Pre-Pandemic: Stanley Coll Haddock, Artist

Stanley Coll Haddock, was asked to draw rain when he was a child in school in Puerto Rico. Most kids drew the drops falling vertical, his rain was diagonal. She fell in love with him. She encouraged his art work and that motivated him in school. He constantly drew in school. All his note books were filled with drawings.

Stanley went to the University of Plastic Arts in San Juan Puerto Rico. After University he got married right away and painting was put on hold. He worked in commercial art for about 17 years. He became an illustrator. He worked with airbrush. He painted on the side any time he had spare time. He was discovering what he wanted to do in his own art.

After he left the commercial art job he worked at a newspaper in Puerto Rico. That helped him transition towards the art naive. The art for the newspaper was produced at a more personal level.

Stanley went to dinner with his brother after dinner they walked by an art gallery, which had a piece of art he had created. He was shocked to see it there. This gallery had a lot of naive art. The gallery owner encouraged him to continue with his naive art.

Naive artist have little knowledge of contrast, light, shadows, they instead draw from the interior and produce what they see. He became creating art naive full time in his early 40s in 1997. The art came from his soul, his own self. It was what he trusted the most. Naive can be the most natural form of expression. There are no limits in form, color or perspective. In Puerto Rico there was a certain pressure to express yourself in a certain way.

The artist moved to Florida to be close to an ailing family member. Everyone knew him as an art naive painter in Puerto Rico. The move to Florida also made his artwork change. He was copying his own self. He needed to change.  Expression comes from change. He is satirical he expresses culture in a funny way and it is not far from reality. People relate to the situations. The work comes organically. Artists should be free to express themselves.  Art can be subject to the change in mood every day. He transforms every day. There are no rules when creating naive art. He is free to express himself as he chooses.

His work often reflects the Urban Street scene. There are little details in day to day events which inspire him. There is no limit. People have hair rollers, beer cans or walk around barefoot. It reflects the day to day.

Two days after this interview, WHO declared COVID-19 a world wide pandemic and my own work underwent a drastic change.

Transmutation: The New Abstraction of Juan Nieves Burgos

Juan Nieves Burgos solo show, Transmutation, is on exhibit now at New Concept Barbershop and Art Gallery (12427 S. Orange Blossom Trail South Chase Village Orlando Florida). Juan sat in a barbershop chair while he discussed his life and art. This magnificent space has become a community center and mecca for the artist community of Kissimmee. There is an excitement about the place that is contagious.

Juan Nieves was born in San Juan, Puerto Rico in 1965. His grandfather had a sign shop and a barber shop. After Middle School Juan began to study commercial art where he was certified. He continued his studies at Inter-American University (Poly)  where he studied engraving woodcut, drawing and painting. He became a graphic designer. Back then commercial artists had to know how to draw and paint unlike today where the computer does much of the work. He went on to get a masters degree in education. After graduating he taught art for about 10 years. Teaching offered a consistent income but over time however he realized he preferred to work alone in his studio rather than working with the kids. As he said, “the kids right now are not easy.” Thought Puerto Rico has its problems, the people are great and it is beautiful. In 1997 he started his own signage design workshop.

In 2005 he moved to Orlando which has become his preferred home. Here he is developing his art which has evolved from representational work to the present abstract work. Here he is developing his different styles. One painting in the show was a triptych with abstract blue patterns to the left with the hint of a human eye and the center panel was a transition towards the bright abstractions that followed in the show. Juan’s beginnings in  commercial art left a strong imprint on his bold personal style that is showcased in the abstract work int he show. Strong hints of a fist or flora can be found when viewing the work for some time. He mentioned that his next series of paintings are very much different than what is now on display. They are bolder and simpler incorporating large fields of white. His work is in a constant state of transmutation.