Pandemic Film: Screaming Monkeys

I am taking a bit of a break from my COVID Pandemic series to work on a film about the pandemic. Each day I will post a screen grab of the work in progress. I am using three years of editorial illustrations about the COVID to assemble a film that will be about 3 minutes and 44 seconds long. That will be a bit linger once I add the title and credits.

In this view of Adobe Premiere Pro you can see the many layers used for each shot. The layers are arranged with a background, mid-ground, and foreground. On top of all that are painted washes and breath effects. In this particular shot, every hand has it’s own layer allowing for some chaotic movement.

Editing is a bit like juggling ten balls at once. I animated each layer separately to achieve a parallax effect, with the foreground moving faster that background elements. The effect is close to what I want, but I am thinking it could be better. I will probably start learning Adobe After Effects so that I can arrange the layers in the equivalent of a 3d diorama. In that program I would have full control of how far each element is from the others and I could control the movement of a camera. With Premiere Pro I feel like I am moving flat planes, and the camera is static.

I want the effect to feel like the 3D effect that can be achieved in Facebook. I used that effect a few time and liked the results. There are however blurred edges around the separate layers when the images moves, so it is not a perfect solution. Right now I am not sure what the perfect solution is to get the effect I want to achieve. After Effects might help or there might be a better solution out there that I just don’t know about yet. Hopefully with experimentation and trial and error, I will get the look I want for all 244 shots that might be in this film.