Weekend Top 6 Picks for November 10 and 11, 2018

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Saturday November 10, 2018

4pm $10 PlayFest: I Can Go by Meridith Friedman. Orlando Shakes 812 Rollins Street Orlando FL. Armed with sharp tongues and dry wit, Richard and David
navigate complex family relationships on the eve of their wedding. Despite
hindrances ranging from white lies to life-altering secrets, I CAN GO uncovers
human truths about the ones they love most. This contemporary and wryly
humorous dramedy is the final installment in a series of three plays by
Meridith Friedman, following The Luckiest People (produced by Orlando
Shakes in April 2018) and Your Best One (read at PlayFest 2017). 

6:30pm $15 per person in advance; $18 per person at the door. PlayFest Party. Orlando Shakes 812 Rollins Street Orlando FL. Share a drink and dinner with your fellow PlayFest attendees, playwrights, and artist between readings in the Dr. Phillips Patron’s Room. Buffet dinner provided by Tako Cheena.


8pm $10 PlayFest: The Great Beyond by Stephen Deitz. Orlando Shakes 812 Rollins Street Orlando FL. Despite their differences, sisters, Monica and Emily, reunite
to tie up loose ends after their father’s death. With the help of a medium, the
siblings attempt to summon their father’s spirit to gain forgiveness and
discover the truth. 

Sunday November11, 2018  

Noon to 1pm Free. Yoga. Lake Eola near the Red Gazebo. Bring your own mat.

1pm to 4:30pm Free. Family Day on Second Saturday. The Mennello Museum of American Art, 900 East Princeton Street, Orlando, FL 32803. The make-and-take craft table is open from noon-2:30 p.m., and docents
are available to give mini-tours of the museum. Then it’s open house in
the galleries until 4:30 p.m.


1pm $10 PlayFest: My Lord What a Night by Deborah Brevoort. Orlando Shakes 812 Rollins Street Orlando FL. When famed African-American singer Marian Anderson is refused lodging
because of her ethnicity, she finds an unlikely friend in Albert
Einstein. Quick witted debates attempt to solve the nation’s problems
over tea. Inspired by true events, this story explores the racial,
religious, and gender-based struggles plaguing two of the most iconic
entities of the 20th century.

PlayFest: I Can Go

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I sketched the first read through rehearsal for  I Can Go by Meridith Friedman
which is a Comic Drama at the Orlando Shakes (812 Rollins Street Orlando FL).

Armed with sharp tongues and dry wit, Richard (Dan Bright) and David (Alexander Mrazek) navigate complex family relationships on the eve of their wedding. Despite hindrances ranging from little white lies to life-altering secrets, I Can Go uncovers human truths about the ones they love most. This contemporary and wryly humorous dramedy is the final installment in a series of three plays by Meridith Friedman, following The Luckiest People (produced by Orlando Shakes in April 2018) and Your Best One (read at PlayFest 2017).

I had seen and sketched a production of The Luckiest People but missed Your Best One. Despite that I felt quickly up to speed and familiar with this family and cast who had already won my heart. The patriarchal father had passed away but the family had a way of resolving any differences with humor. Richard and David now have an adopted son, Josh (Connar Vidman). Josh didn’t have a large part in the section of the rehearsal I sketched, but I heard him rehearsing in the Shakes lobby and thus knew something of his back story.  Richard’s sister, Laura (Suzanne O’Donnell) spilled a family secret in her attempts to get the attention of her son Matt (Terance Lee) who seemed largely shut off, tuned in to his headset. Nancy (Kate Denson), David’s mom sat with her back to me. She had a calming voice and seemed the anchor of fairness and reason as wedding plans escalated into petty arguments.



For me, this was time well spent with a family I already had grown to love, and a fun cast who seemed at home in this family’s skin. You don’t have to have seen the previous two dramas by Meridith Friedman for this show to make sense. There was a relaxed humor as they eased into the comedic drama. This is clearly going to be a fun performance.

Director: Tara Kromer,
Stage Manager: Jackqueline Hilliker, Stage Directions Reader: Kaley Pharr.

The performance will be on Saturday, November 10, 2018 at 4:00 p.m. Tickets are $10.

Love the Cracksman

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Love the Cracksman by Mark Brown offered some comedy a this year’s PlayFest. Feats of daring-do are nothing new for the suave James
Willoughby Pitt (Logan Benedict). Relying on his wits to stay one step ahead, Pitt bets he can
commit the perfect crime. His determination takes him on a whirlwind adventure
across the Atlantic. He gets a second class ticket on the Lusitania and spies the woman of his dreams in first class (Sarah Hubert). Reputation, fortune, and true love are at risk for Jimmy
in this witty, fast-paced comedy. 

In the rehearsal I sketched, the actors were working their way through the second act when I entered and then after a break, they went back to the first act, so my impression of this comedy is very non-linear. Burglary is a fine art for some and the Cracksman only committed crimes to win a gentleman’s wager. In truth he had more of the heart of a detective who would rather return stolen gems once the wager was won.


Logan wore a black jacket for the dress rehearsal. At one point the script called for him to place a stolen necklace in his jacket pocket, but his pockets were sewn shut. He explained that he bought the jacket for his wedding but never used it. Another member of the cast explained that sometimes the stitches just had to be removed. Without missing a beat the stitches came out without any interruption to the flow of the rehearsal.

 

Director Mark Shanahan had the actors crouching down behind the music stands when they were in hiding, and characters were in hiding quite often. I have no doubt that the final reading was a fun filled, tongue in cheek romp.

PlayFest is a two weekend festival of new plays features seven readings of raw,
as of yet unproduced works! PlayFest gives audiences the opportunity to be
involved with the creative process by giving feedback in real time and
mingling with the playwrights, actors, and directors. Next weekend, November 10 and 11, 2018, three more plays readings will be presented, I Can Go by Merideth Friedman, The Great Beyond by Stephen Deitz and My Lord What a Night by Deborah Brevoort.