Assassins

Cheyenne Saloon and Opera House in downtown Orlando will host a production of  Assassins, which is a musical with music and lyrics by Stephen Sondheim and a book by John Weidman, based on an original concept by Charles Gilbert Jr.

Staged by the Florida Theatrical Association, and directed by Kenny Howard, the production makes amazing use of this historic venue which will soon faces it’s own assassination by developers who want it demolished for a condo sky rise, since what Orlando needs is more high rent shoe boxes.

Assassins lays bare the lives of nine individuals who assassinated or tried to assassinate the President of the United States, in a one-act historical musical that explores the dark side of the American experience. From John Wilkes Booth to Lee Harvey Oswald, writers Stephen Sondheim and John Weidman bend the rules of time and space, taking us on a nightmarish roller coaster ride in which assassins and would-be assassins from different historical periods meet, interact and inspire each other to harrowing acts in the name of the American Dream.

When Pam and I arrived, I knew I wanted to sketch the production as if viewed from Lincoln’s Presidential booth at the Ford Theater. Unfortunately the Saloon’s first level balcony was to be used by actors who appeared with blood red spot lights illuminating them from below during the show. There was another balcony above that but the sight lines made it impossible to see the stage. We finally climbed to the highest levels, having to walk through the actors green room to get there. From this vantage point, the technicians and stage director took center stage, while the performers worked on the distant stage. On the balcony above the stage a band performed. Unfortunately the acoustics were not stellar from where we sat, but we both knew the play and could follow along. I should note that even from our nose bleed level I could tell the performer for  John Wilkes boot has some major singing chops.

I tend to feel a bit uncomfortable with performers holding guns. Of course actor Alec Baldwin thought his gun held blanks when he shot his cinematographer, Halyna Hutchins dead. A lawyer for Alec Baldwin said on April 21. 2022 that an investigation by New Mexico has cleared his client of wrongdoing in the fatal shooting on the set of “Rust.” Halyna’s life was found to be worth only $137,000, which is how much New Mexico fined the Rust production.  Orlando is is also where a gunman entered the Pulse Nightclub and murdered 49 people and injuring 53 others. From as far away as we were, I could not make out if the weapons were historically accurate. The gun’s sound effects were at least played down, being unrealistic slaps.

Assassins will run April 22, 2022  to May 1, 2022 at the Cheyenne Saloon on Church Street. Tickets are available now through Eventbrite. Tickets range from $22 to $100 for VIP seating.

League of Women Voters Hot Topics Luncheon

 The date was 12/12/12 and at 12:12PM the Sorisis Club, 501 E. Livingston, a few blocks east of Orange Avenue in downtown Orlando, was filling up. The room seats about 130 guests. Sara Segal had invited me to sketch the League of Women Voters Hot Topics luncheon. The quaint one story building resembles a church meeting hall. When I arrived, Sarah introduced me to Andrea Kobrin, the Hot Topics Chair. I decided to sit behind Terry, the sound man.

The topic of the day was the state of the Arts in Central Florida. As people ate lunch there were random acts of culture. A singer performed with a piano accompanist. Two women read lines from a play. A large canvas was hung as a backdrop on the stage. It was painted by Nancy Jay in 1996 was titled “Tree, Leaf,  Cell” and it showed a macro and micro view of life. Rene Schneider had artwork on display by middle school and High School students. The students were from abusive families and the program helps build self esteem.

Flora Maria Garcia, Terry Olson and Kathy Ramsberger spoke about challenges, innovation and opportunities for the arts and their organizations. Matt Palm from the Orlando Sentinel moderated. Each speaker had opening remarks. Then there was a panel discussion, followed by questions and answers.  Kathy Ramsberger was asked repeated questions about how the Dr. Phillips Center of the Performing Arts will benefit local performing arts groups. She responded that the Center would charge fair rental fees for it’s use. There is now an uproar because the Center has decided not to use Florida Theatrical Association to book the Broadway shows. That organization has been bringing Broadway shows to the Bob Carr Performing Arts Center for 24 years. The Dr. Phillips Center wants to book the shows themselves saying they will save an estimated $700,000 annually. $75 million dollars still needs to be raised to complete the third phase of construction. The Florida Theatrical Association vowed that they would continue to bring Broadway shows to Orlando. Do people go to shows to experience new architecture or do they go to experience great art?