Bikini Ad Space turned heads at Fringe.

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Katie Thayer, an attractive local actress and comedian, came up with the idea of Bikini Ad Space at the Orlando International Fringe Festival several years ago. The idea is pure genius and simple. She wears a sexy bikini and you can body paint your message on any of her prime body parts. Her lower shins, and her upper or lower arms, front and back go for $5 each. $10 gets prime exposure on her upper calves, front and back, and her belly. You can “get cheeky” by purchasing ad space on both butt cheeks for $15. Of course the most expensive ad space is the $20 chest ad which can nestle in her cleavage.

We bumped into Katie on the first day of the Fringe Sketch Tour and arranged to sketch her the next day. She works inside the Shakespeare Theater lobby which is always crowded with people buying tickets and waiting for shows. She had her leg propped up on a table covered with show flyer’s. The layer of flyer’s was an inch thick which meant you often had to dig down to find a flyer for the show you were interested in. Usually clients had the opportunity to paint their ad on Katy’s flesh. In this rare instance Katy was painting her own ad to get people to vote for Bikini Ad Space as the best “Bring Your Own Venue” in The Daily City Audience Choice Awards. I don’t know if she won that honor.

Cootie Catcher in the red venue had purchased the prime cleavage ad space while Valence had invested in belly ad space. I saw valance, an introspective dance performance that inspected touch in human interactions, but I never saw Cootie Catcher. My sketch protege sketched me sketching Katy and I’m sure photos were shot which made it a very “Meta” performance. The day before, Katy had left her kit of brushed behind and it vanished. Luckily she found a loose brush in the bottom of her bag, but it was a rather blunt brush which meant she couldn’t add any refined touches. I offered her one of my brushes but she was too proud to take it. I hope that the ads she sold will help pay for a new set of brushes because quality brushes are expensive. Her palette was a clear plastic plate. Friends stopped to ask her advice on the best shows to see. Katy had seen tons of shows, so she was a great resource.

Tears of a Tyrant performed on the outdoor stage at Fringe.

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On the Fringe Sketch Tour we stopped to sketch Tears of a Tyrant on the outdoor stage. They had a colorful tie-die banner as a backdrop. Danielle Dart was the lead singer with a purple floral garland in her hair. She had a dreamy way of closing her eyes as she sang that was quite endearing. Jester Cordell accompanied her on acoustic guitar. There are usually two other members in the band, but I guess they couldn’t make it out to this pro bono gig. They classify their music as Groovy  Classic Rock and Southern Rock.

To me this adorable couple personified the young Central Florida hipster           . ideal with their flip flops and ultra casual attire.  This casual attire is something I love about Orlando. No matter what event you go to in O-town there will be people in tee shirts and flip flops. If you went to a similar event in NYC, everyone would be dressed in black and wearing designer names in an effort to impress. Orlando has plenty of raw care free talent.

Well perhaps not care free. It is hard to make a living as an artist in Orlando. There is a constant exodus out of this town to other cities that are more supportive of the arts. As the 2015 Tallahassee Legislative Special Session came to a close, the film, TV
and digital media industry was excluded from the budget again this
year. This marks 3 straight years this program has gone without funding.
Additionally the proposed budget includes a staff and budget reduction
to the State Office of Film and Entertainment. This is why many actors and film makers go out of state to create films.

Grim and Fisher was part mime, part puppetry and pure magic.

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Grim and Fisher produced by Wonderheads from Portland Oregon was in the Silver Venue at this years Orlando International Fringe Festival. They were the creators of last years Fringe hit Loon, so my expectations were high.

Grim and Fisher was an epic showdown between a dour faced Grim Reaper and a lively and determined granny. The set consisted of a simple rocking chair and a side table with a tiny box on top of it. Much of the first act consisted of the Granny messing with a repairman who came to her apartment to repair her TV. When he needed to use the bathroom, he was surprised because every time he touched the door, loud farts would emanate from inside. I guess this established the granny as an “old fart” but when she came out holding a whoopee cushion is also established her as having a sense of humor.

When Grim comes for the old lady, she doesn’t go willingly. When she gives him the tiny box, he is won over when he discovers it is a music box. He forgets his job and shows his more human side for a moment. It reminded me of the food critic’s scene when he tastes the rats sumptuous food for the first time. The granny puts her former husband’s coat on Grim and they dance.

When Grim realizes he has a job to do, the old lady battles for her life. In the end she does walk towards the light perhaps finally reunited with her long lost husband. The show for me wasn’t as magical as Loon. I knew from the start that death always wins. It made the battle to live a little sad.

Serafina’s belly dance at Fringe.

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Although Phantasmagoria didn’t have a stage show, they were listed in the Fringe program as Bring Your Own Venue. On the first day of my Sketch Tour they seemed to be everywhere at once. While we were waiting in line for Grim and Fisher at the Rep Theater, Phantasmagoria swept into the lobby to entertain everyone waiting in line. For those who don’t know, (where have you been) Phantasmagoria is a Gothic Steampunk storytelling group that blends dance, aerial work, fire performance and combat into the mix as they weave their horrific tales.

Serafina Schiano began an exotic belly dance. I agonized about how much time I might need to catch the dance. The line started to inch forward and I kept adding watercolor washes to the sketch as we moved towards the entrance. When Serafina was done, I followed her with my eyes to try and catch details of her costume. This is why some sketches can seem rushed and unfinished, because life and performance rushes by. It is a challenge to catch the flash of a moment. That is what makes sketching on location fun, exciting and challenging. Even if unfinished in my mind, I have to accept what I can accomplish in the time that I have and move on. That is a fair analogy to life in general.

The lobby of the Rep is always full of art by school children during Fringe. Most of the work is tight and struggling towards realism. None of the art seems rushed or hurried. This is the problem I have when painting digitally. Since it is all new to me I’m far to cautious and what results has too much polish. I’ve started carrying my tablet out on location with me but it is seldom used. In a dark theater, its glow would distract others and outside in the Florida sun the screen isn’t bright enough.  I wish the screen were larger but the market trend it towards smaller tablets. It is like carrying a hot brick.

Of course the Kids Fringe had a Unicorn Bounce House.

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On each morning of the Fringe Sketch Tour, we would start at Kids Fringe, warming up by sketching the kids stretching under the supervision of a Voci Dancer. After that, we would start the hunt for another subject. This Unicorn Bounce House was in the shade of a huge Live Oak Tree. There was always a line of parents escorting their children to the entrance. Oddly the Unicorn had a sand bag on her head. At first I thought it might be an icepack since the Unicorn might have partied too hard the night before. If that was the case, then having those children bouncing inside couldn’t have helped her unsettled stomach.

I did this sketch to demonstrate the idea of covering the sketch with as few large washes as possible. The Unicorn and all of the foreground was covered with a blue wash for shadows and the local color of the bounce house.  I encouraged Gay to leave the lightest areas at the window where you see a child bouncing and around the Unicorn’s head. The eye is attracted to the areas where there is the most contrast. I put a yellow band across the middle of the sketch to symbolize bright sunlight. Distant trees were treated with the lightest blue-green wash to imply aerial perspective. I also taught Gay to remove objects that over complicated the scene. For instance there were branches and moss directly behind the unicorn’s head, but I removed those in the sketch to give the Unicorn head a clean silhouette.

Mr. Harley entertained at Kids Fringe.

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On May 23rd, Mr. Harley was the first act at the Kid’s Fringe tent at the Mennello Museum. My mural, “Whose line is it anyway?” was at my back as I sketched. It offered a colorful backdrop and it was nice to see it with so much vibrant activity around it.

Mr. Harley played light hearted music for the kids. This sketch was a quick demo for my student on how to use a few quick blocks of color to cover the whole sketch. The Kids Fringe tent was the perfect spot to start each day’s Sketch Tour since the kids would do early morning stretches to start their morning. While they were stretching it made sense to get sketching. The green lawn of fabulousness in Lock Haven park is very quiet in the morning. This is probably because it rocked so hard the night before.

 Since I was hosting the Sketch Tour, I was able to do far more Fringe Sketches than I usually would. I’ve trained myself to just get one sketch a day at any event I go to so that I can have some kind of home life as well. There are so many free acts at the outdoor stages so you could spend a whole day at the Fringe without paying to go to a theatrical production. The Shakes, Rep,Orlando Museum of Art and the Venue all have air conditioning however, so the temptation to sit inside a cool theater eventually takes hold.

As part of the Sketch Tour package, I offered Fringe buttons so it made sense to eventually introduce the idea of sketching the shows themselves. Sketching in a theater has it’s challenges and I pointed out my tips and tricks to get a sketch even when the house lights go black.

The 11 O’Clock Number presented an Improvised Musical at this year’s Fringe.

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Grindstone Theater from Edmonton Canada presented The 11 O’clock Number at this year’s Orlando International Fringe Festival. They managed to stage a fully improvised musical built around a prompt from the audience. From our audience they decided to use an entertainment lawyer who liked working from the beach. What made it even more funny is that the actress playing the part of the entertainment lawyer really had no idea what an entertainment lawyer actually did. It became an ongoing joke as she guessed about her role.

The plot centered around a spoiled child star and her sister who felt she could be a star as well if she were only given a chance. The villain was a scheming producer who wanted to have the kid sign her life away.  Every song was heart felt and yet hilarious. There is some major talent involved in making up lyrics on the fly. The music must have been established in rehearsals with the piano accompaniment, but the new lyrics were amazing. The result was a solid hour of laughter. This was entertaining improv at it’s best.

Robyn Da Hood was hilarious at Fringe.

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SAK Theater Company of Orlando presented Robyn Da Hood – A Rap Musical at this years Orlando International Fringe Festival. I made the mistake of sitting in one of the balcony boxes. It turned out that the box would be used by several of the actors during the show. My student and I had to scramble to find new seats. The show is a mash up of the classic story told through hip hop beats. Set pieces were elegantly created out of corrugated cardboard.

The show swaps gender roles with Robyn Hood being played by Chelsea Hilend. Her merry band are also all women. Sheriff of Nottingham (Mike Carr) is a villainous sexist pig who thinks he can defeat Robyn by seducing her and keeping her bare foot in his kitchen. Lil’ John (DeMarlon Vega) is the only person in the show who is dressed as a Rap singer. His only line in the show is “YAY-ah!” “Oh-KAY!” This caused a loud laugh from the audience every time but I’m just not hip enough to get the reference. Every song had witty, hilarious lyrics and the show galloped forward at a break neck pace.

One member of the audience got to play the part of the King. He was given a paper crown and a corrugated cardboard frame that came complete with a mustache and beard. One of the Merry Maids took a seat right in front of me for the archery tournament. Prince John, (Chris Dinger) was hilarious as an inept childish prince.

The show managed to entertain on every level. The cheap set pieces actually helped sell the campy and fun flavor of the show. For instance as Robyn escapes from the castle, a photo of her is clothes pinned to a line between cardboard buttresses and she cranked across to safety, all while the sheriff gloats in his success. I have always associated Sak with improv comedy but now I see it as a place where great theater is incubated and born. Robyn Da Hood won the Critics Choice Award for Best Book Musical at the Fringe and it is well deserved.

Sugar Crush Kids performed at Fringe.

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During the Fringe Sketch Tour, I did a quick sketch of Sugar Crush Kids as they performed in the outdoor stage at the Orlando International Fringe Festival. This was essentially a demonstration to show how to cover a sketch quickly with large bold washes. Sugar Crush performed a high energy set that was over before the sketch was complete. Musical sets seem to fly by when you are trying to capture the moment with a sketch.

After this, we decided to break for lunch and then head inside to sketch a show, and get out of the heat. Food vendors are all around the green lawn and I decided to get some BBQ. The vendor wasn’t very efficient so it took a long time to get my food. Another fun aspect of Fringe is that you get to meet the performers on the lawn. A performer might be seated right beside you as you eat lunch, so you get to rub shoulders with some amazing talent.

Kids Fringe proved that anyone can Fringe.

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On the weekend of May 24th and 25th I held a sketch tour at the Orlando International Fringe Festival. Artist Gay Geiger joined me on those two days to sketch as many aspects of the Fringe as we could. We started at the Kids Fringe each morning. At the main stage, Voci Dancers would lead the kids in stretches to start out the day. It was a perfect opportunity to do quick gestural drawings to start out the day. Beth Marshall‘s son Darth was working the tech for the stage.

Dave Rocker’s Barnyard Jam was the first act up after the morning stretches. The cloth fence of course hid the puppeteers.  Before the show, several children were introduced to the puppets and it was charming to see their looks of wide eyed shock, surprise and wonder. The one puppet that is hidden behind a curtain in my sketch was a goat. The songs were light hearted and fun and the kids loved every minute.

Besides doing my own sketch, I also gave Gay as many notes as I could. With just one student I was able to give her tons of tips as we worked. When you sketch you are thinking a thousand thoughts and I just verbalized that inner dialogue. It was fun having a student along to share the experience with and I ended up doing far more sketches than I usually would.