Seasons: The Musical

Seasons with music by Elaine Pechacek and lyrics by Katie Hammond was first presented at Fringe back in 2014 and I had a chance to sketch that production back then. I remember saying back then that this production deserved to grow and find its way into a much bigger venue. It is now being presented at the Dr Phillips Center for the Performing Arts (445 S Magnolia Ave, Orlando, FL 32801.)

Helen (Megan Valle) was young and vibrant and a night on the town ends in a one night stand with Peter (Peter Heid.) Peter is enamored with her, head over heals in love. She has plans to go to medical school but those plans are dashed when she realizes that she is pregnant. Peter like a true gentleman proposes marriage on one knee. She agrees reluctantly to marry.

Hope (Gabriella Hockensmith) since a beautiful balled about fulfilling her dream of becoming a bride. Her mother Mrs. Jones (Rebecca Fisher) discovers around the same time that she has breast cancer. As she is struggling through chemo she sees a blue bird and takes it as a sign  that thing might be alright.

Helen had doubts about her new role as a mom and the newly wed struggled to make their new roles work. I have been researching ancestors lately and often wondered what difficulties they might have had to overcome. Helen and Peters struggles were very real. The play culminates in an overpowering lullaby sing at the beginning and end off life. It is at these extremes that love is pure and absolute. I doubt there was a dry eye in the house. It is impossible to experience this play and not be touched. The song performed by Rebecca Fisher about living each moment and seizing the day was stellar.

The final performance of Seasons: The Musical is tonight,  September 21, 2019. If you have a chance to go you should not miss it.

Tickets range from $15 to $20. 

Hand to God at the Dr. Phillips Center for the Performing Arts.

Hand to God written by Robert Askins, was presented by Generation Productions at the Dr. Phillips Center for the Performing Arts and was an unexpected, hilarious, and irreverent production. In a church Sunday school class, students are using puppets in a morality play. Timothy, a shy boy, played by Jerry J. Jobe had a puppet with plans of his own. The puppet calls out Timmy’s attraction to Jessica (Devan Seaman) in rather lascivious ways. Jason, (Andrew Romano) skulked with crossed arms and was anxious to cause trouble. The Sunday school puppetry teacher was Margery (Rebecca Fisher) and she was also Timmy’s mom.

The play’s title is a bit misleading. From the moment the foul-mouthed puppet on Timmy’s hand spoke for himself the laughs just kept on coming. This is no quiet morality play. The underlying unspoken heartfelt drama came from the loss of Timmy’s dad. The brunt of the action was aimed at resolving the fractured relationship between Timmy and his mom. The stakes got higher when Pastor Greg (Jason Blackwater) insists that Margery present a play at the next service. Timmy, knowing he has no control over what the puppet might say, has to let his mother down.

Both Jason and Pastor Greg made advances on Margery. She was left devastated after her husband’s death and crashed against the rocks. The classroom became a devil’s den complete with a satanic star and a teddy bear, pubic hair included, with an arrow through it, when Timmy and his puppet take over.

One of the funnier moments came when Jessica decides to speak to Timmy’s puppet through her own puppet. The result is a hilarious 5 minute sex scene with the two puppets as she is able to confide in Timmy, all as the distracted puppets bumped together. The production was a blast being a cross between Little Shop of Horrors and the Exorcist. Rebecca Fisher as Margery was fantastic. This was an amazing role for her. Jeremy J. Jobe also did an amazing job as he tried to remove the satanic puppet from his life.

The play was produced by Aaron Safer, and featured direction by Kenny Howard. The set design was by Bonnie Sprung, with costumes by Kyla Swanberg, and lighting design by Amy Hadley.

After Orlando

Margaret Nolan has worked diligently to bring “After Orlando” to the stage. Usually it takes years for a theater production to come to life. In Orlando, nerves are still raw, so Margaret felt it was important to bring After Orlando to the stage only months after the Pulse shooting. “It was a labor of love. [I’ve] been steeped in it daily since the 1st week of July and it’s taken an emotional toll….but so worth it to present these important plays and project to honor the Pulse tragedy.” Margaret wrote me. The event was sold out.

After the Pulse tragedy NYC creators Zac Kline and Blair Baker invited fellow theater artists to create short plays and poetic pieces as a response to create something with heart, and spirit.  After Orlando is now a collective of over seventy playwrights from the United States, Canada, the United Kingdom, Australia, and Uganda. Plays are being presented in venues and universities all over the work and will be published in an anthology by No Passport Press.

Margaret commissioned and curated Orlando based writers to join in the conversation. The evening consisted of 20 short plays with ten local playwrights showcasing their talents. My short film, “Finger on the Pulse” was screened right after intermission. As I entered the theater, Paul Casteneda said he was close tears watching the film at the last rehearsal. There were tech issues but they were resolved right before the opening. My favorite play was written by young playwright Rose Helsinger. Called “Albino Crocodile“. It was a monologue be young actress who witnessed a gay classmate being bullied in the school halls. The bullying centered around a mispronunciation of Albino. Albino Crocodiles have blood red eyes and beautiful white skin. When an albino goes to the watering hole all the other crocks go  “Hey what is this? We can be seen around the likes of you.” At a girls slumber party conversations turned to boy crushes. One girl confided that she had a crush on another girl. She was shunned like the albino. She however stood resolute finding a strength and joy in being herself.

A Poem by Aradhana  Tiwari called “I remember I am a Rainbow” got me choked up. The poem started showcasing a storm’s approach and violence. Despite the turbulence and darkness the rainbow emerged to explain the joyful meaning behind it’s every color. It was somewhere around the description of a yellow bird chirping happily and taking flight that I broke down. It was a dark theater. I didn’t have to wipe away the tears.

Other heart wrenching plays, had actors exchanging messages and phone calls in a desperate attempt to find out if loved ones were lost. Janine Klein had an incredibly powerful monologue as a mom getting ready for bed and seeking silence from social media. Her sleep is disturbed by phone calls and she discovers her son is among the missing. Janine grew desperate, hoping her son was alright. Her love was palpable even as she described the tattoo he loved and she hated. She faced the possibility that her son might be forever silent.

The final play, had all the actors on the stage. I imagine the final production would have 49 actors. Rebecca Fisher recited a series of joyful phrases beginning with “Today is a good day to…” Tell someone you love them, hug a stranger, to take dance lessons, to sky dive… All the statements came from the obituaries found for the 49 victims in the Orlando Sentinel. It ended the evening on a high note, reminding us all to live life to the fullest. Life is a gift that is all too short. Part of me wants to shut down, to steer dear of the pain. But compassion and hurt bubbles to the surface any time I see OrIando’s Creative community unite to answer bigotry and hate with an enlightened response. As Paul Castineda said, “I’m proud of all my fellow
artists.”