Love the Cracksman

Posted on by Thor

Love the Cracksman by Mark Brown offered some comedy a this year’s PlayFest. Feats of daring-do are nothing new for the suave James
Willoughby Pitt (Logan Benedict). Relying on his wits to stay one step ahead, Pitt bets he can
commit the perfect crime. His determination takes him on a whirlwind adventure
across the Atlantic. He gets a second class ticket on the Lusitania and spies the woman of his dreams in first class (Sarah Hubert). Reputation, fortune, and true love are at risk for Jimmy
in this witty, fast-paced comedy. 

In the rehearsal I sketched, the actors were working their way through the second act when I entered and then after a break, they went back to the first act, so my impression of this comedy is very non-linear. Burglary is a fine art for some and the Cracksman only committed crimes to win a gentleman’s wager. In truth he had more of the heart of a detective who would rather return stolen gems once the wager was won.


Logan wore a black jacket for the dress rehearsal. At one point the script called for him to place a stolen necklace in his jacket pocket, but his pockets were sewn shut. He explained that he bought the jacket for his wedding but never used it. Another member of the cast explained that sometimes the stitches just had to be removed. Without missing a beat the stitches came out without any interruption to the flow of the rehearsal.

 

Director Mark Shanahan had the actors crouching down behind the music stands when they were in hiding, and characters were in hiding quite often. I have no doubt that the final reading was a fun filled, tongue in cheek romp.

PlayFest is a two weekend festival of new plays features seven readings of raw,
as of yet unproduced works! PlayFest gives audiences the opportunity to be
involved with the creative process by giving feedback in real time and
mingling with the playwrights, actors, and directors. Next weekend, November 10 and 11, 2018, three more plays readings will be presented, I Can Go by Merideth Friedman, The Great Beyond by Stephen Deitz and My Lord What a Night by Deborah Brevoort.