5G COVID Conspiracy Theory

5G is the next generation of wireless network technology that is steadily being rolled out across the United States and around the world. It provides faster data speeds and network capacity than existing 4G LTE technology.

An implausible 5G Conspiracy theory is based on the strange notion that the launch of 5G caused the spread of COVID-19. With social media platforms plagued by the spread of misinformation, this idea circulated like wildfire. The basic premise was that COVID-19 was man-made or something evil, a sort of viral Frankenstein. One version of the conspiracy goes like this, the COVID-19 pandemic is part of a strategy conceived by global elites to roll out vaccinations with tracking chips that would later be activated by 5G, the technology used by cellular networks.

More than 70 cellphone towers were set on fire in the United Kingdom in April and May because of their alleged link to the spread of the virus. Other arsonists struck around the world, while a woman in North Carolina fired her gun at cell phone workers as they worked on a tower. This is like the villagers taking to the streets with torches and pitchforks to corner the monster.

This level of fear inspired irrationality reminded me of the 1938 Orson Wells produced radio play War of the Worlds. This radio broadcast had residents in New Jersey running for the hills  and shooting at water towers thinking the Martians were attacking. The mind can become unhinged in times of crisis.

“The weight of scientific evidence has not effectively linked exposure to radio frequency energy from mobile devices with any known health problems,” the FCC noted.  I’m left wondering why these conspiracy theorists wear face masks if they believe the towers cause the infection. Tech companies have had struggled to combat COVID-19 misinformation. As long as the pandemic has been in the news, there has been an endless torrent of false information about it.

“People are drawn to conspiracy theories during periods of crisis and uncertainty, and this is certainly one of those times,” Karen Douglas, a professor of psychology told the HuffPost. By connecting dots, conspiracy theories take the unknown out of the equation and give people a sense of control. Even if the belief is untrue, having some sort of explanation for what’s going on can be soothing.

The reality of the situation is that COVID-19 was naturally caused, and we don’t know how to stop it from spreading yet. That is scary. If a person believes 5G towers caused COVID-19, they have something concrete to fight rather than facing the unknown. A study from Princeton University found that social isolation is linked to dark, superstitious thinking. People have more time for conspiratorial thinking. People who believe in conspiracy theories are more likely to be associated with prejudice, violence and crime.

Of course the president of the United States is often guilty of spreading these conspiracy theories leading to a perfect storm of stupid. He has even Tweeted that the CDC and media are lying about the virus to hurt his re-election chances. He has troubles with his priorities. He loves throwing gasoline on the fire.

One thing we can all do to prevent the spread of conspiracy theories is to look for trusted, reliable information backed by facts and science and maybe some art.

PlayFest: My Lord What a Night

The final PlayFest rehearsal I sketched was, My Lord, What a Night by Deborah Brevoort. The author was present and actively working on rewrites during the rehearsal. For the first half hour of the rehearsal the cast sat around the table going over new lines added or subtracted from the script. At first I thought I would not have enough time to sketch this process but then I leaped in and thankfully this part of the rehearsal lasted for more than the projected time allotted. For the second half of the rehearsal, all the actors stood at the music stands.

When famed African-American singer Marian Anderson (Sheryl Carbonell) is refused lodging because of her ethnicity, she finds an unlikely friend in Albert Einstein (Eric Zivot). Quick witted debates attempt to solve the nation’s problems over tea. Inspired by true events, this story explores the racial, religious, and gender-based struggles plaguing two of the most iconic entities of the 20th century.

Einstein wants to use his fame to protect Marian from the racism in America. He is so adamant about the cause because he narrowly escaped the Nazi racism against Jews during World War II. At the tie of this drama he worked at Princeton University and Aberham Flexner (J.D. Sutton) Abraham wanted to dissuade Einstein from letting Marian stay at his flat. The request seemed racist but he also felt it would seem inappropriate since both Einstein and Marian were unmarried. Another concern was that the college might loose funding because of the controversy. Flexner seemed like less of a villain when he explained that he was attempting to get Jews out of Germany with these funds.

Mary Church Terrell (Trenell Mooring) was arrested when she was trying to get into the Marian Anderson concert in Princeton. Trumped up charges claimed she was causing a disturbance when she asked where the theater was. When she finally got there, she found that these was only seating left for whites. Though old, she was a strong willed woman who wanted Marian to use her fame to address these racial injustices.

The rehearsal was not a straight forward read through, so the timeline I saw was disjointed, but on a whole I was fully engaged as I discovered more about each character. This PlayFest production seemed to involve the most movement and blocking which was beautifully orchestrated by the director Kel Haney. Some scenes had to be run over and over to get the lines to work with the action. This show has an intriguing premise and is sure to be be fun to watch on the stage.

Stage Manager: Justin Little,
Stage Directions Reader: Rachael Lord

Be sure to catch this final PlayFest production. Be part of the creative process.

My Lord What a Night by Deborah Brevoort. Sunday November 11, 2018 at 1pm. At the Orlando Shakes, Margeson Theater (812 E Rollins St, Orlando, FL 32803).

Tickets are $10.

Alexander Hall in Princeton New Jersey

I spent a day exploringPrinceton
University
. I settled on sketching
Alexander Hall which is a 900 seat assembly hall. It is home to the Princeton University Orchestra and the Princeton Symphony
Orchestra. The building was completed in 1894.  The name honors the Alexander family who were trustees
and donated money for the building’s construction. The architect William Appleton
Pother landed his first commission on the campus as a teenager. At the time, most architects
learned their trade as apprentices, but Potter learned his trade in college.

The entire campus is gorgeous.
I was schooled on the gritty streets of New
York City
. Seeing such a beautiful campus made me
wish I had experiences such a privileged form of education. Most students who walked
through this public square had wet hair. They had just risen, had a shower, and
were now strolling off to class.