Would you have been selected for the Noor Salman Jury?

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Any media inquiries to purchase courtroom sketches should call or
text (407) four five zero-0807. I am out of touch while in the
courthouse. I will get back in touch ASAP.

Today a jury will hear opening arguments in the Noor Salman trial in Orlando, Florida. Noor Salman is accused of aiding and abetting her husband Omar Mateen as he planned the horrific attack on the Pulse Nightclub in Orlando that left 49 people dead. Each prospective juror filed out a questionnaire which narrowed down the pool to start. I heard there were 600 questionnaires sent out. Each prospective juror was assigned a number and asked to come in individually for follow-up questions. Judge Paul G. Byron‘s first question was whether the person had served on a jury before, and more importantly had they been the foreman on that jury. The biggest concern is that someone might want to get on the jury and their mind is already made up prior to hearing any evidence of testimony. The roll of a juror is to keep an open mind and listen to both sides of every argument in court.

Next, Judge Byron wanted to get a feeling as to what media coverage each juror had been exposed to. Everyone in Orlando experienced the initial coverage just following the Pulse Nightclub massacre on June 12, 2016, but some people immediately return to life as usual. He specifically searched for what news coverage prospective jurors heard about Noor Salman herself. his primary concern is that each prospective juror be able to set aside the media coverage they had seen and only consider the evidence and testimony given in court.

The next line of questions had to do with religion. Do you have friends who are Muslim? What do you know about Islam? Would you assume Noor Salman is guilty just because she is Muslim? She was born in the United States and is a citizen. Do you feel the prosecution might have the same bias as the president? Everyone was effected by the terrorist attacks on the Twin Towers on 9-11 in some way. Would you be able to set your feelings aside about that attack and judge the case based solely on facts presented in court? Have you been a victim of terrorism here or overseas? Do you know anyone who is directly effected by the 17 student and teacher murders at Parkland High School in south Florida?

Noor Salman is charged with an indictment. An indictment is not evidence, it is just a document that states what she is accused of. The indictment cannot be considered as proof of what Noor did, it is not evidence. Would you as a juror feel pressure from the community to find her guilty even if the evidence did not prove her guilt beyond a reasonable doubt? We are all presumed innocent in a court of law. We each walk in with a clean slate and it is the job of the prosecution to prove guilt beyond a reasonable doubt. We all have the right to remain silent. Mrs. Salman does not have to testify in this case. If she elects not to testify can you not hold that against her?

He asked about each prospective juror’s deliberation process. Are you quick to form an opinion or do you need to weigh all the evidence before forming an opinion. Are you reluctant to change your mind once it is made up? Do you have negative feelings about people who use gun ranges for recreation? I most certainly wouldn’t make it on the jury partly because of my intense involvement in trying to understand how Orlando had tried to heal since the horrific shooting, and because I can’t stop myself from sketching. I am literally not allowed to enter courtroom 4B with a sketchbook. I would have my press privileges revoked and would be escorted form the building. A pencil is a dangerous weapon.

The case begins today at 9 AM at the Federal Courthouse (401 W Central Blvd Orlando Florida). The case begins exactly one month after the mass shooting at Marjory Stoneman Douglas High School in Parkland, Florida. Orlando Mayor Buddy Dyer has called for a walkout in honor of that mass shooting. Students across the country are organizing similar walkouts. In an e-mail, he wrote, “Our community has been so inspired by the students at Stoneman Douglas,
students here in Orlando and across the country that have pressed
lawmakers to approve school safety and pass measures aimed at preventing
gun violence. In solidarity with our students, and to honor the victims, join us for a
walkout to the lawn of the Dr. Phillips Center for the Performing
Arts (445 S. Magnolia Ave. Orlando, Florida.)” It seems that the mass shootings are happening closer and closer together. There have been 10 school shootings since 17 students were murdered in Parkland. The town officials are just now considering collecting memorabilia from the memorial site after religious leaders hold a ceremony on the evening of the one month mark. 

The prosecutors during the Noor Salman trial.

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Any media inquiries to purchase courtroom sketches should call or
text (407) four five zero-0807. I am out of touch while in the
courthouse. I will get back in touch ASAP.

Jury selection continues for the Noor Salman trial in the Federal Court in downtown Orlando. Periodically, the prosecutors would have to introduce themselves to prospective jurors. Standing, they would announce the names of  Roger Hamberg and Sarah Sweeney, the state’s prosecuting attorneys, and Darryl McCaskill of the FBI. During a lunch break I saw the prosecutors getting food downtown where I was eating, but I decided to keep to myself.

To recap, Noor Salman is the 31 year old widow of the Pulse Nightclub shooter. She is charged with aiding and abetting her husband as he planned the attack. From my seat in the jury box of courtroom 3A, I would watch the attorneys through the long jury selection process. Roger always has a stern expression while the FBI agent always seemed concerned. The prosecutors are tasked with proving beyond a reasonable doubt that Noor is guilty as charged.

Juror 44 had discussed the case with a friend who had served in Iraq. His friend had been injured by an explosive device while in service. He said that soldiers always had to watch the wives of the men in Iraq since they would to anything that their husbands told them. That made the women always a potential threat and they were treated as such. He said that this conversation would influence his decision in the case and he was excused for cause.

Juror 112 worked three jobs and said that a three week trial would be an undue hardship. She too was excused. Juror 113 worked in the court system and that familiarity was another excuse for cause. Juror 91 had a friend who works in a gun range and he remained in the pool of 60 jurors who would later be whittled down to the final 12 plus 6 alternates.

I still hope to find my way into the main courtroom. I was told that if I went in, I would be removed from the courthouse and my press privileges revoked. However Judge Paul G. Byron remarked in his rules for the media that there would be sketch artists (plural) allowed in the courtroom. I need to address the court media people and make final arrangements before things get crazy once the jury selection is over and the witnesses are called in to testify.

Chakra Kahn at the Timucua White House.

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Chakra Kahn (Alexandra Love) was performing with Beautiful Chorus and special guest Emily Fontano at the Timucua White House, (2000 S Summerlin Ave Orlando, FL 32806). The music had a deep, personal writing style, along with eccentric cadences and lush harmonies. In concert with DiViNCi’s vast, poly-rhythmic, orchestral soundscapes is perfectly matched. Together, their sound is like smooth electricity, an intense, bass-rich, melodic wind. Their newest album, The Cope Aesthetic, which was released June 3, 2017, is a more jazz-inspired, electronic soundscape than anything else the group has created thus far. She explained on stage that she lost her hair at a very early age, and came to realize that how she looks to other does not define who she is.

Amazingly on the evening of the Pulse nightclub tragedy, Chakra Kahn performed a piece titled Pulse at the venue. The lyrics seemed to eerily predict the events that was about to happen. “Their is a Pule and its fading, but we claim we are still alive.”

Elizabeth St. Hilaire was the visual artist working on stage during the performance. Elizabeth usually works with collage but this evening the was painting with acrylics. The painting depicted a female sun bather from perhaps the 1920s. She swayed to the music clearly inspired by the music.

One Orlando Alliance organized an Orlando Vigil for Las Vegas

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The lawn in front of the Dr. Phillips Center for the Performing Arts was packed with thousands of people 16 months ago after the Pulse Nightclub shooting. Tears were shed and strangers hugged one another in a truly moving vigil to honor the victims of the nightclub shooting. Days after the mass shooting in Las Vegas, the same stage was erected in the Dr. Phillips lawn to show solidarity and support for that city which is now the site of the largest mass shooting in American history with 58 victims to date. 515 others are injured, so that number may well rise as people fight for their lives.

Pam Schwartz and I arrived a bit early expecting to find the lawn crowded with Orlando citizens who who would show their support for such a tragic event. The lawn was strangely empty. One third of the lawn was a construction zone for the new Dr. Phillips theater being built.  The entire area was surrounded by temporary concert barricades. There was no crowd to contain. A single wreath stood on a tripod in front of the stage. The press huddled together on the walkway opposite me. Desperate for some sort of story, a young reporter asked to interview me, but I explained that I had a limited amount of time to finish my sketch so I couldn’t stop to talk.

The green lawn remained empty the entire time I sketched. I had looked at some of the video footage from Las Vegas earlier that day and recall seeing people running for their lives or lying on the grass hoping not to get hit by the bullets raining down from 32 stories above. The Dr. Phillips lawn, surrounded by humble Orlando high rises, wasn’t much different than the Las Vegas field where concert goers were massacred. One Orlando high rise had several windows blown out from hurricane Irma, just as the Las Vegas gunman had blown out his hotel room window to massacre the crowd below.

Dozens of people showed up to the vigil held in Orlando. Any photos of the vigil show a few people together in closely cropped shots.  Perhaps it was just to soon. The staff at the History Center said that they just weren’t ready to accept or digest that such a horrific incident had happened so soon after the incident at Pulse. Days after the Las Vegas shooting, rainbow flags appeared on all the Orlando downtown street lights. I thought this was in solidarity for the Las Vegas shooting but it might just have been in preparation for the Gay Pride Parade coming up next week.

Someone removed the metal steps that lead up to the stage. A source at The Center said that a permit had not been applied for and thus
no one was allowed to go up on the stage. How amazing that such red tape should
come from a city who had just experienced mass murder 16 months earlier. One Orlando Alliance organizers stated that a radio station set up the stage just for the amplification and they didn’t want any speakers.

Five or six of the 49 angels in action arrived and stood silent in
front of the stage, their fabric wings flapping in the breeze.

 one PULSE Foundation president, Barbara Poma, spoke to the small group gathered from behind the stage. Her online statement read, “Finding words to convey the depth of horror we are all witnessing in
Las Vegas is just impossible. It is unimaginable that another mass
shooting of even greater scope than that of Pulse Nightclub could occur
again in this country, but indeed, it has. We must work harder to stop
these crimes that destroy human life. We pray for those whose lives were
taken, as well as for the wounded and the hundreds who will forever be affected by this monumental tragedy.”

The Orange County Property Appraiser arrived to get his picture taken in a tuxedo in front of a banner which people signed in support of Las Vegas. Mayor Buddy Dyer made a cameo and disappeared quickly. I recognized some of the Pulse family and activists like the Eskamani sisters who truly made a difference in our city following the Pulse shooting. A GoFundMe set up by Ida Eskamani for Equality Florida raised more that 2.4 million dollars for Pulse victims families. With Hurricane Maria causing so much damage in Puerto Rico, many Hispanic activists are perhaps occupied with that cause.

The Vigil held at the Dr. Phillips for Las Vegas was a small gathering by a few of Orlando’s core activists but the impression it left with me was apparent indifference by the community as a whole. The Methodist Church bells rang for each victim of the
Las Vegas shooting. I left disheartened.  The faces of the beautiful people lost in Las Vegas are just now
appearing online. All of those lost have not yet been identified. Perhaps people stayed home because mass murder is now the norm. A mass murder is defined as 4 people dying in a single gun related incident. Close to one mass shooting happens every day in America.

Pam was going to the Savoy to be a Celebrity Bartender. That event would raise funds to help The Center which is a refuge and family for the LGBT community as well as playing an important role in testing and treating sexually transmitted diseases. Sketching that event felt more supportive to an organization that makes a positive change in the Orlando community. Life goes on as social services struggle to stay afloat. I needed a stiff drink. How we memorialize is becoming increasingly important as these shootings are becoming more common.

P.S. Justine Thompson Cowan, one of the events organizers reported that
City representatives were willing to do whatever it took, helped with
permitting, and opened up garages for free parking, spending staff
resources to pull it together. He stayed
until the end and joined with what he estimated to be about 250 people as
they heard the bells toll, the Orlando Gay Chorus sing and spread out
into the audience with their voices that touched their hearts. She felt
solace. She felt companionship. And maybe even a bit of hope.

George Wilson discusses his Photojournalism following the Pulse shooting.

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Orlando is George Wilson‘s adopted home town. His wife works for Disney. It was in the 1980’s that George began to shoot news work.

On June 12, 2016 when he heard about the Pulse Nightclub shooting his first impulse was to go straight to the nightclub. The closest he could get was to park at Orange Avenue and Michigan Street. All of the press were gathered a Chipolte. His first photo was of an Orlando Strong sign being put up on the MacDonald’s sign on Orange Avenue. He overheard a first responder talking about all the unanswered cell phones ringing incessantly inside the club, never to be answered. The camera became a barrier between the photographer and the event or the emotion of the event. Only later when he was alone and editing all the photos would the emotions well up.

One of his photos was of three girls, Jordan Tarquino, Lola Selsky, and Megan Boetto who often went to Pulse nightclub. When they saw each other outside the crime scene they all hugged, thankful to find that they all were alive. The Dr. Phillips memorial was his most emotional story. Strangers hugged each other and cried together.

Georges photos were picked up by Deutsche Presse Agentur, the German Press Agency, and distributed around the world as far away as Bangladesh. The power of the Internet and the photograph puts news and events in front of everyone around the globe. The Internet offers news in short snippets which doesn’t allow us  to become attached to anything.

George never felt unsafe while shooting his photos. The LGBT Community Center had a sign on the door on the first day that said, “We will search bags.” Fear had replaced the security the Center had once been able to offer. George applied for a Pulitzer prize for his photojournalist work following Pulse. Although he didn’t win the award, he was glad he got to share his story for consideration.

He donated a collection of photos, cover sheets from publications from around the world in various languages and copies of his Pulitzer application. The newspaper cover sheets were utilized in the Orlando Regional History Center‘s One Year After Exhibition to let people see just some of the international outpouring of love that followed the shooting. Orlando now has the misfortune of being a location the largest mass shooting in American history. Georges photos help the world to
understand our pain, our suffering, and our resolve to try and make it
stop here.

Rasha Mubarak discusses her life after Pulse.

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On a sketch excursion to The GLBT Center, I watched Rasha Mubarack, Orlando’s regional coordinator for the Council for American /Islamic Relations, as she was interviewed on camera. The Center was holding an event in which a large group of people gathered to offer love and support for Manchester via a video message.

She explained in an oral history at the Orange County Regional History Center, that she was exposed to injustice as a child. Her uncle was a successful businessman who lived in Isleworth Florida. His home was invaded, probably because he was Islamic. Islamaphobia had become mainstream in America. When exposed to one injustice, you become aware of others. A sheik was at the site where hospitalized names were read from a list. If the name of your loved one wasn’t on the list, then it was a worst case scenario. Parents and loved ones were in despair. Some were banging their heads on the walls. This was a hard scene to re-live.

At the Dr. Phillips Center for the Performing Arts vigil, Rasha was one of the people on hand to read the names of the 49 victims of the Pulse Nightclub massacre. Back stage, she was nervous about the idea of being a Muslim reading the names. Backstage, there was pain and comfort. Reading the names was shattering. Each name had the age next to it. Each of these people have stories. The Methodist Church across the street rang the bell for every name on the list. That moment seemed to last an eternity. Everyone assembled comforted each other. There is mercy in adversity. We are all in this together.

Right after the Pulse Nightclub massacre, Rasha felt personally affected. She went to her mosque as usual and realized that no one else knew what was going on. When she got home, she was hyperventilating and felt the full weight of the tragedy. She was soon called upon to do an interview outside Pulse. It all seemed unreal. How could someone really kill 49 people? This was clearly not a person of god, any god. That first week after Pulse, she was asked many times, “How are you?” Her stock response was, “I’m OK.” One man told her something that stuck with her, “God puts you where he wants you.” When he told her that, everything else seemed OK. She just needed to do the right thing, be on the right side, and keep going.

There was a backlash after Pulse, but it could have been a lot worse. Islamaphobia has increased 500% in Central Florida in the past year. What side of history do you want to be on? The Council for American /Islamic Relations is fighting for civil liberties for all Americans. At a Democratic partisan event, Rasha was pulled aside for appearing “suspicious.” She fights for marginalized people and found herself marginalized.

Orlando is a place where people come to get away. On June 12, a criminal tried to dismantle that. He forever changed the lives of 49 families. How do we react when our world is disturbed? Our hearts fall in and out of love with everything. Out hearts have memory. We need to remember the beauty that came out of it all. We need to understand the diversity and stand for civil liberties for everyone.

An Interview with Billy Manes at Watermark.

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On June 30th Pam Schwartz, Dan Bradfield and I entered the Watermark offices to conduct an oral history with editor-in-chief Billy Manes about the events following the Pulse Nightclub massacre. Billy grew up in Florida and was a bit of a club kid.  He suffered much adversity and sexual abuse in his childhood. At the time, he felt that Florida is a place without history, so you have to make your own history.  In 2005 he ran for mayor, being the first openly gay candidate to do so. He felt he was the best choice to replace the then suspended Mayor
Buddy Dyer specifically because he’s not a politician.

He met Alan Jordan who was very different than himself and they had a long relationship. “We were very Burt and Taylor in our relationship.” said Billy. On Easter Sunday of 2012 Alan shot himself in front of Billy. Alan had HIV but didn’t want to admit he was positive. Billy watched his love die in front of him. Alan’s family took everything a redneck could need, despite the long relationship, even threatening to take the ring off of Billy’s finger. Billy fought them in court and won back some of his possessions. He decided to become more purposeful about these issues. “Trying to save someone else saved me.” said Billy. There is a documentary that was filmed entitled ” Billy and Alan“.

As a senior writer at the Orlando Weekly, Billy found his voice as he made jokes about Tallahassee government policy which is often, “so fucking boring”. Billy Manes was hired by the Watermark in 2015. As I sketched, I found the black blinds strangely ominous. He coughed once, and Pam commiserated since she had a cough for 6 months after cleaning up dead flowers and collecting items at the Pulse Memorial sites for the One Orlando Collection.

“I only remember 5AM on June 12th.” Billy said. He used to work there, when it was Dante’s. He was friends with the owners and staff. It wasn’t “divey” at all. It was a good place to come together. At 5 AM his husband Anthony Mauss woke up. He told Billy not to look at his phone. Billy of course looked at his phone and was immediately pulled on for an MSNBC interview. Unshaven and uncombed he spoke with Tamron Hall. As he spoke, he realized that he didn’t know if his friends were alive who worked at Pulse.

This was a hate crime and Billy was annoyed at any news organization that would white-wash this fact by playing up the terrorist theories. On that first morning, a mother drove by and she asked if her son was alive. Billy said he would try and find out.

After Pulse, the whole tone, everything changed. Billy suddenly found
himself in a whirlwind of interviews by over 7 networks in the days
following. Watermark approached the following weeks with a three step
program. They did a glossy cover, a story about the psychology behind
the attack and stories about the need for gun control. In the barrage of
activity, he stopped caring about himself. Watermark was at every
event. Billy reflected, “It is still amazing to me. You can say 49, but
imagine the moms and families having to deal with probate, the law.”

Our oral history interview was just an hour long. We wanted to get together for a second interview to grapple with the intricacies of the weeks following Pulse in more depth. Shortly after this interview Billy Manes said he was “let go” from Watermark on Friday, July 14th. In a Facebook post on the following Sunday Billy shared, “I was effectively let go on Friday and it wasn’t easy and it wasn’t psychologically easy. I wanted to give Watermark the chance to break the news. Not sure why, but it was fair enough. Best to the future editor and please keep up…the work. I’ll figure something new. I always do.”

Billy died just after 4 p.m. on Friday, July 21, at the age of 45,
surrounded by his husband Anthony Mauss, friends and family at Orlando
Regional Medical Center.

The loss is a shock to me. Billy and I were both born on May 22 and he playfully reminded me of this each year via Facebook.  Having lived through so much tragedy, Billy always injected humor into every exchange. He will be deeply missed. He helped to write Orlando’s history while joking about the political forces that stifle Orlando’s future.

Pulse Memorial and Candlelight Vigil.

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The parking lot of Christ Church Unity Orlando (771 W Holden Ave, Orlando, Florida 32839) was full and we were directed to park on the grass. This vigil happening one year and three days after the Pulse Nightclub massacre was going to be crowded. The invitation noted that no backpacks were allowed in the sanctuary. I decided to use my iPad to sketch so I could leave my bag of watercolor art supplies behind.

A harp player set the mood as we entered the sanctuary. Governor Rick Scott entered with his entourage. Orlando Commissioner Patty Sheehan was also in attendance. The evening was a celebration of life, honoring and remembering the lives so tragically taken in the Pulse Nightclub shooting. It was to be a time of healing, love, and unity for all. The names of the victims were read aloud during the ceremony.

 Pastors from several churches were in attendance along with Terri Stead-Pierce, Senior Pastor of Joy Metropolitan Community Church. Joy has been an open and accepting place of worship for the gay community for over 30 years. After Pulse happened, Joy was overlooked as churches held memorial services to honor those lost. A year later and Joy is no longer being marginalized. Music offered solace as candles were handed out to everyone in attendance. The warm glow lighting each individual face.

After the ceremony, Commissioner Patty Sheehan offered me a hand-made quilt crafted by the Orlando Modern Quilt Guild. The quilt had rainbow colored hearts in bold rows of color. The Central Florida based quilters wanted to help after the Pulse tragedy and so did what they know best, which is to sew. A call to help went out to the quilting community and the response was grand.  Quilts and quilt blocks were created and sent from 22 countries and 50 states. The goal was to gather enough quilts to help not only the victims who
survived, but the families of victims who perished, as well as first
responders, nurses, police officers, etc. They started with a goal of making about 100 quilts and have now made over 2000.

The One Orlando De-install

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On June 12th The Orange County Regional History Center mounted an exhibit that showcased items left behind one year ago at the various memorial sites that appeared in the aftermath of the horrific Pulse Nightclub shooting that took 49 lives and left Orlando with open scars that could take a lifetime to heal. Museum curator Pam Schwartz asked me to share some of the sketches I have done in the last year that document Orlando’s attempts to recover. I sketched at as many vigils and fundraisers as possible so that I could come to terms with reality utilizing the only tool I had which was sketching.

The exhibition was assembled from the items collected by the History Center in the weeks and months after the tragedy. For 37 days, museum staff sweated in the hot Florida sun collecting for the museum and scraping up melted wax so that people wouldn’t slip and fall at memorial site. Items left at memorial sites had to be conserved and documented for posterity’s sake. When you go to a memorial, you don’t read every condolence card, but that was their job. It is an emotionally taxing responsibility to record history in the face of tragedy.  One hundred years from now these relics will be a hint at how we as a community came together to heal.

Instead of one set of rosary beads, there was a whole case full. One case was layered full of rubber bracelets. Instead of exhibiting one t-shirt design, a whole wall was covered. Instead of exhibiting one sketch by an illustrative journalist, an entire wall was covered. 49 wooden crosses were crowded into the far corner of the exhibition space. A sign warned that some items might be emotionally challenging to view.

Shortly after the shooting, Pam, the chief curator, realized that an exhibit space needed to be booked for an exhibit one year after the tragedy. She reserved the room but it was only available for one week because a wedding was also slated to go in the same room on the following week. This was the largest exhibit ever created in house by the museum staff using items from the museum’s own collection. The staff rose to the challenge. The amount of work needed to create the exhibit was staggering but it got done. On the opening night victim’s families and survivors were given a private preview. On that night over 450 people showed up. More than 3,000 people viewed the collection in the one week it was open.

I stopped in on the final day as the staff took everything off the walls. In one day the walls were once again bare to be spackled and painted for the wedding reception. The 49 portraits created by local artists were mounted behind Plexiglas, so they came down in three large sections and would later be stored away in a portfolio in the archives. Display cases were left for the next week when the items would be stored away in acid free museum boxes in the archives. Within two days the room would once again be barren. This was without a doubt the most well attended exhibit in years, but it
was only available to be seen for one week. The history was swept aside
because catering was considered a priority. This gorgeous old courthouse can’t decide if it is an accredited history museum or an events hall.

Pulse: One Year Later.

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On June 12th one year ago 49 people lost their lives in a horrific attack by a gunman at Pulse Nightclub. June 12th people gathered a Pulse for Reflections and Remembrance. Throughout the day, members of the community visited to honor the legacies of the 49 victims, their families and the survivors. From 11 a.m. to 1 p.m., there was be a ceremony including various community speakers, reflective prayers, a reading of the 49 names, a display of 49 wreaths and music by Violectric. The Inspiration Orlando mural, our Angel Force, Hang-a-Heart, Stars of Hope and comfort dogs were present.

It was raining just enough to make sketching difficult. Watercolor and rain aren’t a great combination. The first thing I saw when approaching Pulse was the huge Inspiration Orlando Mural. 6 foot high marine grade boards were mounted on a large sheet of plywood and supported in back by 2 by 4s nailed as braces. At the Mural, a victim’s father was animatedly talking to Michael Pilato the artist. The father was upset that his daughter’s partner was depicted large on the mural. Another father had refused to bury his son. A daughter eventually stepped in to take on the responsibility. When it came time to collect the money raised for families however, the father was happy to take the money.

As I did this sketch, I was offered water and You Matter cards multiple times. Someone even offered MacDonald’s hamburgers and I kind of regretted not taking one. A mom had her daughter dressed in a bright rainbow tutu and they paraded around the site. A young girl across from me, wearing a rainbow cape,  was giving out free hugs. A reporter set up his TV camera and started asking  her questions. “We will not let hate win” was emblazoned on multiple posters and banners. 

While driving away, I passed a hate monger in front of the auto detailing shop next to Pulse. He was surrounded by people who were getting upset. They shouted Love will overcome hate loud enough to drown out his hate filled chants. Police were on hand and I was told that he toughed a policeman which is interpreted as an assault. 5 policemen wrestled the man to the ground while people shouted their message of love delivered with anger. It was a shame that the Angel Force had left because they could have surrounded the man.

I felt a bit depressed since it felt like most people were here looking for some form of attention or acknowledgment. Was I any different? Will these sketches ever serve a purpose? I was just growing frustrated and annoyed that the rain was making my job near impossible. I pushed through regardless. Any blotches and blemishes are all part of the story of creation.