Memorial Task Force Potluck and Annual Review

A Task Force Potluck and Annual Review was held at Christ Church Unity Orlando (771 Holden Ave Orlando, FL 32839) in December of 2017. There were several posters at the front of the room that showed the design Dix Hite had proposed for an Interim Memorial, which helps to clean up the site and added some new landscaping. The interim memorial will provide areas to leave messages and will include seating, shade, lighting and trees. The iconic sign will be enhanced but not removed. A new fence will be placed around the perimeter of the nightclub itself, which will remain standing until a decision is made in the future regarding the permanent memorial design. The new fence has a section which allows visitors to see the damage to the building from the police breach of the wall on the evening of June 12, 2016. Much of the labor involved will be completed off-site and new elements will be installed at the site with minimal impact on the surrounding community.

The Task Force is working towards keeping the meetings inclusive. Pam Schwartz set up Zoom (a digital video conferencing system) which allowed distant survivors and families of victims access to the meeting. Many of the faces in the room were familiar and I was pleased to be seated at a table with Terence Hickey who was involved in the comfort dog program at Orlando Regional Medial Center after the shooting.

Results from the memorial survey sent out to families and survivors were complete and the results would be discussed at the next Task Force Meeting. The survey was set up to gauge what families and survivors felt they would like to have done at the site. The task force is still in its infancy and they are working towards completing their mission and vision statements for the future memorial and museum.

Nikole discussed the events planned for 2018. Town hall meetings would be held at regular intervals to keep everyone apprised of the progress moving forward. Also on the calendar are a Family Day, a Community Rainbow Run, the Annual Remembrance Ceremony and of course PRIDE. The Orlando One Pulse Task Force will also be involved in bringing the Laramie Project to Orlando.

The Laramie Project (2000) is a play by Moisés Kaufman and members of the Tectonic Theater Project about the reaction to the 1998 murder of University of Wyoming gay student Matthew Shepard in Laramie, Wyoming. The murder was denounced as a hate crime and brought attention to the lack of hate crime laws in various states, including Wyoming. The play draws on hundreds of interviews conducted by the theatre
company with inhabitants of the town, company members’ own journal
entries, and published news reports. It is divided into three acts, and
eight actors portray more than sixty characters in a series of short
scenes. The play will run June 1, to July 1 of 2018.

Pulse Memorial and Candlelight Vigil.

The parking lot of Christ Church Unity Orlando (771 W Holden Ave, Orlando, Florida 32839) was full and we were directed to park on the grass. This vigil happening one year and three days after the Pulse Nightclub massacre was going to be crowded. The invitation noted that no backpacks were allowed in the sanctuary. I decided to use my iPad to sketch so I could leave my bag of watercolor art supplies behind.

A harp player set the mood as we entered the sanctuary. Governor Rick Scott entered with his entourage. Orlando Commissioner Patty Sheehan was also in attendance. The evening was a celebration of life, honoring and remembering the lives so tragically taken in the Pulse Nightclub shooting. It was to be a time of healing, love, and unity for all. The names of the victims were read aloud during the ceremony.

 Pastors from several churches were in attendance along with Terri Stead-Pierce, Senior Pastor of Joy Metropolitan Community Church. Joy has been an open and accepting place of worship for the gay community for over 30 years. After Pulse happened, Joy was overlooked as churches held memorial services to honor those lost. A year later and Joy is no longer being marginalized. Music offered solace as candles were handed out to everyone in attendance. The warm glow lighting each individual face.

After the ceremony, Commissioner Patty Sheehan offered me a hand-made quilt crafted by the Orlando Modern Quilt Guild. The quilt had rainbow colored hearts in bold rows of color. The Central Florida based quilters wanted to help after the Pulse tragedy and so did what they know best, which is to sew. A call to help went out to the quilting community and the response was grand.  Quilts and quilt blocks were created and sent from 22 countries and 50 states. The goal was to gather enough quilts to help not only the victims who
survived, but the families of victims who perished, as well as first
responders, nurses, police officers, etc. They started with a goal of making about 100 quilts and have now made over 2000.

Improv Theater Workshop

On September 23rd, I went to an Improv Theater Workshop hosted by Richard Regan Paul at Christ Church Unity Orlando (771 W Holden Avenue, Orlando, Fl). This workshop  now meets on the second and fourth Mondays of every month. I sketched at this church once before at an outdoor barbecue held for homeless families. Actors gathered in a small room to the right of the entry lobby of the church. Thankfully, Richard knew of my work and was glad I was there.

Everyone gathered in a circle and began a game of throwing an imaginary knife. The person throwing would glance at another actor, throw the knife and make the “Pffft” noise of the knife slicing through the air. The other actor had to catch the knife by slapping together their bare hands. This would be a bloody proposition if they had used a real prop. They then started throwing a screeching cat and a baby. With all three being juggled by the group, hilarity ensued.

The second part of the workshop focused on default game playback. The actors were split in two groups, the performers and an audience. One actor was interviewed and their experience became the seed for a group improvisation. For instance an actress has been offered a promotion yet she was uncertain about the extra time that the new responsibilities would entail. The group recreated her uncertainty in an improvised scene.

A long form improv followed. As the scene unfolded, actors would jump in one at a time. Once they committed to a character, they had to remain as that character for the duration of the scene. Richard explained that actors had to focus on forwarding the idea. Once that shinny idea was established if needed to be followed. It was important not only to commit to the character but to ramp up the characters energy and drive. It was important to throw yourself in. One actress jumped in as a sassy prostitute which was quite hilarious given the stained glass window setting. Each actor had to give themselves a gift which they could develop and heighten. Actors were encouraged to ignore the big picture of how the story developed. Instead they focused on the person they were interacting with.

A week later, as my wife and I were leaving the movie theater, having just seen Gravity“, I heard a couple behind us having a similar animated discussion about a fatal flaw in the movies plot and reasoning. Two astronauts are at the end of a tether one astronaut holding on to the others line. It is a typical movie cliffhanger moment. He unclips himself and he quickly floats away. But there is no gravity! The slightest tug on the line would have caused him to float back towards safety. He sacrificed himself for no reason, while defying physics and logic. It was an annoying oversight, a suicide wish from someone who was otherwise persistently optimistic. It turned out that Richard was discussing the same point with his girlfriend Kate O’Neil behind us. By the time I recognized his voice, they were half way back to his car. Kate had a neck brace on. Her car had recently been totaled by someone running a red light. She had to be cut out of the wreckage. I should have shouted out, but I let them float away.