50 Oldest Churches of NYC: Grace Church

Posted on by Thor

Grace Church was initially organized in 1808 at Broadway and Rector Street, on the current site of the Empire State Building. Under rector Thomas House Taylor, who began service at the church in 1834, the decision was made to move the church uptown with the city’s expanding population.

The church is located at 800–804 Broadway, at the corner of East 10th Street, where Broadway bends to the south-southeast. The church, which has been called “one of the city’s greatest treasures”, is a French Gothic Revival masterpiece designed by James Renwick, Jr., his first major commission.

The cornerstone for the new church was laid in 1843 and the church was consecrated in 1846. Grace Church was designed in the French Gothic Revival style out of Sing Sing marble, and vestry minutes from January of that year break down some of the expenses for building a new church—including items ranging from the cost of the workers from Sing Sing state prison who cut the stone to the cost of the embroidery for the altar cloth.

The church originally had a wooden spire, but under the leadership of the rector at the time, Henry Codman Potter, it was replaced in 1881 with a marble spire designed by Renwick. The interior of the church is primarily constructed from lath and plaster. The marble steeple had its lean fixed in 2003.

Like Trinity and the First Presbyterian Church, Grace Church spun off new congregations by building chapels elsewhere in the city. Its first chapel was on Madison Avenue at East 28th Street, built in 1850. The congregation became the Church of the Incarnation in 1852 and built its own sanctuary, and the chapel, which is no longer extant, was renamed the Church of the Atonement.

Grace Church is a National Historic Landmark designated for its architectural significance and place within the history of New York City, and the entire complex is a New York City landmark, designated in 1966 (church and rectory) and 1977 (church houses).

OMA Director Fired after FBI Raid

Posted on by Thor

Orlando Museum of Art (OMA) director Aaron De Groft was apparently missing in action as FBI agents raided his museum. He has been on the lamb ever since. In a bold move of incompetence or malicious greed, he mounded an exhibit of 25 works that were claimed to be by Jean-Michel Basquiat. The authenticity of that work quickly came into question.

The New York Times reported on the shady provenance of the works with one painting done on Fed Ex cardboard with the company logo being done in a typeface created nine years after the artist’s death.

De Groft did nothing but defend the work citing the flimsy excuse of a poem as proof of authenticity. The misguided OMA board also defended the work noting OMA gift store sales had gone up.

In an email, De Groft threatened an academic (subsequently identified as University of Maryland art historian Jordana Moore Saggese) who was seeking to distance herself from a report she was commissioned to write assessing the authenticity of the works in Heroes & Monsters: Jean-Michel Basquiat, The Thaddeus Mumford, Jr. Venice Collection. Saggese, who was reportedly paid $60,000 for her report, requested that her name not be tied to the exhibition, De Groft wrote, “You want us to put out there you got $60 grand to write this? Ok then. Shut up. You took the money. Stop being holier than thou.” He added, “Do your academic thing and stay in your limited lane.”

The clueless board in an effort to protect their own asses fired De Groft on 28 June 2022. No one seems to be able to admit they dropped the ball and failed with this misguided show. The work had never been clearly authenticated. The board’s  clear incompetence and complicity in what could be a criminal attempt to raise the value of fake art works means that if they have any morals, they will resign from the board. Orlando is now the laughing stock 0f the art world, internationally. More heads need to roll if this crippled institution is ever to recover. In a press release the board said that the museum is not under investigation, but the FBI is still investigating. The museum very well might face criminal liability.

On 24 June 2022, the FBI swooped in before the work could be shipped over seas. As the FBI investigation plays out we will get to see just how clueless or greedy OMA’s board and director were. Besides seizing the cardboard scribbles, they also seized “any and all” communications between the museum’s employees and the owners of the artworks “purported to be by artist Jean-Michel Basquiat,” including correspondence with experts regarding the artwork.

Did the Orlando Museum of Art commit fraud in an attempt to raise the value of forgeries? The work was slated to go on exhibit in Italy next. A week ago one of the owners of the work walked into the museum lobby hoping to walk away with five of the works on cardboard. You would have to think he hoped to sell the fakes for millions before the gauntlet fell.

The OMA Board:

Chair of the Board
Cynthia Brumback

Officers
Ted R. Brown
Carolyn Fennell
Patrick J. Knipe
Francine Newberg
Sibille Hart Pritchard
Winifred Sharp
Andrew Snyder
Robert Summers
Lance Walker Jr.
Michael Winn
Nancy Wolf

Trustees
Leslie Andreae (Ex Officio)
Shari Bartz
Dustin Becker
Caroline Blydenburgh
Jeffrey Blydenburgh (Ex Officio)
Kathy Cardwell
Allison Choate
Earl Crittenden Jr.
William Deuchler
Mark Elliott (Ex Officio)
Elizabeth Francetic (Ex Officio)
Chase Heavener
Joan Kennedy (Ex Officio)
Amelia McLeod
John Martinez
Zakir Odhwani
Jennifer O’Mara
Paul Perkins Jr.
Valeria Robinson-Baker
Daisy Staniszkis

50 Oldest Churches of NYC: Grace Church

Posted on by Thor

Grace Church was initially organized in 1808 at Broadway and Rector Street, on the current site of the Empire State Building. Under rector Thomas House Taylor, who began service at the church in 1834, the decision was made to move the church uptown with the city’s expanding population. A site was chosen and property was purchased in what was then an apple orchard owned by Henry Brevoort, Jr. at Broadway between Tenth and Eleventh Streets.

James Renwick, Jr. who designed the new church building had no experience designing churches, instead instead he had a family background full of talent and influence, and family members on the church’s Vestry.

The rector, toured Europe extensively looking at church designs around the continent. He returned energized and adamant that the new church would be in the Gothic style. Renwick poured himself into the project and delivered. The new building was consecrated on March 7, 1846.

The windows were of the original building were of lightly tinted glass, not the majestic stained glass windows of today. The original steeple was made of wood, not marble; a marble steeple was eventually added in 1883. In 1879, Catharine Lorillard Wolfe donated funds for the building of the Chantry, a small chapel to be used as a Sunday School; she also provided the funds for the parish house situated between the Church and the Rectory. Her greatest gift was the Te Deum window, a soaring stained glass masterpiece that replaced the original East Window. It was her generosity that inspired other parishioners to follow; within ten years, 36 of the 46 stained glass windows were given.