Striking the Set

After Man of La Mancha closed at the Orlando Shakespeare Theater, I went in to sketch as the set was struck to make way for the next show. La Mancha was a theater in the round so bleachers had been set up where the back of the stage usually would have been. Subtlety isn’t needed when striking a set, things get hammered banged and kicked in any way to break things down. As I sketched, the set disappeared. The set had a circular central platform that turned and a trap door.

A drill would remove screws and a hammer might bang out nails, but safety was always the first concern. Stage hands looked out for each other assisting each other as needed. I enjoyed sketching the progress. According to Ivan Klima, “To destroy is easier than to create.” Yet these folks seemed to be working mighty hard while I was sitting and just scratching the page with a pen.

Now through April 28, Richard the II by William Shakespeare is at the Shakes. Tickets are $25 to $32. Convinced of his divine right to rule, King Richard II never expected
to be undone by his own maladroit mortal wrongs. By brashly putting his
own vanity before the needs of his kingdom, he creates the perfect
opening for Henry Bolingbroke to seize the throne. Shakespeare’s deeply
moving and insightful retelling reveals how one man’s bumbling mistakes
can shape a nation’s political landscape and change the course of
history.