Ivanhoe After Hours

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Business owners from the Ivanhoe Village Business District mixed, mingled, and networked among the enriching art of the Mennello Museum of American Art, (900 East Princeton Street). There were libations and hors d’oeuvres. I arrived right after work and started sketching before the room got really crowded.

Dave PerMar from the Social Media Consulting Group and Colleen Burns from Yelp gave talks about how social media can help businesses. I sketched them as they set up their power points. According to Dave, Google + has been gaining influence online slowly inching towards Facebook’s influence. The benefits for any business are obvious and it is important these days to keep the conversation going with costumers. People trust advice from friends online rather than large corporate ad campaigns.

The wife of Rick Singh took an interest in my sketch. Rick is running for Orange County Appraiser and he was there with a broad smile shaking hands. I was encouraged by his wife’s obvious knowledge and love of art. She told me about Gallery G4 which just opened up downtown and she suggested I get down there and meet the owner. Linda Stewart was there as well and she suggested I go to a fundraiser for her campaign for Florida House District 47.

Ivanhoe Village Art Stroll

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Angela Abrusci the executive director of Ivanhoe Village, has helped turn the neighborhood into a vibrant artists hub. On the first Friday of every month artists gather as the sun sets and they set up display tents to showcase their art. The September gathering took place on Orange Avenue between New Hampshire and Princeton. I arrived after spending the day working on the Mennello Museum mural. I was sweaty and tired but the air cooled as the sun sank to the horizon. This was the first sketch I did outside in a long time. I realized I had left my artist stool at the museum, so I leaned against a real estate sign and stood to do the sketch.

The Washburn Imports antique shop had old furniture on the sidewalk. Artist’s tents quickly sprang up and artists relaxed in lawn chairs waiting for people to stroll by. A girl waited on the corner for a friend. The girlfriend arrived with two hula hoops. A small folk group set up speakers and began to sing. The hula hoopers shook their hips to the music. This Art Stroll is a great relaxed place to go on a date night.

Angela stopped over to say hello. A mechanical voice announced how much time pedestrians had to cross the street. It counted down, five, four, three, two, one. She beat the mechanical countdown by one second. She told me all about Ivanhoe village. I’ve been to events that Angela attended and helped organize but I haven’t had much time to talk to her since I am always sketching and she was working. It was nice having the time to talk. My sketch was complete.

Angela volunteered to help with the painting of the Mennello Museum mural over the weekend. She had posed for the mural, adding some Hollywood glamor. She brought along music and it was great to paint to disco beat. Several children showed up to paint that day as well, and Angela helped me keep them on track. She is a gifted artist as well and once I explained my working methods, she applied them with confidence. Over the course of the day I got to learn so much about her. She is a true advocate of the arts and active in charitable work. Orlando and Ivanhoe Village are lucky to have her.

Tonight there is a Mayhem Street Party on Virginia 2 Blocks west of Mills Avenue starting around 6pm to 10pm this event happens every 5th Friday. Be the first to catch a sneak peak of Orlando’s most talented performing artists and their upcoming shows. Be inspired, awed and amazed by a myriad of local performers: dancers, singers, musicians, actors, and other talented wonders. Enjoy the carnival atmosphere while exploring Virginia Drive’s array of shopping and dining. It’s a ballet, a play, a concert, a party, and it’s all on Virginia! Food, activities and amusement for all ages. Admission is FREE.

24 Hour Embrace (after Young Sun Han)

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On Father’s Day, conceptual artist Brian Feldman vowed that he would hug his father for 24 hours straight. “24 Hour Embrace” was first performed by artist Young Sun Han at Swimming Pool Project Space in Chicago, Illinois on December 31, 2008. “24 Hour Embrace (after Young Sun Han)” marked the first time that Young Sun Han had granted permission to re-perform this piece, as well as the first time that Brian Feldman had re-performed another artist’s work.
I arrived at Orange Ave Gym (1616 North Orange Avenue) just before midnight on the eve of Father’s Day. Brian was a nervous spinning dervish. He kept knocking over his “Best of Orlando” award plaques as he adjusted them. He coached volunteers David Mooney and Christin Carlow on admission prices and the media press comp list. I was thankful that I was on that list. Admission was $10 for an all day wristband. Christin slipped the wristband snugly around my wrist. I asked where the boxing ring was and she directed me to a cavernous back room to the left. When I entered the back gym, Brian’s dad Edward was getting changed by a locker. He asked me to shoot several photos on his iPhone when he and Brian first embraced.

This was going to be one of Brian’s last major projects of 2011. I felt a sense of urgency and wanted to fully document this piece. I considered doing 12 to 24 sketches, staying with Brian and his dad through the whole embrace. After talking to Terry, I altered my plan, deciding to just sketch the beginning and end of the hug. As I was filling my watercolor brushes with water in the bathroom, Brian and his father entered the ring. Edward opened his arms and said, “I love you Brian.” and the hug began.

The event rules stated that I could enter the ring at anytime. I took off my boots and crawled under the ropes. I set up my stool and leaned back in the corner. Brian and his dad shifted their weight leaning back and forth into each other. They twisted and rotated always searching for a new more comfortable angle. David shouted, “Good night!” and soon Al Pergande came in and shot some digital photos. Orlando Live had a video camera set up to record all 24 hours. Two videographers shot cutaway shots constantly during the first hour. Halfway into my first sketch I was alone with father and son. One of the rules was, “No talking inside the ring.” The embrace continued in silence.

I began my second sketch around 8pm on Father’s Day. Brian looked green and exhausted, relying of his father’s blocky solid stance for support. Omar Delarosa and his mom Virginia Brown sat and watched for a while. Then they crawled into the ring and embracedfor perhaps 15 minutes before leaving. In the final hours, a crowd began to gather. A rowdy young man put on some boxing gloves and danced around the ring like a gorilla to his girlfriend’s delight. His antics actually caused Brian to laugh. A freelance photographer shot endlessly. With my second sketch finished, I exited the ring and laced up my boots. I didn’t need to see them exit the ring. The drama was not in the smattering of applause but in the long tedious moments of pain and reflection that happened when there was no audience. I was a proud witness.

1st Fridays Art Stroll of Ivanhoe Village

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Every first Friday of the month there is an art stroll in Ivanhoe Village. The exact location differs from month to month usually taking up one city block near Lake Ivanhoe. When I arrived I saw Angela Abrusci as she was setting up spot lights and folding tables. She had sent me a Facebook invite to come out to this months stroll. She was looking quite bohemian with a dark Beret perched rakishly on her head. She was very busy so I didn’t interrupt her. As Executive Director, she seems to be doing an amazing job keeping Ivanhoe Village a vibrant neighborhood. I strolled down the block as artists hustled to get their work set up for display and sale. I bumped into Brad Briggs who told me there was an empty slot if I wanted to display work. I don’t have much patience for sitting behind a table and waiting for people to view my art. Throwing it online is less nerve wracking for me. I was there to sketch. I walked across the street and sat up on a retaining wall for some railroad tracks. It was a chilly night so I sketched fast. The wind kept flapping the pages of my sketchbook.

When I finished the sketch I had to leave immediately. Jeremy Seghers was celebrating his birthday at Ethos down the street. I strolled Ivanhoe Village one more time and looked at all the new artwork that had been set up. This time I greeted Angela and she informed me that Capoera, a Brazilian art form that combines martial arts, sports and music was going to be performing soon right outside Vibe. I have wanted to sketch Capoera before, but they keep eluding me. I had to go. I thanked Angela and walked down the street to Ethos.

Chemonologues

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Marilyn Wattman, a cancer survivor, wrote Chemonologues and I went to the first reading of the play at Theatre Downtown (2113 North Orange Avenue). The play reading was supported by a professional development grant from United Arts. When I got to the theater, the front doors were locked. Tommy Wingo was also waiting with a huge collection of sound equipment. He made a cell phone call to Brian Feldman, Marilyn’s son, and was told to knock loudly. Sure enough, after several loud knocks the doors opened. Marilyn immediately greeted us and showed us into the theater. Tommy set up in the center section and I sat down at stage left and started sketching the stage area. I used my time by penciling all the chairs in the proper locations and when the actors arrived I sketched each in ink on a chair. The theater is a dark intimate space and I fell in love with it immediately.
Chemonologues is set up as a cancer survivors support group. Marilyn interviewed dozens of cancer survivors in order to find the different voices in the play. She began as a reporter but over time realized she was personally and intimately involved. During the talk back after the reading, Mr. Feldman got choked up as he described how Marilyn hated going to support groups. He continued by pointing out the never-ending costs of cancer; medical bills keep piling up and there is no way for the family to deal with it.
Several times during the reading characters clashed and disagreed, but overall the play was more educational rather than dramatic. The information is presented in a preachy manner at times rather than being presented through conversation and action. For me, the play ran too long, but I can see the amazing potential in the premise. One audience member pointed out that too many of the characters in the play were in the acceptance stages of the disease. She wanted to see other stages of grief and denial, like anger, bargaining and depression. She pointed out that it would be nice to get more of a feeling of the day-to-day struggles of living with cancer, and how our health care system often leaves survivors up the creek without a paddle.
The harsh realities presented in this play are difficult to face, but I do feel I understand and can empathize more with families that have to live with the disease. Most everyone I know has had their family touched by cancer at some point and yet it is not something that we talk about very often. This play is a diamond in the rough that could still use some more polishing.
Thumbs up to the cast who only read the play once before this reading and to Marilyn who is taking bold chances, and I hope she continues to do so.