Fringe Favorite: Bugged Lady

This was my favorite show that I saw at Fringe this year. It was a site specific show held at Leu gardens. Sandi Linn played the part of Professor Levi instructing a class of Invertebrate Biology 101. Sandi actually works at Leu gardens teaching similar lasses to school children as her daytime job. She wanted to present a show that was a bit edgier than her day to day classes.

In this show professor Levi presented real live insects to the crowded Fringe audience. Invertebrates make up over 80% of life on earth. You could tell form her presentation that the professor had a true love of insects, particularly the most venomous and frightening. When in undergraduate studies she was the only woman in her class. She was teased and told she should pursue an occupation more suitable for a woman.

On a field trip with classmates and a professor, she wanted no part in the lewd campfire banter so she retired. She was startled awake with the drunken professor forcing himself on her. She got even when she discoverer a huge nest of these cockroaches and mistakenly dropped them all over her sleeping professor.  She had a terrarium full of hissing cockroaches that she massaged with her hands to make them hiss. She walked the room so we all could hear and flinch.

The moral that threads its way through her presentation is that insects only will attack if they are threatened. Though she was the best student in her class she was passed over for promotions. Strangely the unqualified student who was promoted over her also was attacked by thousands of insects. he swatted at then which only made then angry. Over time she had to settle on teaching for as she said those who can not do, teach.

We got so see glowing scorpions, tarantulas, venomous grasshoppers. centipedes tape worms and of course hissing cockroaches up close and personal. The show was educational and horrifying.

Fairy Doors

Leu Gardens in Orlando Florida had twenty, one-of-a-kind, whimsical fairy doors scattered throughout the gardens. Orlando Urban Sketchers organized a group outing to sketch the doors. About 10 to 15 artists gathered in the garden’s guest house. I was surprised that I was the only artist wearing a mask. I invited several of my advanced Urban Sketching students to the event so they could see that there are other artists in Orlando who sketch on location.

We each got a map that showed where to find each Fairy Door. The first one we went to however was hidden up inside a trellis so it was rather hart to find and difficult to draw. We settled on this second fairy door which was in plain sight on a large live oak tree.

This was the Karasi Fairy Door which means life and wisdom. Karasi is a book fairy who loves to read every day. She shares her books and knowledge with all the fairies. She has teal eyes and plum-colored hair and wings. Her silver pixie dust is rare and can only be used if she sees another fairy in need. Basically this was a red book with several pages slipping out of it. My primary memory of sketching that day was the incessant humm of loud fairies buzzing in my ears. I would swat them away, but moments later they would buzz my ears once again. It had recently rained, and apparently fairies are very active after a rain storm.

Back at the Leu gardens guest house all the artists gathered and shared their work. It is always exciting to see all the different styles of work created.

Hurricane Irma rips into the Orange County Regional History Center’s Collection Facility

After weathering Hurricane Irma, a category 2 hurricane, I helped Pam Schwartz to clean up all the broken tree limbs in her yard. Her property is gorgeously landscaped but that meant she had tons of fallen branches. The pile we built curbside was, and still is, 10 feet wide and as high as my hips. We bagged the smaller branches and those were picked up, but the rest of the debris is still on her lawn killing the grass, but providing home to many snakes. She was without power for the week.

We were exhausted from moving so much debris but late that afternoon she said she had to stop by the Orange County Regional History Center off-site facility. She just wanted to see that everything was OK. The plan was to do a quick check and then pick up some food. We hadn’t eaten all day, there was too much to do.

En route, my phone warned me that there was potential flooding. Within the next quarter mile, sure enough the road looked like a river. Her SUV made it through without a hitch. It was getting near sunset when we drove up to the facility. We were shocked by the view. The large parking lot in front of the building looked like a lake. We parked on the far side of the lake and took our shoes off to wade across. The water was up above my knees in the deepest section of the lot. In hind site we should have checked to be sure there were no downed power lines. Luckily we weren’t electrocuted.

The warehouse is a bit above the parking lot level and the front entry of the facility was clear with no water. Then we entered the conservation room where most of the work to preserve Pulse memorial items had been done. The ceiling panels were soaked, and several waterlogged panels had fallen to the floor. The panels must burst on impact under their own weight because shards were scattered everywhere. Pam groaned.

Pam is the chief curator of the Orange County Regional History Center. This is a curator’s worst nightmare, secondhand only to fire. With just two panels missing in the conservation room, the damage didn’t look too bad. Boxes on the floor had soaked up the water. Pam asked me to salvage a box of Pulse related archives, cards and notes of remembrance. I lifted the waterlogged box and then took all the papers and laid them out to dry in the break room. So much work had gone into preserving the memorial items from Pulse. They had been saved from the afternoon rainstorms that are consistent on any summer day in Orlando at the memorial sites. Now they needed to be saved once again.

After cleaning up much of the mess in the conservation room, Pam called me outside. A giant double rainbow now arched above the newly formed parking lot lake. Maybe things were looking up. Then, back inside, Pam opened up the double doors that lead into the main area of the storage facility. She let out a gasp. I couldn’t see around her. The damage wasn’t limited to the conservation room we had been working on. Ceiling panels had collapsed throughout the storage facility. Pam went into triage mode and my first assignment was to save the art which was below a fallen soaked panel. I found large tarps to cover the art as a short term solution. The point of the off-site facility is to maintain a museum standard of temperature and humidity. With the ceilings compromised everything was at risk.

For the rest of the night, I picked up ceiling panels and soaked insulation and made a debris pile in the loading dock area. The small mountain I built was about 10 feet in diameter and about 5 feet high. I decided not to touch any artifacts, I would leave that to the pros. For some reason I paused as I lifted a panel off of this large industrial lamp behind an old citrus ladder. The lamp was on a wooden skid which protected it from the water. Ironically the lamp was in the History Center’s Reflections magazine that just came out this week. The new acquisition was donated by Tom Bessa and is from McCoy Air Force Base. It dates back to the 1950s and a workman removing the item offered it to Bessa. Now it is part of Orlando’s History. Every item in the storage facility has a similar personal story.

Pam called her entire collections staff that night to help get the facility under control. Thank goodness Joe Austin sent snacks for us with Jessica Domingo, by that time Pam and I were running on fumes. Anything on the floor was at risk of water damage. Water was still dripping from every open ceiling panel. I cleared a walkway so the staff could move items from the collection to dryer ground.

We later learned that a metal roof access hatch had blown off and the hurricane force winds had propelled it over the roof. Each time the hatch crashed down it ripped a hole in the roof’s covering.  From there, the water dripped down into the insulation and ceiling panels which would crash down from the weight. Large puddles of water were everywhere. By the end of the night most of the museum artifacts had been moved away from collapsed panels. Much of the Pulse collection was in the worst affected areas, so the need to act with speed was critical with already compromised artifacts.

All of the water has now been removed from the floor and a small army of about a dozen humidifiers is working around the clock to remove moisture from the air. The interior walls that touch the floor all developed mold in their inner cavities. Simply put, black mold isn’t good when you are hoping to preserve historic artifacts. The lower drywall panels were removed from all the affected walls. Plastic encapsulations now separate the spaces with zippers allowing access between rooms. The plastic is intended to protect the collection as workers reinstall drywall and to assist in regulation/stabilization of temperature and humidity. Work is now under way to repair the walls, the ceiling tiles and insulation have been replaced. Conservation is still ongoing to restore any artifacts that suffered from water damage, but every single item of the few thousand affected artifacts were saved. The incredibly fast response of the core collections staff of the History Center helped avert what could have been a much bigger tragedy. With the lessons learned from this disaster, they are offering advice to Leu Gardens Historic Home, which suffered damage after a tree fell on the roof of the home.

P.S. These sketches were created post-event from my photographs. This is an anomaly as that is not the way I tend to work. However, this wasn’t the time to sit down and create art.

Simple Living Institute

The Simple Living Institute was holding it’s monthly meeting in the Camelia Room at Leu Gardens. It had been raining all day and thus it seemed appropriate that the talk was about rain barrels. Tia Meer had been gardening all day in the rain which is actually a blessing since you’re guaranteed to stay cool when it rains. She entered the room, muddy and wet and introduced the speakers. Her husband, Terry Meer, began the talk explaining that 70% of the earth’s surface is covered with water. Only 2.5% of that is fresh water and only 3/10 of 1% of that is drinkable water. He demonstrated how to build and plumb a rain barrel. In Florida or anywhere for that matter, huge amounts of rain water are wasted and lost to sewers and drainage ditches.

Tommy Branch demonstrated how he paints the blue barrels so they look like old fashioned wood barrels. He used a large house brush painting the whole barrel a light brown. Then he dries out the brush and adds dry brush streaks that look like wood grain. The vertical board separation lines he added last with a ruler and a sharpie. He said, “I’m no artist, so if I can do it anyone can.” Large rain barrels were on sale for $80 and half barrel planters were available for $40. Members all brought in plants which were for sale or trade on tables along the side of the room. There were at least 50 people in attendance despite the rain.

Leu Gardens

I went to Leu Gardens last week to sketch and report on a meeting of the City Public Art Advisory Board. This group selects artwork that hangs on the walls at City Hall and chooses the sculptures found in public places around town. Developers pay a 1 percent fee that goes into Public Art Fund coffers. As an artist I figured it was my responsibility to learn more. When I got to the Leu Gardens reception desk, I was told that there was not enough interest among members of the board and they didn’t have enough members planning to attend for a quorum. An e-mail was sent out at 8am that morning canceling the board meeting. I was not informed. Most people don’t know this board exists. Now I know why.

Later that week, I returned to Leu Gardens for the Annual plant sale. Terry and I go to this event every year to get inspiration for our own garden. It was a beautiful day with flowers in bloom everywhere. I arrived before Terry thinking I might get a sketch. Mosquitoes drove me away from one spot and an old man started telling me all about a geyser that apparently used to shoot up 100 feet from Lake Fairview. Since my sketch opportunities had been interrupted, I decided to get an ice cream cone. Delicious.

When Terry arrived I decided to simply stroll and enjoy the perfect weather. We kept running into people we knew, like Doug Rhodehamel, who now has a show called Dessication which uses dried plant matter to create whimsical under water creatures. Amanda Chadwick joined us. It was rather fun watching Amanda try and catch a photo of a Monarch butterfly on her iPhone. The Monarch never posed for long and Amanda was always in the wrong spot. I believe she did get her shot in the end. After seeing all the vendors, the three of us went down to the lake side gazebo. We bumped into Genevieve Bernard and Seth Kubersky And the conversations bounced between Passover practices, bird watching and travel adventures. Turtles and fish circled in the water expecting a hand out. An Osprey swooped down and splashed into the water grabbing a fish. The setting sun sparkled on the waters surface. It was a perfect way to end the day.