Broomstick Pony Workshop

Preparations are underway at Urban ReThink for Orlando’s first ever Broomstick Pony Derby. Megan Boye, from Ibex Puppetry, brought along a wide assortment of materials for people to use to create their own broomstick pony. I was most impressed when she lugged in a huge military knapsack that was bulging at the seams. It turned out that the knapsack was full of fluff which would be used to stuff each horse head.

I followed a mom and daughter team as they created their red striped pony. In the conference room all the supplies were spread out on a long table and people were free to pick anything they wanted for their creations.  The room was a constant flurry of activity as head patterns were cut, hot glued and sewn. Every horse head was unique.

Orlando used to host fun quirky events like the Cumquat Parade. The Broomstick Pony Derby is  attempting to bring back that fun, civic minded, artistic sense of community. Folks of all ages will create and race handmade broomstick ponies, zebras, ostriches, aliens, you name it. Spectators will enjoy light-hearted races with whimsical outcomes. The Derby celebrate community and creativity and will raise funds, friends, and awareness for enhancing Urban ReThink’s operations and programming.There is one more pony making workshop on August 16th at 6:25PM to 9PM. There is a Broomstick Pony Showing, TONIGHT from 6:25PM to 9PM. The Derby will take place on Saturday, September 22, 9:00 to 11:00 am on Central Boulevard outside of Urban ReThink. May the best horse win. Broomstick pony galloping to local businesses will continue after the big race!

Night of Fire

Crealde held an event called “Night of Fire” at the school campus (600 St. Andrews Blvd. in Winter Park). Tiki torches lined either side of the long gravel path leading back to the school. I wandered around trying to decide what I should sketch. There was a huge kiln about 8 feet tall that filled a shed. It was burning hot but there was little activity around it. I then found this little garbage can kiln in action. The garbage can glowed red hot, sitting on top of fire bricks. The flame was fed by a propane gas tank. This is referred to as Raku firing.

Lynn Warnicke would remove a properly heated ceramic pot with long metal tongs and place it in a garbage can with newspapers. The newspapers would smolder and then burn. I was blinded quite a few times by the smoke, finding myself downwind of the cans. A garbage can lid would be lifted and then the tongs would be used again to drop the pot in a vat of water to cool down. The finished and glazed pots would then be lifted by hand and placed on a bench where they were all lined up.

There was a constant flurry of activity and I was never certain if I was catching the right moment. I learned about the process as I sketched and now that I better understand it, I would probably get a better second sketch. There was no time for a second sketch. I walked around searching for Terry. There was a cool sculpture behind the school, lake side, that shot up a blue flame into a tall glass tube. There had been a bronze pour but it was finished before I got there to sketch. A story teller waved her arms as she spoke to enchanted children and parents.

Inside the school, Ken Austin was demonstrating his watercolor techniques and Megan Boye was in the print department showing people the process. There were prints and paper hanging and lying everywhere. It was an amazing event. I probably cold have learned a thing or two had I lingered.