Comedy of Errors: Poster Evolution 2

The second pass at the Orlando Shakespeare Theater poster focused on a Mardi Gras parade. Two of the characters were identical but since they looked alike it felt like a mistake. I set up a woman with shimmering wings as the focal point but she didn’t really relate to the play directly.

Everyone liked the street scene I had set up and the musicians. The title didn’t have enough of a Mardi Gras feel so it would need to be reworked. The glowing lights of a nocturnal parade felt right. The large mask as a decorative element really wasn’t needed so it would fall to the wayside.

Though there were plenty of changes still needed it felt like I was on the right track.

Comedy of Errors: Poster Evolution 1

With the first pass at A Comedy of Errors poster for the Shakes, I played with twins imagery. The show is set in New Orleans during Mardi Grass so masks and vibrant colors were incorporated. I used an abstract peacock imagery as a backdrop which was also symmetrical.

It was decided that the twins imagery wasn’t needed. What did stand out was the hint of a Mardi Gras parade in the background. The parade was to be the focus.

Comedy of Errors was performed at the Orlando Shakespeare Theater from September 6 to October 1, 2023. Since I have been so focused on my film, I didn’t get to the theater to sketch. Photos I saw on Facebook clued me in to the fact that I was missing a fun time.

Poster Evolution: Kinky Boots Final

Kinky Boots was a really fun poster to design. The idea came from watching  Hollywood Bubsby Berkely dance numbers. I saw one scene there the camera trucked down between a long row of dancers legs. I watched YouTube videos of various productions go get an idea of what the show was like but unfortunately I missed the show at the Shakes. I have been so caught up in the film production that the show slipped past my radar.

It is a really fun production, I am rather sad that I missed it. It is about an old show factory in England that has run across hard times since they only produce old fashioned shoes that are going out of style. The entire staff including inflexible yokels are set the task of producing Kinky Boots to keep the business alive. It is a joyous musical.

Anyway my COVID film is wrapped up and I am looking for ways to promote it. I don’t know how to get The challenge will be to get as many eye balls as possible to see it in the coming weeks. The world premiere will be May 19, 2023 at the free Fringe Film showcase inn the Shakespeare outdoor courtyard. I had to put a warning in front of the film. This has to be the first time an Fringe animated film had had a warning. I can’t wait to see how an audience reacts. I’ll be there with my mask on.

Poster Evolution: Zoom in

Since the door seemed to predominate the first pass of this poster, the easiest solution was to create a version that was zoomed in.That allowed the tile and author information to cover the door and camouflage it. The scene was still a bit to bright and cheery. I needed some urban grunge but wasn’t sure which way to turn yet. The director of the show was shown the poster and she had some magnificent suggestions.

She sent me on a search of a particular style of portraiture that uses unexpected colors in skin tones. This allowed me to keep the bright colors I was drawn to in the steps but use those colors to paint skin. I was no longer limited to painting variations of flesh tones.

The show is about love and acceptance but also about intolerance, to a hint was needed of conflict. The director helped me find that balance in the final poster.

Though set in an imagined future utopia the themes of the show are particularly relevant today.

First Concept: Apologies to Lorraine Hansberry

This was my first poster concept for Apologies to Lorraine Hansberry by Rachel Lynett which ran at the Orlando Shakespeare Theater. After reading the script I was fixated on the brownstones in what was an all black utopia after a civil war in the future. It is a play about race and gender and trying to find happiness only among others who are truly black.

I added rainbow colors to the steps to add color and lighten the mood of the poster. It was felt that the door took up too much of the composition. It takes up about half of the image. I also felt that it had a bit of Sesamie Street feel as apposed to an urban feel. For a start I just had to reduce the size of the door so it didn’t dominate.

A Big Day for Baseball: Poster Evolution

The first poster I did for A Big Day for Baseball: A Magic Tree House Adventure was rather documentary in nature. I wanted to re-create what the day looked like when Jackie Robinson walked onto the field in 1947 as the first African American athlete. Some fans were thrilled while others were not. Jackie focused on what he knew best, which was playing baseball.

At this point I didn’t know much about the book series on which the play was based. I was just batting ideas around. The title itself changed while I was working on the posters to A Big Day for Jackie Robinson: A Magic Tree House Adventure. Eventually the team name of Dodgers was removed form the art, probably for legal reasons. I don’t mind small changes like that, the big problem is finding just the right image to tell the story.

Jack and Annie are back in this musical journey, based on the book A Big Day for Baseball from the acclaimed Magic Tree House series by Mary Pope Osborne! The Magic Tree House whisks the siblings away to a baseball game in 1947 Brooklyn, New York, where they meet baseball pioneer Jackie Robinson and must figure out what’s so special about this specific game – in under nine innings!

The show continues to run through March 18, 2023 at the Orlando Shakespeare Theater (812 E Rollins St
Orlando, FL 32803).

A Big Day for Baseball: Poster Evolution, Final

A Big Day for Baseball: A Magic Tree House Adventure is playing at the Orlando Shakespeare Theater through March 18, 2023. This poster is closely based on the book designs of the very popular Magic Tree House series. I did multiple designs based on the Jackie Robinson story, but those tended to look more like they were for adults. Returning t the leaf and acorn design motif lightened the mood of the poster.

I read the script and it should be a very fun play about kids being able to be on the field for a very historic baseball game. Jackie Robibnson was the the first African American to play in Major League Baseball (MLB). Robinson made his debut in a Dodgers uniform wearing number 42 on April 11, 1947, in a preseason exhibition game against the New York Yankees at Ebbets Field with 24,237 in attendance. These two lucky kids get to experience the day as a bat boy and girl from the field. It should be an exciting day of theater.

The Fantastiks: Final Poster design

This is the final poster design I did for The Fantastiks. The show run ended February 26, 2022 at the Orlando Shakespeare Theater.

The Fantastiks featured Broadway legend Davis Gaines as the narrator El Gallo, The show chronicled a timeless coming of age story about the peaks and valleys of young love through breathtaking poetry and subtle theatrical sophistication. In a world of magic and moonlight, a young couple find their way back together, despite everything trying to keep them apart.

The longest-running musical in world history has been refreshed for the new century and is the perfect celebration of theatre and the eternal power of love. Featuring an award winning score including breakout songs like “Try to Remember,” and “Soon It’s Gonna Rain” and many more.

This sheet lit by a glowing moon was achieved after much experimentation with previous sketches for the poster.

My first pass was more of a long shot since the notes asked for two houses separated by a clothes line. I realized that drawing both houses would create a rather horizontal image, so I filled the rest of the poster with the star filled sky. I liked the design but the couple was rather small.

The second design moved in closer to the couple. I felt I needed at least one roof line to support the clothes line. The sheets are rather opaque with the couples silhouettes a light blue. It works but the triangular shape of the roof rally didn’t add anything to the look of the poster. The young boy and girl were both simplified blobs without much detail as well. So I needed to refine their silhouettes some more. Having a huge moon filling the night sky also didn’t seem to be needed. I decided to start slipping it down behind the sheets. The best look was achieved when it was completely hidden behind the sheets along with the couple. I went back to the drawing board.

The next version moved in even closer. The sheets are still opaque and the boy and girl are each hidden behind their own sheet. This multiple sheet idea wasn’t needed. They could hide behind the same sheet. The final image came about as I played with the blending modes in my digital painting program. That is when the magical glow jumped out at me and I accentuated it further. Sometimes a look is achieved through trail and error. I get the obvious out of the way and then massage the magic with each new pass.

I am sorry I missed sketching this production on the stage. Right now I am designing another set of posters and I am lost in the process. reading new scripts and having a blast designing posters for another season.

Terry DiCarlo

 This post discusses the shooting that took place at the Pulse
Nightclub on June 12, 2016. It contains difficult content, so please do
not read on if you feel you may be effected. 

This article and sketch have been posted with the express written
permission of the interviewees. Analog Artist Digital World takes the
privacy and wishes of individuals very seriously.
 

Terry DiCarlo had been in the HIV diagnosis business for over 30 years. He was the director at The Center at the time of the Pulse shooting. The Center is the largest tester for HIV in Florida. They do 500 to 600 tests a month for HIV.  Orlando is fifth in the nation for the most newly diagnosed cases. Just before the shooting Terry had been offered a Director’s position at AIDs Health Foundation (AHF) which is a Los Angeles based global nonprofit provider of HIV prevention services, testing, and
healthcare for HIV patients. AHF currently claims to provide medical
care and services to more than 1 million individuals in 43 countries
worldwide. He was offered twice the salary that he was making at the Center. His start date was to be August 1, 2016 and July 16th was going to be his last day at the center. All the paperwork was done. He was packing up his office and then June 12 happened, the day of the Pulse massacre. AHF pushed off his start date to September but by mid August he realized in his heart would not let him leave Orlando.

There were between 300 and 600 people working in the tiny space
inside the Center. It got hot in there in with the smoldering June heat.
Someone donated several large mobile air conditioners to help. With the back
doors always open taking in donations, the heat kept flowing in. On the third day after the shooting that took 49 lives, Terry decided he had to close the Center at 6pm. Had he kept the Center open 24 yours, the volunteers would have stayed for 24 hours. They had been working 12 to 14 your days for three days straight. They were ordered to go home and rest. Terry started turning off lights to shut the Center down.

At 5:45pm he got a call, letting him know that Florida Governor Rick Scott was planning to visit and wanted to enter by the back door so as not to draw attention. All the lights went back on. The governor banned all press and anyone in the Center would have to turn off their cell phones. Terry grew angry. His Orlando community had just been hurt, and this as their house. He called every news station and let them know that they had 5-10 minutes to get to the Center. The news trucks were all close by.

Three black SUVs pulled up behind the Center. The governor and his entourage entered via the back door and the press poured in the front door. The governor was shocked, but put on a plastic smile. Then Terry invited everyone in the Center to take out their cell phones of a photo op. This was supposed to be a private photo op for the governor since he had his personal photographer in tow. It was a chance for him to brag that he had been to the Center and the photo would imply that he cared. It was all self serving PR.

He never said the word LGBT. He never said “I’m sorry for what you are going through.” He looked at Bill, Terry’s husband, who had a tattoo and asked, “Did that hurt?” Bill responded, “Is that really all you have to say?” The governor shook Bills hand who wiped his hand off on his pants as the governor walked away. He seemed to have no idea what the Center was or why there were 600 people there. He asked nothing about all the donations or where they were going.

Down at Pulse, Marco Rubio showed up and started talking to the media about The danger of Islam, terrorists and hate. He was spewing false information. Terry shouted out that this wasn’t about hate and division. All the cameras turned towards him. He always spoke from the heart. He tended to stand on the side lines while Patty Sheehan, Mayor Buddy Dyer and Police Chief Mina walked to and from the Command Center for updates. Then while they stood talking to media Chief Mina signaled to Terry that he should join them to help relay information to the world. This would become his role in the months and years to follow. One New York Times reporter had Terry’s name on file with the initials GTG beside his name. That meant “go to gay.” Terry would always offer honest opinions when asked.

The Angel Action Wings were created at the Shakespeare Theater with the help of Jim Helsinger. They were donated to the Center after Terry explained that they would be respected and used at proper events to honor the 49 lives lost. No one ever sees the angels getting ready. When they appear at Pulse, the fire station down the street lets them get set up in the parking lot behind the station. When they appear at Lake Eola, a condo association across the street allows them to get ready in the ballroom. Bill created an 8 foot high PVC pole that held several white flags. This helps in letting people know that the angels are coming and it helps part the crowd. The angels were originally intended to protect against hate and now they have become a signal of hope and of love. People just come up to the angels and hug them.

In time, Terry had to step down from being the director at the Center, taking a communications director position instead. In the months after Pulse he was pulled in so many directions, that something had to give. He has talked to survivors who are going through a lot. For the first year, survivors were being flown around the world to Pride events and fundraisers. After one year that attention disappeared. They felt lost. One survivor, a nurse said she can not get a job. At interviews she holds back not wanting anyone to know she was at Pulse that night. She suspects she might be sabotaging herself.

The current administration is promoting hate and division and that trickles down. The love and unity we experienced is being torn apart. People seem unable to see through the smoke screen. We can not let people forget. Orlando stood as one, united in not letting hate win. Orlando reacted with love and the world saw that and stood beside us. For a few days, hate stood still.

On January 27, 2020, Terry DiCarlo died of Cancer at the age of 57.

Three Musketeers

Three Musketeers written by Catherine Bush and adapted from the novel by Alexandre Dumas is a
witty and action packed swashbuckler following the friendship of
young d’Artagnan (Benjamin Bonenfant) and his band of Musketeers as they fight to protect the
ones they love from the evil Cardinal Richelieu (Anne Hering) it is story of double crossings, kidnappings, and carefully guarded secrets, complete with lavish sword fights and sweeping romance, set in a time when love and honor ruled the world. It is playing at the Orlando Shakespeare Theater (812 E Rollins St Orlando, FL 32803) through March 22, 2020.

The Three Musketeers, Porthos (Rodney Lizcano), Anthos (Timothy Williams) and Aramis (Walter Kmiec) at first seem irresponsible by getting into a drunken brawl, but d’Artagnan added a blush of romance and camaraderie to the group when he assisted them in a sword fight. Monsieur de Treville (Phillip Nolan) was responsible for keeping the Musketeers in line and his assistant Planchet (Brandon Roberts) added comic relief to every scene he was in.

The spiral staircase center stage rotates creating a wide a variety of scene changes. At one point there is a sword fight on the stairs as they rotated which was visually thrilling. I had to commit to one setting for my sketch, ignoring the staircase when it moved or disappeared altogether.

It turned out that one of the Musketeers X wife, Milady De Winter (Tracy Lane) was the most deadly villain in the show. She could be sweet and cultured and then stab you in the heart while offering a kiss. The show kept a fevered pace and was a delight to watch.

Here are the remaining show dates…

Tickets are $27 to $36.

Saturday, February 8, 2020 – 2:00 PM

Saturday, February 8, 2020 – 7:30 PM

Sunday, February 9, 2020 – 2:00 PM

Wednesday, February 12, 2020 – 2:00 PM – Senior Matinee

Wednesday, February 12, 2020 – 7:30 PM

Thursday, February 13, 2020 – 7:30 PM

Wednesday, February 26, 2020 – 2:00 PM – Senior Matinee

Wednesday, February 26, 2020 – 7:30 PM

Saturday, February 29, 2020 – 7:30 PM

Sunday, March 1, 2020 – 2:00 PM – Talk back Performance

Thursday, March 5, 2020 – 7:30 PM

Friday, March 6, 2020 – 7:30 PM

Friday, March 13, 2020 – 7:30 PM

Saturday, March 14, 2020 – 2:00 PM

Saturday, March 14, 2020 – 7:30 PM

Wednesday, March 18, 2020 – 2:00 PM – Senior Matinee

Thursday, March 19, 2020 – 7:30 PM

Sunday, March 22, 2020 – 2:00 PM