Fat Ham Final Poster

Posted on by Thor

The final pass at the Fat Ham poster features the “to be or not to be” moment from Shakespeare’s Hamlet. Granted there is no mirrored skull or crown in Fat Ham, but it allows for anyone to know that the play is an homage to Hamlet. I switched from depicting the glamorous lighting of the finale of the play and instead focused on depicting the back yard barbecue.

Juicy (Je’Shaun Jackson) fills in for Hamlet who is visited by the ghost of his dead father and tasked with killing his father’s brother who is the one who murdered his dad. Juicy however, has a pleasant disposition an couldn’t hurt a fly.

Juicy performing Karaoke fills in for the famous To be or not to be monologue. Juicy sings Creep by Radiohead. IT starts off awkwardly but the slips into a dream sequence in which Juicy fells completely in control of the world around him.  It is at first humorous and then gloriously empowering.  It shows a creative and expressive individual embracing his uniqueness and taking flight.

The final poster had to embrace lightness rather than the dark to be more successful. There are so many moments of absolute joy and humor in the play and that had to overpower the dark themes. The photo taken for the theater program slipped back towards the darkness of reflecting on mortality. Juicy wears a black turban head wrap in the Orlando Shakespeare Theater production and it is an awesome replacement for the crown. I wish I had thought of it when I was working on the poster.

Costuming was by Jos N. Banks who also played Larry in the production. Larry shows up to the barbecue in uniform. This crisp militaristic uniform defines how he is seen by everyone. The Rev (Essex O’Brian) respects a man who has killed others. When Larry is alone with Juicy, he expresses a desire to be more soft and caring.

By the end of Hamlet almost everyone has died including the protagonist Hamlet. Fat Ham turns that ending on it’s head, deciding to celebrate acceptance and inclusion with a rousing and glamorous musical number. Chandeliers drop down from the ceiling and the lighting turns hot and exotic. Queerness is celebrated like a phoenix rising from the ashes.

Fat Ham runs through March 29, 2026 at the Orlando Shakespeare Theater (812 E. Rollins St., Orlando, FL 32803). Ticket prices range from $70 for the A signature series seats to $48 for the C signature series seats. You don’t want to miss Fat Ham.

Fat Ham Theater Poster Second Pass

Posted on by Thor

For the second pass at the Fat Ham theater poster for the Orlando Shakespeare Theater, I tried the classic Hamlet pose of holding a skull while debating existence. In this case I used a mirrored skull but ultimately such a scene does not happen in the play. Fat Ham is a modern take on Hamlet staged at a southern back yard barbecue.

A difficulty in depicting the cast is that the poster is painted long before any auditions. In this play, Juicy (Je’Shawn Jackson) steps in for Hamlet but he embraces his fabulous self. There is less self reflection and more yearning for being somewhere where he can be openly accepted for show he is.

In this painting I had not yet resolved the back hand holding the skull. The shakes decided to use this concept for the theater programs by posing the actor holding a mirrored skull in a photo. In this painting I had the rest of the cast dancing in the background, which is similar to the karaoke scene in the play. The trouble with their poses is that they could be dancing excitedly or in pain. The dancing and dark theatrical lighting had to go.

Since the concept was not accepted, I never polished the details of the painting. This is like a thumbnail concept sketch, but I find it just as convenient to work full size to explore ideas. This season I worked the thumbnail ideas at ¼ size, and I found it was easier to crank out more possibilities.

In Fat Ham Juicy is visited by the ghost of his dead father and he is tasked with avenging his death. The Rev (Essex O’Brian) is the brother of Juicy’s dad and he murdered Juicy’s father. The Rev then immediately made moves on his brothers widow and married her. Juicy is to kind of a soul to murder his uncle. But when his uncle chokes on some BBQ he refuses help from his nephew who could have saved him with a Heimlich maneuver. The uncle’s refusal to accept help is what killed him.

In Shakespeare’s Hamlet, pretty much everyone dies including Hamlet. Fat Ham uses the familiar Hamlet plot as a framework to explore themes of Black masculinity, queerness, family trauma, and the cycle of violence, ultimately subverting the tragic ending with a celebration of joy, love, and self-acceptance.

This celebration is what I wanted to express in the painting for the poster, but I think I missed the mark. I needed to do another pass that focused more on the everyday aspect of a family BBQ in the deep south.

Fat Ham Theater Poster First Pass

Posted on by Thor

When I did this first pass at the Fat Ham theater poster, I had not read the entire script yet. I did see a few YouTube clips from the Broadway production, and I was intrigued by the fabulous and exotic ending to the show. Now that I have seen the show at the Orlando Shakespeare Theater (812 E Rollins St, Orlando, FL 32803), I know that there is no crown in the production. Juicy (Je’Shaun Jackson) the main character in the show, isn’t a prince and he doesn’t see himself that way. He just wants to get a job in Human resources which is a normal everyday ambition. The show deals with queer black identity and juicy doesn’t try to hide who he is deep inside.

Like in Hamlet. Juicy does meet his recently murdered father’s ghost. Through this meeting Juicy learns that, his uncle and strep father had his father murdered with a shiv in prison. The Rev (Essex O’Brian) then immediately hooked up with the widow of the man he had murdered, Juicy’s mom, the beautiful Tedra, (Patrece Bloomfield). Tedra would marry anyone to keep from being alone. She needs chaos in her life rather than time to reflect and feel lonely. Her mantra is that if you keep a man fed, he will always be happy. The Rev, however, is bullying and aggressive, particularly towards her son Juicy. She turns a blind eye when the Rev sucker punches her son in the stomach. I suspect that after honeymoon period, the Rev’s aggression would turn towards her as well.

The show follows Juicy’s self discovery as he navigates a family barbecue where he doesn’t feel like he belongs. The original Shakespeare production of Hamlet is a definite tragedy but Fat ham is is more of a celebration of embracing differences. Tedra, Juicy’s mom exuberantly embraces her son’s unique qualities. Where as the Rev despised those same qualities. The barbecue is staged to celebrate the marriage of the Rev to Tendra and their differing world views become glaringly obvious.

The barbecue in the production is from Pig Floyd’s Urban Barbako which is right down the street on Mills Avenue from the Theater (1326 N Mills Ave, Orlando, FL 32803). Seeing how much the cast was enjoying the BBQ makes me want to stop by Pig Floyd’s to have a taste for myself.