Melina Countryman – Analog Artist Digital World

Entering the Black venue on Virginia Drive we were greeted by the music of Miss Laney Jones and her band, Bill Jickell on mandolin and Chris Campbell on upright bass. Their sweet bluegrass music wove its way through the whole show. Onomatopoeia, written by Anthony Bolante, is a bitter sweet story set in 1929. On a back lit screen, a young couple meet and fall in love in a small mid West town. The title came from a conversation the young couple had about how two words could join together to have a whole new meaning. The analogy being, that two people in love could weather any storm.

At a town celebration and dance, the boy played by Adam Scharf proposes to the girl, played by Melina Countryman, by hiding a ring in a red balloon. Their fates change when the stock market crashes sending the country into the great depression. The boy has to leave the town and his girl with hopes of finding work. The girl returns his ring saying he might need to sell it. He leaves with his possessions in a satchel on a stick and he learns how to survive as a hobo.

There are odd jobs and comic moments. The boy looses his voice and has to communicate in mime. Audience member Michael Poley was called on stage to help him stack boxes. He had to learn the boy’s hand signals to comic effect. The young hobo never manages to find his fortune and ultimately returns to his home town, defeated. All the while he held on to the hope that his girl would be there when he returned. His town was situated in the dust bowl and everyone, including his girl, had suffered. She blames him for not being there when she needed him most. Dejected he leaves his satchel behind and walks away. She opens it and finds nothing but a red balloon.

The music of Laney Jones and the band really makes this show shine. I’ve been a fan of her music ever since I heard her play on a rainy day in a parking lot in College Park. Over a dozen songs punctuated the show. Many were written by Laney, one was by Chris Campbell and several others were by Anthony Bolante along with several classics. Elisabeth Drake-Forbes was the Music Supervisor and Producer. I drove the whole way home humming “It’s Only a Paper Moon.” Two thumbs up for this production. You only have one last chance to catch this show.

When:

Saturday May 25 at 11:15PM

Where:

Black Venue, 511 Virginia Drive

Tickets:

$11 plus a Fringe button

Weekend Top 6 Picks

Saturday May 25th 2013

11AM – Midnight FRINGE! Both Days. http://orlandofringe.org/

Noon — 5PM FREE: Food Truck Fiesta for People and Pets at Fleet Peeples Park, 2000 S Lakemont Ave Winter Park FL 32789 Live music, great food, pet-friendly!

INFO: (407)296-5882 www.foodtruckcrazy.com

2PM – 4PM March Against Monsanto, City Hall 400 South Orange Avenue. https://www.facebook.com/notes/march-against-monsanto/mission-statement/579359972082527

10PM – Midnight FREE: FRINGE Toast Off, Outdoor tent, Lock Haven Park. Is it poetry? Is it a drinking game? Is it improv comedy? Is it some unholy human centipede of all the above? (Poetry is the 2.) Find out when host Tod Caviness gets Orlando’s finest comedians (and a few Fringe favorites) drunk for your amusement on the outdoor stage at the Orlando Fringe Festival. Did we mention that it’s free? We probably should. You’re going to need the money for the beer tent.

Sunday May 26th 2013

9AM – 4PM Kiwi Camera Swap, Kiwi Camera Service, 18808 Kentucky Avenue Winter Park I’m pretty sure this photography thing is a passing fad. Prime sketching of photographers and their large lenses.

Noon- 2PM Broadway Brunch at Hamburger Mary’s! Hot buns and Broadway tunes. Need I say more? 110 W Church St, Orlando, FL 32801

The Greater Orlando Actors Theater is presenting “Spring Awakening” at the Orlando Shakespeare Theater through September 4th. This is a musical based on a play written in the 1892 by Frank Wedekind in Germany. Having seen the play in its original form I thought I knew what I was to expect. Entering the Mandell Theater I was surprised to find it had been turned into a theater in the round. Seating bleachers lined all four walls creating an intimate square staging area in the center of the room. A single wooden chair with a young girl’s night gown draped over its back sat in the center of the stage as the audience filed in. The house went dark and then actress Melina Countryman stood on the chair and she was bathed in a spotlight wearing only her turn of the century undergarments. I was hooked from the moment she sang “Mama Who Bore Me.” She was soon joined by a chorus of girls who stomped to the lyrics in a sensual anger. The shows over riding theme was shouted to the rafters. These were women in full bloom who had to deny their sensuality.

I resisted the urge to sketch these young actresses and instead focused on the boys in their school uniforms who were being forced to learn using rote memorization. Adam McCabe as Moritz began to doze off. When the instructor prodded him awake he came alive as an electric live wire, frenetic and disheveled. He began to sing “The Bitch of Living” and all the boys joined him as they expressed their yearning and sexuality which was repressed and as of yet only a dream. I was surprised when audience members stood and started dancing. The choreography by Jessica Mariko was driven and sensual. During the course of the show several members of the audience changed into turn of the century garb becoming part of the cast. Simple effects like using a flashlight to illuminate a singers face were beautifully understated and intimate. Sarah Villegas as Ilse reacted against the sexual abuse of her father by running off to an artist commune where she posed for artists. She was attracted to the quirky Moritz but he was to blind to see her advances. When she sang “Blue Wind” it became clear she was to beautiful for such a cruel world.

Melchior played by Anthony Pyatt Jr. wrote a long scientifically accurate and occasionally illustrated description of the sexual act for his friend Moritz who was experiencing tortured sexual dreams. When this document was discovered by authorities he was accused of warping his friends mind and hastening his suicide. I’ve been told I avoid intimacy, yet when I write, I tend to express myself without inhibition and more than once what I wrote was unearthed and used as evidence against me. Yes, I wrote that. My soul is not my own. I am “Totally Fucked.” “Lets discuss what you meant in paragraph two, sentence five.” Blah, blah… blah, blah… blah, blah, blah.

The director Paul Castaneda and assistant director Jeremy Seghers did an amazing job of bringing this show alive in such an intimate setting. Simply stated, I was bowled over by this show and the young talented cast. There are only three performances left. Friday and Saturday’s shows (Sept. 2nd & 3rd) are at 8:30pm and Sunday’s show (Sept. 4th) is at 7:30pm. GoatGroup.org for tickets or call 407 872-8451 for information.