Universal Parking Nazi

On March 1st, the Coalition for the Homeless of Central Florida hosted a fundraising concert at Hard Rock Live. Hard Rock is located at Universal Studios City Walk complex. After 6PM, the parking garage becomes free for Florida Residents. I left home later than usual to make sure I got to Universal after 6PM.

There was a long line of cars waiting to get past the parking admission booths. When I got up to the booth, the collections agent asked me for my Florida drivers license which I was happy to show him. Now my license isn’t the prettiest thing in the world. It is dog eared at the corners and the renewal stickers that Department of Motor Vehicles keeps sending tended to slip a bit from being in my hot wallet too long. Anyway, I’m holding my license out the window and he barks at me that he needs a FLORIDA License. “It is a Florida license.” I respond. He frowned and took the card from me, then handed it back. “I can’t use that”. He said. After some arguing, he did admit it was a Florida license, but he said “I can’t scan that.” “What? You didn’t even try!” was my response. “It is valid till May of 2013, read the back.” I got five bucks out of my wallet since there seemed to be no way to reason with this Parking Nazi. I held my bill out the window but he took so long with the car on the opposite side of the booth, that I changed my mind. “I’m leaving.” I told him. He slapped a ticket on my windshield under the wiper and pointed me towards the exit. I turned on my wipers to send the ticket flying as I drove away.

After leaving Universal and cooling down, I decided to return to the parking garage but this time I would look for a female parking attendant. I figured a female attendant would be more reasonable than the Parking Nazi. It was quite a drive on side roads and a very crowded International Drive. When I drove up to the female attendant, she gasped when she saw the card, but she did let me into the garage. I probably wasted an hour of drawing time by arguing and driving in circles, but I was in. I stayed off the moving walkways and used the steps rather than the escalators, for the exercise and to warm up. Besides walking is often faster than the moving walkways.

There was a metal detector to get into Hard Rock Live. The security guard said, “You can’t bring that chair inside.” “Your kidding.” I replied, “What am I supposed to do with it?” “You’ll have to bring it back to your car.” If you’ve been to Universal, then you know that the parking garage is a loooong walk. If I had to walk all the way back, I’d probably leave in a huff. This was the last straw. As I was debating what to do, a second guard said, “Let him in.” I set off the metal detector then emptied all the art supplies in my pockets onto a table. Finally I was in.

Betsy Dye who had recently started working for the Coalition for the Homeless of Central Florida greeted me in the lobby. Her warmth and cheer melted away my frustrations. I went up to the White Lennon Room where people were able to meet the band members of 38 Special. The band members hadn’t arrived yet, so I went out on the balcony and sketched there. It was a cold night, so I drew fast.

Winter in the Park Ice Rink Opening

On Friday November 16th at 3pm there was a Winter in the Park Ice Breaking Ceremony for the outdoor rink at the Central Park West Meadow.  I was running late to the opening which would involve breaking a large peacock ice sculpture in the most dramatic way. That sounded like an enticing sketch opportunity. Walking through Central Park, I saw Emma Kuch Morris and Betsy Dye chatting on a park bench. I considered stopping to congratulate Emma on her recent marriage, but I was late! I heard then laughing as I rushed on with my art supplies slapping against my leg. After all that rush, I missed the peacock crushing. I didn’t even see any shards.

People were crowding around the rink to watch performers from the RDV Sportsplex Ice Den who began a special performance of “Babes in Toyland.” The performances were a bit too Saccharine sweet for my taste. The ice was then opened up for anyone to skate and I found far more entertainment in watching deep southern beginners falling repeatedly. A mom braced her little girl who was laughing with delight. Two teenage boys held on to the edge rails the whole time, moving in fits and starts.

The Ice Rink will be open till January 8th.  This is a great way to warm up to the holiday season, even if you’re a Grinch like me who delights in the carnage.
Info: (407) 599-3203, Skating includes skate rental $10. 

Hours:

• Monday to Thursday, 3 p.m. to 9 p.m.
• Friday, 3 p.m. to 10 p.m.
• Saturday, 10 a.m. to 10 p.m.
• Sunday, Noon to 8 p.m.

Shakespeare Gala

Terry and I were invited to the Shakespeare Gala by our lawyer, Keith Hesse. I quickly set up at one of the tables and started sketching this couple enjoying champagne and food from local restaurants. The circular Patrons Room had all of the silent auction items. At the end of the evening I noticed that none of the art work had sold. Jeff Ferree who works in the Shakes scenic shop stopped by my table to say hello. It turns out he was the model who posed in the red t-shirt and ruffled collar for the Shakespeare poster in my sketch. I asked him to stick his tongue out to verify his identity. Betsy Dye who does the graphics for the Shakes said hello as well. She acted as a spotter during the live auction.

There was a live auction later in the evening and all told, over one hundred thousand dollars was raised to help support the theater. I showed a sketchbook to Harriet Lake and I was pleased that she took delight in flipping through the pages. I let her know that I had sketched her reading Catcher in the Rye and she responded, “So you are that guy?!”  Actors quickly acted out a scene from The Complete Works of William Shakespeare Abridged. Delivered like a fast paced sports commentary the scenes were witty but I’m not fluent in all the plays, so some references slipped past me. The Shakes staff are fun and vibrant.

Andy Matchett & The Minks


I had seen Andy Matchett & The Minks perform once before at a RIFF fundraiser at the Cameo Theater. They performed late that evening and I had put away my sketchbook. I had so much fun at that concert just dancing and jumping. It was a playful rave experience. Ever since then I have been looking for a chance to sketch this band in action. Andy told me about a concert at the Social and I leaped at the opportunity to see them again.

I had just finished an afternoon of sketching people for the Mennello Museum mural. Angela Abrusci had posed in a beautiful vintage dress as she applied lipstick and James and Jasmine Barone had me in stitches, joking and teasing as I worked. She held a parasol and he was in a kilt. When the sketches were done, I walked across the street to the Fringe festival’s green lawn of fabulousness to get some dinner. I bumped into Jeremy Seghers who was also going to see Andy Matchett & The Minks that night. He told me the group would be performing around 11pm so I had time for a Fringe show. He told me all about the show he had created called “Squatters” and it was about to begin so I rushed over to the theater. Jeremy told me the Social was on Orange Avenue just south of Colonial Drive.

I parked downtown in my usual “supersuprimo” spot and started walking towards Orange. I passed a cheesy mural which offered no inspiration. When I got to Orange I made the mistake of turning right to walk north towards a club I had been to before. After five blocks I realized I was lost. I looked up the Social address on my cell phone and went the other way. I was a sweaty mess when I got to the Social, where I was issued a green wrist band and ushered inside past the bouncer. I immediately saw Betsy Dye and Emma Kruch and my spirit lifted. Another band was performing and they were LOUD! I shouted a greeting to Betsy and she shouted out that this was a rare night out for her. Jeremy waved me over and I gave up trying to shout over the music. I found a spot where I decided to plant myself to sketch. I used the band on stage to block in where the Minks would likely be once they performed. Then I sketched the dancing crowd.

As Andy Matchett & The Minks set up, I continued to sketch. Before they played, a band member handed me some confetti. Jeremy found some seats and I joined him. The performance was pure unbridled fun. The second they started playing, confetti cannons sprayed vast clouds of heart shaped confetti over the crowd. Hair driers kept the confetti and streamers airborne through the whole show. Blowers sent streams of toilet paper into the crowd. Betsy collected the paper and wrapped herself into a fashionable cocoon. The lights flashed various colors on my sketchbook page. I imagined the Japanese animation that caused seizures in children. A parachute was unfurled over the cheering audience. Britt Daley had performed earlier that night and she introduced me to her mom, Gazelle. Jeremy kept getting bonked in the head and we laughed. Robbie Senior, a giant red robot from “Dog Powered Robot” invaded the stage. An epic laser and confetti battle followed. The crowd went wild. A wine glass crashed to the floor. A woman who had been sitting demurely all evening, was now dancing up a storm. The next day when I opened my sketchbook to see what I caught, a pink confetti heart fluttered to the floor.

Louder Than a Bomb

I began my evening by going to the Regal Cinemas in Winter Park. I arrived an hour and a half early in order to have some time to sketch before watching films. I walked back to the two theaters that were set aside for the Florida Film Festival. In the hallway student volunteers were waiting around between screenings. Their job was to collect tickets and hand out ballots so the audience could rate the films. While I sketched, Jeremy Seghers and a friend stopped to say hello. Jeremy told me I HAD to see Louder than a Bomb! He was adamant, and he told me I would love it. With a spirited review like that, I had to see this film. I rushed from the Regal to the Enzian theater.

Mr. Happy Man by local filmmaker Matt Morris was screened first. I met Matt, Emma Kruch and Betsy Dye in the theater lobby. Matt wanted to get in early to get a seat for his screening. The volunteers turned him away offering no VIP treatment. This offered me the chance to meet him and shake his hand. He complained that the shoe laces on his sneakers were too long. Betsy dug into her bag and pulled out a crochet needle. She kneeled down and shoved the needle under the crossed laces and then she pulled the looped ends of the knot down underneath. It was a sudden inspired solution that very well could cause a national fashion trend. Mr Happy Man was about an inspiring character, named Johnny Barnes in Bermuda, who stood at a busy intersection each morning shouting out his love and blowing kisses to everyone who drove by. People came to depend on him and were reassured by his constant presence. A sculptor did a life sized bronze statue of him to commemorate his message of love. Here was a man with a simple message we all can learn from. Life is beautiful, don’t waste it being upset or stressed. Let people know you love them.

Louder than a bomb was a documentary about high school students who compete in a spoken word competition. The film followed four students from two different high schools as they prepared for the competition. Steinmetz high was located in an underprivileged section of Chicago. In their neighborhood there were few opportunities. The first year they competed in the slam, they won. They hoped to repeat that performance. Oak Park high school was in the quiet suburbs, a privileged school in comparison.

What made the film so vibrant and vital was the creative spirit and drive of the students. Nova Venerable, a young Indian girl had a father who was a substance abuser. She basically had to raise her little brother since her mom had to work multiple jobs to keep the kids away from the father. Nova had not spoken to her father in years yet her poetry about him was filled with both anger and love. She started high school angry, often fighting with other students. She said, “My life seemed to fit once I started writing.” Her brother, Cody, had special needs, with a form of autism. Her poem about him was filled with the purest love and yet she feared he might forget her when she went away to college. Her poetry was so raw and honest that it would silence the audience.

Adam Gottlieb felt he had grown up privileged since his parents supported him allowing him to pursue his dream. A poem he wrote about the simple act of writing sparked with life. Every line flowed forth, a constant stream of expression, the words piling up in the rapid need to be expressed. The poem poured out of him with such force that he was short of breath. Then he paused for the longest time and said, “poet breathe now.” The audience breathed with him. The audience on the screen erupted in applause as did the audience in the Enzian theater.

Because of the challenges faced by the students from Steinmetz, I found myself rooting for them. Five judges scored the poetry from one to ten points. High and low scores were removed. The final competition came down to a matter of one tenth of a point. There were tears of joy and sorrow. Nate from Steinmetz stressed that the world is bigger than a poetry slam, that the poets should not be afraid to step beyond the papers edge. All the students were learning to be inspired by people that were different than them. They were becoming true students of life. Louder than a Bomb explored the pure joy of students striving for creative expression. They left their hearts on the stage and that is inspiring, a gift to anyone who would listen! The movie audience stood and applauded. I wanted to jump and shout ready to wrestle my own need for creative expression. You need to see this film!