’t think I could get my digital sketchbook into the hall. Huge paintings defined each plane of the set. A child in a gasket, perhaps Moses was placed at the back of the stage, I think Jesus was on house left and the Rape of the Sabine Women on house right. The floor was also a framed painting and I think it repeated the painting at the back since the child’s face repeated on the floor.

The opera was absolutely tragic.

COVID Film: Flaming baby

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This morning I forgot to do a write up since I wanted to get right into animation on COVID Dystopia. I am slowly learning the intricacies of animating fire. I am probably making some mistakes but the animation flows so fast that I am hoping no one notices.

I based this animation of the flaming baby on a scene of a curtain burning in a living room. I have been using various methods to plan the animations and this is the first time I just worked straight ahead. In general the flickering action moves upwards but I think I can do better.

The next scene is a close up on the babies face. Hopefully I can get the flames to rise upwards as if in a forest fire. I am also trying to get the flames to appear as I painted then in the illustrations. That means adding lots of extra textural strokes. I am importing each frame into procreate to continue the painting process. I love the brushes in that program so it is worth the extra effort.

I am finding that deep blue screens are best for transferring the flame animations. I might actually go back to the first flame animation I did since it got greyed out and washed out with a green screen. Trail and error is the best way I have to figure out what works when animating flames. I have many more flame animation scenes to continue the experiments.

I am teaching eight hours of virtual classes tomorrow so I might not get a scene done tomorrow. Maybe I can update the first fire animation scene before classes start. If I had an animation student tomorrow they would be learning how to animate fire since that is the ongoing creative challenge I am facing.