Night of Fire

Crealde held an event called “Night of Fire” at the school campus (600 St. Andrews Blvd. in Winter Park). Tiki torches lined either side of the long gravel path leading back to the school. I wandered around trying to decide what I should sketch. There was a huge kiln about 8 feet tall that filled a shed. It was burning hot but there was little activity around it. I then found this little garbage can kiln in action. The garbage can glowed red hot, sitting on top of fire bricks. The flame was fed by a propane gas tank. This is referred to as Raku firing.

Lynn Warnicke would remove a properly heated ceramic pot with long metal tongs and place it in a garbage can with newspapers. The newspapers would smolder and then burn. I was blinded quite a few times by the smoke, finding myself downwind of the cans. A garbage can lid would be lifted and then the tongs would be used again to drop the pot in a vat of water to cool down. The finished and glazed pots would then be lifted by hand and placed on a bench where they were all lined up.

There was a constant flurry of activity and I was never certain if I was catching the right moment. I learned about the process as I sketched and now that I better understand it, I would probably get a better second sketch. There was no time for a second sketch. I walked around searching for Terry. There was a cool sculpture behind the school, lake side, that shot up a blue flame into a tall glass tube. There had been a bronze pour but it was finished before I got there to sketch. A story teller waved her arms as she spoke to enchanted children and parents.

Inside the school, Ken Austin was demonstrating his watercolor techniques and Megan Boye was in the print department showing people the process. There were prints and paper hanging and lying everywhere. It was an amazing event. I probably cold have learned a thing or two had I lingered.

Lone Wolf

The next performer at the Jug-ly Art & Antics fundraiser at the Peacock Room was the Lone Wolf. He set up behind a simplified drum set with a megaphone attached to the base drum. He had a harmonica set up with a brace to hold it to his lips. A tin can hung below the harmonica perhaps for added acoustics. His voice was raspy and deep. Something about singing into a megaphone made the vocals seem bad ass. I worked quickly trying to capture him in the dim light. His drum set was bright green and he disappeared into bloody reds. His girlfriend stood directly in front of the stage checking her iPhone occasionally. He called out to her once, to help him find the slide for his guitar. He was the quintessential one man band.

Next on the line up were the Kitschy Kittens Burlesque Troupe. Suddenly the room was jam packed. A thick wide and tall gentleman stood right in front of me. Two slender women dressed in German Tyrolean dresses got on stage. They each got a beer out of a cooler and popped off the caps. They began a seductive dance to a beer song. I only caught a glimpse of the one girl when she moved to stage right. Soon frilly under garments were flying into the crowd. John Theisen kept picking them up and putting them back on stage. The girls began to sway and stagger as they sipped and danced. Before I could close my mouth and put a pencil to the page, it was over. The girls bounded off the stage, their shiny symbol shaped pasties bouncing. They gathered their garments and exited stage left. Perhaps I’ll have a clean line of sight and get a sketch next time.

Another band started to set up their equipment on the small stage. They were all young college kids in stone washed cut up jeans. The Getbye was emblazoned on a drum set. I considered another sketch but decided I had enough eye candy for one night. I headed home. I had started the evening thinking I would sketch the Bloody Jug Band. I will have to catch them another night. Hopefully plenty of money was raised for a Gift for Music and the Crealde School of Art.

Crealde

On Sunday mornings from 10am to 12:30pm there is a figure drawing class at Crealde. I go periodically to play with new materials and to experiment. The drawings I have been doing for the Mennello Museum mural are being done on larger sheets of bond paper with pencils, prismacolor and watercolor. There is a good chance that sketches done for future blog posts will be done in this larger format. The bond paper I have started using accepts watercolor washes with ease. I love being able to throw down loose gestural washes and then putting line work on top of it. The pens I usually use tend to clog up if I sketch over a wash. What I need now is an 11 by 17 inch hardbound bond sketchbook.