A Fringe mural dies.

Last year Scottie Campbell contacted me about doing a mural on the facade of the Fringe offices. The building had been painted black which made it a heat magnet. I had done a sketch of Orlando for a mural that was later painted by drunk patrons of a Downtown Orlando Arts event. Needless to say, that painting didn’t turn out as expected. It hung in the lobby of the hotel for a while and then disappeared. I decided to resurrect that sketch for the Fringe facade.

My plan was to paint the wall white and reproduce the sketch with only the sky as a painted element. That assured that the mural would be as bright as possible reflecting away any heat. The problem was that the Fringe had no budget for the mural. United Arts of Central Florida has a crowd sourced fundraising page called Power2Give which is similar to Kickstarter. The advantage of Power2Give is that funds go to the arts organization even if 100% of the funds are not raised. The disadvantage is that United Arts takes 12% of the funds. A page was set up to raise $5000 for the mural’s creation. I set up a progress chart that showed the funds raised. At the end of the campaign only half the funds had been raised. Then came the nail in the coffin, a developer plans to demolish the Fringe offices, the Thursty Topher and several other buildings to make room for a high rise condo.

George Fringe Wallace, executive director of the Fringe, asked me to hold off on reporting the condo debacle until the deal was public knowledge. About a year from now, all the warehouses along Alden Road will be
demolished to make way for a mixed-use development with 585 apartments
and buildings as tall as nine stories. Developers said that they want to honor the area’s roots by incorporating art
studios, performance space and an industrial feel into its design. Artists in the area however doubt they will find a home in the new development plan.  I am not sure yet where the Fringe offices will relocate after they make way for the wrecking ball.  I’m thankful work never started on the mural because it would be hard to see my work destroyed. Murals are only as permanent as the walls they are painted on. Hopefully the several thousand dollars raised will be used by the Fringe to continue bringing cutting edge and sometimes weird theater to Orlando. At least the Fringe building has been painted white which means a cooler summer as the Fringe searches for a new home. Thank you to everyone who contributed to the mural. My proposed mural depicting sky rises will be replaced by  actual highrises.

Proposed Mural for the Ivanhoe Village Offices

Scottie Campbell the Executive Director of the Ivanhoe Village District asked me to consider doing a mural on the facade of the Fringe and Ivanhoe Village offices. The building was painted black which makes the offices a furnace in the summer. I created this composite sketch to suggest an overview of downtown on the facade. There wasn’t a working budget for the project, so George Fringe Wallace created a Power2Give fundraising page to raise the $5000 for the mural’s creation.

I like the idea that anyone in the community can contribute a small amount to make this idea a reality. As of this writing 2% of the needed funds have been raised. In 80 or so days I find out if this project will become a reality. Donor benefits include…

$1-99, a personal thank you on the Orlando Fringe and Ivanhoe Village Facebook pages.

$100-249, a digital photograph of the mural once it is completed (plus the above benefits)

$250-499,
an invitation to the public unveiling of the mural, including a meet
and greet with Fringe  and Ivanhoe Village Executives and the artist
himself, Thomas Thorspecken. (plus the above benefits)

$500 or more, a plaque at the site of the mural with your name on it as a donor (plus the above benefits)

The Local Fringe Pieview offered Hilarity and Drama

On April 14th local production companies had two minutes to showcase their Fringe shows at the Orlando Shakespeare Theater’s Margeson Theater (812 E Rollins St, Orlando, FL). I go each year to get a feeling for which shows I can not miss. George Fringe Wallace and Michael Marinaccio acted as the MCs while Brandon Roberts acted as the Shepard’s hook to stop any acts that went over two minutes. Brandon was dressed in a giant fluffy diaper and had angel’s wings and a Cupid’s bow. I was hoping each act would run a bit long just to see what he would do next. He even tried to become part of the act when Enui, a circus arts acrobatic troupe took center stage. He stood tentatively on a teeter board but ran off when the acrobats bounded in.

The program had thumbs up and thumbs down symbols for easy future reference.  Acts I gave a thumbs up to, included: The Downtowner’s The Real 50 Shades of Gray (Hair). These plucky seniors aged 66 to 99 sang songs of love, lust and life with passion. A plant in the audience got up and stripped as they sang. The audience ate it up.  I liked, Camino Flamenco, The Aqua Saga and Jekyll N’ Hyde: a Rap Musical. I was saddened to hear that the the lead actor in Jekyll N’ Hyde, Carl D. Kirkmire just recently died at the age of 32. His performance at the Fringe preview was stellar and a real talent has left the stage.

Jeff Ferree introduced his puppet show, The Girl Who Fell Up the Chimney” by riding a tiny clown sized bicycle around the stage and shooting silly string at the audience. Last year he juggled spaghetti. His previews are always an inspired mess. I tried to sketch the puppet show at the Fringe. It was in a small closet which for some reason had a fire place. You had to lie on your back with your head in the fireplace to see the show. Unfortunately, the button to turn on the lights didn’t work no matter how many times I hit it. I’m sure it was a great sketch opportunity lost. Squeaky Wheel productions presented a song from Seasons which was incredibly sad. This show is my pick as the show that should go all the way to Broadway.

All together, 41 shows previewed that night offering an amazing variety of possibilities. Sometimes a preview can be alluring but that hint is lost in the final hour long production. For instance I loved the tender tall of love found in a Vietnamese karaoke bar, but Reincarnation Soup, ended up being confusing to follow since the actor jumped between so many different personalities in the final production. I felt shanghaied. Then other times it is nice to go to a show at the Fringe with no preconceptions and be pleasantly surprised. That is what the Fringe is all about, discovering something new and unexpected at every turn.

Tappin’ and Yappin’

International superstar Cindy Starr took the Fringe audience on a whirlwind journey through her career in stage, film, TV, and more. The show featured stories, songs, and more from America’s beloved Tap Dance Queen. From her humble beginnings in Chicago to the triumph on the Silver Screen, Cindy and her accompanist, Johnnie Ivories, had the audience laughing and singing along with her best known hits.

John B. deHaas who plays Johnnie Ivories came up with the idea for the show. He was fascinated by tap legend Ann Miller and her larger than life persona. He knew Joy Anderson since 1999 and decided she would be perfect to play Cindy Starr. Johnnie Ivories seemed based on Liberace with his golden suit studded with sequins.

Cindy kept the jokes coming. An ongoing theme seemed to be that she was always pursuing men who had no interest in women. Several times she had audience members get on stage with her so she could teach them some steps. The results were hilarious. Andrea Canny directed the show, and at one point, she gave gummy bears to everyone in the audience. The pre-show announcements by Michael Marinaccio and George Fringe Wallace always ended with, “if you have any candy, Unwrap it Now!” It therefor became quite comical as Andrea struggled to open the large bags of candy in the back of the theater.

The show was fun and entertaining. As promised, there was plenty of tappin’ and yappin’ along with a couple of Swedish guests who mixed it up on stage.

Fringe Lottery

On December 2nd the Fringe Lottery was held in the John and Rita Lowndes Shakespeare Center (812 E. Rollins St, Orlando, Fl).  This was an opportunity to see which shows would be selected for Fringe 23. Michael Mariaccio and George “Fringe” Wallace hosted the lottery. Lottery tickets were picked from green buckets. The Fringe is a completely non-juried week of theater and any show could be selected. The theater was packed full of producers and directors who hoped their shows would be picked.

  1. Participants were selected on a
    non-juried basis, through a first-come, first served process, a lottery,
    or other method approved by the Association.
  2. The audience must have the option to
    pay a ticket price, 100% of which goes directly to the artists
    (government taxes notwithstanding.)
  3. Fringe Festival producers have no
    control over the artistic content of each performance. The artistic
    freedom of the participants is unrestrained.
  4. Festivals must provide an easily accessible opportunity for all audiences and all artists to participate in Fringe Festivals.

 Orlando city commissioner Robert Stuart did the actual picking from the bucket.When he selected “Boylesque” from the bucket he had to hesitate before pronouncing the title. Michael Wanzie shouted out from the audience, “Your going to have to learn how to pronounce “Boylesque” if you want the gay vote!” He got quite a good laugh. Later the politician assured his votes by shaking Michael’s hand and kissing him on the cheek. The audience erupted. So, take a glance and anticipate this year’s line up.

– ORANGE –
The All New Nashville Hurricane [Chase Padgett – Burbank, CA]
Ennui [Circus Arts – Polk City, FL]
Boylesque [Sensuality N Motion / Visual EFX Productions – Orlando, FL]
Bless Me Father, For I have Danced [Yow Dance – Orlando, FL]
BARE: A Pop Opera [Penguin Point Productions – Winter Park, FL]
FLIGHT: A Crane’s Story [IBEX Puppetry – Orlando, FL]
Something’s Weird in Weeki Wachee [John Ryanand Diva Productions – Orlando, FL]

– SILVER –
Money Shot! [RUSH Theatrical Productions – New York, NY]
Grim and Fischer [Wonderheads – Portland, OR]
Oyster Boy [Haste Theatre Company – London, UK]
Under the Rainbow [Alan Gerber – Orlando, FL]
There’s No Place Like Home [Wanzie Presents / D-Squared Productions – Orlando, FL]
Smooch [PB and J Theatre Factory – Winter Park, FL]
TBD [The Downtowners – Orlando, FL]
Fifty Shades of Gay [Homicidal Orphan Productions – Orlando, FL]

– YELLOW –
Marathon [TJ Dawe – Vancouver, BC]
God Is a Scottish Drag Queen II: An All New Testament [Mike Delamont – Victoria, BC]
The Surprise [Martin Dockery – Brooklyn, NY]
Killer Quack [James Judd Entertainment – New York, NY]
Conversations with My Divorce Attorney [John Montgomery Theatre Co. – New York, NY]
Tappin and Yappin [J&J Pickle Productions: Ocoee, FL]
Pasion Flamenca [Flamenco del Sol Dance Company – Sanford, FL]
Frankenchrist! The Musical [Acting Passionate Productions – Lakeland, FL]
Professor Soap’s Musical Machine [Cadence Creative – Loughman, FL]

– PINK –
Ruby Rocket, Private Eye [Stacey Hallal – Portland, OR]
Chaotica [Christel Bartelse – Toronto, Ontario ]
House [Ribbitre Public Theatre: Edmonton, Alberta]
Black Stockings [Dangerous Theatre: Denver, CO]
Immortals [Wind Whistle Theatre – Nevada City, CA]
Donating Sperm to My Sisters Wife [Stewart Huff – Winterville, GA]
And Baby Makes Four [Utmost Productions – Orlando, FL]
The British Invasion [My Dream Tree Productions – Casselberry, FL]

– BROWN –
Jem Rolls [Big Word Performance Poetry – Surrey, UK]
TBD [Keith Brown – London, Ontario]
Train Your Man [Kirchmann Productions – Alberton, South Africa]
Taking Out the White Trash [Peemypants Productions – Savannah, GA]
Baba Yaga [It Ain’t Shakespeare – Dallas, TX]
Radio Free Fringe [RFF – Orlando, FL]
Hungry! The Musical [Madmymn Payne Prod – Kissimmee, FL]
All Shook Up: A Rockabilly Revival [Bare Ass Productions – Winter Park, FL]

– GREEN –
Roller Derby Saved My Soul [Broken Turtle Productions – Ottawa, Ontario]
The Death of Brian [A Zombie Odyssey: Theater Simple – Seattle, WA]
40 Something Still Single [Cougar Comedy Productions – Orlando, FL]
Alice Rocks Wonderland [Atlantic Coast Theatre for Youth – Champions Gate, FL]
Bloody Bloody Andrew Jackson [BTW Productions / Ashley Willsey – Lake Mary, FL]
Escape from Baldwin Park [Carpenter Aunt Productions – Orlando, FL]
Liquid Courage [Tobo Productions – Orlando, FL]
20 Nothing [Last Minute Panic Productions – Winter Springs, FL]

– BLUE –
Papa Squats Store of Sorts [Ain’t True and Uncle False’s Hood – Indianapolis, IN]
My Brooklyn Hamlet: A Meshugenah True Story [Brenda Adelman – Spring Valley, CA]
Punk Grandpa [Cosmic Jello / Laura Force Scruggs – Chicago, IL]
Sperm Wars [Random Samples Collective – Toronto, ON]
Fire in the Meth Lab [2 Hoots Productions – Melbourne, Australia]
Shakespeare’s Histories: Ten Epic Plays at a Breakneck Pace [Timothy Mooney Repertory – Prospect Heights, IL]
Tuesday Mourning [Clandestine ARTS – Altamonte Springs, FL]
The Queer Diaries [Royal Entertainment – Orlando, FL]
TBD [Playwrights Round Table – Orlando, FL]
TBD [Kia Ora Productions – Kissimmee, FL]

– PURPLE –
VGL 5’4″ Top [Lucas Brooks – Brooklyn, NY]
Desperately Seeking the Exit [Peter Michael Marino – New York, NY]
Superhero’s Can’t Fly [botwot productions – Aspen, CO]
Us vs. The World [Improv Off the Grid – Orlando, FL]
The Float Boat [Comedy First CLC – Longwood, FL]
The Four Great Books of China (Condensed) [Emerson Productions – Casselberry, FL]
Battle of the Sexes: Male Surrender [John Chapman – Orlando, FL]
Tim and Spencer’s Yet Unnamed Magic Project [Corrupting the Kids – Orlando, FL]
Paisley the Clown [Paisley Productions – Orlando, FL]
TBD [JAR Productions – Orlando, FL]

– RED –
Mark Twain’s is Shakespeare Dead [Doctor Keir Co. – Montreal, Quebec ]
The Chronic Single’s Handbook [Randy Ross – Somerville, MA]
Tap Me on the Shoulder [Pack of Others – Northampton, MA]
Going On: A Inspiring True Story about Loss and Finding the Love Inside Yourself [White Rabbit – Portland, OR]
An Iliad [John Remke – West New York, NY]
Rendezvous La Petite Morte [Chloe J. Roberts – Tampa, FL]
The All-New Review [Portals Theatre – Orlando, FL]
Reincarnation Soup [Viet Nguyen – Orlando, FL]
Paranormal Stupidity [Brian Flaherty – Maitland, FL]
Helix by Tangent [Spur of the Moment – Winter Park, FL]

– BLACK –
A Brief History of Beer [Wish Experience – London, UK]
Ocean Fox [Castlereigh Theatre Project – Victoria, BC]
babyBlueStar Presents: VarieTEASE [babyBlueStar – Orlando, FL]
Exploring Her Kinkdom [Penguin Productions – Orlando, FL]
Tod Kimbro Does Everything [Tod Kimbro – Orlando, FL]
Seasons [Squeaky Wheel Theatre Project – Orlando, FL]
Home Free by Lanford Wilson [Gagne Productions – Orlando, FL]
TBD [Logan Donahoo – Orlando, FL]
Truth of Dare with Pepe [Pepe Productions – Orlando, FL]

 Afterwards, some performers lamented not being picked. They are on a waiting list and sometimes shows drop out offering an opportunity for that slot to be filled. I recall laughing out loud when “Sharknado the Musical” was picked. Unfortunately I don’t see it in the listings so it must have been dropped. Thankfully “Sperm Wars” made the cut. Mark Your Calendar, there are many Fringe happenings leading up to the big event. Check the Fringe website for more details. Hey, if any local producers or directors are reading this, keep me in mind to sketch read throughs, or rehearsals.

  • February 07 – Loon
  • February 08 (2 shows) – Loon
  • February 09 – Loon
  • March 03 – Fringe at the Hard Rock
  • April 14 -Local Preview
  • May 14 – National / International Preview
  • Second half of May – FRINGE!