After Orlando at the John and Rita Lowndes Shakespeare Center.

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I went to a rehearsal for After Orlando which is part of Play Fest at the John and Rita Lowndes Shakespeare Center. The stage floor in the Margeson Theater had beautiful postcard painted images of fall foliage from New York and New England. After Orlando consists of a series of short one a c) plays that are about recovery and loss after the Pulse Nightclub tragedy. A table was set up with scripts and other materials. Each rehearsal had to be short and succinct. There was a small green
hat made out of paper that had green triangular leaves as a brim. The
theater tech explained the she was going to be a strawberry for
Halloween and the hat completed her costume.

The first play, O-Town written by David Lee is a simple narration that describes Orlando in such a way that any tourist could identify with. It was reminiscent of Our Town. Landmarks and people are identified as they are on a typical day, and then how they will be changed after the shooting. A homeless man takes is upon himself to relight all the candles at the Dr. Phillips Center for the Performing Arts make shift memorial. A merchant creates thousands of rainbow ribbons that are distributed around the world. The Center is faced with an incredible challenge after the shooting and they rise like a phoenix to meet the needs. 

In another play two men chat playfully. One is a professional boxer and he doesn’t want to be seen being affectionate in public because it would make him seem weak. His partner, found on Tinder, is playful and flamboyant. He wants to go to the club, but the boxer is resolute and wants to stay in. They share a connection that goes beyond sexuality. Music fills the room and the playful partner danced with abandon trying to encourage his stoic partner to join in. When he leaves to go alone to the club, his partner begins to sway to the beat, alone. It becomes clear that one of them might not live to see the next day. 

In another play, three men interact inside the club. They are celebrating life and poking fun at American culture that ignores their Latina culture. the in playful banter is endearing. As they dance, one of them freezes looking out into the audience. Then the other two freeze to see what sees. Each in turn falls backwards, as if hit in the chest, while letting out a loud staccato beat box vocal. They turn away from the audience. After a long pause, they each say their name and age. It was a sobering moment.

There were more plays that needed to be rehearsed, but I slipped out and drove to a friends. On the drive, I saw children dressed as skeleton’s and zombies as they pillaged a neighborhood for candy.  Orlando has faced a very real horror. Seeing the children wandering in the dark was strangely reassuring.


PayFest, runs from November 3rd to the 6th.

PlayFest offers you the rare opportunity to participate in the
development of new plays. Converse with playwrights, directors, and
actors while absorbing groundbreaking new works. This four-day event
tears down the barrier between artist and audience, putting YOU at the
heart of the process.

Your input is vital to the extended life of new plays. Many audience favorites from PlayFest have been developed into full productions in Orlando Shakespeare Theater’s Signature Series!

This season we’re dedicating PlayFest to six new plays plus a special reading of The Laramie Project. All selected plays explore issues surrounding the Pulse tragedy that occurred in Orlando in the early morning of June 12, 2016.  In selecting plays for the weekend, we’re concentrating on plays that explore the following issues:

  • LGBTQ struggles and responses to violence and hate
  • Discrimination against Hispanics/Latinos and efforts for acceptance and inclusion
  • Terrorism acts
  • Mental health and gun violence
  • Individual and community responses to mass violence

  • Individual Reading Tickets: $10

  • Click here to book individual tickets for PlayFest Readings. General Admission Seating.

Save now with a PlayFest Package!

  • PlayFest Pass – $49 per person (Value: $70)

    See all 7 Readings and save with a PlayFest Pass! Click here to book a PlayFest Pass.

  • PlayFest VIP – $100 per person

    Want to make sure you get one of the best seats in the
    house?  We’re offering the opportunity to upgrade your PlayFest Pass to
    VIP status to ensure a reserved seat for all six new plays and The Laramie Project.  Become a PlayFest VIP to reserve your seat up front in one of the first four rows of the Margeson Theater. Click here to become a PlayFest VIP.

  • PlayFest Patron – $250 per individual

    Reserved seating in the front rows of the Margeson Theater,
    complimentary drink tickets, special recognition in the program, and a
    private event with the PlayFest playwrights. Make your experience a
    memorable one! Please email development@orlandoshakes.org for more information.

Make a commitment to new plays! Call the Box Office at 407-447-1700 ext. 1 for more information. All Passes Expire November 12, 2016.

Love appears across from Pulse.

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Artist Michael Owen used to live in Orlando, going to Dr Phillips high school. He moved to Baltimore to attend art school and has lived there ever since, his family is still in Orlando and he visits often. In Baltimore he executed a series of 20 murals, all with the theme of love. After the tragic shootings at Pulse he wanted to return to Orlando to share this theme. Finding a location was difficult, but Einstein Bagels right across the street from Pulse decided this was a great idea that might help in Orlando’s healing process.

Michael used large rollers to paint. He also executes more refined detail using house paint brushes. “They are like the filberts I use when painting on a smaller scale.” he said. The lift helps him paint the details high on the wall. LOVE is spelled out in silhouette using human hands. I first met Michael at After Orlando, a one night theater collaboration that featured 20 plans that addressed feelings and emotions after the Pulse shooting. Originally, he intended to have 49 orange blossom floating in space. After Orlando inspired him to paint more of the stems and leaves for the blooms. The outpouring of community support is symbolized in this more solid base.

We talked d bit about a common friend, Cole Nesmith, it turns out that Cole is the first person to ever buy a piece of Michael’s art.  People would stop to talk to the artist and he was always happy to tell then his story. One woman walking past the mural had on a deep purple blouse. “you match.’ he said. “I what?” she replied. “You match the mural.” Sure enough her deep purple blouse matched the purple hands on the mural.  “Purple is the color of royalty.”  he informed her. Several I cars honked their approval and some people wanted to shoot photos with their phones. “People just react” he told me as we talked abort what it is like to create art in public. The positive responses he has had from everyone in Orlando has been unprecedented.

 From interviews with Pulse shooting survivors, I know that the Einstein Bagel’s parking lot had been used as a triage site where the injured and dead had been taken to get them any from the gun fire. Survivors used their shirts and socks to plug bullet holes in an attempt to stop the bleeding. Blood had stained the pavement. Now splashes of purple spattered paint dripped from the well to the pavement. Once the scene of horrible carnage, the parking lot is becoming a beacon of hope and love.

The drips are all part of Michael’ spontaneous process. He uses the paint as if is were watercolor being used by a giant. He would sweep the roller in an arch creating elegant sweeping lines to the purple foliage. He asked me how far Sam Flat was and I gave him directions. The Sun was getting close to the horizon, and he needed more supplies. He needs some spray paint to because he wants to add delicate gradations to the flowers. Each blossom is unique having it’s own shape and form.

People in Orlando are still trying to process the horrors of June 12. People grieve in their own ways. Creating art is an artist’s attempt to come to terms with that evening. In that way, Michael a I have much in common. I hope his mural does help in the healing for those who visit the pulse memorial across the street. Perhaps some will cross the street and leave memorial items at the base of the mural. Michael has invested his one money and  gofundme money to bring this message of love to Orlando.

I heard a skid and then the crunching of plastic hitting plastic. there had been a fender bender at the stop light.  The drivers got out and exchanged insurance information. Life still rushed past even as art blooms. You can’t rush a labor of love.

After Orlando

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Margaret Nolan has worked diligently to bring “After Orlando” to the stage. Usually it takes years for a theater production to come to life. In Orlando, nerves are still raw, so Margaret felt it was important to bring After Orlando to the stage only months after the Pulse shooting. “It was a labor of love. [I’ve] been steeped in it daily since the 1st week of July and it’s taken an emotional toll….but so worth it to present these important plays and project to honor the Pulse tragedy.” Margaret wrote me. The event was sold out.

After the Pulse tragedy NYC creators Zac Kline and Blair Baker invited fellow theater artists to create short plays and poetic pieces as a response to create something with heart, and spirit.  After Orlando is now a collective of over seventy playwrights from the United States, Canada, the United Kingdom, Australia, and Uganda. Plays are being presented in venues and universities all over the work and will be published in an anthology by No Passport Press.

Margaret commissioned and curated Orlando based writers to join in the conversation. The evening consisted of 20 short plays with ten local playwrights showcasing their talents. My short film, “Finger on the Pulse” was screened right after intermission. As I entered the theater, Paul Casteneda said he was close tears watching the film at the last rehearsal. There were tech issues but they were resolved right before the opening. My favorite play was written by young playwright Rose Helsinger. Called “Albino Crocodile“. It was a monologue be young actress who witnessed a gay classmate being bullied in the school halls. The bullying centered around a mispronunciation of Albino. Albino Crocodiles have blood red eyes and beautiful white skin. When an albino goes to the watering hole all the other crocks go  “Hey what is this? We can be seen around the likes of you.” At a girls slumber party conversations turned to boy crushes. One girl confided that she had a crush on another girl. She was shunned like the albino. She however stood resolute finding a strength and joy in being herself.

A Poem by Aradhana  Tiwari called “I remember I am a Rainbow” got me choked up. The poem started showcasing a storm’s approach and violence. Despite the turbulence and darkness the rainbow emerged to explain the joyful meaning behind it’s every color. It was somewhere around the description of a yellow bird chirping happily and taking flight that I broke down. It was a dark theater. I didn’t have to wipe away the tears.

Other heart wrenching plays, had actors exchanging messages and phone calls in a desperate attempt to find out if loved ones were lost. Janine Klein had an incredibly powerful monologue as a mom getting ready for bed and seeking silence from social media. Her sleep is disturbed by phone calls and she discovers her son is among the missing. Janine grew desperate, hoping her son was alright. Her love was palpable even as she described the tattoo he loved and she hated. She faced the possibility that her son might be forever silent.

The final play, had all the actors on the stage. I imagine the final production would have 49 actors. Rebecca Fisher recited a series of joyful phrases beginning with “Today is a good day to…” Tell someone you love them, hug a stranger, to take dance lessons, to sky dive… All the statements came from the obituaries found for the 49 victims in the Orlando Sentinel. It ended the evening on a high note, reminding us all to live life to the fullest. Life is a gift that is all too short. Part of me wants to shut down, to steer dear of the pain. But compassion and hurt bubbles to the surface any time I see OrIando’s Creative community unite to answer bigotry and hate with an enlightened response. As Paul Castineda said, “I’m proud of all my fellow
artists.”