The Key of E Rehearsal

The Dark Side of Saturn presents Key of E. Andy Matchett of Andy Matchett and the Minks wrote all the music for this original apocalyptic rock musical. I went to a rehearsal in a small art classroom on Colonial Drive near a sushi place. Andy welcomed me and apologized that some of the bigger effects might not happen at this rehearsal. I was happy just to listen to his amazing music. Andy began singing with Minks band members  Abraham Couch, Brandon Kalber and Randy Coole. I quickly sketched Andy and was surprised when actor Cory Violence replaced him at the mic singing “Just Can’t Wait for the Game to End“.

Cory takes on the lead roll of Ethan, a disillusioned hipster who dreams of how he might become a John Connor or Road Warrior hero if the world were to suddenly end.  As he sang of this apocalyptic bliss, his girlfriend played by Marissa Ashley interrupted to try and get him home.  She had to play the roll of annoying reason as he drank himself to oblivion. His dream  of the world’s end is suddenly realized when he is engulfed in a huge tsunami wave that leaves him stranded on a desert island.  The wave was executed with an ingenious effect with a parachute of plastic littered with garbage taking on the roll of the oceans surface. Andy stepped in as the narrator letting us know that the other characters on the survivor’s island were figments of Ethan’s imagination. 

The island had a typical bossy leader who felt he knew all about survival, sending the women to scavenge for food and clean camp. Ethan didn’t notice how this annoying character resembled himself. All the people on the island were there to help him survive and avoid his usual path of self destruction. Like the island on Lost, this place is a bit surreal. When Ethan discovers a bottle of whiskey he comes face to face with a dark red eyed demon.  His life could return to normal if only he could only put the cap back on the bottle.

Evan Miga, one of the mad scientists from Dog Powered Robot Labs devised the creature design. Right now, this show is my pick to be a sure runaway hit at Fringe. The music is hard hitting eclectic and ingenious. Cory really shines singing his way through the lead roll.  The entire cast of about 10 actors has pulled off an epic production on a shoe string budget. The Key of E is going to hit this year’s Fringe like a nuclear blast.

What:  

Key of E an Apocalyptic Rock Musical

When: 

Thursday, May 16 at 7:45PM

Saturday May 18 at 3:00PM

Sunday May 19 at 7:45PM 

Wednesday May 22 at 8:00PM

Saturday May 25th at 11:45PM

Where

Green Venue in the Rep

Tickets

$11 + a Fringe button

P.S. At 8:45PM tonight (May 16th) a certain Urban Sketcher will make a cameo appearance at Emotions Dances’ dis/CONNECTED in the Silver Venue which is in the Rep Theater. I really can not divulge details, if I told you, I’d have to kill you.

39 Steps Rehearsal

Back in January at a Florida Creative’s happy hour, I first found out that Ryan Price was planning to produce a Fringe play built around “The 39 Steps” a 1915  adventure novel written by John Buchan. It was later adopted by Alfred Hitchcock in a 1935 film. Becky Lane is directing this adaptation in which every show will be improvised based on audience suggestions. In early rehearsals Becky told me that the cast did view point sessions in which the actors walked an imaginary grid and worked as a group becoming a cohesive cast.

This Invisible Frisbee Productions rehearsal was held in a Winter Garden warehouse just two days before Fringe opened. A huge ventilation fan moved the humid air. A tarp was put on the floor because in one scene there is a murder and they didn’t want the corpse to have to lie in saw dust or metal filings. In this rehearsal the cast of four went over the introduction and the sequence of events that were needed to get the audience feedback. Since I was essentially an audience of one, Becky had me fill out eight chalkboards with answers to two questions. One question was to write down a job of someone in my party that was suspicious. I’ve found people to be suspicious of artists so that was my first answer, the others that I recall were a teacher and mailman. The other question involved picking a character trait of someone in your party that they are proud of and then write down the opposite. I recall writing excitable, angry and sloth. Those chalk boards were hung on the front of the boxes and helped defined the backgrounds and personalities the characters.

My other responsibility was to hand out playing cards that each character picked to choose their roll in the comedic drama. Max Hilend, the wild card, was hilarious as a lazy sloth of an artist. He spoke slowly with little to no enthusiasm. He discussed the one painting he does a year, and even the cast was laughing, and peaking at the words that defined his character. Nadia Garzon with a red rose in her hair was funny and entertaining as a high strung excitable art teacher. I decided she had to be the lead character, Hannay, based on her hilarious performance. Megan Borkes was a disgruntled spy and in a scene with Nadia, the two played off each other wonderfully. The villain was the black bearded Christian Cheker in his black shirt and military cargo pants. To me these roles seemed predestined. It is exciting watching the scenes unfold with the even actors not knowing what would come next.

The sets were defined with the boxes rearranged in each scene as chairs as well as a table, ladder and a window on a tripod. Nadia stayed in character as Hannay and had me laughing consistently with her innocent enthusiasm and endless curiosity. I glanced over to see the director, Becky, laughing out loud as well. It was such a delight to know that this performance was unique and as an audience member, I helped mold the performances. As Hannay was entertaining the spy in her home, Max opened the window and blew a dart into the spy’s neck. That sudden murder changed Hannay’s fate, forcing her to follow through on the spy’s mission, now being accused of murder, and on the run from police and the villain who was easily identifiable because of a unique, sometimes rude feature picked by the audience.

The cast took me on an amazing playful ride while asking me to suspend disbelief and fill in what was needed with my imagination. Be sure to check out this show at Fringe, your experience will be new and completely unique. It is theater in its truest form with murder, intrigue and plenty of laughs and unexpected turns.

Where: The Pink Venue

Tickets: $11 along with your Fringe button.

When:

Thursday May 16, 2013 at 6:00PM

Saturday May 18, 2013 at 6:45PM

Sunday May 19, 2013 at 11:15AM

Tuesday May 21, 2013 at 11:15PM

Wednesday May 22, 2013 at 9:30PM

Saturday May 25, 2013 at 4:30PM

Sunday May 26, 2013 at 2:45PM

Jett Backpack Rehearsal

On April 29th, I went to Dancer’s Edge Studio (7351 Aloma Ave, Winter Park, FL) to sketch a rehearsal for Jett Backpack and the Battle at the End of the Universe, which will appear at the upcoming Fringe Theater Festival in May. It was raining like a banshee  on the drive to the theater, but the cast trickled into the dance studio lobby one at a time at first and then in a deluge. The dance studio had mirrors on three walls and the actors performed towards the fourth wall.

Much of the action took place on an intergalactic space craft with John Bateman playing a cocky and somewhat incompetent captain with Jennifer Guhl playing his salty number 1.  The play was written by Josh Geohagen and he sat on the floor pouring over the script. At this rehearsal just two scenes were blocked with Kevin G. Becker directing. Before getting to work, the cast assembled in a circle and switched places with a point and command. Another exercise involved everyone walking the room and reciting the alphabet. If two actors said the same letter at the same time, they had to begin again at A. I’m always amazed at how a cast can pull together and become keenly aware of each other working almost like a flock.

Often the crew of the star ship would be looking at an imaginary view screen which they decided was the blue cork paneling on the wall. They all would crane their heads to look up at it. Several clones perished in gruesome ways and where whisked off to air locks. Dorothy Massey played a sultry Princess Positronic who was attracted to the captain. Trenell Mooring is sort of the face of Fringe this year since she is pictured on the Fringe poster along with her son. Her eyes are set apart wide on her face giving her an exotic chiseled look. She plays the part of an alien helmsman on the ship speaking an alien dialect. This tongue in cheek comedy was consistently hilarious. I can’t wait to see the cast in costume. Since only two scenes were rehearsed, I’m left wondering how the adventure will play out.

Where: The show will be in the yellow venue which is the Mandell Theater in the Lowndes Shakespeare Center.

How much: You need a Fringe button plus tickets are $10.

Show times:

Thu 5/16 7:30PM

Sat 5/18 9:45PM

Sun 5/19 11:15PM

Tue 5/21 7:15PM

Thurs 5/23 5:45PM

Fri 5/24 6:30PM

Sat 5/25 1:00PM

Stardust

I had time to kill after work, so I decided to get an appetizer at Stardust Video and Coffee. Small paintings by artist Katherine Bennett were on display. They were quirky portraits where people held animals like a lamb, a duck and a mouse. Patrons worked diligently on their laptops. The group in the corner seemed to be studying medical research and they had suitcases and backpacks.

Outside vendors were setting up in the parking lot for the weekly Audubon Community Market that happens every Monday from 6-10PM.  I ordered humus which comes with pita and plenty of veggies. Carl F. Gauze, aka Al, stopped by my table to say hi. He has written a blaxploitation play for this year’s Fringe called “Chocolate Thunder and White Lightning.” He was just grabbing a bite before a reading of the play at his house. This was the first time the cast was assembled. I decided this was a better sketch opportunity than the event at the REP Theater that I had on my calendar. After I finished my sketch and my last carrot, I drove over to Al’s to see this work in progress.

Fringe Fundraiser at Hard Rock

The 22nd Annual International Fringe Festival had a huge fundraiser at Hard Rock Live in Universal Studios. Several days prior, I had difficulty getting into the parking garage using my Florida Drivers license. Predicting a similar hassle, I scanned the parking voucher and changed the date to Monday March 4th. I could use the counterfeit voucher if needed to park. Walking from the parking garage, I saw “Dem Guys“, David Horgan, Ed Anthony, and Myron Blattner. “DEM Guys” sponsor a venue each year at Fringe and they always had a friendly competition to see who could see the most shows. Sadly, Myron died of natural causes last weekend at his home in Altamonte Springs. He was 77.

Seth Kubersky was shooting photos on his iPhone for the Orlando Weekly. The fundraiser was a night of Music, Comedy, Dance, and nonstop entertainment from some of Orlando’s top talents.

The evening was hosted by The Man of 10,000 Noises, Michael Winslow. Michael gained fame from his performances in the “Police Academy” movies and other blockbuster films such as “Spaceballs” and “Gremlins”, and has gone on to entertain audiences across the globe for the last 25 years. A master of vocal gymnastics, Michael can imitate over 1000 sound effects using his voice alone.

Featuring Fringe favorites The Mud Flappers and local all-star band The Downgetters.

With additional performances by Yow Dance, Skill Focus Burlesque, Emotions Dance, Circus Arts, ME Dance, Misa Flemenca, Tod Kimbrow and Dorothy Massey, Piranha the Musical, Laney Jones and Matt Tonner and The Downtowners. The Downtowners are a retirement home singing group and as they sang “I want to be Sedated” the song took on a whole new meaning.

The show went on for over three hours. Had I known I might have done another sketch. Towards the end all the performers were on stage singing the Beatles “Let it Be“. The song went on forever. I shouted along, “Let it Be!” meaning “Let the song end already!” The evening raised about $7000 for the Fringe which will officially start on May 15th in Loch Haven Park and Ivanhoe Village.

Florida Creatives Happy Hour

On November 19th, the Florida Creatives Happy Hour was held at The Courtesy, (114 North Orange Avenue Orlando, FL). The Florida Creatives happy hour happens on the third Monday of every month. Things get started at 6PM and go until 9PM or later most months. The Courtesy is a new establishment in an old building riding the “mixology” wave – they make some interesting cocktails and serve up craft beer and wine too. They are in that building that was boarded up for the past few years at the corner of Washington and Orange Avenue downtown. Don’t let that scare you off, it’s a really great new place. 
If you’re not into cocktails or beer, the Courtesy makes their own sodas and carries some excellent Ginger Ales and non-alcoholic delights.

Ryan Price, who organizes the event greeted me as I considered what to order at the bar. He advised me to try a beer and I took his advice. It was a decent ale. Dana Mott joined us at a corner table which had a large birds nest as a light fixture. Ryan was anxious because the Fringe was holding it’s lottery that night to see which shows would go into the 2013 Festival. Ryan submitted a show idea which involved improvisation around a classic Hitchcock Murder Mystery called “39 Steps”, originally a book by John Buchan. It was fortuitous that Dana was there because she had years of improve experience having studied with Jeff Wirth who has since moved to NYC. I sketched as they chatted about the creative possibilities. Ryan had to leave early to get to the lottery. It turned out that he will be in the 2013 Fringe Festival and I can’t wait to see what becomes of the idea. Terry came out to say hello and then she and Dana left and I finished my sketch up on my own. The proprietor saw what I was working on and offered me a free beer. I already had two under my belt and I had to get home so I had to refuse the offer.

On February 4th at Chase Plaza on the 10th floor, come and join some of the passionate creative minds of Orlando in one of the longest-running happy hour meetups in the state of Florida (almost 6 years!). Be sure to check the Florida Creatives website since the venue can change month to month. The goal is to provide a safe environment to share your schemes, unearth passions and meet mentors or co-founders. There is always get a pretty diverse representation – lately there have been graphic designers, lawyers, illustrators, city planners, start up founders, tech folks and a plethora of others.

This is by far one of the best ways to “get involved” in the community. The people at this Happy Hour are plugged in to what is going on and who is doing it.

Voci Dance

Voci Dance is known for their mystical and surreal dances often times performed gorilla style in unexpected urban settings. Genevieve Bernard was one of the founding members of Voci dance, there were five back in the day, Adrienne Nichols got the group together. At the Orlando International Fringe Festival, the dancers performed with camping head lamps. The performance was staged next to the Orlando Museum of Art and the dancers interacted with the huge blue steel sculpture that is next to the museum on the green lawn of fabulousness. It was just past dusk and the dancers resembled dwarfs returning from the mines. Well, let me restate that, the dancers didn’t look like dwarfs, they were sleek and limber, OK I’ll stop digging. An audience of perhaps fifty people gathered in the darkness around the dancers. This was one of those situations in which I couldn’t see my sketch as I worked on it in the dark. Sometimes that can be a blessing when the sketch finally sees light.

Disenchanted: Bitches of the Kingdom

Disenchanted: Bitches of the Kingdom is having an extended run through August at Mama Mia’s because performances kept selling out. Word of mouth travels fast and these Bitches are rising fast. This hilarious production features the songs of Dennis Giacino and is directed by Fiely Matias. I have loved this production ever since I saw it at the Orlando Fringe Festival. The incredible Michelle Knight has reprised her roll as a saucy Snow White and she shines in the spot light. She started out the show belting out a note and holding it so long, the audience started screaming, laughing and clapping endlessly.

The room had a small semi circular stage big enough to hold Dennis behind the grand piano and the princesses.  The audience filled the small room seated around small tables. The cabaret style show suited the intimate space. Jenny Lee Stern began as Belle who sang Insane! Her hair was tightly pulled back and her eyes fluttered wide and bewildered as she watched the other princesses perform. As The Little Mermaid, her hair came down and she added an unexpected hard edge to the part with a biker chick attitude and tattoos. I ended up sketching her twice by mistake. This production is still in development, but it is destined to be an off Broadway hit in 2013. The show is moving to  Missouri next. Auditions are being held Friday, August 24 for its production at Stephens College in September 2012.

Fringe Poetry Smackdown

The Poetry Smack Down happened at the Fringe outdoor stage. Tod Caviness was the host. Judges included Beth Marshall, Michael Marinaccio, Eric Yow and several other producer-directors. Tod lead off the event with a spoken word piece about Orlando called Swamp. It makes Orlando sound like a pretty cool place to be. None of the poets at this event relied on sheets of paper or iPhones. Their words were deeply rooted in their memories and the cadence, beat and flow were well rehearsed. These were monologues from the heart, some raw and some humorous.

A heavy set woman got on stage and she knocked any preconceptions to the ground as she spoke passionately about her queef.  This is a word so seldom heard, or uttered, that my computer insists it is spelled wrong. At first the audience was in shock, but soon everyone was roaring with laughter. Beth gave high marks for this passionate poem about a woman’s right to let go. A male poet followed her with his passionate poem about how he would like to f*ck the whites from his woman’s eyes. He later spoke of religion and intolerance with insight and level headed reflection. You never know what to expect at a smack down.

My wife was covered in gold. We had been to a James Bond themed party earlier that day. With her Gold Finger, face, hands and sequined dress she fit in perfectly on the green lawn of fabulousness. She sat with her literary friends while I sketched. The face paint was starting to make her uncomfortable however so, as soon as I was done with my sketch, we had to go.

Pepe

Pepe made an appearance on the outdoor stage at Fringe. Pepe is flamboyant and colorful. His spiky red Mohawk could be spotted from across the lawn. He spoke with a thick rich Spanish accent calling everyone, mommies and poppies. Logan Donahoo joined Pepe to talk about the Fringe show he was directing called, Cannibal! The Musical. Pepe is always funny. He made fun of the fact that he had been reduced to performing on the outdoor stage.

Ruby Darling, dressed in a Star Trek uniform got on stage to promote Skill Focus Burlesque. She performed a sultry dance number and the uniform went flying. She then told Pepe she had a superpower. A male performer got on stage with her and she said in a commanding voice, “Take off your clothes.” He complied. Pepe perked up and shouted his glee. Women in the audience screamed and laughed. Skill Focus burlesque had been called to perform at the Fringe at the last minute when another show canceled. For this reason, they weren’t even in the printed program. They had to rely on word of mouth and a little skin to promote their show.

I went to a performance of Hysteria Repeats Itself! Mike Maples was in the cast and the executive producer, Kelly Rands introduced himself when Terry and I entered the Blue venue. I knew that Hysteria would be a series of fast paced skits, so for once, I left the sketchbook closed. This was the first night’s performance and unfortunately there were fewer than ten people in the audience. Much of the show was political satire. The performance was funny and intelligently written. Several Sondheim show tunes were given new lyrics that were fun and fast paced. Terry was laughing loudly. Later Mike commented that her loud laughter made up for the size of the audience. The next performance was sold out which made perfect sense.