Lisa Moreno and Noor Salman.

Any media inquiries to purchase courtroom sketches should call or text (407) four five zero-0807. I am out of touch while in the courthouse. I will get back in touch ASAP.

I did this sketch first thing in the morning as another day of jury selection got under way. I wanted to sketch Noor Salman, the widow of the Pulse Nightclub shooter, before the monotony of the process set in for another day. I heard from a reporter that Noor gave Lisa a fist bump at one point. I didn’t witness this gesture, but the next day the monitor showing Noor had been redirected to point at the empty witness stand. I have to assume that her defense attorney didn’t want the media watching Noor’s every move. The fact that I can no longer sketch Noor makes it all the more important that I get in the courtroom before the trial is in full swing so that I can at least draw her as she leans over and talks to her lawyers.

Lisa Moreno is soft spoken and unaware that there are microphones she could be using. The microphones are usually pointing away from her. I admire her based on her accomplishments, however, I remember reading that she was an attorney with successful experiences in two high profile war-on-terror related cases, those of Professor Sami Al-Arian and Ghassan Elashi, who was a Guantanamo Bay defense lawyer with security clearance. Professor Sami Al-Arain was under house arrest limbo for five years. All the charges were dropped.

Lisa has been the only defense lawyer so far to sit in on the jury selection process. On multiple occasions she has questioned potential jurors and had then released with cause since their knowledge of the case or bias against Muslims might lead them to not be able to rule fairly in the 3 week case. The trial itself might start as early as Wednesday of next week.

I found out today that I cannot get into the main courtroom. The local media, without even trying to negotiate, gave the seat that I was originally promised to a birthday party caricature artist that low-balled the quote on the assignment. The primary concern for the local media seems to be cost rather than quality. Cartoons unfortunately feel quite inappropriate for a case of this magnitude. I feel a civic responsibility to cover this trial with the respect it deserves. I will continue to cover the trial but my sketches will be more about the media circus that will be unfolding in the downstairs courtroom 3A rather in the main courtroom 4B. I am disappointed but will make the best of the media drama and obscurity that continues to unfold.

Weekend Top 6 Picks for March 10th and 11th.

Saturday March 10, 2018

6 AM to 11 AM Free. Parramore Farmer’s Market. East side of Orlando City Stadium opposite City View.  View, purchase quality, fresh and healthy food grown in your own neighborhood by local farmers, including Fleet Farming, Growing Orlando, and other community growers.

4 PM to 6 PM Free. Young Voices. J.P. Callaman Center 102 Parramore Drive Orlando FL.

8 PM to 10 PM $5 Second Saturdays in Sanford. 202 South Sanford Avenue Sanford FL. Live music event featuring two stages, drink specials and more.

Sunday March 11, 2018

10 AM to Noon Free. Heartfulness Relaxation and Meditation Class. University, 5200 Vineland Road Orlando FL 32811. The method of heartfulness, a simple and practical way to experience the hearts unlimited resources.

Noon to 1 PM Free. Yoga. Lake Eola Park near the red gazibo.

1P PM to 5:30 PM Free. Family Day. The Mennello Museum ofAmerican Art 800 East Princeton Street Orlando Fl 32803.

The prosecutors during the Noor Salman trial.

Any media inquiries to purchase courtroom sketches should call or
text (407) four five zero-0807. I am out of touch while in the
courthouse. I will get back in touch ASAP.

Jury selection continues for the Noor Salman trial in the Federal Court in downtown Orlando. Periodically, the prosecutors would have to introduce themselves to prospective jurors. Standing, they would announce the names of  Roger Hamberg and Sarah Sweeney, the state’s prosecuting attorneys, and Darryl McCaskill of the FBI. During a lunch break I saw the prosecutors getting food downtown where I was eating, but I decided to keep to myself.

To recap, Noor Salman is the 31 year old widow of the Pulse Nightclub shooter. She is charged with aiding and abetting her husband as he planned the attack. From my seat in the jury box of courtroom 3A, I would watch the attorneys through the long jury selection process. Roger always has a stern expression while the FBI agent always seemed concerned. The prosecutors are tasked with proving beyond a reasonable doubt that Noor is guilty as charged.

Juror 44 had discussed the case with a friend who had served in Iraq. His friend had been injured by an explosive device while in service. He said that soldiers always had to watch the wives of the men in Iraq since they would to anything that their husbands told them. That made the women always a potential threat and they were treated as such. He said that this conversation would influence his decision in the case and he was excused for cause.

Juror 112 worked three jobs and said that a three week trial would be an undue hardship. She too was excused. Juror 113 worked in the court system and that familiarity was another excuse for cause. Juror 91 had a friend who works in a gun range and he remained in the pool of 60 jurors who would later be whittled down to the final 12 plus 6 alternates.

I still hope to find my way into the main courtroom. I was told that if I went in, I would be removed from the courthouse and my press privileges revoked. However Judge Paul G. Byron remarked in his rules for the media that there would be sketch artists (plural) allowed in the courtroom. I need to address the court media people and make final arrangements before things get crazy once the jury selection is over and the witnesses are called in to testify.

Proof by David Auburn at Theater on the Edge.

On the eve of her twenty-fifth birthday, Catherine, (Megan Raitano) a troubled young woman, has spent years caring for her brilliant but unstable father, Robert, (Allan Whitehead) a famous mathematician. She enters the stage crying and beside herself with grief. She consoles herself with some bubbly and then her father enters the stage to wish her a happy birthday and to talk about the good times they had. For some ominous reason he always spoke it int past tense until it becomes clear that he isn’t really there.

Following he father’s death, she must deal with her own volatile emotions; the arrival of her estranged sister, Claire (Elaitheia Quinn); and the attentions of Hal (Barry Wright), a former student of her father’s who hopes to find valuable work in the 103 notebooks that her father left behind.

Over the long weekend that follows, a burgeoning romance and the discovery of a mysterious notebook draw Catherine into the most difficult problem of all, namely, how much of her father’s madness, or genius, will she inherit? In one scene her father sits outside at the table in the freezing cold excitedly writing away in one of his notebooks. As he put it all cylinders were firing and the math problems were finding creative and inspired solutions. Catherine was excited for him and when she reads the paper, we watched her expression slowly change as she realized that the inspirations were nonsense having little to do with actual math.

Proof is a 2000 play by the American playwright David Auburn. Proof was developed at George Street Playhouse in New Brunswick, New Jersey, during the 1999 Next Stage Series of new plays. Theater on the Edge always brings the latest cutting edge plays to Orlando allowing the small audience a front row set into contemporaneity dreams and aspirations often with a touch of madness.

This incredible play rips out your heart and stomps on it for good measure. It runs through March 31st. Get your tickets at theaterontheedge.org at Theater on the Edge 5542 Hansel Avenue Orlando FL 32809.

Chosen: finding yourself in the dark.

I went to a dress rehearsal of Chosen being presented by Marshall Ellis of ME Dance Inc. This production is incredibly urban, hip and edgy. This is an original new show created by Marshall. His fusion of
contemporary, ballet, hip hop and jazz dance will give audiences a new
fresh perspective to live performance art.

The entire back wall of the stage was used as a movie screen to open the show. A camera zoomed back through skyscrapers before settling in on a lone man in a hoodie walking in a parking lot. The rap music lyrics were about a life in which everything seems to go wrong.

A light spray of stage smoke caused the lights to showcase their cones of influence. The entire show was set largely in darkness. The dancers would become slivers of warm and cool highlights with their bodies blending into the darkness. The cast was mostly women with just two male dancers dressed in hoodies. I wondered if this was in some way a tribute to Trayvon Martin who was shot up in Sanford for walking through a white neighborhood with a hoodie on.

There was sensual dance along with spiritual yearning and the dancers stoically faced the future. The music echoed regrets of a relationship that didn’t last and the singers rise in a music industry which is blood thirsty. Sketching so much, I probably missed some of the more subtle story elements in the show. In general the theme involved the cast aspiring for greatness and always finding an endless struggle in the pursuit.

Performances of Chosen are on March 9th – 11th, 2018 at ME Theatre (1300 La Quinta Drive Orlando FL 3209.) Tickets are $20.

Judge Paul G. Byron presides over the Noor Slaman Jury seletion.

Any media inquiries to purchase courtroom sketches should call or text (407) four five zero-0807. I am out of touch while in the courthouse. I will get back in touch ASAP.

On day two of the Noor Salman Trial, Judge Paul G. Byron asked a each  juror a series of questions to see if they could be an impartial juror on the case. He explained that the trail might take 3 weeks starting as early as March 12th after jury selection s complete. The case should have a verdict by the first week of April. He also let each juror know that they would have Fridays and weekends off to catch up on any personal choirs and responsibilities.

One prospective juror was a doctor who handles victims injuries after the attack that killed 49 people and injured over 60 others. Even though he was. Intimately involved with the Pulse tragedy he was considered fit to remain impartial. One prospective jurors didn’t approve of the Muslim faith. After further questioning he refined his statement saying he didn’t like radicalized Muslims. Lisa Moreno, Noor’s attorney tried to have the juror removed from the pool, but judge Byron overruled here.

Although the 600 or so prospective jurors who filled out the questionnaire were told not to discuss the case with anyone before coming in for jury duty, One juror admitted that he had discussed the case with co-workers. That discussion lead him to be biased towards guild. Someone had to be found guilty for the horrific act of June 12, 2016 at the Pulse Nightclub. A young man described being pulled over by police when he was a youth. He believed those police to be corrupt. Another prospective juror has a friend who died in the club that night. I was amazed that he was moved forward into the pool of potential jurors.

Day 2 of the Noor Salman trial.

Courtroom sketches are available to purchase for use by the media. No phones allowed in court. Text or call (407) four five zero – 0807. I will get in touch ASAP after court lets out. 

I woke up bright and early at 6 AM for day 2 of the Noor Slaman Trial. Walking towards the courthouse at 7 AM the rainbow band shell was illuminated a warm orange from the rising sun. I met a reporter from CNN at the front entrance since the courthouse wasn’t open yet. The reporter joked that folks in the courthouse thought he was best friends with Wolf Blitzer. He talked about the media circus for the O.J. Simpson trail and the Boston bombing trial. He seems to feel that this trial will not generate as much interest from national media. Since Noor is the wife of the Pulse Nightclub attacker who was shot and killed, that makes her a secondary character in their eyes. However, being from Orlando myself, this trial is very important.

On day 2 I had my press badge ready and figured I would sketch in courtroom 4B where Judge Paul G. Byron was presiding over jury selection. There are 12 seats reserved for media in that courtroom and one of those seats is reserved for a courtroom artist. I was slated to take that seat but at the last minute, I was replaced by a caricature artist who low balled the price on his sketches. I learned from the CNN guy that on day one the courtroom was fairly empty. There was plenty of seating besides the 12 press seats. I could probably just sit in as a member of the public. If the place got full, I would gladly step out to the press room.

There was a tech issue at the front entry, so getting into the courthouse would take some time. Since I was the second in line, I wasn’t too concerned. Taking off all metal was becoming routine. Right beyond the entry  there was a line of ladies at a table that seemed to be in charge of handing out temporary passes. I asked if I needed to stop there, and I was fine with the pass I already had. I decided however to ask about sketching in the main courtroom. I was told that there was only 1 seat reserved for an artist. I asked if I could just enter as a member of the public. She told me that if I entered the room with art supplies, I would have my press badge revoked and would be evicted from the court house. I don’t get this Machiavellian idea that only one artist can observe a trail. Her in Orlando, there can only be one cowboy at the rodeo. I have seen court cases where close to a dozen Courtroom Sketch Artists sat in a row sketching trials in the past. Oh well. I seem to be the only citizen in Orlando who is not permitted to observe the case from  inside the courtroom because I carry a pencil and paper. I feel a civic responsibility to document this moment in Orlando’s History.

I would have to observe the trail from the media overflow room for a second day. There was a solid hour and a half before the doors opened. I decided I would sketch the entrance to the court house since it would illustrate this article well as a secondary sketch. I was finished with the pencil composition and starting to ink in the sketch when a security guard stopped me. I was told I shouldn’t sketch outside any of the courtrooms. I apologized and put it away. At the security for the press overflow room I was asked to rip the sketch out of my book. I jokingly signed it for him. He had to run it up the chain of command. Later a US Marshall approached me and said the sketch would have to be confiscated. The problem was that I showed the security at the entrance. If someone wanted to, they could use that sketch to possibly find a weakness in the buildings security. I hadn’t though of that as I was happily sketching away. I hope they frame the sketch and keep it. It might be worth something someday. I took all this in good humor. The guard joked with me, “Haven’t you ever heard of ‘don’t treat it like a Federal Case?’ This is where that phrase come from.” I laughed.

I was the first person in the press room. The projection screen showed 3 views of the courtroom. One view was new. It was of the defense table. I was excited. When Noor Salman entered she would sit in the center seat. I immediately started sketching the rough layout of the furniture in pencil so I would be ready when she entered. She entered wearing a black jump suit and she smiled as she talked with her attorney Lisa Moreno. I  mentioned her outfit since it was the first thing that the reporters talked about when they entered the room I was excitedly sketching in. I sketched Noor quickly as she talked animatedly to Lisa. Sketching allows me to crawl inside her head. For the first time she came alive for me. From my comfy jury box seat, I could watch Noor’s every expression. Come Monday, I will continue to focus my attention strictly on her. She tends to spend a lot of time with her head down seeming to draw or take notes.

Weekend Top 6 Picks for March 3rd and 4th.

Saturday March 3, 2018

10 AM to 5 PM Free. Windermere Art Affair. 520 Main Street Downtown Windermere FL.

Multi-cultural food and entertainment. Wine/cheese and craft beer face painting and balloonist for the kids and pet friendly. The Downtown Business Committee (DBC) of the Town of Windermere is
hosting the 3rd Annual Windermere Art Affair in Town Square, Downtown
Windermere. This wonderful event will be open to the public, targeting
residents of Orlando and surrounding cities, towns and suburbs. This
provides a unique opportunity to reach out to attendees from all walks
of life, especially the affluent segment of Central Florida.
 This
elite event will showcase renowned fine art artists, including the
Highwaymen, Alana O’Hern and Father Valdemar—just to name a
few—surrounded by music, food and performing arts in a festive
atmosphere. 

This is a judged event, and the judging will begin at 11:30am and be
completed by 2pm. At 2pm we will announce, 1st, 2nd, 3rd, Best of Show,
and three Honorable Mentions.

3PM to 5 PM Free. Workshop on Sexual Harassment and Abuse. Orlando Shakespeare Theater at the Lowndes Shakespeare Center. Laura T. Fisher, a founder of the Chicago
Theatre Standards #NotInOurHouse, will give a presentation on preventing
sexual harassment and abuse to the Orlando arts community.

Orlando Shakespeare Theater in Partnership with UCF, Theatre UCF,
Mad Cow Theatre, and Orlando Repertory Theatre (Theatres) will present
two sessions of a workshop with Ms. Laura T. Fisher, a founder of the
Chicago Theatre Standards (CTS). Workshops will be held at Loch Haven
Park on Friday, March 2,2018 and at the University of Central Florida
campus on Saturday, March 3, 2018.

In
January 2015, a Chicago actor,after hearing an account of repeated
incidents of sexual harassment at a theatre company, made a Facebook post
that decried such acts with the rallying cry, “NOT IN OUR HOUSE.”
Hundreds of responses revealed that the problem was well-known, but no
one felt safe enough to speak out. By March 2015, a code of conduct was
underway. Co-ordinated by Chicago actor Laura T. Fisher, a small group of
theatre companies and artists created the CTS.

 In
an effort to find solutions and guidelines for prevention, the Theatres
invited Ms. Fisher to present a workshop on the CTS, which have been
adopted by numerous theaters across the nation, and to address potential
issues in the theatre community.

All
members of the Central Florida arts community are invited to attend
either of the free sessions. Ms. Fisher will go through the document
contents, take questions and offer feedback, all with an eye toward
uniting rather than dividing productions, theatres, and communities.
The presentation is designed to speak to members of the theatre community
including union and non-union actors, designers, directors,theatre
teachers and professors, students, technicians, staff,
administrators,board members, and anyone connected to the theatre
community. However, the Standards are adaptable for similar disciplines
including dance, music, opera, and film.

In presenting
the work of #NotInOurHouse and the resultant CTS, Fisher conveys
the priorities of the document: to provide communication pathways to
prevent and respond to unsafe practices and inappropriate behavior, to
produce a win-win strategy for producers, performers, board members, and
audience, to enter into self-regulation in a spirit of mentoring rather
than “outing,” to “call in”rather than “call out,” and to strengthen
environments where employees are not discarded for mistakes or
misunderstandings, nor do they fear reprisal for reporting harassment or
abuse.

“Like
the rest of the nation,Central Florida’s theatre community has been
grappling with the truth that people of all genders have experienced
trauma and pain from sexual harassment,abuse, and intimidation,” states
UCF’s Cynthia White, director of Boy Gets Girl.

 “While
this is not solely a women’sissue, women have been disproportionately
hurt physically, emotionally, and financially.” Mitzi Maxwell, executive
director of Mad Cow Theater, adds. “Everyoneis asking how to change our
culture, and everyday there is a new story. We can start with our own
houses, in our community, and these workshop sessions are a beginning. We
encourage artists and administrators to join the conversation.All are
welcome.”

6 PM to Midnight. $25. Nude Nite Tampa. America’s Largest Nude Art Exhibition is more than an art show.
It is an annual art and entertainment event showing over 200 juried art
works for sale, world class body painters, national burlesque acts,
interactive installations, performance art, cirque performers and a cast
of strolling characters both in costume and out..

Sunday March 4, 2018

10 AM to noon. Heartfulness Relaxation and Meditation Class. University, 5200 Vineland Rd, Orlando, FL 32811. The Method of Heartfu lness A simple and practical way to experience the heart’s unlimited resources. http://heartfulness.org

Noon to 1 PM Free. Yoga. Lake Eola Park. Lawn near the red gazebo.

7 PM to 9 PM Donation based. Fundraiser  and Sneak Peek: Female 12th Night. Roque  Pub   3076  Curry Ford Road  Orlando,  FL 32806.

Day 1 of the Noor Salman Trial.

Courtroom sketches are available to purchase for use by the media. No phones allowed in court. Text or call (407) four five zero – 0807. I will get in touch after court lets out. 



Day one of the Noor Slaman trial held at the Federal Court building in Downtown Orlando was a solid day of jury selection. AS an update,  Salman is the widow of the gunman who killed 49 people at Pulse Nightclub on June 12, 2016. She is standing trial for aiding and abetting her husband. I got to the courthouse in the afternoon. Across the street from the entrance to the courthouse was a lone protester holding a sign that said something like “Fry her until she doesn’t have a Pulse.”

I have been covering the trial to date as a courtroom artist, but the day I was supposed to pick up my press badge, I was told that another artist underbid me for the assignment for the local media. It came as a shock since no one negotiated with me to iron out any details. Getting through security was awkward since I was no longer with the press. I was a private citizen wanting to sit in on the proceedings, but I also had a sketchbook. That sketchbook became the issue. The guards didn’t know what to do with me. I was told to go up to the press overflow court but the guard there had to send me back downstairs for a press badge at the clerks office. The clerk sent me to the main courtroom since I explained that I wasn’t press, but the guard there wouldn’t let me in with a sketchbook. I believe the issue was that the judge doesn’t want any jurors sketched. I understand the concern and wouldn’t have sketched a juror but it is day one and everyone is trying to get there bearings. The guards were a delight honestly. It was fun to joke about my plight as a rogue artist. I ultimately ended up in the press room having been issued a press pass. My press badge says that I am working for Channel 6 News. Another courtroom was set aside for survivors and family of victims. That arrangement is set up to keep the press and family separate.

I was told by an Orlando Sentinel reporter that only 4 jurors had been interviewed in the morning. By the end of the day 10 jurors were interviewed. Judge Byron had picked up the pace by the afternoon when I arrived. Each juror is issued a number to  maintain their privacy. Juror #1 was of the opinion that police are quick to judge sometimes. She had been profiled in her youth and it stuck with her. Juror #35 had a step daughter who was arrested in South Florida. She said her daughter served just a couple of weeks in prison and has grown up since. When asked about what she felt about recreational shooting of a gun at a gun range, she stopped and asked why someone would want to shoot a gun at a range. She was pretty sure she would hold it against Noor if she knew that the defendant had shot a gun at a gun range for fun and recreation. Juror # 6 had experienced grand theft and domestic abuse. She said that in Brooklyn where she came from it was a rite of passage to get your car stolen at some point. She also had a daughter who had several co-workers who died at Pulse.

Of the 10 prospective jurors interviewed, 6 were selected to possible be on the jury of 12. On Friday March 2, 2018 the plan is for 14 more prospective jurors to be interviewed. 60 potential jurors will be put in the juror pool before it is narrowed down to 12 jurors and 6 alternates. Judge Paul G. Byron asked all the questions and by the end of the day his voice was giving out a bit. Jury selection could take 7 to 10 days with the case being closed possibly by the first week of April. Although I never got into the courtroom, I could see on the monitors that the room wasn’t full. That gives me hope that someday I will get into the courtroom as a citizen with a sketchbook. I was shocked that the place wasn’t crowded. But the national media outlets don’t find jury selection very sexy. They will come out in force once the details of the case are being presented.

Living Bride Statue in Blue Box 8 at the Courthouse.

27 Blue Boxes are painted on sidewalks in Downtown Orlando. These boxes
are for panhandlers and buskers. Although set up for panhandlers, police have insisted that street
performers must use the blue boxes. Performing outside the boxes can
result in 60 days in jail and a $500 fine. Since I sit outside the blue box as I sketch, I risk a possible fine and jail time.

Blue Box 8 sits near the corner of Livingston Street and Magnolia Avenue near the Orange County Courthouse. Being so close to the courthouse, we were guaranteed to have police stopping by once in a while since they circle the area using Segways. Lillian Koontz was dressed as a Living Bride Statue. Her face was painted ghostly white and she had a veil that blew in the breeze. Her mom, Dela Morte and sister joined her by sitting in the grass while she stood perfectly still for close to two hours. She had a small glass container for tips with “Love” printed on it. She held a red cross and kept her eyes closed.

It was a very cold day so I felt bad for her as she stood silent and still. Her family could at least move around to stay warm. Police did stop, but they enjoyed the silent performance and didn’t question our presence. A few people walked past in their rush to get to the courthouse or work. Lillian is the only performer to make money in my blue box initiative so far. A passerby was looking at her as he walked by and he tripped on the Love tip jar. It clattered loudly in the pavement and, feeling guilty he put money in the jar as he set it back up.