Changing of the Art

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A retrospective exhibit of the sketches I have done in Orlando will be opening on March 21st from 7pm to 10pm at Snap in the historic Cameo Theater (1013 E. Colonial Drive Orlando FL). I stopped by Snap on the final day of Flight, a group show of photographers and other artists. At 4pm the gallery closed and Patrick Kahn popped the first labels off the walls. He explained that this moment was always a bit sad, like the circus leaving town, but when the walls are bare again, his excitement builds. Its like when you open your sketchbook and are faces with a white page. There are so many possibilities.

The two interns, Emily Jordan, and Diana Rodriguez, who were at the front desk, left at 4pm and then Patrick’s wife Holly arrived with their two children, Luke and Juliet. Juliet saw my open sketchbook on the floor and she crouched down to look. “You drew that right now?” When I said “Yes”, she stood and shook my hand with enthusiasm. I was surprised by her adult politeness and respect. Holly had put on blue surgeons gloves and she flipped through the sketchbook to let her kids see. Their enthusiasm was the best affirmation that I’ve felt in a long time. They have grown up around art thanks to their parents. Holly told me that Patrick used to keep sketchbook journals as a child. He passed on this tradition to his children and apparently Luke has displayed some unique talent in his journal. No wonder the kids loved seeing my sketchbooks.

The large photos were quickly but delicately removed from the walls and packed away. Holly helped Patrick and Vince Santilli at every step while Luke and Juliet worked at their computers, but Luke became impatient. “Mom, when can we go!” he shouted. The question was repeated multiple times until Holly decided to recruit him to do some of the work. She gave him a drill and let him assist in removing some of the screws in the masonry. He climbed the ladder and she climbed up behind him to be sure he didn’t fall and to help with the heavy drill. This was serious “man’s work” and Luke  loved it.

When it came time for the kids to go home, Luke shouted out, “Dad, we are proud of you!” Holly, next to me raised her hand to her chest and sighed. “It’s moments like this when you realize it is all worth it.” she said. It was heart warming to see this family working together to make a dream become reality. The next day, my sketches would go up on these walls.

Utility Box Art

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While driving home from Sam Flax, I noticed this artist painting a utility box in the Mills 50 District. From an article I read, I know that artists are paid $200 to paint a box. That might be enough money to pay for the paint and brushes. This artist was smart since he had a festival tent which kept him out of the scorching Florida sun. He had to maneuver around all the tax refund and foreclosed home signs. He had painted this box once before, but it was taken down when a new 7-11 was constructed on the site.

The weekend before, the auto air conditioning shop across the street caught on fire. He kept painting as fire trucks showed up on the scene. His box depicts urban buildings at odd angles and a single puppy on each panel. You can’t go wrong with painting cute puppies. The box is on the corner of North Ferncreek Avenue and Colonial Drive. Grab a 99 cent big gulp at the 7-11 if you stop by, or glance quickly to the right up Ferncreek if you are driving west on Colonial at 50 miles an hour.

I can’t believe I didn’t write the artists name on the sketch. I did write it in a notebook, but for the life of me, I can’t find it. If you know this artist’s work, please let me know. I might have to drive by and see if the finished box is signed.

John Mahoney

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I met John Mahoney way back in 1994. We were both interns at Disney Feature Animation, going through a six month training session. John always had a rebellious streak and the work he produced was inspired and only a loose interpretation of the projects. For instance, one assignment involved doing the inbetween drawings for an old Goofy animated scene. All the keys were supplied as xeroxes and we just had to add drawings to smooth out the action. It was mind numbing simple work. John created drawings under the animation camera making it seem like the drawings were spontaneously creating themselves.

We both ended up working at Disney but John made his way into the creative development department because of his uncompromising ways. I didn’t realize that he had been forced to work in the effects department, a position that he despised. He essentially began his own private sit down strike, allowing scenes to pile up on his desk. Rather than getting fired, he was given an office in creative development. A perk of the job was that he could order any art supplies he needed. If he wanted to do some watercolors, he could order a complete deluxe set. If he decided to use gouache the next day, the he would order a complete deluxe gouache set.

He did development work for the film “Kingdom in the Sun” which would later be called “The Emperors New Grove.” The film was being pitched to Michael Eisner, Aka Darth Vader. Don Hahn, the films producer gave an amazing in depth story pitch.  Michael wasn’t impressed. He said the film felt like a National Geographic documentary and he said the film couldn’t be made. John had been throwing together a short two minute animation that sort of explained the Mayan Creation myths using spontaneous drawings and loose brushwork. Michael saw that short and the film was saved. It is a shame the final film became so watered down.

John is now deeply committed to using Z-Brush to create fanciful and dark imagery. His quirky sensibility affects every project he tackles. Although he is an amazing draftsman, he is drawn to sculpting which he feels is a more pure and convincing way to portray form. He collects immense loose leaf folders full of artist work that he is inspired by. When he works, he surrounds himself with these inspiring images. When discussing how to pick a color palette, he said he likes to look at how ancient civilizations have used color. These cultures developed their color sensitivities over many centuries so the colors have become established. I am amazed and inspired by his drawings done on location.

Chasing Jonah

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On January 10th, Terry and I went to “The Dapper Date: Celebrating the Art of Fashion” at the Maitland Art Center, 231 W. Packwood Ave., Maitland Fl. Other People’s Property, which specializes in vintage clothing, showcased fashions from each decade, and clothing was on display and
for sale. One hundred percent of the proceeds were donated to the
Art and History Center. Terry was looking forward to seeing models sporting the various vintage outfits. We got there pretty early and immediately did see some slender models sporting their makeup cases.

“Culture Pop!” is a monthly, one-night-only pop-up exhibition of Central
Florida artists and artisans. Guests took part in interactive art
happenings, listened to “flash fiction” and literary readings
performed by Maitland Poets and Writers, and relaxed in the museums’
Mayan Lounge with music, mingling, beer and wine. Someone had a barn own that he was showing to guests. A native owl swooped down out of the nigh sky, curious to see the owl perched on then guys arm.

Cuban born artist Jake Fernandez gave a quick talk about his work on exhibition, “Constructed Landscapes”. He works with a wide range of media including, collage, drawing and
painting. His work moves between
realism and abstraction with mechanical precision as he documents the
beauty and mystery of the landscape. This show is on display through February 28th. He used thousands of photos and cuts them apart and reassembled them like an intricate mosaic in his final pieces. The final art resembled aerial photos of vast landscapes. Larger pieces are built using a grid which remains visible. Terry was curious about the shadow box frames he uses for his work. Apparently this is the way most museums frame and store work. Jake will be in isolation in one of the at the Maitland Art Center studios for the month of March. The windows will be blocked up so that he gets no sense of night and day.  web cam will be set up so people can see how this isolation affects his art. I sketched Robert Ross in this studio and can vouch fort the face that the room has now windows except a tiny window in the bathroom.

Though I spotted a few models in the hallways, I never noticed them doing anything resembling a runway show.  Chasing Jonah performed in the Mayan courtyard. The bass player, Brandon Miller, recognized me because I had sketched him performing onstage for the play, Hedwig and the Angry Inch.  Ashley Dudukovich, had a strong earthy singing voice as she performed mostly original songs. One person from the audience asked for them to do a cover, but they kept sharing original tunes. Sketching became easy as I lost myself in the music. I was seated right in front of the spotlight that illuminated the performers. Mayan base reliefs glowed in the stage lights as the night sky became a deep dark purple.  Ashley was curious about my sketch between sets. She let me know that an animation exists that was done for one of her songs. Chasing Jonah is now recording their first album so it is an exciting time for the group.


Terry joined me listening to the music but lost patience and left. As I sketched, she explored the artists studios. I texted her when the sketch was done and she texted back that she was posing nude for a sculptor. I feared that my sketch had taken to long to finish. I started searching the studios to see what she was actually up to. I asked a couple of friends to keep their eyes open just in case they saw Terry nude somewhere on property. The search posy expanded. I eventually found her in Dawn Rosendahl‘s studio and she was fully dressed. Disaster averted.

Leigh Tarentino

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Leigh Tarentino is now the Artist in Residence at the Maitland Art Center. On January 7th she gave a talk about her work at the Cottage on Lake Lilly in Maitland. Leigh was the resident artist between December 30th of 2013 and January 17th of 2014. She came to Orlando from her home state of  Rhode Island.

Tarentino creates
paintings, works on paper, and digital prints constructed from
photographs of the built landscape. She received a BFA in Painting from
the Kansas City Art Institute and an MFA in Painting and Printmaking
from the Rhode Island School of Design.  She is currently an assistant
professor at Brown University.

While in residence at the Maitland Art Center, she worked on several new panel paintings from her Memory of Snow
series. This series of small-scale paintings depict snowy winter
nighttime scenes of yards, houses, and gardens, often illuminated by
winter holiday lights on trees and bushes. The work she completed while
in residence in January will be included in a solo exhibition in March
2014 at the Falk Gallery at Christopher Newport University in Virginia.

I appreciated the fact that she creates finished works of art on paper. She feels that paper suffers from the stigma of only being used for preparatory sketches for larger works of art on canvas. She wants to change that perception and only works on paper. I appreciate the way she works on a series of paintings at a time. Much of the work she showed depicted fractured urban environments. She takes photos and then assembles the images in the computer, using that image to create the final piece.

She feels that people in cold environments use Christmas lights to add light at a dismal dark time of year. I hope she got out to see that Floridians go wild with Christmas lights probably because they miss the change of seasons. Leigh said, “The
time I spent here was refreshing and I am returning home with renewed
energy for studio work. I liked the small studio buildings and galleries
scattered around a beautiful central garden. I’m planning to do a
series about the layout and history of the Art Center as an artist-built
community and residence for the exhibition in October.”

Elysia Mann is the new artist in residence between February 3rd and March 17th.

Community Indigo Vat Dyeing Party

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On Saturday November 23rd, I went to Misty Forest (611 N. Hyer Ave., Orlando, Florida FL) to sketch a Community Indigo Vat Dyeing Party. Clay Curiosities (Jenn Benner) hosted the event. Jenn is an art instructor for children at Misty Forest. As she explained in her invitation, “Yesterday, I got witchy with an amazing group of women to explore the magic of Indigo vat dyeing. Indigo cultivation and vat dyeing are 5,500 year old traditions that have created trade routes, developed new civilizations, and spurned nations into war. Indigo has a rich communal history throughout the world. Our Indigo vat will last another week or two until it expires. I would like to invite our friends and community to help us use the remainder of the dye by hosting an Indigo Vat Dyeing Party. You are welcome to share in this exciting process by bringing a few 100% natural plant-based fabrics (cotton, hemp, and linen only) to dye in the indigo. You may bring clothing, accessories, yarn, pillow cases, tote bags, napkins, etc. Please do not bring sheets or excessive yards of fabric. Our vat is small and I ask that you limited yourself to 3-5 items. This party is free to workshop attendees and $5 for friends and community. Please wear old clothes and closed toe shoes.”

I anticipated seeing a large witches cauldron full of die but instead discovered a small orange paint bucket. The die had impurities floating on top making it appear like blue lava. When fabrics are first dyed they aren’t bright blue. The gradually turn blue as the dye oxidized in the air. Inside people were busy with string and rubber bands for intricate tie dye patterns and Shibori techniques. Shibori is a Japanese term for several methods of dyeing
cloth with a pattern by binding, stitching, folding, twisting,
compressing it, or capping. Some of these methods are known in the West as tie-dye. There is a definite thrill that comes when the dyed item is unbound and the intricate pattern is discovered. There were plenty of Ohs and Ahs as the items were shown. Leslie Silvia made pillow cases with one large circular tie die pattern right where the head would rest. The large pattern would make the person sleeping look like they had a halo. She said the pattern was inspired by dream catchers.

There were about 20 to 30 participants but only one person could use the dye vat at a time. Between dyeing sessions, the vat was capped to keep the dye from oxidizing prematurely.  Items that were dyed were soaked in water to remove excess dye, then they were unbound and hung on a clothes line. It was fun to witness people coming together to share a creative
project. Some people Jenn had instructed, later shared their knowledge
with friends who arrived later. I dipped a finger into the vat and rubbed some of the dye into a shadow area on my sketch just to see what it looked like. The raw dye was gritty and almost black on the sketch  I should have put some inside one of my water brushes. Oh well, maybe next time. Jenn said she plans to do similar workshops in the future since this one was such a success.

Stained Glass

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I love visiting and sketching artists studios. It was a rare treat to sketch an old school stained glass artist at work. Each piece of glass is carefully cut to it’s exact shape and size and then everything is held in place with leading. This studio was a warm inviting barn like structure next to the house. Someday I hope to create such a studio for myself, but for now, my studio is my artists stool set up anywhere I sketch. I learn a little from every artist I meet and sketch, but I haven’t found the time or place to make a studio where I feel at home. Perhaps it just makes sense to remain a tumbleweed going which ever way the wind blows. Yet still I envy artists who seem grounded and secure in their studio.

I often think of my own sketches like stained glass with the black line work being like the leading in a stained glass window. The thin watercolor washes let light bounce through to the white page to create vibrant color. Playing with translucent layers of color is very much like stained glass, in my case I just stain the page.

Mennello Museum

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I have been returning periodically to the Mennello Museum (900 E Princeton St, Orlando, FL) to do sketches of the exterior. This is my favorite sketch so far. I had to eliminate a tree to help streamline the composition. Trees have been disappearing at an alarming rate at the museum recently. The property is owned by the City of Orlando and they maintain the landscape. A large hole that looked like a grave marked the spot where one tree once stood. A wedding was happening that day and I imagine the happy couple posing for photos in front of the open grave where the huge root system had been dug up.

Another day I came to draw, bright yellow caution tape marked off a large area behind the museum.  A tree branch had fallen and the yellow tape was meant to protect an unsuspecting public. I hope the tree isn’t cut down to spite its branches. There is a huge Live Oak in front of the museum with sweeping long branches that swoop down and touch the ground. It must be hundreds of years old. It is a gorgeous tree. Spanish moss hangs lazily from many of the trees as a reminder that we are in the deep south.

Now on display in the Museum you can discover the Everglades through art. In 1935 American artist Eugene Francis Savage made the first of many
journeys into the Florida Everglades to study the Seminoles. Inspired
by his observations over two decades, he created perhaps the most
extensive painted record of the Florida Seminoles from the early 20th
century. These works reflect Savage’s concern for the plight of native
culture as tourism, land development and environmentalist debates
threatened their traditional way of life. Capturing the natural rhythms
of the Everglades, these works present a vision of Seminole life and
seek to awaken the imagination and inspire the spirit. This is a great series of paintings. Be sure to see this rare collection before it leaves on January 5th. Its a great place to bring family over the holiday. 

Admission for adults is $5. Members get in free. Get a loved one a museum membership this holiday season. It makes a great stocking stuffer and is a gift that keeps giving all year long. I have two free tickets to the museum for the first person who can name the artist whose pen and ink drawings with watercolor were published in 2000 as the book “Crackers in the Glade.” His work is now on display in the Mennello through January 5th. Just post your answer in the comments section to win, or e-mail the answer to analogartistdigitalworld@gmail.com.

The museum will be closed December 23-25 and December 30-January 1st.

Nostalgiart

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On November 20th, I went to Bart (1205 N. Mills Ave., Orlando, Fl) to see Christie Miga‘s Nostalgiart show opening. As Christie said, “I have created a small, yet completely rad spray paint show based on my favorite things as a child of the 80’s: He-man, Mario Bros., Jem, Garbage Pail Kids, etc. It’s been a few months since my last art show because I needed a little break from the deep thoughts and underlying meanings of my last show. So, I decided to just have fun and create art that simply makes me happy and for no other reason than that.”

Bart is a small bar that has vintage arcade video games from the 80s and 90s. I got there before the place filled up ordered a beer and started sketching. Christie and Evan Miga showed up shortly after and sat on the couch beside me as they finished up the food they had ordered from the food truck outside. Christie had what looked like a cake box but it was full of Christmas ornaments Christie had painted. AS friends and patrons filled the room, the couple mingled. One lady at the bar asked me if she could look inside the box beside me. I guess she thought I was in charge. I said it was fine and she looked through picking out several ornaments she might like to buy. I pointed out Evan to her and she approached him to complete the sale.

Evan has just recently gotten a dream job at Disney Imagineering. When I asked him about it, he sounded just like I did when I first started working at Disney Feature Animation. He is thrilled to be surrounded by so many amazing artists. Red dots started appearing under many of the paintings which were priced to sell. The paintings were fun and colorful with a powdery airbrushed feel. Many referred back to childhood animation shows but what attracted me was the bright patterns and colors achieved with stencils and occasional areas of hand painting. I’d love to see an entire car covered with these powdery abstractions. I mentioned the idea to Terry but she prefers the metallic grey surface that rolled off the showroom floor.

By the time my sketch was done, about half the pieces on the walls were sold and the room was packed and buzzing. Someone explained to me that this is the way you need to sell art in Orlando, by matching your work to the theme of a venue and offering it for cash that people might have in their wallet. Pop, fun and airy work seems to sell best in this theme park town. This show fit the bill and was a home run hit. Mark your calendar! The show is only up till the evening of December 23. Head over and check it out before the Holidays.

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