3 Little Pigs First Pass

The first pass at The 3 Little Pigs poster for the Orlando Shakes kept with my usual approach of depicting the characters with realism. I only put one pig in the courtroom at the time. So what happened to the two other pigs? Chances are that they had already been devoured. The one pig remaining would be the one with the brick house.I like little baby pig ears, they are large and look like they belong on bats.

The wolf looked like your average wolf in a green pinstriped suit. Notes I received helped immensely to push the poster in a fun direction. I was advised to look at The Grinch Who Stole Christmas and look a the Grinch’s sneer. He had an amazing sneer that would curl infinitely. Chuck Jones is the director of that film and he has an amazing knack to draw characters with appeal and tons of emotion. In the shorts he directed he would personally draw many of the key poses of the characters to get the animators started. He knew exactly what he wanted.

I would of course need two more pigs and they should also not be as realistic. They needed to be angry or scared depending on their character. In the Disney animated short each of the pigs had a definite personality. That film came before Snow white and the 7 Dwarfs and I believe the level of thought that went into giving each pig a personality late translated into the clear personalities given to each dwarf.

The type face I had picked for the title was also rather plain and not very playful. That would also require some major rethinking. There was a whole lot of type that needed to go on this poster with all the credits and the tag line, so the vertical image would be more like a square image after the type was in place. I figured I should embrace that and add bars of color to isolate the text from the courtroom scene.

I incorporated a red jury box and red witness stand. They have subtly different wood treatments. I don’t know if any one seeing the poster would notice that. I would keep many elements like the pointing fingers, the green suit and jury box but everything else needed a facelift to make it more playful. The wolf had literally no expression other than hunger I suppose. He needed a dose of anthropomorphism.

I still didn’t want a flat 2d animation look. I needed a mix of playful expressiveness and realism. This pass had far to much of the latter. Back to the drawing board, or in this case, iPad.

Crealde School of Art Urban Sketching Class

The Spring Session of my Urban Sketching Class at Crealde School of Art (600 St Andrews Blvd Winter Park, FL) will start March 29, 2020 and run for 6 classes. The classes are on Sunday mornings starting at 9:30am to 12:30pm. Each class begins in the main campus classroom where I introduce a premise. Much of the focus is on learning to create compositions that use the whole page. The supplies are cheap and easy to find, a sketchbook, pencil and eraser, pen and ink, and watercolor. The main hope is to share my love of sketching on location every day and to carry a sketch journal wherever you go.

In this class I had introduced some basic human anatomy (note the blackboard sketches) and the students are tasked with sketching one another being sure to get more that one fellow student in the sketch. For each student I go around and dash off a quick composition sketch. I know that an important aspect of this assignment was making students in the foreground large and far students small. My notes are usually dashed off on my iPad so I don’t waste paper. But if the student wants I do it in their sketchbook as well. In this note, I wrote BIG to stress the importance of making the foreground figure big and then focusing on the smaller figures behind. I am also showing the way to use tile floor and paneled ceilings to stress one point perspective to draw the viewers eye into the scene. We learn by doing. The goal is to produce a lot of sketches consistently. A sketch by definition is never complete so there is less pressure and the next sketch will be better having learned from what didn’t work at the moment. As Chuck Jones said, “All of you here have one hundred thousand bad drawings in you. The sooner you get rid of them, the better it will be for everyone.”

Urban Sketching: Tips and Techniques

  • Class starts on: Sunday, March 29, 2020
  • Duration: 6 Weeks
  • Sundays | 09:30 am – 12:30 pm
  • Location: Main Campus
  • Fee: $290

 Enroll now!