My Pal Bette at Fringe

Posted on by Thor

Tammy Kopko returns as Bette Davis, the chain-smoking, tough-talking, Hollywood DIVA and unlikely guardian angel and mentor to awkward 5 year-old Tommy Klein, (Rhyse Silvestro) in the this special anniversary production of the Fringe and NYC hit comedy by John Ryan.

Tommy, smothered by his needy mom, (Janine Klein) finds he needs more guidance as her grows up and he finds it in Bette Davis. Tammy’s performance as Bette is spot on, her every nuance is inspired by the ballsy disdain of this Hollywood DIVA. She is truly a force to be reckoned with. Her mission is to earn her wings guiding the young Tommy towards adulthood. Demonic puppets act as the young boy’s inner demons but they fall flat as guiding voices.

A date goes horribly wrong when an attention starved girl (Melanie Leon) throws herself at the young boy. Her performance is wide eyed, manic and over the top funny. As she freezes in mid kiss, Tommy gets up from the couch and turns to his diva for advice. She advises him to follow his inner voice and that doesn’t lead him to want to pursue women.

The young Tommy grows into a teen, (Clark Levi) ready for college. He ends up rooming with a misogynistic dude as a roommate and Bette earns her wings when the sensitive Tommy stands up for himself. As she says, she gets her wings any time a frat boy screams.

Tammy Kopko as Bette Davis was fabulous. Every moment she was on stage was pure gold. This was a fun romp and the few moments that fall short are easily forgiven for just one more moment of the DIVA’s attitude. Look no further for your next Fringe Crush.

Tickets are $12 plus a $10 Fringe button needed to get into any Fringe show. The show is in the Gold venue inside the Orlando Museum of Art, 2416 N Mills Ave, Orlando, FL 32803.

Remaining show dates are:

8:45 PM 

10:15 PM 

5:00 PM

Uncertainty at Fringe.

Posted on by Thor

Eric Pinder wrote and stars in Uncertainty, in which he goes back in time to give advice to his younger self, Blake (Clark Levi). Clark has an uncanny similarity in appearance to Eric and he manages to mimic Erics every Mannerism. Blake’s demanding mother (Jessica Hoehn) is determined to see her son go to Princeton to become a lawyer but he has more artistic ambitions. The house lights flashed as Pinder returned to his past to confront his younger self in his 1960s tie die shirt. His first advice to himself was to moisturize his skin. Of course Blake doesn’t believe he is speaking to himself so Pinder had to convince him by remembering very specific  events form his past.

In a very convincing scene, Blake confides in a boy friend that he is attracted to him. The feeling is mutual and there is nothing quite like seeing young love bloom. When his mom finds out he is gay, she is confused. It doesn’t fit into her grand plan for her son. There is a lovely scene in which her husband comforts her and the love between the married couple feels tangible. That level of affection used to seem unreal but I’m starting to appreciate it. The mom as the antagonist was on stage for only brief moments, yet she must have been a huge influence on young Blake. Why did she project so many ambitions on her son?

At on half hour, the show flew by leaving me wanting more. I barely had time to get my tiny sketch on the page. I imagine that going into your past could be useful, but the only tangible message seemed to be to stay true to yourself. The visit from the future must have prompted the ability to come out to his parents. Hiding who you are must have lasting future repercussions, but they were never discussed in the play. Friends and family accepted him for who he was. Most already knew.