Art Car

Posted on by Thor

March at the Maitland Art Center involved a solid month of artistic events called Art 31, meaning 31 days of art. On March 25th, I arrived early for the Artists Critique and Conversation in the Germaine Marvel Building, 210 W. Packwood Avenue, Maitland. Artist and muralist Andrew Spear had covered a Toyota with symbols and patterns inspired by the many sculpted patterns on the Maitland Art Center campus. The car was silver and some of the panels had been painted white to accentuate the line work added to the car. He made a wonderful use of just one color, orange which  showed up throughout. The car had a pizza delivery or taxi signage with information about Art 31.

Although we never experience fall or winter here in Central Florida, there were plenty of leaves blowing around the carport across from the Art Center. Which reminds, me, it was a very windy day. A couple had taken the afternoon off and were bringing their ten year old son to the museum. He noticed me seated in the car port and kept his eyes on me. His parents never looked anywhere but straight ahead. The building had recently been covered with blue plastic as part of the 31 days of art. The plastic rustled and snapped in the wind.

I was one of the first people to arrive at the Critique which was a blood bath.

Wrapping the Maitland Art Center

Posted on by Thor

March first was Artist Colony Day at the Maitland Art Center (231 Packwood Ave W, Maitland, FL). Between 2-6pm there were Open Studios and hands on activities, then between 2-6pm The Maitland Art Center was wrapped in blue plastic. I’m sure the idea is inspired by the art of Christo. The entire month of March was filled with experimentation and collaboration referred to as Art 31.

I expected a crowd on day 1 but instead found that the only people on site were the dozen or so volunteers. A food truck was purring behind me as I started to sketch. The wrap began at the South east corner of the building. Two volunteers on the roof lowered a roll of clear blue plastic on a string. The volunteers on the ground secured the plastic with a cinder-block brick and then the roll was pulled up to the roof where it was again secured with a brick.

Courtney Jean Canova rode up in a recumbent bike to say hello. He had biked from his home about 11 miles away. I admired his exercise ethic. My bike has broken spokes and flat tires and has been neglected for years. Perhaps it is time to give that bike some love, attention and use. Cortney parked his bike and then started shooting photos of the volunteers at work. Courtney’s wife Kelly arrived by car so that Courtney didn’t have to bike all the way home. Linda Saracino was at the event for a short time. She lamented the fact that such a cool event was getting so little attention. I did what little I could with a sketch.

As I making final preparations for my retrospective show, Courtney came through in a crunch when I put out a request for an old beat up table to put my art supplies on in the exhibit. He had a battered old drafting table that fit the bill perfectly. I also picked up an old French folding table from Kathy Wilhelm Witkowski but the drafting table was picked for display. Kathy has a studio called “New Leaf Studio” which I’m now curious to sketch. The name implies fresh new foliage after a long winter or perhaps it simply implies the leaf’s in a table.

Critique and Conversation

Posted on by Thor

The March Critique and Conversation was held in the Germaine Marvel Building at the Maitland Art Center (210 W. Packwood Avenue, Maitland FL.) The lead panelist was Rebecca Sexton Larson who curates the exhibits in the Maitland Art Center. The guest for the evening was Gallerist Mindy Solomon who has just moved her gallery from Saint Petersburg to Miami. Each artist was given 15 minutes to show their work and get feedback. The critiques were ruthless and informative. The walls of the room were covered with crude mural art that will come down once renovations begin.

The first artist to show her work was Rima Jabbur who is a photo-realist painter. She used a projector to show her paintings. Mindy pointed out the sad truth that photo-realist work isn’t in demand. Abstract work with calming colors is all the rage. There was much discussion on researching galleries. Finding the right gallery is as important as finding the right mate. Rima had one big break when she painted a black man in the pose of Manet’s Olympia. A curator at the Louvre was putting together a show on how Manet’s work has influenced artists, and he found Rima’s painting on the internet. Because of that random internet search, her painting hung in the Louvre.

Jennifer Coop who is a graduate of my Alma matter, SVA, showed photos of her daughter playing hide and seek. Jennifer is a single mom and these artistic shots were essentially her baby album, documenting her daughters life. She explained that there was some angst in the work, but neither panelist saw that angst. The imagery was sinewy and playful. Mindy proclaimed the photos masturbatory and self serving. But from what I saw, they were quite lovely. Jennifer immediately left after her critique, so I never got to see the photos up close.

Martha Lent showed very large paintings of tropical landscapes and a vintage sailboat. Mindy suggested that Martha look for galleries in tourist areas where people might want to buy a painting to remember their trip. Key West was offered up as a possibility along with Charleston S.C. I found it sad that representational work seemed only worthy of being a tourist’s keepsake.

Tony Corbitt showed some of his quick oil studies done on location. Tony is known for doing speed paintings of celebrity faces at events. Tony said, “Art isn’t Art until it is sold, up until then it is an obsession and a storage problem.” Mindy seemed to feel that his studies weren’t detailed enough. A painting of cows in a barn was done primarily in sepia tones and white. She complained that all the whites seemed uniform. “There a million kinds of whites” she said. She complained about the dark frames he put the work in. “When in doubt use white or gold” she said referring to the frames. Tony works quickly from life considering the painting done when he leaves. She explained that Monet often returned to the same location at the same time of day so that he could capture the light. Every critique she threw at Tony’s work could just as well relate to what I do. It would be nice to spend more time on each piece but what I’m documenting is usually over within two hours time. “Fast shouldn’t be part of the vocabulary” she said. She gave me much food for thought.

Danielle DeGuglimo creates paintings that depict chaos, the urban blight that we endure for convenience. I had seen her painting inspired by the Gulf oil spill before. The imagery is surreal and a bit unsettling with grid planes to define the space. She works her paintings obsessively adding layer after layer of paint. She has started documenting each day’s work with photos so she can see what she gained and lost in the course of each day. Mindy wanted to see a stronger center of interest. “Push things beyond normal perception” she said.

The last artist to show her work, I had mistaken for a journalist in the audience. Cat Snapp has just finished graduate school where she did print making, and now she is on the road to find her voice. Most of her pieces were small and jewel-like using bold black and white. A much larger piece was constructed of square wood block prints which were then sewn together like a quilt. The image was double sided with the bold black prints having a primal feeling, “They will suck the life out of you” was scrawled across one side of the piece. Mindy felt that the writing and the bold imagery were at odds. Other pieces also had poetic verse but the words were obscured and at times impossible to read. Art is seldom about camouflage and subterfuge. There was beauty and meaning in the writing so there was no reason to hide it. With my work, I never feel a sketch is complete until I’ve written about the experience.

The Cottage at Lake Lilly

Posted on by Thor

Dawn Shreiner took over the Artist Critique and Conversation series at the Maitland Art Center from Josh Garrick. Dawn asked me to be a panelist on the evening of January 28th. The Facebook invitation said that the Critique would be at the Cottage at Lake Lilly, 701 Lake Lily Drive, Maitland FL.  I decided to get to the cottage early and sketch. As the sun set, it projected wonderful golden beams across the lawn. Big ugly ducks waddled right up to me to see what I was up to. Maybe they thought the paint was food. They eventually lost interest.

I found it odd that no one entered the cottage as I sketched. It was getting close to the start time of the critique as I finished up. Dawn finally arrived and I joined her on the porch. A small card was taped to the door that said the location had been changed to the Maitland Art Center. “Josh darn it!” Dawn said and she took off. I shouted out that I would be there soon.  I threw down a few more washes on my sketch then packed up to head over.

This artist development series offers artists a unique opportunity to have their work reviewed by a panel of professional artists. Camilo Velasquez was the other panelist. Ironically Camilo was the guest panelist the last time I was a panelist over a year ago. There were only three artists who wanted feedback on their work so the session was quick and to the point. Delores Haberkorn showed a large painting of a Christ like figure floating in space cradling a fetus in his out stretched hands. He stared out at the viewer in an unnerving way. We stressed the need for some soft edges and warmth in the fetal form. I pointed out that Christ should probably look at the child in his grasp. This painting was a big departure for Delores, so it was exciting to see her tackle new ground. Dawn offered insightful feedback on composition and maintaining a center of focus. Another artist showed paintings done from photos and there is always a sort of uncommitted calmness to work filtered through another photographer’s lens. Another artist showed a sumi brush painting of a horse. I thought it was direct and bold but would become simpler and more direct after she did several hundred of them. I encouraged her to find a horse barn and do these brush paintings from life. Camilo advised her not to mimic a culture that developed the style over hundreds of years.

Camilo ended by saying there was plenty of love seen in all the work shown. Our comments were meant to help guide the pieces towards completion, but as long as each new painting was approached with love, then the artist is on the right track.

The next critique takes place on Tuesday, March 25th at 6:00 PM

Featuring Lead Panelist Rebecca Sexton Larson

March Guest Panelists: Famed Gallerist Mindy Solomon

 LOCATION THIS MONTH: GERMAINE MARVEL BUILDING

210 W. Packwood Avenue, Maitland

The Art & History Museums – Maitland (A&H) proudly hosts Artists’ Critique & Conversation,
an exciting initiative to assist in the professional development of
local artists.   Artists’ Critique & Conversation is held
bi-monthly, on the 4th Tuesday of every other month at 6:00 p.m.

Artists’ Critique and Conversation is FREE and the
public is encouraged to attend. A bar is available with beer, wine,
water and soft drinks.  Artists of every medium and skill level are
encouraged to participate in the critiques.  Each critique will review
up to 9 artists, and all artists must sign up in advance. Interested artists can sign up in advance for one of the nine slots by emailing rebecca@artandhistory.org. 

Chasing Jonah

Posted on by Thor

On January 10th, Terry and I went to “The Dapper Date: Celebrating the Art of Fashion” at the Maitland Art Center, 231 W. Packwood Ave., Maitland Fl. Other People’s Property, which specializes in vintage clothing, showcased fashions from each decade, and clothing was on display and
for sale. One hundred percent of the proceeds were donated to the
Art and History Center. Terry was looking forward to seeing models sporting the various vintage outfits. We got there pretty early and immediately did see some slender models sporting their makeup cases.

“Culture Pop!” is a monthly, one-night-only pop-up exhibition of Central
Florida artists and artisans. Guests took part in interactive art
happenings, listened to “flash fiction” and literary readings
performed by Maitland Poets and Writers, and relaxed in the museums’
Mayan Lounge with music, mingling, beer and wine. Someone had a barn own that he was showing to guests. A native owl swooped down out of the nigh sky, curious to see the owl perched on then guys arm.

Cuban born artist Jake Fernandez gave a quick talk about his work on exhibition, “Constructed Landscapes”. He works with a wide range of media including, collage, drawing and
painting. His work moves between
realism and abstraction with mechanical precision as he documents the
beauty and mystery of the landscape. This show is on display through February 28th. He used thousands of photos and cuts them apart and reassembled them like an intricate mosaic in his final pieces. The final art resembled aerial photos of vast landscapes. Larger pieces are built using a grid which remains visible. Terry was curious about the shadow box frames he uses for his work. Apparently this is the way most museums frame and store work. Jake will be in isolation in one of the at the Maitland Art Center studios for the month of March. The windows will be blocked up so that he gets no sense of night and day.  web cam will be set up so people can see how this isolation affects his art. I sketched Robert Ross in this studio and can vouch fort the face that the room has now windows except a tiny window in the bathroom.

Though I spotted a few models in the hallways, I never noticed them doing anything resembling a runway show.  Chasing Jonah performed in the Mayan courtyard. The bass player, Brandon Miller, recognized me because I had sketched him performing onstage for the play, Hedwig and the Angry Inch.  Ashley Dudukovich, had a strong earthy singing voice as she performed mostly original songs. One person from the audience asked for them to do a cover, but they kept sharing original tunes. Sketching became easy as I lost myself in the music. I was seated right in front of the spotlight that illuminated the performers. Mayan base reliefs glowed in the stage lights as the night sky became a deep dark purple.  Ashley was curious about my sketch between sets. She let me know that an animation exists that was done for one of her songs. Chasing Jonah is now recording their first album so it is an exciting time for the group.


Terry joined me listening to the music but lost patience and left. As I sketched, she explored the artists studios. I texted her when the sketch was done and she texted back that she was posing nude for a sculptor. I feared that my sketch had taken to long to finish. I started searching the studios to see what she was actually up to. I asked a couple of friends to keep their eyes open just in case they saw Terry nude somewhere on property. The search posy expanded. I eventually found her in Dawn Rosendahl‘s studio and she was fully dressed. Disaster averted.

Leigh Tarentino

Posted on by Thor

Leigh Tarentino is now the Artist in Residence at the Maitland Art Center. On January 7th she gave a talk about her work at the Cottage on Lake Lilly in Maitland. Leigh was the resident artist between December 30th of 2013 and January 17th of 2014. She came to Orlando from her home state of  Rhode Island.

Tarentino creates
paintings, works on paper, and digital prints constructed from
photographs of the built landscape. She received a BFA in Painting from
the Kansas City Art Institute and an MFA in Painting and Printmaking
from the Rhode Island School of Design.  She is currently an assistant
professor at Brown University.

While in residence at the Maitland Art Center, she worked on several new panel paintings from her Memory of Snow
series. This series of small-scale paintings depict snowy winter
nighttime scenes of yards, houses, and gardens, often illuminated by
winter holiday lights on trees and bushes. The work she completed while
in residence in January will be included in a solo exhibition in March
2014 at the Falk Gallery at Christopher Newport University in Virginia.

I appreciated the fact that she creates finished works of art on paper. She feels that paper suffers from the stigma of only being used for preparatory sketches for larger works of art on canvas. She wants to change that perception and only works on paper. I appreciate the way she works on a series of paintings at a time. Much of the work she showed depicted fractured urban environments. She takes photos and then assembles the images in the computer, using that image to create the final piece.

She feels that people in cold environments use Christmas lights to add light at a dismal dark time of year. I hope she got out to see that Floridians go wild with Christmas lights probably because they miss the change of seasons. Leigh said, “The
time I spent here was refreshing and I am returning home with renewed
energy for studio work. I liked the small studio buildings and galleries
scattered around a beautiful central garden. I’m planning to do a
series about the layout and history of the Art Center as an artist-built
community and residence for the exhibition in October.”

Elysia Mann is the new artist in residence between February 3rd and March 17th.

Culture Pop

Posted on by Thor

On November 8th, I exhibited a sketch at the Maitland Art Center (231 W. Packwood Avenue, Maitland FL.) Devin Dominguez had the unique idea of exhibiting art on clothes lines in the museum’s courtyard. Since there was no charge to the artists, I submitted a sketch for the evening. My sketch was on the right hand clothesline in that inverted pyramid stand.

The evening included music, poetry from Maitland Poets and Writers, and food from Gator County BBQ Food Truck and of course cocktails. The Art and History Museum’s Main Galleries will were open for guests to enjoy A Day in the Life of the Research Studio and shop at the Museum Store. Terry stopped out, excited to hear local author Naomi Butterfield read. Inside the Art Center, there was an exhibit by the first artist in residence in 56 years,  Josette Urso from Brooklyn New York. This is the first formal,
nationally competitive Residency program at the Art and History Center since
Smith’s fellowship program, which was funded by Mary Curtis Bok from
1938 through 1957. Several of Josette’s pen and ink drawings were absolutely stunning. I should have bought one. All the sketches and drawings were done around the Maitland Museum property, having the Mayan motifs. Other work was more abstract. It was a really good exhibition.

We ran in to a former colleague of Terry’s who was exhibiting several photos of horses. The plan was to stay until the event closed and then take the sketch home that night, but after watching several readings, Terry wanted to go out to get some dinner. We ended up getting some fast food. I picked up my art a week later.

Josette Urso

Posted on by Thor

Josette Urso is a Brooklyn based artist who has been invited to come down for a residency at the Maitland Art Center.  Her residency runs from April 28 through June 2nd. This residency program has been resurrected after about a 30 year hiatus. lt was part of J. Andre Smith‘s vision to bring accomplished artists to Florida where they could recharge their creative batteries. Past artists of national prominence,  who were residents here included Milton Avery, Ralston Crawford, Doris Lee, Boris Margo and Teng Chiu.

Josette offered a presentation of her work in the Germaine Marvel Building on the Maitland Art Center Campus. I was one of the first people to arrive. I had been in contact with Josette because I hoped to sketch her at work and learn about her process. This talk was a perfect way to truly meet the artist. She talks with passion and excitement about her art which is accomplished and branches in multiple directions. What was most exciting was that her work has a sense of play as she experiments in various mediums.

Some of the earliest work was collage arranged in circles. Intricate images inhabited tiny squares within the over all design. They were like Madella’s or kaleidoscopes with vibrant color. She collects UPC codes and these linear patterns adorned one of the circular motifs. The image she was working on was huge and she ran out of UPC codes. Most people go to their neighbors perhaps for a cup of sugar but she turned to her neighbors for codes.

When she showed her Urban drawings, I was inspired. One sketch was of a Bushwick building rooftop with a flock of pigeons moving as a dark mass above the building. She thought the pigeons would always be there but the coup was closed down. The drawing was done with a child’s pen she had purchased in Taiwan. The ink is beginning to fade along with the inspiring memory of the flock. She would visit other artist’s studios and sketch the amazing views.

Her paintings border on the abstract yet are grounded in direct observation. She likes to get lost in the process moving around the page and is surprised when it all lines up. One action always leads to another. Her paintings pose questions not offering just answers. Different tools inspire different images. An ink sketch can’t be erased yet an oil painting can be kept in a constant state of flux. Here in Maitland she is working plein air getting her inspirations from the gardens around the museum. She admitted that the Florida sun had tapped her energy. Someone needs to bring this woman a big straw wide brimmed hat.

On Saturday, May 11, from 10 AM to 1 PM,the Art and History Museum will hold an official Plein Air Paint Day with Josette Urso. Painters from around Central Florida are encouraged to come and create alongside Urso. Guests will discover the tools and techniques Urso uses to create her widely-collected paintings, as they enjoy the beauty of the A&H’s Maitland Art Center campus. This program is FREE and the public is encouraged to attend.

Maitland Art Center Mayan Courtyard

Posted on by Thor

This is the rare case of a sketch done in the quiet time between events. I had an hour to kill before the Art Critique and Conversation began at the Maitland Art Center, (231 West Packwood Ave. Maitland, FL). I wandered into the Mayan Courtyard. I’m sure that countless wedding vows have been exchanged in this outdoor garden paradise. I sketched the entry to the chapel. The Art Center was founded and designed by architect and artist J. Andre Smith in 1937. The intricate Aztec-Mayan sculpted motifs cover every surface. The Art Center is one of the few surviving examples of “Mayan Revival”
or fantasy architecture in the Southeast. The Center is recognized by
the State of Florida as an historic site and is entered on the National
Register of Historic Places as of 1987.

A plaque outside the entry read, ” I stood at the gate of life and said give me a light that I might go safely into the unknown. And a voice replied, go out into the darkness and put your hand into the hand of God, that will be to you better than a light and safer than a known way.”

Whitney Broadway

Posted on by Thor

I decided to learn what I could about the Maitland Art Center‘s Artist’s in Action program. The program reflects the spirit of founder André Smith’s Research Studio and the current mission of the institution. This program provides non-residential studio space to  established or emerging artists for the professional practice and research of fine art. This program is an exciting opportunity to interact with Center’s community of artists and art enthusiasts while working in this uniquely rich and historic environment.

A fixture at the institution for many years, the acclaimed Artist-in-Action program takes place at the historic Maitland Art Center (originally André Smith’s Research Studio). In Smith’s day, famous artists were invited to live and work at the Research Studio in the winter months, including luminaries Milton Avery and Ralston Crawford.

Whitney Broadaway grew up in Sebring, Florida and received her Bachelor’s of Fine Arts
with a focus in Printmaking from the University of Central Florida in
2010. During her degree, Broadaway studied printmaking, ceramics, and
the book arts extensively. She has interned with the Museum of Florida
Art and Culture as well as Flying Horse Press. Whitney is currently
the Book Conservator for the Special Collections & University
Archives department of the UCF Libraries. There she is in charge of
conserving and repairing material, as well as coordinating and judging
the annual Book Arts Competition.

Whitney‘s studio at the Arts Center was bright and light filled. Whitney’s recent prints integrate elaborate floral patters similar to work done at the turn of the century. One plate had delicate line work where she had to carve away the areas around the lines which takes amazing patience. As she worked on carving lino plates, she sang along with the tunes on her laptop. I began singing along as well. Pink Floyd began playing and Whitney told me about a video that had the Dark Side of the Moon dubbed over The Wizard of Oz and the music synced perfectly. A huge steel print press stood in the corner of the studio. It once belonged to André Smith so it is a historical relic. It has sat unused for years and Whitney is trying to let the Arts Center committee realize that the press needs to be used so all the working parts are active and lubricated. I felt like a bit of a dinosaur working next to this young artist, so I can identify with the idea that no matter how old you might be you should stay active every day.  I hope the press wheel once again turns to create a new generation of prints.