50 Oldest Churches of NYC: Grace Church

Grace Church was initially organized in 1808 at Broadway and Rector Street, on the current site of the Empire State Building. Under rector Thomas House Taylor, who began service at the church in 1834, the decision was made to move the church uptown with the city’s expanding population.

The church is located at 800–804 Broadway, at the corner of East 10th Street, where Broadway bends to the south-southeast. The church, which has been called “one of the city’s greatest treasures”, is a French Gothic Revival masterpiece designed by James Renwick, Jr., his first major commission.

The cornerstone for the new church was laid in 1843 and the church was consecrated in 1846. Grace Church was designed in the French Gothic Revival style out of Sing Sing marble, and vestry minutes from January of that year break down some of the expenses for building a new church—including items ranging from the cost of the workers from Sing Sing state prison who cut the stone to the cost of the embroidery for the altar cloth.

The church originally had a wooden spire, but under the leadership of the rector at the time, Henry Codman Potter, it was replaced in 1881 with a marble spire designed by Renwick. The interior of the church is primarily constructed from lath and plaster. The marble steeple had its lean fixed in 2003.

Like Trinity and the First Presbyterian Church, Grace Church spun off new congregations by building chapels elsewhere in the city. Its first chapel was on Madison Avenue at East 28th Street, built in 1850. The congregation became the Church of the Incarnation in 1852 and built its own sanctuary, and the chapel, which is no longer extant, was renamed the Church of the Atonement.

Grace Church is a National Historic Landmark designated for its architectural significance and place within the history of New York City, and the entire complex is a New York City landmark, designated in 1966 (church and rectory) and 1977 (church houses).

Las Vegas

With sketchbook in hand I walked down the Las Vegas Strip towards the Mandalay Bay Hotel. Across the street a large Statue of Liberty wore a Golden Nights sports jersey and I had to sketch. The jersey took 4 straight days to make, weighs 600 pounds and is 28 feet tall. It took six hours to get her dressed. The back dons the number 17 and the name Budweiser. It is a bit sad that she has been turned into an advertising billboard for beer.

Also in the scene was Ellis Island and the Empire State Building. I used to work in the Empire State building and the large windows could be opened and I liked to sit on the ledge of the window looking out and straight down. I liked to watch the window washers at work. They would snap a restraining harness to a latch on the outside of the window frame and then lean out to squeegee the window. No that is a job that took some real guts.

This replica decorates the New York, New York Casino. The United States Post Office decided to print a postage stamp using the face of the statue of Liberty. In stead of using the face of the statue in New York, they used the face of this Las Vegas statue created by artist Robert S Davidson.

Davidson, born and raised in Las Vegas, completed the Statue of Liberty replica in 1996 for MGM Resorts International, when the casino operator opened its latest theme casino New York-New York. Davidson said in court documents that he
wanted to give his replica a face that was “a little more modern, a
little more feminine” and looked for inspiration from a photograph of
his mother-in-law, Lucille Schwartz.

 

Davidson sued the post office for copyright infringement. The stamp was first issued in December of 2010. About 4 billion copies of the stamp were printed by USPS.  The post office mistook
the face for the statue that has stood in New York Harbor since 1886. Getty images was paid $1200 for the right to use the photo on the stamp. The stamp generated about $2.1 billion in sales for the Postal Service, according to court filings. The artist was awarded nearly $3.6 million in 2018 by a federal
court that ruled the U.S. Postal Service infringed his copyright when it
mistakenly used an image of his statue on the stamp.

The only thing that keeps this scene from looking like it could be NYC is that large palm tree to the right of Lady Liberty. The tree looks about as tall as she is. This statue is about half the size of the original in New York Harbor. This replica took 11 months to complete. Hopefully I will be safe for having turned my eye towards Lady Liberty. To date I have made $0 for having sketched her.