COVID Dystopia: Shot 8 Start Animation

Posted on by Thor

Today I am starting animation on the monkeys fighting over toilet paper. Animation of the toilet paper waving in the breeze and tails is already done. I imported the tail animation from the previous version of the scene and now realize it is blurry. I will need to redraw the tails to sharpen up the lines.

I will start the animation with the baby monkey holding the toilet paper. The hands, feet and head will be held cells but I will go in and fully animate the arms and body. The plan is to have the monkey leaning forward and then rear back when another monkey leaps for the toilet paper. This is a very short scene at just over one second and it has the camera zooming in. I might calm down the zoom if the animation turns out well.

There is a lot of scribbling and cross hatching in the monkey’s fur. I am debating if I will replicate this texture throughout the animation or simplify it. Since there are about a dozen monkeys I will be working on this scene for days.

COVID Dystopia Shot 8

Posted on by Thor

With Shot 6, The Screaming Monkey, I did go in and add animation of the mouth opening as it screams. The added animation did help the scene.

In this shot the tails are animated along with the strand of toilet paper and the hand of the reaching monkey bends at the wrist. I think I am going to go in  and fully animate the crowd of monkeys scrabbling for the TP. I suspect that adding ZOE Depth to the background could also help the scene.

Fully animating this scene will be a real challenge so it will be sharing the animation as it is done.

COVID Dystopia: Shot 7

Posted on by Thor

This shot syncs with a scream in the song, Just Can’t Wait for the Game to End by Andy Matchett. The screaming monkey was separated from the background and a depth map was added. That was exported as a green screen and the camera rotates around the head. The effect is subtle but you can feel the dimension in the open mouth. Another option would be to animate the mouth opening but I feel that isn’t needed for such a short shot.

Actually animating the moth opening and the eyebrows raising might be rather easy. I will play with this scene today and see if adding that subtle animation adds anything. If the shot can be made better, I need to put in the effort. I can watch the whole film now and feel it is good enough, but is it great?

Ron DeathSantis ended his presidential race yesterday. Several shot in the film mock the man and the lyrics for this shots are about watching him burn. The news makes those shot even more relevant today. He will leave the national stage disgraced and return to Florida to continue to ruin the state.

Goose Creek South Carolina

Posted on by Thor

I took a road trip to Goose Creek, South Carolina for my sister Shirley’s 80th birthday celebration. I drove on a day when I did not have an online class. I did the drive straight through in about 7 hours. I probably could have done the drive in 6 hours, but Google maps changed the route and sent me up I-95 for one more exit. I believe several roads were washed out so that might have been the reason. I may never know. After diving north for an extra 30 miles, I was directed to a side road and took that all the way back. That road did have some issue since it narrowed down to one lane and I had to wait for 15 minutes or so for the traffic to drive by before I could proceed.

I am staying in a Coleman Camper. It is pretty cozy. I found it via AirB&B. It is set up to accommodate two adults and two kids, but I am using it on my own. It is set up with WiFi but in opening this post to write, I noticed the internet is super slow. I need to teach a virtual course this afternoon via Zoom and I am hoping the connection speed does not put a kink in that plan.

My brother Don and his wife are going to stop by before class. He wants to drive south to Charleston for sight seeing. I am not sure if I have time for that before class. We will see.

 

COVID Dystopia: Shot 6

Posted on by Thor

Shot 6 of COVID Dystopia is of a surreal view of a sports bar. I went to South Carolina to help my sister celebrate her 80th birthday. My other brothers and sister wanted to meet a t a sports bar before we went to the celebration. The sports bear we were supposed to meet at was super crowded, although I noticed there was plenty of outdoor seating which would have been my preference. We met instead at a small restaurant across the parking lot of the strip mall.

My brother claimed I looked like Darth Vader as I approached the entry in my long winter trench coat and N-95 mask. If I could find an n-95 mask that looked like Darth Vader’s mask I would wear it. Family seem to think I am crazy for taking precautions while I think everyone else is crazy for pretending that the pandemic has ended. This second indoor dining spot was empty except my family crowed around one table. The space had no HEPA filtration system to keep costumers safe. I ordered a coke and took a few sips by slipping up my mask. I know this wasn’t ideal but the risk benefit had to be measured. Most people have abandoned all COVID precautions and I am just learning what layered risks I am willing to take.

The previous day I taught a virtual art class from a Starbucks because the trailer I was staying in had horrible WiFi. Over two hours I sipped an iced coffee while teaching the class. Starbucks was crowded when the class started but emptied out by the time the class ended. I was seated near the entry door which kept blowing open which I liked. I was a cold breeze but at least fresh air was circulating.

Seeing this shot as a still, I am noticing that some of the breath and spatter seems out of place. I will check the scene again and check the breath layer of placement and scale. I might separate each breath into its own layer so each can be scaled from a center which would be at the person’s mouth.

COVID Dystopia: Shot 5

Posted on by Thor

This shot was distracting since the paint crawled too much in the shirt of the guy who turns toward the camera. I calmed down the shirt by distorting a held cell for the shirt so the paint remained completely solid.This shot feels complete as it is. I could animate the laughing girls and the guys girlfriend but all that extra motion might distract from focusing on the guy.

I think I should leave this whole first sequence of shots as is. I like that only an individual moves in each and the rest of the horror is frozen in time. I like that one guy is picking his nose and a girl is cupping her hand over her mouth like a mask. People will not have time to see theses subtleties but at least I know they are there.

These opening shots in COVID Dystopia will stay as they are.

COVID Dystopia: Shot 4

Posted on by Thor

Thee clapping animation in this shot works well. I am going to add animation it might be to turn the rhino heads closest to the clapping guy. My concern in adding this animation is that the paint on the rhino heads might swim a bit and become distracting. It would make sense for the rhinos to turn to look at the sound of clapping hands. They would be unable to clap themselves, so they would be curious.

If you are confused by the rhino reference, it is based on an absurdist play by Eugene Ionesco. It was turned into a movie starring Gene Wilder. To me, the COVID infected are the rhinos who want to see everyone infected.

I am on the fence with this shot from COVID Dystopia. I might play with animating a rhino head turn with my online animation student.

COVID Dystopia: Shot 3

Posted on by Thor

I tried animating the black sheep several time in this scene, but ultimately that wasn’t needed once a depth map was applied. I added a depth map to the black sheep alone and composited it separately using a green screen. By tracking the camera from left to right some depth was added to the black sheep. The effect is subtle but I feel it works.

I could add some extra movement to the breath and or spatter using fractal noise to distort it. This is one of the earliest shots I set up and if I add that fractal noise movement I will need to adjust the shots around this one.

The flock of sheep have some depth because of the camera move and the fact that there are 4 rows of sheep going back in space. I could animate some ears twitching and or heads moving subtly, but I don’t think it is needed. I am keeping this shot as it is.

All the shots in COVID Dystopia once had this quiet and subtle depth. I am always balancing animation that is needed versus animation that would be overkill.

 

COVID Dystopia: Shot 2

Posted on by Thor

This shot used to be the title card for the film. COVID was written on the glass above the mystic. For the longest time COVID was the working title for the film. COVID however is too generic and there are too many books and films with the title of COVID.

A depth map was added to this shot so you feel that the mystic booth in in the middle of a long hallway. The hands animate downward. I could animate the fingers but I don’t think that extra motion is needed. I used this shot for several poster designs but decided that the atomic COVID image is simpler and bolder.

Having the gypsy in a steel torture device makes this otherwise innocent image unsettling. I will not change anything in this shot. I already changed that shot I showed yesterday and it looks better. It is nice to step back and reconsider each shot in COVID Dystopia.

COVID Dystopia: Shot 1

Posted on by Thor

In this shot the title zooms large quickly with a loud metallic sound effect while an ambulance flashes its way forward. Since the title is a bit off center it now makes me uncomfortable. I might center it exactly and see if that can work. The title could probably be bigger if I am not trying to avoid it overlapping the foreground building. When the title fades out the camera pans to the left following the movement of the ambulance.

This shot used to be a warning that you are about to see something that is horrific and you should probably run from the theater. That warning was needed to screen the film at Visual Fringe back in May of 2023. It took me a long time to decided to take the warning back out and replace it with this New York City street scene. Since the shot was intended originally to give people time to read the paragraph, it is the longest shot in the film.

I tried adding depth to the scene but it isn’t really needed since the buildings are all so far away and the camera doesn’t move. The shot lingers by just following the movement of the tiny ambulance. The only hint of the fast pace to come is the quick introduction of the title.

Every shot is like this in COVID Dystopia. I live with it for a long time and then decided it could be better. It would be great if everything was perfect on the first try but that is seldom the case.