Orange, White and Blue Gala

Posted on by Thor

Devin Dominguez invited Terry and I to Evening in the Grove, was an Orange, White and Blue Gala honoring the Orlando Magic with proceeds benefiting the Art and History Museums of Maitland. I wore a blue and white striped shit,with a blue tie and jacket. The event was at the Sheraton Orlando North Hotel in Maitland. I had sketched a wedding reception here once. As soon as guests entered the hotel. they were greeted by Ashley and Amy, two of the Orlando Magic dancers. I wandered around the lobby looking at all the silent auction items but I couldn’t find a spot to sketch. Dawn Schreiner was doing quick portraits for anyone who wanted to sit for a bit. There were several Orlando Magic players, Bo Outlaw and Nick Anderson, sitting by themselves but they
looked bored and so I decided that the chipper dancers were my best bet for a decent sketch during the cocktail hour. They posed with people and waited patiently between photo shoots. They didn’t quite know shat to make of me and they peeked at the sketch in its early stages.

They wandered off and I debated about abandoning the sketch. I figured they were creeped out by the loony with the sketchbook. I decided to focus on features of the room and before long, the dancers were back. Amy peeked again and said, “Moving on the ink, this is getting serious.” This time I nailed down the dancers slender proportions. Raffle tickets were being sold by the arm length. Bidding on the silent auction items involved downloading a program on the smart phone where bids stacked up digitally, and you were even warned if someone outbid you. I tried to limit my palette to blue, white and orange. When I finished the sketch, I found my way to the dining area. The salads had just been served, so my timing was perfect. Speed painter, Tony Corbitt was on stage doing a painting of Paul McCartney of the Beetles. Tony usually takes his shirt off when he paints but event organizers insisted he keep his shirt on. I’m always impressed with the speed in which he nails a celebrity face using just white paint on a black board.

The live auction was lively with one of Tony’s paintings bringing in over $300. Henry Maldonado,  president of thee Enzian Theater, acted as the Emcee. Speakers pointed out that the Orlando Magic Youth Fund had distributed over $17 million dollars through the Orlando Magic Youth Fund. Programs like, Journey to the Arts, help bring culture to at risk youth who might never get that experience otherwise. A young woman named  Mercedes Beaudoin got behind the mic to talk about her experience as an intern working for the Maitland Art and History Museums. She spoke of how much she learned and how grateful she was. The arts offered a long lasting meaningful purpose. Then she choked up as she said, “especially since my mother died recently.” The room grew quiet as she regained her composure and spoke about how important the arts are in our lives. Everyone stood and clapped as she left the stage. The evening brought in a net total of $48,200. All monies raised will support art and history programming at the Art and History Museums of Maitlnd.

Red Chair Affair

Posted on by Thor

The Red Chair Affair is held once a year in Orlando at the Bob Carr Performing Arts Center, (401 W. Livingston St. Orlando), to introduce the upcoming theater season. It is a opulent crash course celebration of Central Florida’s arts and culture. John DiDonna directed this intricate evening showcasing an army of Orlando talent. The logistics of just getting everyone on and off stage on time and in order must have been mind boggling. Thankfully John allowed me to sketch a rehearsal, since I had another sketch outing planned for the night of the performance.

I entered the stage door and made my way through the back stage maze of dressing rooms to get to stage right. Crowds of actors, dancers, singers and acrobats were in the halls. John shouted my name and welcomed me. Both he and Jennifer Bonner advised me to sketch from out in the house, so I abandoned the notion of sketching from back stage. Besides stage lights were blinding.  In the back rehearsal room, all the decorated IKEA Red Chairs were on table being inventoried for auction. Each arts organization decorated a chair.

YOW Dance was on stage going through a dance routine for staging. I turned my attention to the TV camera operators who were filming the rehearsal. The NuLook School of Performing Arts students performed a lively
and stylish Indian dance called “Redolare.” I caught one of the dancers sinuous lines. Comedic actors from the Orlando Shakespeare Theater performed a hilarious fast paced history of Shakespeare using a sports commentators pacing. I recognized actor Brandon Roberts who always makes me laugh. Since I’m no Shakespeare expert however, some of the analogies were way over my head. I heard that the Enzian Theater was going to screen “Notes on Biology” which we now screen every month in the Full Sail 2D Animation course to help inspire students.

The Search for the Holy Grail

Posted on by Thor

My wife, Terry, agreed to meet me at the Florida Film Festival to see the Animated Shorts. I got to the Enzian a little before Terry and ordered an Orange Blossom Pilsner. There wasn’t anyone in the box office so I sat at a table and sipped my beer, watching people as they arrived. I waved hello to Kim Robinson from the Mennello Museum. She sat down at my table and began knitting the tiniest baby slipper I have ever seen. She had seen at least ten films already although she stopped keeping count. She essentially takes the week off and sees all the independent films she can. A line started forming for “Single Ticket Holders.” I wondered out loud if there was a line for “Married Ticket Holders.” Kim decided she had better stand in line so she could get a good seat.

Terry arrived and she checked with the box office. The Animated Shorts program was sold out. A woman in blue was at the head of the “Standby Line.” We sat down in the second and third standby spots and waited. The group of people behind us all knew each other. Director Sari Gilman approached from the Eden Bar. She recognized these long lost friends and her face lit up. There were hugs and a quick flurry of conversation as they tried to catch up before the line started moving. Sari is a film maker from San Francisco. Her film “Kings Point” is about the need for companionship and the difficulties of growing old in America, of being alone. Terry and I looked at each other and our eyes grew large. Sari spends most of her time alone in a dark room cutting and editing scenes together. Between screenings of her documentary short, which is half an hour long, she hopes to promote the film. Promoting the finished product is difficult for any artist. The film is being screened one more time on April 21st at 1pm at the Regal Park Village. I will not have a chance to see it since I have class that day.

The line started moving and we made it into the Enzian Theater in Siberia at the back of the theater. An announcer asked someone from Lure Design to stand up. Lure was the sponsor of the Animated program. She then thanked Full Sail and asked Full Sail staff to stand. I remained seated. My favorite animated short was “Notes on Biology.” With stop motion jitter, children entered a classroom, sitting at their desks. Notebooks are opened, some neat and tidy and some a mess. A student starts animating a wheel turning as the teacher drones on about Biology. The notes spark to life when he draws a robot elephant. I learned a new word, ectoecology, which is how an organism abopts to its environment. A Film Festival staple, Levni Yilnaz, entertained with his “Random Observations about Sex.” Animator Bill Plimpton was in the audience and he had two shorts in the show, my favorite being “Summer Bummer“.

After the screenings, there was a free screening of Monti Pithon and the Holy Grail, outside on the brand new inflatable movie screen. The thing looks something like one of those inflatable kids romper rooms or slides. I’ve actually never seen “The Holy Grail”, so I was excited. The film had already started and the hillside lawn next to the Enzian was packed to overflowing. I sat right next to the screen, and looked up the hill at the audience. I couldn’t really see what I was doing but at least I caught an impression of the couples lying on blankets enjoying the show. Terry found me and shouted in my ear that she was going to go. That morning I had my heart carved out with a dull knife. Luckily, it was just a flesh wound and my hand can still put marks down on a page. I finished the sketch in no time flat since I couldn’t see any detail. I looked up at the thin elongated knights on the screen which billowed in the wind. A few drops of rain fell and I left before the movie was over. Someday I hope to see the whole film.

Olive Garden Italian Cinema Night

Posted on by Thor

This Florida Film Festival staple tasting night has become a beloved ritual for Festival attendees. The tasting reception was preceded by “Marriage Italian Style“, with Sophia Loren, inside the theater. People arrived at Eden Bar for a tasting of Italian treats and delights courtesy of festival supporter Olive Garden Italian Restaurant. Film tickets were $10 each. The tasting reception was complimentary.

I arrived an hour early to block in the sketch composition before the crowd got too thick. I ordered a Orange Blossom Pilsner and sat at a metal table on the sidelines. Volunteers at the Festival this year are wearing bright red shirts that say “Scan me”, with a giant QR code on the back. One volunteer weaved through the crowd with a questionnaire to find out where Festival attendees came from and how much they planned to spend. Another woman approached me and asked if I had a program yet. I didn’t, and I assumed she was going to give me the one she was holding. She had a program and was given a second one. She wanted to sell me her second program, I declined.

Mary Ann De Stefano arrived and she was kind enough to get me several tiny sampler plates. There was a crispy toast with crushed tomatoes on top, a sharp white cheese and some olives. As people arrived there were hugs and compliments. After the tasting there was going to be a screening of “Dead Dad” which is the premiere feature film of FSU student, Ken Adachi. Ken developed an urge to complete a feature length film while working primarily in short formats. New to Los Angeles with limited funds, he and his collaborators embraced a grassroots approach and worked tirelessly to make it happen. The result is “Dead Dad“, Adachi’s feature film debut. I believe that Ken, his family and friends were at the table next to mine judging from the hearty congratulations.

The Artist

Posted on by Thor

It was a crisp cool evening when I went to see “The Artist” at the Enzian Theater. Since I arrived early, I decided to get a beer at the Eden bar before the screening. All the propane space heaters belched out their blue and yellow flames that then turned the protective grid a bright orange.

Couples slowly arrived as I sketched and I quickly worked them in so my sketch didn’t look too desolate and cold. Invariably people seem to look at their phones more than they look at each other.

“The Artist” was a magnificent black and white film that harkened back to the age of the silent movies. The male lead, named George Valentin, looked just like a young Walt Disney. He was charming and absolutely at home as a star in the silent films. His dog who also made appearances in the silent films was just as much of a ham.

Peppy Miller, a young actress trying to break into the film industry has a chance encounter with him and there were sparks and instant chemistry, they both loved dancing and putting on a good show. The talkies brushed silent movies aside and the George’s career floundered while Peppy rode the new wave. The entire film was silent and it flowed wonderfully, not missing a beat. The one line at the end of the film felt just as iconic as “Rosebud” from Citizen Kane.”

Anyway, the Florida Film Festival is running now through April 22nd. Be sure to get out and rub shoulders with some of the amazing directors and producers from the crop of this years films. It is ten days of film, food and fun. Sadly, like George Valentin, I seem to be out of the loop this year but I will try and get a sketch if I can.

Eden Bar's New Menu

Posted on by Thor

The Eden Bar outside the Enzian Theater hosted a media event to introduce new lunch menu items. I arrived right after work and started sketching before the bar got too crowded. Christie West the bar manager gathered all the staff together to discuss the game plan for the evening. When she spoke with me later in the evening, she explained that all the bartenders had gone out and shopped for unique ingredients. They then set up a drink lab where each bartender created their own signature drink. The first drink that came out was a Vodka Lemonade Lime drink in a martini glass. The drink had to be sipped using the dainty straw to avoid sipping the herbs. I made that mistake only once. When my watercolor brush ran out of water, I refilled it with this light vodka drink. The drink was delicious as well. The next drink sample was a black currant gin, also quite refreshing.

Finally some food samples arrived. The first was an Ahi tuna with mango, avocado, fresh red onion and sun dried tomato, lightly tossed with chili oil. This was a radical change from the usual menu where I might expect pizza. This was fine dining cuisine presented beautifully. Executive Chef Ed Hollingsworth is responsible for the new splash of color and tastes. A Mediterranean dish had babaganoush, hummus, sun dried tomatoes and eggplant which was a bit to salty for my taste. The dishes just kept coming, there was a Mac and Cheese Teriyaki and a stuffed mushroom that was amazing!

My favorite drink served was simply called Sugar and Spice. It tasted like Thanksgiving, Christmas and New Years all served in a cup. I told the server how much I liked it and it turned out she was the creator. I will certainly be returning to enjoy all the Halloween themed movies in October and to continue sampling this amazing new menu.

Kelly Fitzpatrick who blogs about Central Florida night life was at the next table laughing vivaciously and enjoying herself. I was shocked to find out that days later she had passed away in her sleep. She was just 36 years old. Life is short people, make every moment count.

United Arts Annual Meeting

Posted on by Thor

The United Arts Annual Meeting was held at the Orlando Museum of Art. I arrived a little early and tried to enter the auditorium but it was locked. The front gallery was set up for a buffet lunch and there was a podium. I started sketching in there until someone let me know that the meeting was in the main auditorium as I first suspected. On the stage were canvases on easels and painters supplies. Ironically most of the supplies were for house painter’s rather than fine artists. I know very few artists who use a roller to paint with. No wonder it is hard for Central Floridians to pay market value for art. They just want the walls covered.

Cory Warren showed slides from a new M.D. Anderson Cancer Center artist in residence program that he helped spearhead.Funded in part by the Livestrong foundation this program brings working artists into the hospital to help cancer patients express themselves through art. Patricia Charpentier is helping patients write their life stories and Andrea Canny is helping patients create art. Art can inspire, enlighten and be a comfort when faced with so many overwhelming issues of mortality.

Elaine Hinsdales campaign report was funny, light hearted and to the point. Her first slide of Eduard Munch’s “Scream” showed the challenge of raising several million dollars. “Dogs Playing Poker” showed the committee dealing with the hand they had been dwelt. The end result was that they met their goal raising over two million dollars and raising o.8% more than last year.

Several $5000 awards were handed out. One went to the Enzian Theater. They plan to use the money to purchase a new screen for the free outdoor screenings they do on the sloped lawn beside the theater. The second award went to Dario Moore who is the choreographer for “Slave Stories”, and he teaches children the importance of expressing themselves through dance. This was the second time in two weeks that I had watched him accept awards.

Edward James Olmos

Posted on by Thor

Alan Arkin was slated to appear at the Florida Film Festival along with a screening of “The Russians are Coming, the Russians are Coming!” This is one of Terry’s favorite films so she bought a ticket early. He was in a minor car accident which caused some damage to his inner ear so he was unable to fly.

Edward James Olmos stepped in along with a screening of “Stand and Deliver.” I arrived early and a staff member was just changing the marquee sign. The long pole had a suction cup at the end along with a string which, when pulled must have created the suction. Letters stacked on the ground were lifted up one at a time and slipped into the slots, a very analog setup.

I knew the event was sold out so I was nervous that I wouldn’t get in the theater. Just as I finished my sketch, the long line of people started filing into the theater. I went into the lobby with the other press and volunteers who were on stand by. As I waited, Edward entered the lobby. He warmly shook my hand and said how happy he was to be seeing the film again on the large screen.

“Stand and Deliver” was an independent film that was an instant and lasting success. It inspired and offered the hope that teachers can truly make a difference in their students lives. It offered the reassuring promise that if you believe in and trust those you teach, they become trustworthy.

After the film he sat down with Henry Maldonado for an informal interview. When Edward got on the stage, he asked the audience, “Are there any teachers out there?” I raised my hand as did a number of people in the room. He said, “You all should be making a million dollars a year.” People cheered. He went on to point out that the private education system isn’t working in our country. He felt a strong country should have a strong education system.

When discussing his time on “Miami Vice” he was completely honest, saying he didn’t like Don Johnson and he didn’t once look at the actor when filming the series. Olmos didn’t like to sign contracts that were exclusive, not allowing him to pursue independent films. He hated every minute he spent on that tv series and yet that contentious attitude resulted in his becoming a character the TV viewing audience loved to hate.

Speaking about “Stand and Deliver”, Olmos said he spent many hours with the teacher, Jaime Escalante, and he was struck by what an amazing man he was. He expanded the math program he started so he could take on more students. Escalante was visited by presidents and diplomats. His success over time was resented by the other teachers who felt they did not get the recognition they deserved. Because of these jelovsies he eventually had to leave the school and the students he loved. When he was on his death bed he told his wife that he wanted the names of his students placed with him in the casket.

In “Blade Runner” Olmos was the one who was making origami figures while on set, and that idea was incorporated into the film. When he was hired as Admiral Adama for “Battle Star Galactica, he at first didn’t want to take the role. He had never seen the original TV series and he didn’t want to be part of some cheesy science fiction show. After reading the script however he knew this was a project he had to be a part of. Written after 9/11 the scripts were dark and penetrating. At the time the show was written, blogs became prevalent for the first time. After a show aired, there would be a dynamic ongoing online discussion. The writers listened and commented themselves. Thus blogs helped generate new ideas.

His relationship with President Laura Rosling was a bitter contentious power struggle yet transformed into love. The shows theme of redemption and forgiveness resulted in his being invited to speak in the United Nations. The most important message he offered, expressed there and at the Enzian, was that there is no Latino race, there is no Caucasian race, there is no such thing as race as a cultural determinant. There is only one race and that is the human race. When Olmos got up to leave the Enzian stage he turned to the audience and shouted, “So say we all!” He shouted again and again till the whole audience joined in.

Animated Shorts

Posted on by Thor

Each year, I have to see the animated shorts at the Florida Film Festival. This year Bill Plimpton had a display of artwork from around the world used in his Global Jam. He invited artists to each tackle a scene in their own style from his Academy Award winning film Guard Dog. The invitation went out via the Internet. Bill waited an hour, no response. He waited another hour with no response. He went home depressed. The next day he was told that too many artists responded causing the server to go down. The resulting film was hilarious being even quirkier with all the different looks. Bill said the film cost him $20 to produce with animators around the world volunteering their time.

Anyway, the Animated Shorts screening was sold out. The line stretched back as far as I could see. There was a chance I might not get in, but house manager, Brian Feldman, stepped in and made sure I got a ticket. I found a seat in the very first row. Brian joked and said I should sit on the stage and sketch the audience. I was tempted but really wanted to see some animation. I leaned back and let the screen filled up every inch of my glasses. Tales of Mere Existence by Lev Yilmaz is always in the lineup and is always funny. This year he talked aimlessly about how he had imagined relationships with women in the Ukraine via Facebook. There were a few artsy shorts with no apparent story. I always get annoyed at these aimless films.

My favorite film of the night was “The Fantastic Flying Books of Mr. Morris Lessmore“. Though it could use a shorter title, the film is magical. It basically stresses how books offer refuge bringing color and life into people’s lives. The main character was modeled after Buster Keaton. One of the co-directors daughter died, and his wife became paralyzed during production of the film. Moonbot the new studio that made the film is located in Louisiana, so when Hurricane Katrina hit, it ended up becoming a major part of the story. There is something very sad about seeing peoples books in among the rubble of destruction. Several of the story and visual development artists were originally from Orlando but unfortunately I didn’t know them. They asked if anyone in the audience worked at Disney Feature Animation. I started to raise my hand but stopped halfway up thinking “well, not anymore.” Seeing no hands he said, “Damn Michael Eisner.”

The Florida Film Festival

Posted on by Thor

I went to Italian cinema night at the Enzian. First I did a quick sketch at the bar. After picking up a free Peroni beer, I went in to see La Pivellina (The Little One). This was an Italian film with subtitles. The film opened with a stout middle aged woman with fire engine red hair searching for Hercules. She shouted the name again and again. What she found instead was a two year old girl sitting in a swing. No one else was around so she pushed the swing. Then together they looked for the little girl’s mother. A note in the girl’s pocket indicated that the mother had to abandon the child and she would come back for her. Not knowing what to do the redhead took the little one back to her trailer.

The willful little girl is the true star of this film. She is adorable in every scene, from imitating a babysitter’s expressions to the pure delight of walking through a puddle in big rubber boots. Because she is so natural the hand held footage began to feel like a documentary. All the heartwarming drama of the scenes must have been built around letting the little one just be herself. She didn’t like the redheaded woman at first and she would willfully shout, “No!” I got the feeling the older woman had never had children.

She and her husband were part of a small traveling circus. They aren’t perfect characters. When Hercules, their dog finally returns he is slapped. A goat wandered into the bathroom. They break down the small circus stage, when they realize that no one had stopped to see the act all day. The little one helped by carrying a chair. She slowly and surely became part of the family. What is precious about this film is that the director let the camera linger when needed. There is one scene where the little one is falling asleep while the couple discuss what they should do with her. The camera lingered a solid minute or two as the girl’s heavy eyelids flickered shut with her finger pressed to her cheek as if she wanted to keep that one eye open. Later a second note is found and they realize they will have to give up the girl up, which is heartbreaking since she had brought out the best in the both of them. If you ever get a chance to see this film, I highly recommend it.

Outside the theater, Olive Garden put out a spread of free Italian food samples. I bumped into Mary Ann deStefano, who had already seen eight films focusing mostly on the shorts. Pete Dipietro the Enzian’s technical manager, invited me to sketch in the projection booth. There I met Tom Procyk who was getting ready to show Fredrico Fellini’s Armacord. Tom let me know he would be splicing together the film “Breakfast at Tiffany’s” while Fellini’s film was being projected. The film was shipped to the Enzian divided up into a number of small reels. Tom had to splice together all the small reels making one large master reel. The whole time he cleaned the film checking for imperfections. He handled the film like a precious thread. The projector made a clattering noise. Turning he said, “That doesn’t sound right.” He opened a panel on the side of the projector and made adjustments. At times he has had to get creative like using a rubber band to keep the machine running until a new part was ordered. Tom started this job when he was in high school and he has been a projectionist for 13 years. It is an art form, a craft, that is quickly being lost as the film industry turns digital. Before I left he gave me a souvenir, a reference frame from “Breakfast at Tiffany’s.” I tucked it into a sleeve in the back of my sketchbook.

“In every art form it is the emotional content that makes the difference between mere technical skill and true art.”
-Frank Thompson