Illegal Art in Winter Park

Posted on by Thor

I went to the The Charles Hosmer Morse Museum of American Art (445 N Park Ave, Winter Park, Florida 32789) for Spring Friday Nights. The Museum’s annual Rites of Spring Celebration included free
admission, live music, tours, and more.

Of  interest to me was, The Domes of the Yosemite, the largest
existing painting by Albert Bierstadt (1830–1902), which was making its
post-conservation debut at the Morse through a special loan from the St. Johnsbury Athenaeum
in Vermont. The monumental 1867 painting, which had not been seen
outside the Athenaeum since its installation there in 1873. The huge painting was created in the context of the Hudson River School. These
loosely affiliated landscape artists produced grand, romantic images of
New York’s countryside. In this genre, no artist’s work was more luminous, theatrical,
or better loved. The painting was commissioned for $25,000.

I settled into a seat and started sketching the monumental painting along with a round Tiffany stained glass window that dominated the gallery. I had finished the line work and was blocking in some color when a guard stopped me. She was concerned for  the wood floors and asked me to stop. I have never spilled a drop of color doing my tiny watercolors, but she must have considered me an anarchist and or a slob. I added a few color notes like, Grey, Ochre, Orange, etc to let me know what my plan had been when I started painting. I then went outside the museum and sat on a bench to block in the colors there. That was an act of civil disobedience since sketching on Park Avenue is illegal in Winter Park. I walked back into the museum one more time to check the color scheme and went out to paint again. Outside it grew dark as the sun set. I grew discouraged and left. I haven’t returned to the museum since.

The Bierstadt is no longer at the Morse. Winter Park has an crazy back woods ordinance that prohibits the creation of art in it’s downtown streets. It seems the Morse also considers sketching, an illegal act. Sketching on the public bench outside the Morse could have been punishable with a $500 fine and or 30 days in jail. Welcome to the Central Florida arts scene.

Mother’s Day at the Mennello Museum of American Art

Posted on by Thor

I  went to the the Mennello Museum of American Art, (900 East Princeton Street, Orlando, FL 32803) to sketch the Free Family Day on the Second Sunday of the month. This just happened to line up with  Mother’s Day. At the front desk, there was a free rose for every mother who came to the museum on that day. On display in the entry gallery were fairly large twisted metal sculptures along with the preparatory drawings on the walls. I decided to sit on a bench and sketch the sextant who greeted guests and handed out roses to the moms. Quite a few museum guests brought their mom along for  a day at the museum.

On exhibit in the museum now is, “When the Water Rises: Recent Paintings by Julie Heffernan“, who uses the power of paint’s materiality and immediacy in the Mennello Museum’s exhibition.
She brings form to the reality of our environmental and sociopolitical
problems. This exhibition debuts nine new works by the artist.

Heffernan’s work explores the imagery of the mind’s eye to create
complex environments. Her recent paintings create alternative habitats
in response to the environmental disaster and planetary excess. With
rising waters, she imagines worlds in trees or on rafts in which
undulating mattresses, tree boughs, and road signs guide the journey.
Construction cones interrupt the landscape signaling places to stop,
enter tiny interior worlds, and reflect on the human condition—its
hopeless activity, violence, failure, and redemption. Heffernan tends
these alternative environments to safeguard bounties we cannot live
without. In other moments, she names and points fingers to those people
and activities implicated in recent calamities of both the physical and
socio-political environment. Intricately wrought, Heffernan’s paintings
evoke the fantastical allegory of Hieronymus Bosch and the sublime of
Thomas Cole and Albert Bierstadt.

Also on exhibit in the Marilyn L. Mennello Sculpture Garden outside are two large sculptures, “Waltzing Matilda” and “Twin Vortexes” by American sculptor Alice Aycock. The Mennello Museum inaugurated the Grounds for Exhibitions with these beautiful works which
were originally part of series of seven sculptures
in Aycock’s significant outdoor exhibition on Park Avenue in Manhattan
entitled Park Avenue Paper Chase. Grounds for Exhibition features
year-long large-scale sculpture exhibitions by nationally renowned
American artists who otherwise would not be shared with Orlando
audiences. The sculptures will be on display through September 2018.