Who’s Afraid of Virginia Wolf?

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Who’s Afraid of Virginia Wolf by Edward Albee was presented at the Le Petit Théâtre on the Seminole College Campus. Actor Stephen Lewis had suggested I sketch a performance. Stephen helped me find the sound technician who mixed a surround sound track for my film COVID Dystopia.

Who’s Afraid of Viginia Wolf won the Tony Award for Best Play in 1963, and is considered one of the most important American plays of the 20th Century. Martha and George, a middle-aged couple, have a complicated and contentious marriage. After a university faculty event, they invite a new biology professor and his wife over for a late night of entertainment.

Martha and George spar all evening like two seasoned gladiators taking endless jabs at one another and dragging the young couple into their unfolding drama.

Freshman year of college I was asked to read this play and it convinced me that I would never want to become a university professor with hopes of tenure. The play was three hours long with two intermissions, so there was plenty of time to sketch. I looked around to see if there was any HEPA filtration for the air in the small black box theater. Since I didn’t see anything, I was masked for the length of the performance. An online student told me just before I left for this performance that her friend had just caught COVID and she felt she might be coming down with it as well. She had been infected about three times so far. A couple in front of me were coughing off an on. They say the goal of a good performance is to keep the audience from coughing. It is hard to do that in a pandemic.

The performances in this production were stellar. The angst and a light spark of affection between George and Martha was palpable as they pushed each others buttons. The young and ambitious professor tried to keep up with George but he fell victim to the vicious mental acrobatics that ensued. I wish I could convince more people to go and see this production, but unfortunately the show run is over.

The Goat or Who is Sylvia?

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Edward Albee‘s The Goat or, Who is Sylvia? is an absurdest play with subtle references to ancient Greek tragedy. It poked fun at modern liberal ideals, and taboos. It is not an easy play to digest. In the first scene Martin (Allan Whitehead) has turned 50. He seems to have it all a very successful career as an architect and a loving wife, Stevie (Merritt Anne Cooke-Greene). They joke with each other clearly loving each others company. Martin’s friend, Ross (Mark Anthony Kelly) is a reporter and he sets up his video camera to record an interview with his longtime friend. Though Martin is at the pinnacle of his career it became clear that he was not happy about turning 50.

I had sketched a reading of Edward Albee’s play back in 2010, so I knew what was to come in the second scene. Thought Martin had been faithful for his whole marriage, he had recently met Sylvia and fell  deeply in love. Perhaps it was the country air but he was different around her. He confessed this affair to Ross who immediately wrote a letter to Martin’s wife to warn her. What followed was a long confession my Martin to his wife while she broke just about every delicate item in the living room. I have to confess that there was so much yelling that I began to tone it out. The entire scene seemed hell bent on a single note of frantic yelling and emotional destruction. Martin’s Son, Billy (Adam Minossora) was home through the confession and he didn’t take the news well. Though Martin was out doing unimaginable things in the name of love he was not accepting of his son’s homosexuality. This was strange double standard for this father son relationship.

I will say it again, this is a hard show to watch. It is unnerving. It was a daring choice for Director Marco DeGeorge to bring it to Theater on the Edge (5542 Hansel Avenue Orlando FL). The first evening’s performance was sold out. Perhaps Orlando is ready for some really unsettling and cutting edge theater.

CREATIVE TEAM:
(Producer / Set Designer)
Elaitheia Quinn (Asst. Director / Creative Asst.)
Riley Walden (Directing Asst.)
Chris Ivers (Builder)
Megan Raitano (Associate Producer / Stage Manager)
Derek Alan Rowe (Graphic Designer)
DeeDee Strauss (Box Office).

The Goat, or, Who is Sylvia? is running April 2, 2019 to May 5, 2019. Tickets are $23 to $35.

Melbourne Civic Theatre Presented Edward Albee’s “A Delicate Balance”

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The set for Edward Albee’s  “A Delicate Balance” was a well appointed suburban house. The Melbourne Civic Theatre is small and intimate so as an audience member, you feel like you are almost a part of the scene. The stage is set up in a corner of the room, so there really isn’t any front and center seating. Agnes (Nellie Brannan) and Tobias (Terrance Girard) were in their living room talking and having drinks. Staging wise, there was always a cold distance between these two. The reason for the detached tension slowly became clear because Tobias had an affair and yet the couple stayed together. They also had to weather the loss of a son.

Right now however the couple has to face Agnes’ sister Claire (Susan Suomi) who has moved in. Susan presents herself as a new age hippy but her incessant drinking she chalks up to a willful resolve. Julia (Tracy Thompson) is the couples daughter, and she has just returned home after her fourth divorce. She is needy and spoiled often causing a scene when she doesn’t get her way.

The most surreal mixture to this perfect storm of characters are the neighbors, Edna (Tori Smith) and Harry (Michael Thompson) who were overwhelmed with an unexplainable sense of fear in their own home. They moved into Julia’s old room as they recover. Every scene involved multiple trips to the corner liquor cabinet to mix drinks. Tempers flair in the now crowded home. Tobias has to decide just how much he can give before going insane.

This was my first time at the Melbourne Civic Theatre and it was a wonderful surprise. Managing Artistic Director Peg Girard has created a safe haven for cutting edge theater. After the show, the actors lined up in the lobby to greet people as they left. I got a chance to quickly meet actress Nellie Brannan who had invited me out to see the show. Nellie is also an artist and she might take part in future sketch crawls. If you ever take a weekend get away to the beach, you should look up the Melbourne Civic Theatre and check out a show.

Melbourne Civic Theatre

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One June 20th I got an invitation to sketch at the Melbourne Civic Theatre (817 E Strawbridge Ave, Melbourne, FL). The Theatre is Bevard County’s longest running arts organization. I was invited by actress Nellie Brannan who is also an artist and she found out about my work from the Urban Sketcher’s site. It was an adventurous drive to the East coast to catch the show which was Edward Albee‘s “A Delicate Balance.”

The sky opened up and it poured for the entire trip East.  Thankfully as I arrived in Melbourne, the rain stopped. The Theatre has recently been renovated and expanded. The front lobby was recently purchased from another establishment. La Galerie is a walkway lined with stores. The Theatre entrance used to be in the back but now there is a large lobby where patrons can mingle before finding their seats.

I arrived early, got my ticket at the box office and then sat across the street in front of City Hall to sketch the Theatre. The building to the right was all boarded up. As I noticed people entering the Theatre, I started sketching faster, because I knew it was show time…