Yesterday This Was Home: Painting The Driver

Though many storyboards are being posed in order, I decided to start posting scenes that I am working on at the moment. Right now I am painting this animation that I completed yesterday. I still need to paint his eye brows, the band around the brim of his hat, and his upper lip and tongue. I tend to do one element at a time going through all the drawing and painting just that one thing at a time. For instance I painted his skin tones from frame one to frame 179. Then I would go through and paint all the coat tones from start to finish. I have one frame fully painted that I reference when starting each step.

This is a dialogue scene with lots of head shaking an a big hand gesture towards the end.  This is about my third dialogue scene and I am getting much better at tying down the subtle movements. In a few hours I should be able to see this cut into the final edit and see how it plays with the sound.

One advantage of Callipeg is that I can carefully paint around the edges and then fill the color quickly by just tapping in the area twice to let it auto fill. As you can see, at this moment the driver is saying, “WeLL”

This short will be on display at the Orange County Regional History Center (65 E. Central Blvd. Orlando, Florida 32801)  for the special exhibition, Yesterday This Was Home,  on display October 3, 2020 – February 14, 2021

The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history.

Events unfolded on Election Day 1920, when Mose Norman, a black U.S. citizen, attempted to exercise his legal right to vote in Ocoee and was turned away from the polls. That evening, a mob of armed white men came to the home of his friend, July Perry, in an effort to locate Norman. Shooting ensued. Perry was captured and eventually lynched. An unknown number of African American citizens were murdered, and their homes and community were burned to the ground. Most of the black population of Ocoee fled, never to return.

Yesterday This Was Animation

Cross dissolve to the character now walking to the Orlando Bus Station. This re-used the animation form the first shot but the animation had to be repositioning. I was hoping I could move the animation as a whole in Callipeg but that solution evaded me. Instead I re positioned each drawing one at a time making sure the foot positions lined up on the pavement.

Today was a good day of production, I got a bunch of boards done and several of those seem animated since I used the Procreate video playback feature to recreate the process. I get my best ideas as I am waking up in the morning lying in bed and this morning I came up with the idea of having negatives playback when the character reflects on our countries history of racism. I had one of these Ah-Ha moments each day when I was doing my COVID-19 series of illustrations. It was hard to stop the COVID-19 series since the ideas keep coming, But now that I am animating again, I am loving the process and getting lost in the work all day and into the night.

At first the project seemed impossible on the tight deadline, but I keep chipping away and things keep falling into place. There is a definite sense of serendipity that comes with making a film. Working from the oral history makes boarding a breeze since the length of each shot is determined by the narration.

Again all this work is being done of the exhibition titled, Yesterday this Was Hone: The Ocoeee Massacre of 1920. The Exhibition is on display from October 3, 2020 to February 14, 2021 at the Orange County Regional History Center. The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history. This exhibit is sadly still relevant today with the election coming up in November,  since America has never been able to fully address racism.

Yesterday This Was Home: Learning to Walk

The first scene opens with a close up on the Christmas star in Downtown Orlando. I created the sketch and painting in Procreate. The great this about that program is that you can play back a movie which shows every stroke creating a time lapse replay of the painting as it was created. I tool that movie and panned town to the street level. The sketch is created as the camera move happens and when I got to the street I lap dissolved to the final painting to save some time. A young boy walks across the street with a suit case in hand.

I fully animated this scene to test out thee program I plan to use to do all the animation for the project. The program is called Callipeg and it was designed to be used on the iPad. The program is surprisingly intuitive if you have animated with paper and pencil before. That reminds me, I am writing this entry because my Apple Pencil has run out of battery life and I am waiting for it to recharge. A good old wood and graphite pencil never needs to be recharged and sharpening it takes just a second if yo have an electric sharpener.

I animated my character taking four strides across the street and the scene required 97 drawings. I am learning by trial and error discovering ways to save time each time I animate a scene. Since I decided to keep the head and torso still, I could cut and past those elements from drawing to drawing and just animate the legs and arms. Having him carry a suit case had the added advantage of fewer arm swings to animate. I  used the standard timing I teach most students at Elite Animation Academy. Each stride takes about one second or 24 drawings to animate. I am experimenting quite a bit with timing to see when I can get away with animating on twos and fours when possible. That means each drawing is held for two or four frames of film. It can save on the amount of drawings that need to be done.

In traditional animation you flip the drawings as they are created to watch the motion as you work. In Callipeg, three fingers scrolling up and down the screen accomplish the same effect. For some reason my pencil turns into an eraser unexpectedly while I animate so I have to be very careful with how I touch the screen. Just selecting multiple frames in the timeline was a challenge. You have to touch and tap twice very fast and drag to make the selection. I had to practice most of an evening because the selection would just move the frame I tapped on.  So much of my time is being spent training myself on developing just the right touch so the computer knows what I want.

This scene is part of a short being show at the Orange County Regional History Center for their exhibit on the 1920 Ocoee Massacre. The exhibit is titled, Yesterday This Was Home. This special exhibition is on display October 3, 2020 – February 14, 2021.  The 1920 Ocoee Massacre in Orange County, Florida, remains the largest incident of voting-day violence in United States history